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Heather Cranmer (2721 KP) rated Creatrix Rising: Unlocking the Power of Midlife Women in Books
Aug 21, 2021
There was something about the synopsis of Creatrix Rising by Stephanie Raffelock that really sucked me in. When I read it, I knew that it was a book I would fall in love with. I wasn't wrong!
Creatrix Rising is full of great anecdotes. Reading them, I really felt like I was getting to know the author. Stephanie Raffelock does not hold back in some of the stories which helps to make her book all the more real. While reading, I felt as if Stephanie stripped herself down to her soul for me to see and bared it all especially while reading about her time as a teenager in Los Angeles. Reading Creatrix Rising made me want to actually meet Stephanie Raffelock because she just seems like such an inspiration and an amazing woman! In fact, reading some of what happened in Stephanie's life sort of paralleled mine.
Stephanie Raffelock does a fantastic job at describing what a "creatrix" is. She writes "Creatrix is a distinctly feminine word that simply means a woman who makes things." Raffelock says the world creatrix should replace crone which has such a negative connotation, and I agree! From there, Raffelock gives us plenty of personal stories about different women she has come across in her life that fit the creatrix characteristics. In each story, I felt like I was getting to know these women. I wanted to know these women. Stephanie Raffelock's writing is so beautiful and descriptive. It's hard not to feel like her stories are yours. In fact, it was difficult to not picture different women in my life that fit the bill of a creatrix. I put this down to Raffelock's wonderful writing. She definitely knows how to get her point across in such a sweet and beautiful way. Raffelock also teaches us that there is no shame in getting older and how we really should embrace aging as it's not a bad thing at all but quite the opposite.
Another thing I really loved about Creatrix Rising is at the end of each chapter, there is a section entitled "For Reflection, Activity, and Journaling." This section summarizes the main point of each chapter and asks a few in depth questions for the reader to ponder on. Be prepared to have a journal next to you because you will want to answer these questions. They will really make you think long and hard and look deeper into yourself and others. It's such a great and relaxing mental exercise. At the end of the book, if you decide to write down your answers to Stephanie Raffelock's questions, you will have your own little mini book either to keep for yourself or to share with others. If you need a little bit of help, Raffelock lists some fantastic resources to help you on your journey. I also feel that these questions would be great for a book group's discussion if this was a book picked for a book group which I would totally recommend that!
If you decide to read Creatrix Rising (which you really should), here's my personal advice. Do NOT skip the epilogue. Stephanie Raffelock says that she wrote this book in 2020 when the Corona Virus had just really taken off. Raffelock's epilogue for Creatrix Rising is all about the Corona Virus, but she uses symbolism painting the Corona Virus as a beautiful woman that takes everyone by surprise. My jaw was on the floor the whole time I was reading the epilogue. Again, Raffelock's talent for writing really did shine through in her epilogue. I would have never thought to compare Corona Virus to a beautiful woman, but reading Stephanie's story, I realized just how right she was.
Trigger warnings for Creatrix Rising include profanity, some drug use, death, some violence, and some politics.
All in all, Creatrix Rising is a beautiful masterpiece of a book that will leave its reader thinking of all the women in their life that they have come across and how these women have affected them. Although this book mentions unlocking the power of midlife women, I really think men would enjoy it just as much as they also think about the women that have touched their lives. I would definitely recommend Creatrix Rising by Stephanie Raffelock to everyone aged 18+ who are after a beautifully written book that will really make them think.
--
(A special thank you to Lone Star Literary Life and Stephanie Raffelock for providing me with a hardcover of Creatrix Rising in exchange for an honest and unbiased review.)
Creatrix Rising is full of great anecdotes. Reading them, I really felt like I was getting to know the author. Stephanie Raffelock does not hold back in some of the stories which helps to make her book all the more real. While reading, I felt as if Stephanie stripped herself down to her soul for me to see and bared it all especially while reading about her time as a teenager in Los Angeles. Reading Creatrix Rising made me want to actually meet Stephanie Raffelock because she just seems like such an inspiration and an amazing woman! In fact, reading some of what happened in Stephanie's life sort of paralleled mine.
