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Life is not going well for Harley Quinn (Margot Robbie). She has recently
split from the Joker and is wallowing in self-pity and trying to find a
new focus in her life. As a further complication; the protection she
enjoyed under the Joker has vanished and now everyone with a grudge is
gunning for her.
Fate has Harley cross paths with a young Pickpocket named Cassandra (Ella
Jay Basco), who comes into possession of a diamond that happens to hold a
very valuable secret. Before Harley knows what has hit her; she is on the
run not only from all manner of thugs but the very dangerous Roman Siona
(Ewan Mc Gregor) has upped the stakes for their heads and will stop at nothing to get it.
Throw in a disgruntled Detective (Rose Perez) a jaded singer (Jurnee
Smollett-Bell), and a mysterious assassin (Mary Elizabeth Winstead) and
you have a very interesting and dangerous mix.
Sadly the film becomes jumbled at the start as the film will go down certain paths only to abruptly stop, rewind, go down another path, and resume.
This comes off as a disjointed mess at times and while I took it to help symbolize the mental state of Harley; it made connecting with the character and stories difficult.
This combined with the over the top
characters and routine story underminded the potential of the film.
While it entertained in parts, I do have to wonder if Director Cathy Yan
was in over her head. Yan had previously done four shorts and an Art Film
and seemed to be unsure of the pacing, action, and visual effects at times
as it certainally showed.
It is rumored that the head of the John Wick
stunt team was brought in to oversee reshoots for the film but Yan has
claimed this was simply for Second Unit work.
The film does have a strong theme of empowerment and I liked how it
emphasized that a woman does not need anyone to be strong and that they
have limitless potential. This is a very strong message that worked
wiell. Sadly the story offered no real variation from what we have seen
many times before in action and comic films and underscores how DC and
Warner Bros constantly come up lacking in this genrre where Marvel soars
time and again.
There isome entertainment in the film and Robbie is the perfect embodiyment of the character, sadly this Bird never really takes
flight.
2.5 out of 5
split from the Joker and is wallowing in self-pity and trying to find a
new focus in her life. As a further complication; the protection she
enjoyed under the Joker has vanished and now everyone with a grudge is
gunning for her.
Fate has Harley cross paths with a young Pickpocket named Cassandra (Ella
Jay Basco), who comes into possession of a diamond that happens to hold a
very valuable secret. Before Harley knows what has hit her; she is on the
run not only from all manner of thugs but the very dangerous Roman Siona
(Ewan Mc Gregor) has upped the stakes for their heads and will stop at nothing to get it.
Throw in a disgruntled Detective (Rose Perez) a jaded singer (Jurnee
Smollett-Bell), and a mysterious assassin (Mary Elizabeth Winstead) and
you have a very interesting and dangerous mix.
Sadly the film becomes jumbled at the start as the film will go down certain paths only to abruptly stop, rewind, go down another path, and resume.
This comes off as a disjointed mess at times and while I took it to help symbolize the mental state of Harley; it made connecting with the character and stories difficult.
This combined with the over the top
characters and routine story underminded the potential of the film.
While it entertained in parts, I do have to wonder if Director Cathy Yan
was in over her head. Yan had previously done four shorts and an Art Film
and seemed to be unsure of the pacing, action, and visual effects at times
as it certainally showed.
It is rumored that the head of the John Wick
stunt team was brought in to oversee reshoots for the film but Yan has
claimed this was simply for Second Unit work.
The film does have a strong theme of empowerment and I liked how it
emphasized that a woman does not need anyone to be strong and that they
have limitless potential. This is a very strong message that worked
wiell. Sadly the story offered no real variation from what we have seen
many times before in action and comic films and underscores how DC and
Warner Bros constantly come up lacking in this genrre where Marvel soars
time and again.
There isome entertainment in the film and Robbie is the perfect embodiyment of the character, sadly this Bird never really takes
flight.
2.5 out of 5
Gareth von Kallenbach (980 KP) rated Monsters University (2013) in Movies
Aug 7, 2019
Monsters University brings Billy Crystal, John Goodman, and the whole gang back in what I can only describe as a huge win.
Twelve years after Disney and Pixar brought us the wildly successful Monsters Inc., Pixar finally follows up with this year’s must-see family movie, which comes to us in the form of a prequel.
Monsters University opens by showing us a very young Mike Wazowski, who gets lost on a school trip to a very familiar scare floor at Monsters Inc. After surviving a trip to the human realm, he receives a hat from one of the professional scarers, emblazoned with MU. From that point on, a wide-eyed Wazowski dedicates his life to getting into Monsters University.
Fast forward many years and Mike is at his first day of college. MU becomes the backdrop for the education, friendships, scare games, and destiny-setting events that lead into the original movie we already know and love.
I was a bit skeptical going in I was a fan of the original, but prequels are damned hard to pull off, and kid/family movies aren’t typically my preference. Fortunately, after the first 15 minutes, the humor started picking up. The writers, designers, and artists did a masterful job of combining kid-humor antics with adult humor. Like many Pixar films, it contains one-liners and inside jokes that require life experience to really appreciate. (There was nothing dirty, just more adult-themed quips.)
I was impressed by the pacing, the detail, and the seamless flow of the animation, not to mention the excellent voice talent. Crystal, Goodman, Nathan Fillion, Steve Buscemi, Helen Mirren, and all the other actors did top-notch work.
I do have two complaints. There was not one mention of Mike Wazowski’s parents. We don’t know who they were or what they did, nor did we even get a visual of what they looked like. In a world occupied by such a wide variety of monsters, my curiosity was piqued. Even more maddening was the repeated mention of James P (Sulley) Sullivan’s father, who was apparently a very famous scarer. Sully is repeatedly reminded of living up to the family name, yet we never see so much as a picture showcasing his family. Perhaps this was addressed in a scene that didn’t make it from storyboards to the final cut.
