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Merissa (12330 KP) created a post
Apr 7, 2021
Issac Holman recommended track I'm Hurting by Thee Headcoats in In Tweed We Trust by Thee Headcoats in Music (curated)
ClareR (5779 KP) rated A Net for Small Fishes in Books
Feb 17, 2021
I could end this review quickly and just say “I loved this book”, because I did. I loved it. I love well written, historical fiction with a foot firmly set in reality, and A Net for Small Fishes certainly fulfils that requirement for me. The attention to detail shows just how much research must have gone in to this - even down to the fastenings on the dresses, the makeup the women wore and the ‘simples’ they made up to ease ailments.
This is a story that I already knew a little about: I read The Poison Bed by E. C. Fremantle on The Pigeonhole about 3 years ago, where the story was told from Frances Howards point of view, and A Net for Small Fishes does nothing to contradict that story. They both illustrate really well how women were expected to conform and be perfect, docile, brood mares for their influential husbands, and in Frankie’s case, how political marriages weren’t always happy ones. It also illustrated how desperation to escape a loveless marriage made two women take desperate action. As so often happens throughout history, the women in this story are punished for the barefaced cheek they had to want better lives for themselves. It’s a frustrating conclusion - but I could see that it was inevitable. It showed that it didn’t matter if you were a woman in one of the most influential families in the country or a doctors widow, you toed the line or suffered the consequences. But what a journey they had!
This is such a good story, as real life often is, and it’s a book that’s going on the Keeper shelf (yes, I bought a copy after I read it on The Pigeonhole - that’s how much I liked it).
Many thanks to The Pigeonhole for serialising this, and to Lucy Jago for contributing to the conversation.
This is a story that I already knew a little about: I read The Poison Bed by E. C. Fremantle on The Pigeonhole about 3 years ago, where the story was told from Frances Howards point of view, and A Net for Small Fishes does nothing to contradict that story. They both illustrate really well how women were expected to conform and be perfect, docile, brood mares for their influential husbands, and in Frankie’s case, how political marriages weren’t always happy ones. It also illustrated how desperation to escape a loveless marriage made two women take desperate action. As so often happens throughout history, the women in this story are punished for the barefaced cheek they had to want better lives for themselves. It’s a frustrating conclusion - but I could see that it was inevitable. It showed that it didn’t matter if you were a woman in one of the most influential families in the country or a doctors widow, you toed the line or suffered the consequences. But what a journey they had!
This is such a good story, as real life often is, and it’s a book that’s going on the Keeper shelf (yes, I bought a copy after I read it on The Pigeonhole - that’s how much I liked it).
Many thanks to The Pigeonhole for serialising this, and to Lucy Jago for contributing to the conversation.
BookInspector (124 KP) rated Q: The Novel in Books
Sep 24, 2020
The protagonist in this book is Elena, and the book is told from her perspective. Elena is a teacher at a high-level school, she is married to a man, who holds a very high position when it comes to education. She has two daughters, eldest is a little miss perfect, she is smart and her daddy loves her, the younger one was struggling all her life. Elena hates her husband, and she is ready to do anything when her little girl is sent away to the lowest grade school. I really liked all the characters chosen for this book, they all are intriguing, different and they have unique stories to tell. I really loved to see different generations displayed in this book, their stories entwined beautifully.
I loved the narrative of this book. The whole concept of this novel intrigued me. I liked the topics discussed in this novel, such as partner and family relationship issues, WWII, perfectionism, political propaganda and brainwashing, children abuse, people segregation and many more. I really enjoyed the research done for this novel, I like history, and I loved real historical stories incorporated in this novel. I think this novel is quite fast-paced, and the pages just flew by for me, I was really engrossed in this story.
I really enjoy C. Dalcher’s writing style, she creatively uses political situations, to create these amazing dystopian countries and rules, that leaves me gobsmacked every time. The chapters are really short, and it is an absolute pleasure to read this novel. The ending of this book left me a little confused, I liked the way the author decided to conclude this novel, but it didn’t leave me fully satisfied with the outcome.
I loved the narrative of this book. The whole concept of this novel intrigued me. I liked the topics discussed in this novel, such as partner and family relationship issues, WWII, perfectionism, political propaganda and brainwashing, children abuse, people segregation and many more. I really enjoyed the research done for this novel, I like history, and I loved real historical stories incorporated in this novel. I think this novel is quite fast-paced, and the pages just flew by for me, I was really engrossed in this story.
I really enjoy C. Dalcher’s writing style, she creatively uses political situations, to create these amazing dystopian countries and rules, that leaves me gobsmacked every time. The chapters are really short, and it is an absolute pleasure to read this novel. The ending of this book left me a little confused, I liked the way the author decided to conclude this novel, but it didn’t leave me fully satisfied with the outcome.