Stephanie Raffelock does a fantastic job at describing what a "creatrix" is. She writes "Creatrix is a distinctly feminine word that simply means a woman who makes things." Raffelock says the world creatrix should replace crone which has such a negative connotation, and I agree! From there, Raffelock gives us plenty of personal stories about different women she has come across in her life that fit the creatrix characteristics. In each story, I felt like I was getting to know these women. I wanted to know these women. Stephanie Raffelock's writing is so beautiful and descriptive. It's hard not to feel like her stories are yours. In fact, it was difficult to not picture different women in my life that fit the bill of a creatrix. I put this down to Raffelock's wonderful writing. She definitely knows how to get her point across in such a sweet and beautiful way. Raffelock also teaches us that there is no shame in getting older and how we really should embrace aging as it's not a bad thing at all but quite the opposite.
Another thing I really loved about Creatrix Rising is at the end of each chapter, there is a section entitled "For Reflection, Activity, and Journaling." This section summarizes the main point of each chapter and asks a few in depth questions for the reader to ponder on. Be prepared to have a journal next to you because you will want to answer these questions. They will really make you think long and hard and look deeper into yourself and others. It's such a great and relaxing mental exercise. At the end of the book, if you decide to write down your answers to Stephanie Raffelock's questions, you will have your own little mini book either to keep for yourself or to share with others. If you need a little bit of help, Raffelock lists some fantastic resources to help you on your journey. I also feel that these questions would be great for a book group's discussion if this was a book picked for a book group which I would totally recommend that!
If you decide to read Creatrix Rising (which you really should), here's my personal advice. Do NOT skip the epilogue. Stephanie Raffelock says that she wrote this book in 2020 when the Corona Virus had just really taken off. Raffelock's epilogue for Creatrix Rising is all about the Corona Virus, but she uses symbolism painting the Corona Virus as a beautiful woman that takes everyone by surprise. My jaw was on the floor the whole time I was reading the epilogue. Again, Raffelock's talent for writing really did shine through in her epilogue. I would have never thought to compare Corona Virus to a beautiful woman, but reading Stephanie's story, I realized just how right she was.
Trigger warnings for Creatrix Rising include profanity, some drug use, death, some violence, and some politics.
All in all, Creatrix Rising is a beautiful masterpiece of a book that will leave its reader thinking of all the women in their life that they have come across and how these women have affected them. Although this book mentions unlocking the power of midlife women, I really think men would enjoy it just as much as they also think about the women that have touched their lives. I would definitely recommend Creatrix Rising by Stephanie Raffelock to everyone aged 18+ who are after a beautifully written book that will really make them think.
--
(A special thank you to Lone Star Literary Life and Stephanie Raffelock for providing me with a hardcover of Creatrix Rising in exchange for an honest and unbiased review.)
Inky Books (3 KP) rated A Court of Wings and Ruin in Books
Jun 21, 2018
Hello everyone. I write to you now from the deepest recesses of my mind, after just finishing this book. I want you to understand that this book tore me apart in a way that I only ever remember happening twice from a book before. Once as a young girl, maybe thirteen years old, and the other more recently, not long before my most recent birthday.
And I always have such a hard time explaining why, exactly, I feel the way the way I do about these heart wrenching books. They become my friends, as real in my mind, as steady, as supportive as some of the people I had the very good fortune to know in my own real life.
I explain this now because these characters felt this real for me. Even more real than some of the friends I have, even now. So, when I say this book ripped me to pieces, I knew these people going through these events were my friends and that I was standing with them.
The ability to let me flawlessly fit into this world, next to these characters, that is truly amazing writing.
Or at least, mostly amazing.
I’ll start there. Nothing is ever perfect, even the work of professional, bestselling authors and editors. There were flaws, words reused to many times, descriptions that never seemed to change. That, however, is very minor considering the complexly simple plot that is weaved throughout each book in the series, as well as the rest of the writing which is better than I have ever been able to produce myself.
The plot, so complex yet so simple. It is so clearly written, not at all muddled, that everything that happened was exactly what Sarah J. Maas wanted me to imagine. Yet there was a complexity to everything, so many steps had to be taken in the right order at the right time for everything in the book to play exactly right. It is laid out so perfectly, so wonderfuly.
The characters though, they are what cause me to love this series so much. Feyre, well, I can’t help but see myself in her. So young but with such a need to make a difference, to help and protect while also so unsure of myself in ways that I never fully understand.
What is it about Sarah J. Maas that makes fea males so flipping desirable? Seriously, first Rowan in Throne of Glass, now Rhys. What the hell? Why can’t I have one of them? Rhys is like a shadow in the night, terrifying until around Feyre, then suddenly a cute little fluffy bat takes his place on her shoulder saying “fear me!” At least, that’s how I see the super powerful high lord.
