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BackToTheMovies (56 KP) rated The Haunting of Sharon Tate (2019) in Movies
Jun 21, 2019
With it being 50 years since the tragic Manson murders in California we have a year of Manson movies. We have the independent film Charlie Says which explores Manson and his cult in sensitive detail before the tragic night. We have Tarantino’s Once Up A Time In Hollywood which has been given the go-ahead from Sharon Tate’s sister to be made. Then we have this. The Haunting of Sharon Tate. An overly exploitative piece that twists truths to create a narrative and completely trashes the legacy of the late actress.
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
August 8, 1969, the night that Sharon Tate, Jay Sebring, Wojciech Frykowski, Abigail Folger and Steven Parent were brutally murdered. The film focuses on the days before the tragic event. The movie dramatizes the slayings and plays on the notion that Sharon Tate predicted her own death in the days leading up to the slaughter.
Surrounded by bad acting and awful scripting it was a very poor choice to make this film in the first place. Writer-director Daniel Farrands has created an offensive and frankly insulting ‘thriller’. Hilary Duff stars as Sharon Tate and whilst she somewhat looks the part, she doesn’t have that raw magic and flair that Sharon had. This tragic event has been turned into some stock-horror slash um up movie with a psychic paranormal twist.
At one point Manson’s song ‘Cease to Exist’ plays to Sharon over a tape player and the Manson Family stalks Tate and her friends around her home. It really is that bad. The introduction of the movie shows real-life footage as a black and white Hilary Duff talks about her own death. The opening scene of the movie is enough to want me to turn off the film instantly.
The Haunting of Sharon Tate still
With no care or respect being paid to the real-life counterparts, the movie has very little to say other than ‘you’re going to die soon’. There’s no feeling of empathy. The Haunting of Sharon Tate is just a 90-minute exploitation of a horrific night in Hollywood’s history.
https://backtothemovies.com/exploitative-trash-the-haunting-of-sharon-tate-review/
Gareth von Kallenbach (980 KP) rated Paper Towns (2015) in Movies
Aug 6, 2019
As a teenager, you are always trying to discover who you truly are. You are constantly surrounded by images of what you are supposed to be and the cliques that define who you are and who you are not. What is normal? What is real? What is it about this time of our lives that makes us so susceptible to the pressures of adolescence and the need to stand out while also being accepted for who we are? In Paper Towns, Quinten (Nat Wolff), a very shy and quiet teenage boy is enthralled with his mysterious neighbor Margot (Cara Delavigne), whom he had become estranged with over the years.
He has his future laid out before him Graduation is on the horizon. He is headed to Duke University in the Fall where he will be a premed student before settling down and creating a family of his own. His plans are disrupted when Margot comes back into his life one night seeking his help to enact revenge on her friends. However, after this night of hijinks, she has gone missing which throws Quinten’s life into flux.
He skips school and begins an obscure scavenger hunt in order to locate Margot. He becomes obsessed with finding her and in the process discovers more about himself than he had ever planned. The film breaks from many of the tropes that we are accustomed to with teen films. This is by far, much more mature storytelling, offering even the ancillary characters some depth and a sense that they too have an identity.
The film, although is about Quinten and his seemingly love for Margot is much more than that. It is about the sense of reality that we have constructed. It forces us to question what is real and what is imagined. Who are we at the core? What matters to us when we are the only ones who are allowed to judge the circumstances and our actions? This is by far more than just a “Boy meets girl” tale. This is a film that makes its characters reflect on who they are and who we want to be seen and will leave audiences doing the same.
He has his future laid out before him Graduation is on the horizon. He is headed to Duke University in the Fall where he will be a premed student before settling down and creating a family of his own. His plans are disrupted when Margot comes back into his life one night seeking his help to enact revenge on her friends. However, after this night of hijinks, she has gone missing which throws Quinten’s life into flux.
He skips school and begins an obscure scavenger hunt in order to locate Margot. He becomes obsessed with finding her and in the process discovers more about himself than he had ever planned. The film breaks from many of the tropes that we are accustomed to with teen films. This is by far, much more mature storytelling, offering even the ancillary characters some depth and a sense that they too have an identity.
