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    On Warne

    On Warne

    Gideon Haigh

    (0 Ratings) Rate It

    Book

    THE CRICKET SOCIETY/MCC BOOK OF THE YEAR and THE BRITISH SPORTS BOOK AWARDS CRICKET BOOK OF THE...

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Ross (3284 KP) rated Dark Waters (2019) in Movies

Jul 14, 2020  
Dark Waters (2019)
Dark Waters (2019)
2019 | Drama
7
7.9 (14 Ratings)
Movie Rating Watch
Good, but lengthy
This real-life story of corporation pollution, corruption, arrogance and loophole exploiting is a fairly gripping one, as an embattled corporate lawyer (Ruffalo), used to defending chemical companies, takes on a case to sue DuPont, one of the main employers in West Virginia, for polluting the land and water next to his client's land.
What starts off as a very unpopular case within his own firm, soon develops into outrage and lawyers actually doing the right thing. Tim Robbins' senior partner in the firm is brought round by the evidence unearthed after tireless hours of wading through hundreds of boxes of "discovery" and gets behind the case in the pursuit of justice. In one passionate scene, he shouts down all other partners in the firm in order to make them see what is at stake and what the underlying issue is.
The film does drag a little and could have been sped up to an extent but there were few times where I found myself actually bored or reaching for my phone.
  
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Ben Watt recommended Blue Train by John Coltrane in Music (curated)

 
Blue Train by John Coltrane
Blue Train by John Coltrane
1957 | Jazz
(0 Ratings)
Album Favorite

"I bought this at university, mainly because of the cover art, I admit. I had a very small record collection then. You did in those days, and because you didn't have a lot, you'd play every record again and again. My dad, Tom, was a bandleader, so there was a lot of jazz in the house. He liked people like Count Basie and Woody Herman, but he stopped at Coltrane. He found the modernism of it difficult, but I loved it. It felt like a big thing for me, when I was a precocious teenager. The first jazz I had found for myself!

This is a real fork-in-the-road album for jazz, too, from 1958, a proper boundary between hard bop and the future. The three-part horn arrangements are something I tried to emulate on the first track of [Everything But The Girl's 1984 album] Each And Every One, too – in my own way of course. The album was only his second, and him early on as a session leader. There's so much life in it, and so many ideas. 
"

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