I really want one.
And the ending, well, I’ll leave much of that to the spoilers that I’ll post on Goodreads. However, it really was the part that pulled me to pieces. I cried and almost closed the book and didn’t finish it. I continued on, hoping to find some sort of something to remedy it. That part alone made me realize how deeply invested I was. I knew, no matter how this book ended, that I would give a five-star rating once I reached that point. Even if the end made me angry. Tt was so worth it.
I know there will be at least three more books in this series, but no one knows if the characters that many have come to love in these books will be in the next, let alone give us something more of the ending. It has been suggested that the next book won’t be about them, and I’m not sure if they will even appear.
I beg for the one thing I probably beg more than anything else when it comes to books, an ending more than the one that was given. I need more! If I don’t get something in the next books I might actually go crazy. I guess I’ll just have to wait for the novella to tie up some of the things I want to see.
I’m sorry if this review feels less like a review and more like me ranting my feelings at you. It really is a wonderful series and I really suggest it to anyone, especially if you liked Throne of Glass. It is less complex than Thorne of Glass, but that’s simply because there are three more books (if you count the four novellas as one book) than ACOTAR.
And I always have such a hard time explaining why, exactly, I feel the way the way I do about these heart wrenching books. They become my friends, as real in my mind, as steady, as supportive as some of the people I had the very good fortune to know in my own real life.
I explain this now because these characters felt this real for me. Even more real than some of the friends I have, even now. So, when I say this book ripped me to pieces, I knew these people going through these events were my friends and that I was standing with them.
The ability to let me flawlessly fit into this world, next to these characters, that is truly amazing writing.
Or at least, mostly amazing.
I’ll start there. Nothing is ever perfect, even the work of professional, bestselling authors and editors. There were flaws, words reused to many times, descriptions that never seemed to change. That, however, is very minor considering the complexly simple plot that is weaved throughout each book in the series, as well as the rest of the writing which is better than I have ever been able to produce myself.
The plot, so complex yet so simple. It is so clearly written, not at all muddled, that everything that happened was exactly what Sarah J. Maas wanted me to imagine. Yet there was a complexity to everything, so many steps had to be taken in the right order at the right time for everything in the book to play exactly right. It is laid out so perfectly, so wonderfuly.
The characters though, they are what cause me to love this series so much. Feyre, well, I can’t help but see myself in her. So young but with such a need to make a difference, to help and protect while also so unsure of myself in ways that I never fully understand.
What is it about Sarah J. Maas that makes fea males so flipping desirable? Seriously, first Rowan in Throne of Glass, now Rhys. What the hell? Why can’t I have one of them? Rhys is like a shadow in the night, terrifying until around Feyre, then suddenly a cute little fluffy bat takes his place on her shoulder saying “fear me!” At least, that’s how I see the super powerful high lord.
I really want one.
And the ending, well, I’ll leave much of that to the spoilers that I’ll post on Goodreads. However, it really was the part that pulled me to pieces. I cried and almost closed the book and didn’t finish it. I continued on, hoping to find some sort of something to remedy it. That part alone made me realize how deeply invested I was. I knew, no matter how this book ended, that I would give a five-star rating once I reached that point. Even if the end made me angry. Tt was so worth it.
I know there will be at least three more books in this series, but no one knows if the characters that many have come to love in these books will be in the next, let alone give us something more of the ending. It has been suggested that the next book won’t be about them, and I’m not sure if they will even appear.
I beg for the one thing I probably beg more than anything else when it comes to books, an ending more than the one that was given. I need more! If I don’t get something in the next books I might actually go crazy. I guess I’ll just have to wait for the novella to tie up some of the things I want to see.
I’m sorry if this review feels less like a review and more like me ranting my feelings at you. It really is a wonderful series and I really suggest it to anyone, especially if you liked Throne of Glass. It is less complex than Thorne of Glass, but that’s simply because there are three more books (if you count the four novellas as one book) than ACOTAR.
Bob Mann (459 KP) rated Sully (2016) in Movies
Sep 29, 2021
No, not “Monsters Inc 3”.