LoganCrews (2861 KP) rated Avatar (2009) in Movies
Sep 20, 2020
"𝘈𝘭𝘭 𝘦𝘯𝘦𝘳𝘨𝘺 𝘪𝘴 𝘣𝘰𝘳𝘳𝘰𝘸𝘦𝘥, 𝘢𝘯𝘥 𝘴𝘰𝘮𝘦𝘥𝘢𝘺 𝘺𝘰𝘶 𝘩𝘢𝘷𝘦 𝘵𝘰 𝘨𝘪𝘷𝘦 𝘪𝘵 𝘣𝘢𝘤𝘬."
The story has been criticized up and down for being about as basic as can be, as well as being somewhat subtractive of the real life parallel this is generally aiming for - and I agree wholeheartedly. But let's be honest here, nobody goes into this for its merits as a piece of storytelling - which it isn't even necessarily bad at on the whole - it just rushes into and through everything too quickly (that goes double for a movie of this length). No, this is front-to-back pure, rich spectacle. Movies since have tried to emulate it but none have even come close to reaching the grandiose scope, immaculate attention to detail, and luxurious world-building. There's so much on the screen all at once you could almost get lost, as if you were right there in this massive, vibrant splashpad of late 2000s blockbuster merriment. And those last thirty minutes of rock-solid PG-13 fantasy violence just take the cake, holy *shit* they rule (remember when these used to end in half-hour long epic battle sequences where you could actually see and even care about what was going on?). Mechs fighting giant fantastical animals, soldiers getting pincushioned left and right with massive arrows, huge flying creatures shot-putting military aircrafts into the sides of cliffs... had a smile the size of Texas across my face the whole time - that's as good as those things get. Plus this is another entry into my Joel-David-Moore-is-underrated collection because he outacts the entire cast of A-listers here. As beautiful as the day it came out, but perhaps in a different way reflexively.
The story has been criticized up and down for being about as basic as can be, as well as being somewhat subtractive of the real life parallel this is generally aiming for - and I agree wholeheartedly. But let's be honest here, nobody goes into this for its merits as a piece of storytelling - which it isn't even necessarily bad at on the whole - it just rushes into and through everything too quickly (that goes double for a movie of this length). No, this is front-to-back pure, rich spectacle. Movies since have tried to emulate it but none have even come close to reaching the grandiose scope, immaculate attention to detail, and luxurious world-building. There's so much on the screen all at once you could almost get lost, as if you were right there in this massive, vibrant splashpad of late 2000s blockbuster merriment. And those last thirty minutes of rock-solid PG-13 fantasy violence just take the cake, holy *shit* they rule (remember when these used to end in half-hour long epic battle sequences where you could actually see and even care about what was going on?). Mechs fighting giant fantastical animals, soldiers getting pincushioned left and right with massive arrows, huge flying creatures shot-putting military aircrafts into the sides of cliffs... had a smile the size of Texas across my face the whole time - that's as good as those things get. Plus this is another entry into my Joel-David-Moore-is-underrated collection because he outacts the entire cast of A-listers here. As beautiful as the day it came out, but perhaps in a different way reflexively.
LeftSideCut (3776 KP) rated Bride of Re-Animator (1990) in Movies
Oct 3, 2020
The first Re-Animator definitely ranks in my personal top horrors of all time, and it's sequel isn't that far behind in quality.
First and foremost, Bride of Re-Animator is batshit insane, arguably more so than its predecessor. My the time the climax rolls around, there is just an unholy amount of crazy shit going on at once. It's genuinely quite challenging to take it all in, and it's nothing short of marvelous.
The effects work is outstanding. Practical effects and stop motion are used to bring a plethora of rejected experiments to life, and the whole film is just caked in gore and viscera (be prepared if you get funny about veins and ligaments...)
There's one particular moment that could well be one of the finest examples of body horror ever committed to screen.
The puppeteer of this madness is of course Herbert West, a bonafide icon of horror, and once again played by the great Jeffrey Combs. It's great to see David Gale and Bruce Abbott back for another stint as well, and Kathleen Kinmont gives it her all as the titular and showstopping Bride of Re-Animator.
The only real way that Bride falls short of the first movie is really down to pacing and structure. The payoff is fantastic, but the majority of film that comes beforehand feels a bit jumbled together (much like the Bride herself) and comes across as disjointed at times. Honestly, any character that isn't mentioned above is also just kind of there, but that's a minor grumble in a film that involves Hebert West.
