Search

Search only in certain items:

Christine (2016)
Christine (2016)
2016 | Drama
If it bleeds, it leads.
Life is precious. Bad times always get good again eventually. Winter turns to spring and you feel the warmth of the sun on your face again. So what drives someone – anyone – to the point of despair sufficient for them to ignore all of the potential upturns and to take their own life?
Christine tells the tragic tale of Florida TV news reporter Christine Chubbuck who committed suicide live on air in 1974. Yes, this is a spoiler, but since most people have some sense of what a film is about before they go to see it, it’s not really a big one. And I think in this case, knowing the outcome is pretty essential since otherwise you will likely spend 2 hours getting increasingly irritated by the erratic behaviour of the lead character and may possibly turn it off. With this movie, the telling is in the journey – not the destination.

London-born Rebecca Hall (“The Town”) plays the 30 year old virgin Christine; a damaged article with past mental issues, she has been moved by her mother Peg (J Smith-Cameron) from Boston to Florida to make a fresh start. But the station is struggling and Christine’s insistence on pursuing dull but worthy stories, such as zoning disputes, isn’t helping: she is driving her boss (Tracy Letts) to distraction. Despite her spiky demeanour and unapproachable nature, her colleagues including Jean (Maria Dizzia), the show’s anchor (and potential deflowerer) George (Michael C Hall) and weatherman Steve (Timothy Simons from “Veep”) all do their best to support her. It is part of the true tragedy of the piece that her downward spiral continues despite their best efforts.

Hall is outstanding in the role. She portrays the crazily compulsive behaviour of Chubbuck extremely well: perfectionism gone wild as she attempts to edit out 3 seconds off a clip while the film is already in the machine. At times the other-worldliness and creepiness of her character become extremely unsettling; an excruciating scene with a married couple in a bar being a case in point. Overall it’s an extremely thoughtful portrayal that is as quiet and unassuming as Ruth Negga’s in “Loving” (but without the smiles or the charm). I would like to think that after the Oscars team picked the ‘obvious contenders’ of Portman, Stone and Huppert, and with a place ‘reserved’ for Streep, they were left with Negga and Hall and had a “dammit, we can only pick 1 out of 2 here” moment.

Letts as the crotchety station chief also delivers a fine performance, and it’s a shame that the script never gave us the chance to see his post-shooting reactions, since the ‘if only’ ramifications for him in particular must have been huge.
In retrospect, Chubbuck’s actions were bizarre: taking her life in such a public way (and insisting the show be recorded for her “reels”) strikes of narcissism and a bitter revenge. While the film is no doubt based on the true recollections of the real-life participants, the screenplay by Craig Shilowich, in an impressive writing debut, for me never quite closed that loop: why this way rather that a car and a hosepipe?

Directed by Antonio Campos, this is never an easy watch. It’s a bit like watching a car crash in ultra-slow motion, and pretty much mandates that you watch an episode of “Father Ted” afterwards to cheer yourself up! But it’s a fascinating study in mental decline, and it’s a useful reminder that it behoves all of us to pay more attention to others around us and reach out with real help if needed before the worst can happen.
  
The Amazing Spider-Man 2 (2014)
The Amazing Spider-Man 2 (2014)
2014 | Action, Sci-Fi
A film that never needed to exist
Marc Webb’s first attempt at being behind the lens of a Marvel film was 2012’s The Amazing Spider-Man. Just five years after Sam Raimi concluded his trilogy with Tobey Maguire in the tight fitting suit, Andrew Garfield donned the iconic costume in a film that was good if a little unnecessary. Here, Webb returns just two years later with The Amazing Spider-Man 2, but can it prove its worth?

Thankfully yes. Amazing Spider-Man 2 is not only the best Spider-Man film to date, but one of Marvel’s greatest offerings despite some flaws in its production.

Andrew Garfield and Emma Stone return as Peter Parker and Gwen Stacey respectively as they battle a whole host of new foes in a movie that is loud, frequently violent and massively long.