Chesley Sullenberger was just a very experienced US Airways pilot starting an everyday job flying from LaGuardia airport in New York to Charlotte when fate stepped in. Following an extensive bird strike and the loss of both engines, ‘Sully’ achieved worldwide fame by landing his aircraft and all 151 passengers and crew safely on the Hudson river. Sully is immediately acclaimed by the public as a hero; US Airways, and their insurers, however, are not necessarily as impressed given that their plane has got rather soggy when the flight data suggests it might have actually been able to make it to a landing at a number of nearby airports. So a National Transportation Safety Board (NTSB) inquiry is called, where a decision against Sully could see him facing the fastest fall from grace since Icarus.
This film is obviously based on this real-life ‘Miracle on the Hudson’ and to a large extent the recreation of the crash…. sorry… “forced water landing” is both vivid and gripping. The film is certainly unlikely to make the regular list of in-flight movies for nervous passengers, but it does serve as a good training film for all of those regular airline passengers who don’t “put down their reading materials” to listen to the aircraft safety announcement.
Director Clint Eastwood has delivered a highly watchable action sequence showcasing the undisputed acting talents of Tom Hanks (playing Sully) and his Aaron Eckhard (“Olympus Has Fallen”, playing the co-pilot Jeff Skiles). This makes for a great 45 minute film. The problem is the other 51 minutes.
Where the film works well – aside from the actual recreation itself – is in representing the post-traumatic stress experienced by Sully, with his insomnia and regular flashbacks of ‘what might have happened’ (anyone still strongly affected by 9/11 will struggle with these scenes). The final NTSB hearing scenes are also well-done and suitably gripping: particularly for viewers outside of the UK where we wouldn’t have heard the outcome of the affair once the news cycle had moved on from the ‘gee-whizz’ headline event.
Where the film aquaplanes somewhat is in the padding achieved through multiple (MULTIPLE!) scenes of New Yorkers back-slapping Sully. Some of this is needed to establish the pedestal that Sully is set upon: the bar scene, for example, is well done. But all the rest of the references become just plain tiresome.
There is also a back-story focused on Sully’s financial problems and rather scratchy marriage (as portrayed) to Lorraine (Laura Linney). Linney is normally a highly-watchable actress, but here her character is just so irritating that the mood of the film plummets every time she reappears on screen.
The key problem that screenwriter Todd Komarnicki (“Elf”!!) had here is the obvious one: that as a real-event (based on Sullenberger’s own book “Highest Duty”) he would have had more scope to build tension if the flight had lasted more than 208 seconds! We end up with little visibility into the back-stories of the passengers. We get to see a father and two grown-up sons who – as fate would have it – just manage to catch the doomed plane: and we end up caring what happens to them. But this approach could have perhaps been usefully extended to feature more of the passenger back-stories (without getting the full “Airport” soap treatment).
Clint Eastwood is also clearly an All-American patriot, and in common with some of his other films he can’t help himself from putting up rather soupy statements about the self-sacrifice of New Yorkers (“the best of New York came together”): when actually the rescue teams did what they were paid to do and Ferry captains did what you or I would do if we stumbled on the scene! These sentiments might go down well in the States: in the cynical UK they tend to generate snorts of irritation.
What IS nice are a couple of “monkeys” (see Glossary) during the closing credits where the real Sully, Skiles, cabin-crew and passengers appear together in a celebration of continued life against all the odds. And just so you are aware, this is done as two separate segments during the titles, so if you don’t want to be one of those people standing in the aisles with your coat half on, then wait for the second one!
A curate’s egg of a film: great in places, but overall not as well executed as it could have been.
This film is obviously based on this real-life ‘Miracle on the Hudson’ and to a large extent the recreation of the crash…. sorry… “forced water landing” is both vivid and gripping. The film is certainly unlikely to make the regular list of in-flight movies for nervous passengers, but it does serve as a good training film for all of those regular airline passengers who don’t “put down their reading materials” to listen to the aircraft safety announcement.
Director Clint Eastwood has delivered a highly watchable action sequence showcasing the undisputed acting talents of Tom Hanks (playing Sully) and his Aaron Eckhard (“Olympus Has Fallen”, playing the co-pilot Jeff Skiles). This makes for a great 45 minute film. The problem is the other 51 minutes.
Where the film works well – aside from the actual recreation itself – is in representing the post-traumatic stress experienced by Sully, with his insomnia and regular flashbacks of ‘what might have happened’ (anyone still strongly affected by 9/11 will struggle with these scenes). The final NTSB hearing scenes are also well-done and suitably gripping: particularly for viewers outside of the UK where we wouldn’t have heard the outcome of the affair once the news cycle had moved on from the ‘gee-whizz’ headline event.