Not quite as brilliant as the first Re-Animator then, but a suitably absurd sequel that can stand proud on its own merits.
First and foremost, Bride of Re-Animator is batshit insane, arguably more so than its predecessor. My the time the climax rolls around, there is just an unholy amount of crazy shit going on at once. It's genuinely quite challenging to take it all in, and it's nothing short of marvelous.
The effects work is outstanding. Practical effects and stop motion are used to bring a plethora of rejected experiments to life, and the whole film is just caked in gore and viscera (be prepared if you get funny about veins and ligaments...)
There's one particular moment that could well be one of the finest examples of body horror ever committed to screen.
The puppeteer of this madness is of course Herbert West, a bonafide icon of horror, and once again played by the great Jeffrey Combs. It's great to see David Gale and Bruce Abbott back for another stint as well, and Kathleen Kinmont gives it her all as the titular and showstopping Bride of Re-Animator.
The only real way that Bride falls short of the first movie is really down to pacing and structure. The payoff is fantastic, but the majority of film that comes beforehand feels a bit jumbled together (much like the Bride herself) and comes across as disjointed at times. Honestly, any character that isn't mentioned above is also just kind of there, but that's a minor grumble in a film that involves Hebert West.
Not quite as brilliant as the first Re-Animator then, but a suitably absurd sequel that can stand proud on its own merits.
Kate (493 KP) rated The Birthday List in Books
Oct 19, 2020
I loved this book. It was a romance but with a sad side to it. This made it feel more real. Some romance books can be a bit samey but this was slightly different. It took a couple of chapters to get into but once I got into it I couldn't put it down. I felt what Poppy was trying to achieve stopped her moving on but she felt it would help her to move on and ultimately it did. I loved the characters in the book except maybe Jamie's parents but their attitude can be understood.
I'm glad Poppy opens up to Cole and accepts his help in completing the list. It really brings them together. The author's descriptions of the characters and scenes made the book come to life. I could really see everything one and every place in my minds eye. In doing the list Poppy grew as a person and she became a much stronger person. She had to relearn how to love and let people on and she really did that. Before the end I was worried and I thought it was all over but I'm glad it changed around. The book had an epilogue and I love when books have this as it doesn't leave you wondering what happened. I think it ties everything up nicely. This book was me smile despite the initial sadness.
I would definitely recommend this book to anyone. It is definitely has an intended audience of 25's up. Anyone is having a rough time I would recommend them to read this book as it goes to show how things can and will get better. And things/people will come along when you lease expect them to.
I'm glad Poppy opens up to Cole and accepts his help in completing the list. It really brings them together. The author's descriptions of the characters and scenes made the book come to life. I could really see everything one and every place in my minds eye. In doing the list Poppy grew as a person and she became a much stronger person. She had to relearn how to love and let people on and she really did that. Before the end I was worried and I thought it was all over but I'm glad it changed around. The book had an epilogue and I love when books have this as it doesn't leave you wondering what happened. I think it ties everything up nicely. This book was me smile despite the initial sadness.
I would definitely recommend this book to anyone. It is definitely has an intended audience of 25's up. Anyone is having a rough time I would recommend them to read this book as it goes to show how things can and will get better. And things/people will come along when you lease expect them to.
Sarah Paulson recommended Frances (1982) in Movies (curated)
Elli H Burton (1288 KP) rated After Earth (2013) in Movies
Aug 22, 2019
Premise is interesting. (1 more)
Keeps you on your toes at times.
It's a bit boring at times. (3 more)
Will Smith's not really a presence as much as he should be.
The character progression is non existent with them all.
I don't mind either Jaiden or Will Smith, but feel like this wasn't suited too them. They felt restricted.
Will Smith
Contains spoilers, click to show
As Will Smith is a household name, more often than not you know him in some kind of comedy role, if not he has more presence on camera to show his true acting range. For a character that is hardly seen, I don't think this role suited him. Jaiden suited the character to an extent but when it came to the ghosting part, he was able to ghost so quickly, he was terrified like 10 minutes ago. He doesn't gradually learn to be brave it just happens which isn't true to his character. I actually don't mind watching this film, it has it's good bits. The relationship between them is clear, the father/son role definitely suits them (sounds obvious but not always the case with father/son actors). They manage to put a strain on their relationship in the film as opposed to in real life they are seriously close. The actual storyline is good, noticed how other films after (and perhaps before but I haven't seen any that came before) about monsters being blind but can sense smell, heat, touch and in this case, fear. It also had an underlying worldwide issue - earth turns on humans. Which I'm not surprised with the way we have treated it. I actually remember saying after watching this in the cinema that we really ought to start being more caring to the world. You never know it might happen!
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