"One of my favorite films is Red Sorghum, by Zhang Yimou, who’s an incredible director — just incredibly visual. The way that he shoots a film and takes a time in history and connects it to somebody; he takes a moment in somebody’s life and also connects it historically to what happened between the Japanese and the Chinese during the war. I just think it’s so elegantly done. It sort of shows not just what’s going on in the family itself, but links that personal story — you get involved in that and then connected to the backdrop of the war, how their family, how their business all kind of connects. It’s incredibly heartbreaking and very real. It was very impactful. I saw it when I was in college, and I was destroyed. [Laughs] Destroyed by that movie. There’s a quality in his movies that really stands out, that I haven’t really seen in a lot of other movies."

"I, as a child, loved Mary Poppins. Something about these misunderstood kids who couldn’t catch a break, and this fantastic woman coming into their life and showing them this other world, and yet also being so coy: “I don’t know what you’re talking about. What world do you mean?” I just really liked escapism as a child, I guess. The time element of Britain in another era, and then this fantastical element of going into pictures and cartoons and flying and laughing. It’s like it was so exciting to me, even though it came out 30 years before I was born. Something like that. It was a real go-to as a kid. In the last two and a half decades, it still works. It doesn’t drag. It’s still like the magic is still there. Whereas maybe other films from that era may or may not have aged quite as gracefully as Mary Poppins has."

"For obvious reasons, because I was big on Game of Thrones. I had seen The Station Agent about six months ago. “Let me check this out. Let me see what Tom’s about. I just worked with him; let me see what his work’s like.”Yo, I couldn’t take my eyes off the screen. Peter Dinklage, I mean, the way he carries that thing. Michelle Williams, Patricia Clarkson, and Bobby Cannavale? Just that cast alone, man. The way these people interacted together, you could tell this wasn’t words on paper. These were people living these lives, man. And I was like, “That is f—in’ acting right there.” I was pulling out my pad and pen and taking notes, brother. And then the way it ended, I was like, “Yeah. Yeah. Why not end it like that? It’s been real life through this whole thing. Why not end it right there?” I loved that. And that showed me right there that Tom’s not afraid at all"