Where the film aquaplanes somewhat is in the padding achieved through multiple (MULTIPLE!) scenes of New Yorkers back-slapping Sully. Some of this is needed to establish the pedestal that Sully is set upon: the bar scene, for example, is well done. But all the rest of the references become just plain tiresome.
There is also a back-story focused on Sully’s financial problems and rather scratchy marriage (as portrayed) to Lorraine (Laura Linney). Linney is normally a highly-watchable actress, but here her character is just so irritating that the mood of the film plummets every time she reappears on screen.
The key problem that screenwriter Todd Komarnicki (“Elf”!!) had here is the obvious one: that as a real-event (based on Sullenberger’s own book “Highest Duty”) he would have had more scope to build tension if the flight had lasted more than 208 seconds! We end up with little visibility into the back-stories of the passengers. We get to see a father and two grown-up sons who – as fate would have it – just manage to catch the doomed plane: and we end up caring what happens to them. But this approach could have perhaps been usefully extended to feature more of the passenger back-stories (without getting the full “Airport” soap treatment).
Clint Eastwood is also clearly an All-American patriot, and in common with some of his other films he can’t help himself from putting up rather soupy statements about the self-sacrifice of New Yorkers (“the best of New York came together”): when actually the rescue teams did what they were paid to do and Ferry captains did what you or I would do if we stumbled on the scene! These sentiments might go down well in the States: in the cynical UK they tend to generate snorts of irritation.
What IS nice are a couple of “monkeys” (see Glossary) during the closing credits where the real Sully, Skiles, cabin-crew and passengers appear together in a celebration of continued life against all the odds. And just so you are aware, this is done as two separate segments during the titles, so if you don’t want to be one of those people standing in the aisles with your coat half on, then wait for the second one!
A curate’s egg of a film: great in places, but overall not as well executed as it could have been.
Sexist, self-absorbed codswallop
This is probably one of the worst books I've read this year unfortunately. It's full of contradictions, too many to go through each and every one. But here are a few.
For one, it claims to be an anti-self-help book but in fact it is, not only that it repeats phrases that other books use often but it reiterates it in a much more uglier fashion by replacing every other word with "f**k".
Secondly, the author is actually incredibly sexist throughout the whole book - revealing that this book is for a privileged white, male audience. He flashes his wealth throughout the book by even saying "I come from a wealthy family" and 'this doesn't apply to an Indian family who need an extra $10'. And then talks about his sexual exploits with women, saying that one of his former goals was to "be with more women" - like women are collective objects. He's boastful about sleeping around throughout, referring to women in a derogatory way.
The chapter on false memories and child sexual abuse is shocking, absolutely no disclaimers, just a rookie spouting off information that he clearly had no idea about. He discounts thousands of horrific accounts as if they're something imagined up and to be gotten over with. An extremely precarious viewpoint.
The irony is that the author describes himself perfectly here: "People declare themselves experts, entrepreneurs, inventors, innovators, mavericks, and coaches without any real-life experience. And they do this not because they actually think they are greater than everybody else; they do it because they feel that they need to be great to be accepted in a world that broadcasts only the extraordinary." And this pretty much sums up the book.
For one, it claims to be an anti-self-help book but in fact it is, not only that it repeats phrases that other books use often but it reiterates it in a much more uglier fashion by replacing every other word with "f**k".
Secondly, the author is actually incredibly sexist throughout the whole book - revealing that this book is for a privileged white, male audience. He flashes his wealth throughout the book by even saying "I come from a wealthy family" and 'this doesn't apply to an Indian family who need an extra $10'. And then talks about his sexual exploits with women, saying that one of his former goals was to "be with more women" - like women are collective objects. He's boastful about sleeping around throughout, referring to women in a derogatory way.
The chapter on false memories and child sexual abuse is shocking, absolutely no disclaimers, just a rookie spouting off information that he clearly had no idea about. He discounts thousands of horrific accounts as if they're something imagined up and to be gotten over with. An extremely precarious viewpoint.
The irony is that the author describes himself perfectly here: "People declare themselves experts, entrepreneurs, inventors, innovators, mavericks, and coaches without any real-life experience. And they do this not because they actually think they are greater than everybody else; they do it because they feel that they need to be great to be accepted in a world that broadcasts only the extraordinary." And this pretty much sums up the book.