Peter is still trying to piece together the fate of his parents as Aunt May, played excellently by Sally Field, continues to keep the truth from him. However, there’s no time for anguish as the villains come thick-and-fast.

Jamie Foxx, Paul Giamatti and a superb Dane DeHaan are all present to give Spider-Man, and his alter ego, a good kicking. A brilliantly unrestrained Foxx plays Max Dillon who inexplicably becomes one of the title characters best on-screen foes, Electro.

Much of the criticism of Raimi’s 2007 blockbuster Spider-Man 3 was given to the inclusion of too many plots, sub-plots and villains. Therefore many fans and critics thought the case would be similar here, especially considering Electro, Green Goblin and Rhino were all billed to appear.

The-Amazing-Spider-Man-2-New-Poster-spider-man-35222096-1024-1421

Mercifully, Webb restrains himself and leaves much of the film’s running time to Electro while Rhino (Giamatti) and Green Goblin (DeHaan) are merely given glorified cameos; setting the characters up for a larger part in the inevitable Amazing Spider-Man 3 and 4.

The special effects are on a whole new level to what we have seen previously. Apart from a few lapses towards the climatic finale, where things can begin to look like a video game, the film looks absolutely fantastic. The soaring shots of Spider-Man swinging his way across New York landmarks are exceptional and Webb’s use of slow-motion frames bring home the spider like senses Parker has been gifted with.


Acting performances are also sublime. Parker is a much better Spider-Man than Maguire was in the previous films. His geeky, timid persona is brilliantly juxtaposed with the superhero’s more arrogant attitude. Yet he never becomes irritating, a la Spider-Man 3. Emma Stone’s portrayal of love interest Gwen Stacey is wonderful and she does a cracking job of making the pair have real chemistry despite how difficult it is for this to create – though it must always help when you are partnered in real life.

The real joy here though is Dane DeHaan as Harry Osborn/Green Goblin. His performance is the complete opposite of James Franco’s take, he makes Harry a more vulnerable young man, clearly damaged by previous events in his life, as well as the ones which will no doubt occur in the future.

Unfortunately, the film’s running time is a real headache. At 142 minutes, you begin to check your watch as there are numerous points where you believe it could end – though it never does. Thankfully, this is a minor issue in a film which rarely lets up in its riveting pace.

Overall, The Amazing Spider-Man 2 is a film which never really needed to exist, certainly not for another ten years or so. It is clear in some respects that its production has been rushed to capitalise on the ever-popular Marvel series, but in others it makes perfect sense to release it when the story is still fresh in people’s minds.

Despite some clunky special effects in the finale and its gargantuan length, Amazing Spider-Man 2 boasts excellent performances and a humorous and exciting story, and as such is one of Marvel’s best offerings to date, only beaten by Avengers Assemble. The only question is, was it all necessary?

https://moviemetropolis.net/2014/04/19/the-amazing-spider-man-2-review/
  
The Runner (2015)
The Runner (2015)
2015 | Action, International, Documentary
5
5.0 (1 Ratings)
Movie Rating
Story: The Runner starts as Louisiana is dealing with the effects of the Deepwater Horizon oil spill, politician Colin Pryce (Cage) wants to supporting his state who are not getting supported after the spill which is take jobs from the good people. His fight gets national attention as he starts to fight for the people whose lives are being destroyed.

When it is made public that Colin has had an affair behind his wife Deborah’s (Nielsen) back the state turns on him forcing him to resign and come back stronger as he continues to fight for the people of Louisiana he could make a comeback unlike anyone in the political world.

 

Thoughts on The Runner

 

Story – This is a very political drama story 101 job we have one man who was great for the people lose his role for affair and goes through tough tests before looking to make the comeback, you have nothing overly interesting going on here in what is a standard political drama.

Thriller – While this is more drama based you are kept wondering how Colin can bring his career back around by continuing to do the right thing.

Characters/Performance – Colin is based on a real person who does want to do the right thing for the people but isn’t the most morale correct when it comes to his personal life, this makes him an easy target in a political story. we do have other characters who are all part of the decision-making process that Colin goes through but none really make an impact. When you look at the performances they are all average without being any of the actor’s high points.