The film, although is about Quinten and his seemingly love for Margot is much more than that. It is about the sense of reality that we have constructed. It forces us to question what is real and what is imagined. Who are we at the core? What matters to us when we are the only ones who are allowed to judge the circumstances and our actions? This is by far more than just a “Boy meets girl” tale. This is a film that makes its characters reflect on who they are and who we want to be seen and will leave audiences doing the same.
Snow White - An Animated Book from The Story Mouse
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The story book application adults love as much as children! An intelligent, dramatic story, with...
The Wild Truth: The Secrets That Drove Chris McCandless into the Wild
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The key missing piece of Jon Krakauer's multi million, multi territory bestseller and widely...
Eleanor Luhar (47 KP) rated Simon vs. the Homo Sapiens Agenda in Books
Jun 24, 2019
This was really a wild ride. I think this book managed to get me out of a mini reading slump (yay!).
The book starts off with Simon's private email being read by some guy in his drama club. This may not seem like a huge deal, except Simon's secretly been emailing this guy who he's maybe in love with. But they don't know each other's real identity, and neither of them have come out yet.
So Simon has to help the guy - Martin - get with one of his best friends. Only she isn't interested (at all). At the same time, Simon is falling for Blue more and more with each email, and is becoming desperate to find him in real life. He starts to decode the clues in an attempt to figure out his identity - only for Blue to beat him to it.
Simon's also struggling with tons of friendship issues, a big play coming up, and his family (and the entire school, for that matter) finding out about him being gay. He doesn't want any of it to be a big deal. But it is.
He's a great character, portrayed to be a normal human being. His relationships all seem pretty realistic (though I'm sceptical about the situation with Blue. Would anyone really be that lucky?). I really felt for him throughout the novel, and I was so unbelievably pleased for him at the end. I'm so not used to such great, adorable endings.
My biggest issues are that sometimes the teen voice was being pushed a bit too hard - we don't always say "freaking" or whatever. And the scenarios seemed a little too far-fetched sometimes. (Seriously, has anyone ever experienced people dancing in the crowd at a school talent show?) But generally this was a good representation of life, and I really enjoyed reading it.
I very nearly marked this as a favourite, but decided on just 4.5 stars in the end. I loved the book, but there were a few minor details that put me off just a little bit. It is most definitely a fantastic book, though! I'd definitely recommend this book for the YA audience.
The book starts off with Simon's private email being read by some guy in his drama club. This may not seem like a huge deal, except Simon's secretly been emailing this guy who he's maybe in love with. But they don't know each other's real identity, and neither of them have come out yet.
So Simon has to help the guy - Martin - get with one of his best friends. Only she isn't interested (at all). At the same time, Simon is falling for Blue more and more with each email, and is becoming desperate to find him in real life. He starts to decode the clues in an attempt to figure out his identity - only for Blue to beat him to it.
Simon's also struggling with tons of friendship issues, a big play coming up, and his family (and the entire school, for that matter) finding out about him being gay. He doesn't want any of it to be a big deal. But it is.
He's a great character, portrayed to be a normal human being. His relationships all seem pretty realistic (though I'm sceptical about the situation with Blue. Would anyone really be that lucky?). I really felt for him throughout the novel, and I was so unbelievably pleased for him at the end. I'm so not used to such great, adorable endings.
My biggest issues are that sometimes the teen voice was being pushed a bit too hard - we don't always say "freaking" or whatever. And the scenarios seemed a little too far-fetched sometimes. (Seriously, has anyone ever experienced people dancing in the crowd at a school talent show?) But generally this was a good representation of life, and I really enjoyed reading it.
I very nearly marked this as a favourite, but decided on just 4.5 stars in the end. I loved the book, but there were a few minor details that put me off just a little bit. It is most definitely a fantastic book, though! I'd definitely recommend this book for the YA audience.
Blow Up the Frog
Entertainment and Games
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Over 1 million downloads worldwide! The first ever hyper realistic frog-blowing simulator! The...
iWay GPS Navigation for iPad - Turn by turn voice guidance with offline mode
Navigation and Travel
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iWay GPS Navigation turns your iPad into a voice-guided GPS navigation system with turn-by-turn...