Eilidh G Clark (177 KP) rated The Portrait of Mr W.H. in Books
May 14, 2017
. As a paradox to the realism and ethics of the period, decadent writers, artists, and poets challenged a society that strove for a standard in public discourse.
First published in 1889, Oscar Wilde’s The Portrait of Mr W.H., is a short story about the efforts of three characters trying to discover the identity of Shakespeare’s Mr W.H. ; the dedicatee of his many sonnets. Wilde’s novel is a prime example of decadent literature and aestheticism, which, as a result, challenges the Victorian ideals of moral decency and public rectitude. The author uses paradox in the novel to present a theory that contradicts the conservative critics of Shakespeare’s sonnets.
Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.
On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.
Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.
Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.
On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.
Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.
Alison Pink (7 KP) rated Gone Girl in Books
Jan 15, 2018
I feel a bit let down. Don't take that the wrong way...it is NOT AT ALL because this book was bad, but because it was so good, very, VERY good!!! And I've read it already. And it's over. It's become my favorite read of 2013 & it's only January!! This doesn't bode well for the books I'll read the rest of the year!
This book went from 0 to 10 in the matter of a few pages & just went faster from there. I literally could not put it down. There were so many unexpected twists & turns that it was quite frankly, a roller coaster. I'd love to see it as a movie, but at the same time I dread those words when applied to a book I adored because the movie version never quite lives up to the book itself.
Gone Girl tells the story of Nick & Amy Dunne a seemingly perfect, blissfully happily married. Successful writers, trust fund, living a glamorous life in Manhattan, cool couple. Until they are very suddenly thrust into the "real" world...kind of. Suddenly, they are both laid off, Nick's mom gets cancer, they move to Missouri & then things go terribly wrong. Not just wrong, but horribly, unbelievably, scarily, WRONG! The door to their McMansion is left hanging open, the living room is a wreck & Amy is gone. Of course the investigation, in both the legal & public opinion arenas, is focused squarely on Nick. The cheating, abusive, cheater of a husband...of course. Or is he?
I want to say so much more, but really I can't. I don't want to ruin it for you should you be wise (or lucky) enough to pick up this book & crack open it's spine. You deserve to go into unaware, to experience the ride for yourself. You deserve a great book & this, my friends, is IT!!!!
This book went from 0 to 10 in the matter of a few pages & just went faster from there. I literally could not put it down. There were so many unexpected twists & turns that it was quite frankly, a roller coaster. I'd love to see it as a movie, but at the same time I dread those words when applied to a book I adored because the movie version never quite lives up to the book itself.
Gone Girl tells the story of Nick & Amy Dunne a seemingly perfect, blissfully happily married. Successful writers, trust fund, living a glamorous life in Manhattan, cool couple. Until they are very suddenly thrust into the "real" world...kind of. Suddenly, they are both laid off, Nick's mom gets cancer, they move to Missouri & then things go terribly wrong. Not just wrong, but horribly, unbelievably, scarily, WRONG! The door to their McMansion is left hanging open, the living room is a wreck & Amy is gone. Of course the investigation, in both the legal & public opinion arenas, is focused squarely on Nick. The cheating, abusive, cheater of a husband...of course. Or is he?
I want to say so much more, but really I can't. I don't want to ruin it for you should you be wise (or lucky) enough to pick up this book & crack open it's spine. You deserve to go into unaware, to experience the ride for yourself. You deserve a great book & this, my friends, is IT!!!!
Molly J (Cover To Cover Cafe) (106 KP) rated Amish Cooking Class : The Celebration in Books
Feb 25, 2019
The Cooking Class is back! I'm so glad that Mrs. Brunstetter brought us back to the Troyers and Heidi's cooking class. This one was as addictive as the first two, and Mrs. Brunstetter's extremely captivating talent has shone once again!
I loved seeing the Troyers and Marsha and Randy again. They are wonderfully chiseled characters and really come to life with each story. The other characters that Mrs. Brunstetter created for this one really stole a piece of my heart, too! Being married to my own firefighter, I loved seeing Darren Keller's character worked in there. It was definitely an added bonus to an already amazing novel.
I loved the way Mrs. Brunstetter made this novel about the kids. It was such a refreshing change from the first two, though they were amazing, as well. The different familes that Mrs. Brunstetter created really made the story pop. Each family had a different circumstance, different struggles, and they all felt real to me. The inspiring ways that Heidi Troyer helps each family, really shines.