Settings – The settings are all real to the Louisiana as we see the different levels of working classes all dealing with the same problem after the BP oil spill but none of the locations come off feeling memorable.

Final Thoughts – Grab your text books and you will see how to make this movie with ease adding nothing special within the film.

 

Overall: Not the best, not the worst just forgettable.Story: The Runner starts as Louisiana is dealing with the effects of the Deepwater Horizon oil spill, politician Colin Pryce (Cage) wants to supporting his state who are not getting supported after the spill which is take jobs from the good people. His fight gets national attention as he starts to fight for the people whose lives are being destroyed.

When it is made public that Colin has had an affair behind his wife Deborah’s (Nielsen) back the state turns on him forcing him to resign and come back stronger as he continues to fight for the people of Louisiana he could make a comeback unlike anyone in the political world.

 

Thoughts on The Runner

 

Story – This is a very political drama story 101 job we have one man who was great for the people lose his role for affair and goes through tough tests before looking to make the comeback, you have nothing overly interesting going on here in what is a standard political drama.

Thriller – While this is more drama based you are kept wondering how Colin can bring his career back around by continuing to do the right thing.

Characters/Performance – Colin is based on a real person who does want to do the right thing for the people but isn’t the most morale correct when it comes to his personal life, this makes him an easy target in a political story. we do have other characters who are all part of the decision-making process that Colin goes through but none really make an impact. When you look at the performances they are all average without being any of the actor’s high points.

Settings – The settings are all real to the Louisiana as we see the different levels of working classes all dealing with the same problem after the BP oil spill but none of the locations come off feeling memorable.

Final Thoughts – Grab your text books and you will see how to make this movie with ease adding nothing special within the film.

 

Overall: Not the best, not the worst just forgettable.
  
40x40

Adam Ant recommended New York Dolls by New York Dolls in Music (curated)

 
New York Dolls by New York Dolls
New York Dolls by New York Dolls
1973 | Punk
8.3 (3 Ratings)
Album Favorite

"I saw the New York Dolls support Rod Stewart when he was in The Faces. That was at Wembley Empire Pool. It was the Dolls, the Pink Fairies and the Faces. I was there to see the Faces, and when the Dolls came on you've never seen a room empty so fast. Everybody just headed for the bar. David Johansen had a top hat on and Arthur Kane had some pink patent thigh-length boots and was being propped up at the back. They did a 15-minute version of 'Frankenstein', and that was good enough for me. I hadn't seen anything like it before. I gather Steve Jones was there as well – a few people were there who would go on to form groups. They were these five tough New York kids and dressed like that, it was so provocative, so over the top. They went on The Old Grey Whistle Test and Whisperin' Bob Harris said, ""I want nothing to do with this lot behind me."" I lived in Chelsea in this flat with an American writer and I woke up in the middle of the night once and went in his room and Johnny Thunders was there. He asked me if I had a guitar and showed me a few chords. He was quite a nice bloke. That was when I was first starting out, in '77. He'd been over with the Heartbreakers doing the Anarchy tour with the Pistols. But to wake up and see him sitting there was bizarre. He'd had his hair cut by then. He always looked really smart. I loved the whole look of the New York Dolls. They had a real influence on me. They looked good wearing make-up, but there was no doubt that they were blokes. It was like, ""Come on then, come and do something about it!"" To walk around like that in the 1970s anywhere in America you were risking your life. Tracks like 'Personality Crisis' – I think Malcolm [McLaren] lifted that wholesale for the Pistols, the rhythm section and the guitar sound, the heaviness, the weight of the rock & roll sound they made. That was a big influence on Malcolm. What you saw was what you got with the Dolls. I last saw Johnny Thunders at Dingwalls in Camden. I bought him a brandy. He was sitting there scowling. He was quite a dangerous person. When I was with him once, some girl came up to bug him or say something and he did that thing like in that James Cagney film – he just put his hand on her and pushed her away. He was a real tough nut. A real rotter."

Source