This is definitely a 5 star worthy addition to a fantastically created 5 star series by the Queen of Amish Fiction. Mrs. Brunstetter adds yummy sounding recipes to the book, making this a tasty treat for all Amish fiction lovers everywhere. While this could easily be read as a stand alone, I don't recommend that you read it as one. Grab this one, along with the first two, and take a trip to the Troyer's farm, to the fun of cooking and baking, and to where God is foremost the center of the story! You won't be sorry!
*I received a complimentary copy of this book from Publisher and was under no obligation to post a review, positive or negative.*
I loved seeing the Troyers and Marsha and Randy again. They are wonderfully chiseled characters and really come to life with each story. The other characters that Mrs. Brunstetter created for this one really stole a piece of my heart, too! Being married to my own firefighter, I loved seeing Darren Keller's character worked in there. It was definitely an added bonus to an already amazing novel.
I loved the way Mrs. Brunstetter made this novel about the kids. It was such a refreshing change from the first two, though they were amazing, as well. The different familes that Mrs. Brunstetter created really made the story pop. Each family had a different circumstance, different struggles, and they all felt real to me. The inspiring ways that Heidi Troyer helps each family, really shines.
This is definitely a 5 star worthy addition to a fantastically created 5 star series by the Queen of Amish Fiction. Mrs. Brunstetter adds yummy sounding recipes to the book, making this a tasty treat for all Amish fiction lovers everywhere. While this could easily be read as a stand alone, I don't recommend that you read it as one. Grab this one, along with the first two, and take a trip to the Troyer's farm, to the fun of cooking and baking, and to where God is foremost the center of the story! You won't be sorry!
*I received a complimentary copy of this book from Publisher and was under no obligation to post a review, positive or negative.*
StarWorld
By: Audrey Coulthurst and Paula Garner
Candlewick Press
Teens and YA
Pub Date 16 April 2019
352 pages
#Starworld #NetGalley
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Even though this book took me awhile to read I really enjoyed it. It isn't the books fault for the amount of time I took to read it but family and activities that were happening. This book is already out and I highly recommend that you read this book.
At first I thought this book would be about space and wasn't sure about it but I was pleasantly surprised. This book is about a made up world called Starworld. This is a made up world that two teenage girls go to in text messages back and forth to take them away from their problems.
The girls names are Zoe and Sam. Zoe is adopted with a mom who has cancer and is in partial remission and a younger brother who has special needs. Sam is a girl who likes girls. Her parents are divorced and her Mom has a severe of OCD and Dad lives in London. Sam likes Zoe as more than a friend and Zoe only likes Sam as a friend. This book was hard to put down. I love the world they created and the way they interacted both on the phone and in real life together.
Sam and Zoe get along great and have some wonderful times together and things happen which make them look at themselves and to make their lives better.
By: Audrey Coulthurst and Paula Garner
Candlewick Press
Teens and YA
Pub Date 16 April 2019
352 pages
#Starworld #NetGalley
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Even though this book took me awhile to read I really enjoyed it. It isn't the books fault for the amount of time I took to read it but family and activities that were happening. This book is already out and I highly recommend that you read this book.
At first I thought this book would be about space and wasn't sure about it but I was pleasantly surprised. This book is about a made up world called Starworld. This is a made up world that two teenage girls go to in text messages back and forth to take them away from their problems.
The girls names are Zoe and Sam. Zoe is adopted with a mom who has cancer and is in partial remission and a younger brother who has special needs. Sam is a girl who likes girls. Her parents are divorced and her Mom has a severe of OCD and Dad lives in London. Sam likes Zoe as more than a friend and Zoe only likes Sam as a friend. This book was hard to put down. I love the world they created and the way they interacted both on the phone and in real life together.
Sam and Zoe get along great and have some wonderful times together and things happen which make them look at themselves and to make their lives better.
Janeeny (200 KP) rated May Day Murder (A Wiccan Wheel Mystery #5) in Books
May 9, 2019
I received an ARC of this book from Netgalley in return for an honest review.
Keli is an attorney building her own practice, shes also a semi closeted Wiccan. When an ill-fated favour for a friend lands her not only in the middle of a murder investigation, but also a person of interest in the investigation, Keli attempts to clear her name, find the real killer, and save her reputation. Whilst also struggling with her now public identity as a practising Wiccan.
I loved this book!! It was a nice quick read, no complicated texts, although some things, I felt, were a little bit over explained. Saying that it was a good engaging story, the characters were well developed, and I love it when I feel Ive learnt something from a book too. As there was also a nice touch where Hesse gives a few little insights into the life of a practicing Wiccans. As a pagan myself, it was actually quite a joy to read these aspects openly described in the book. I hope that this could also help any non-esoteric types gain a better insight into what Wicca is really all about.
This is the fifth book in a series. I havent actually read any of the other books in the series, so was a little worried that there would be a lot of references that wouldnt make sense, or characters with pre-existing back story. Surprisingly had a good standalone storyline, I thoroughly enjoyed it without needing any prior knowledge of the series. All the characters were well introduced and any references to past events were relevant to the story and had a brief explanation with it.
In fact, I enjoyed this so much, Ive now purchased Midsummer nights mischief (book one in the Wiccan wheel mystery series)
Keli is an attorney building her own practice, shes also a semi closeted Wiccan. When an ill-fated favour for a friend lands her not only in the middle of a murder investigation, but also a person of interest in the investigation, Keli attempts to clear her name, find the real killer, and save her reputation. Whilst also struggling with her now public identity as a practising Wiccan.
I loved this book!! It was a nice quick read, no complicated texts, although some things, I felt, were a little bit over explained. Saying that it was a good engaging story, the characters were well developed, and I love it when I feel Ive learnt something from a book too. As there was also a nice touch where Hesse gives a few little insights into the life of a practicing Wiccans. As a pagan myself, it was actually quite a joy to read these aspects openly described in the book. I hope that this could also help any non-esoteric types gain a better insight into what Wicca is really all about.
This is the fifth book in a series. I havent actually read any of the other books in the series, so was a little worried that there would be a lot of references that wouldnt make sense, or characters with pre-existing back story. Surprisingly had a good standalone storyline, I thoroughly enjoyed it without needing any prior knowledge of the series. All the characters were well introduced and any references to past events were relevant to the story and had a brief explanation with it.
In fact, I enjoyed this so much, Ive now purchased Midsummer nights mischief (book one in the Wiccan wheel mystery series)
Billie Wichkan (118 KP) rated Out of the Pocket in Books
May 22, 2019
For over a century, the town of Green Beach has frightened its children with the tragic legend of Joshua Thorne. Hes the reason it not only locks its doors at night but nails its windows shut. Steeped in romance and revenge, his is the kind of story Angela Ironwright lives for.
When the specter of Joshua appears to her, insisting shes the only one who can help him piece together the fragments of his own murder, she follows him without a second thought into a place he calls the Pocket, a beautiful hidden world of jumbled memory and imagination. But the Pocket holds more than magic and mystery. Before long, its other reclusive inhabitants begin to call out to Angela, warning her not to trust Joshua and begging for her help to escape his dark power.
Angelas sure there must be some misunderstanding, and shes determined to set it straight. Otherwise, finding justice will mean betraying the only boy whos ever liked her.
Smart and genre-savvy, Out of the Pocket is a dark, honest, subversive take on the modern paranormal love story.
The plot is about a girl named Angela who doesn't have a great life in reality being ignored or ridiculed by others gets pulled into a fantasy where she falls in love and goes through perilous adventures.
Very good characters with a good story line. The characters are real with strangeness thrown in.
Love all the twist and turns.
You find yourself very surprised in a good way by this book.
This was my first from this author and I look forward to more.
I received a free copy via AXP Authors but this is my own honest voluntary review.
When the specter of Joshua appears to her, insisting shes the only one who can help him piece together the fragments of his own murder, she follows him without a second thought into a place he calls the Pocket, a beautiful hidden world of jumbled memory and imagination. But the Pocket holds more than magic and mystery. Before long, its other reclusive inhabitants begin to call out to Angela, warning her not to trust Joshua and begging for her help to escape his dark power.
Angelas sure there must be some misunderstanding, and shes determined to set it straight. Otherwise, finding justice will mean betraying the only boy whos ever liked her.
Smart and genre-savvy, Out of the Pocket is a dark, honest, subversive take on the modern paranormal love story.
The plot is about a girl named Angela who doesn't have a great life in reality being ignored or ridiculed by others gets pulled into a fantasy where she falls in love and goes through perilous adventures.
Very good characters with a good story line. The characters are real with strangeness thrown in.
Love all the twist and turns.
You find yourself very surprised in a good way by this book.
This was my first from this author and I look forward to more.
I received a free copy via AXP Authors but this is my own honest voluntary review.