Those minor issues aside, Monsters University is done very well, and it is extremely entertaining. From the many laugh-out-loud moments to the solemn, tear-jerking scenes, this movie is a real win.
Twelve years after Disney and Pixar brought us the wildly successful Monsters Inc., Pixar finally follows up with this year’s must-see family movie, which comes to us in the form of a prequel.
Monsters University opens by showing us a very young Mike Wazowski, who gets lost on a school trip to a very familiar scare floor at Monsters Inc. After surviving a trip to the human realm, he receives a hat from one of the professional scarers, emblazoned with MU. From that point on, a wide-eyed Wazowski dedicates his life to getting into Monsters University.
Fast forward many years and Mike is at his first day of college. MU becomes the backdrop for the education, friendships, scare games, and destiny-setting events that lead into the original movie we already know and love.
I was a bit skeptical going in I was a fan of the original, but prequels are damned hard to pull off, and kid/family movies aren’t typically my preference. Fortunately, after the first 15 minutes, the humor started picking up. The writers, designers, and artists did a masterful job of combining kid-humor antics with adult humor. Like many Pixar films, it contains one-liners and inside jokes that require life experience to really appreciate. (There was nothing dirty, just more adult-themed quips.)
I was impressed by the pacing, the detail, and the seamless flow of the animation, not to mention the excellent voice talent. Crystal, Goodman, Nathan Fillion, Steve Buscemi, Helen Mirren, and all the other actors did top-notch work.
I do have two complaints. There was not one mention of Mike Wazowski’s parents. We don’t know who they were or what they did, nor did we even get a visual of what they looked like. In a world occupied by such a wide variety of monsters, my curiosity was piqued. Even more maddening was the repeated mention of James P (Sulley) Sullivan’s father, who was apparently a very famous scarer. Sully is repeatedly reminded of living up to the family name, yet we never see so much as a picture showcasing his family. Perhaps this was addressed in a scene that didn’t make it from storyboards to the final cut.
Those minor issues aside, Monsters University is done very well, and it is extremely entertaining. From the many laugh-out-loud moments to the solemn, tear-jerking scenes, this movie is a real win.
ClareR (5996 KP) rated The Ninth Child in Books
May 1, 2020
Victorian Scotland, where reality meets myth.
The Ninth Child is a mesmerising mix of reality and fairytale. Neither of them are the pretty version, either. The story itself is set in Glasgow and the Trossachs between 1856 and 1859, where Isabel Aird is the wife of a young doctor. She has miscarried all seven of the babies she has carried so far, and is struggling to find meaning in her life. Her husband is very protective of her, but she can’t seem to forgive him for his apparent ability to shake off the loss of their babies.
We also get little glimpses in to the private lives of Queen Victoria and Albert, and the reason for this becomes clear as the story progresses. The link between the two families seems to be a strange character called Robert Kirke. Strange things seem to have been happening since the digging and tunnelling began. Isabel meets this strange man not long after she moves near to the site of the Loch Katrine Waterworks. This is no place for a lady brought up in all the comforts of a well-to-do Glaswegian home. But Isabel finds solace in the wildness, and the descriptions of the lochs and landscapes makes it easy to understand why.
This was such a surprising book, it wasn’t at all what I was expecting. I WAS expecting a good story - I loved The Sealwoman’s Gift. The mix of real, hard life and the fairy elements were really well done, and I loved that these weren’t the pretty, twee, friendly fairies that we seem to hear of so much of these days. I like my fairies to be tricksters, untrustworthy, always looking for an angle that they can work, a little grotesque.
I really enjoyed this book, and seemed to read it far too quickly. I’m a lover of history, myths and the unexplained, and this certainly delivered in these areas. The writing is gorgeous - the descriptions are such that you feel you’re there. We were supposed to be going on holiday this year to the Highlands, and this has made me hope even more that we’ll still be able to go. It’s one thing reading a description, it’s quite another to be there, experiencing the landscape for yourself.
This is a wonderful book, and one to tell my friends about!
Many thanks to NetGalley and Two Roads for my copy of this book to read and review.
We also get little glimpses in to the private lives of Queen Victoria and Albert, and the reason for this becomes clear as the story progresses. The link between the two families seems to be a strange character called Robert Kirke. Strange things seem to have been happening since the digging and tunnelling began. Isabel meets this strange man not long after she moves near to the site of the Loch Katrine Waterworks. This is no place for a lady brought up in all the comforts of a well-to-do Glaswegian home. But Isabel finds solace in the wildness, and the descriptions of the lochs and landscapes makes it easy to understand why.
This was such a surprising book, it wasn’t at all what I was expecting. I WAS expecting a good story - I loved The Sealwoman’s Gift. The mix of real, hard life and the fairy elements were really well done, and I loved that these weren’t the pretty, twee, friendly fairies that we seem to hear of so much of these days. I like my fairies to be tricksters, untrustworthy, always looking for an angle that they can work, a little grotesque.
I really enjoyed this book, and seemed to read it far too quickly. I’m a lover of history, myths and the unexplained, and this certainly delivered in these areas. The writing is gorgeous - the descriptions are such that you feel you’re there. We were supposed to be going on holiday this year to the Highlands, and this has made me hope even more that we’ll still be able to go. It’s one thing reading a description, it’s quite another to be there, experiencing the landscape for yourself.
This is a wonderful book, and one to tell my friends about!
Many thanks to NetGalley and Two Roads for my copy of this book to read and review.
Vivekananda - Amar Chitra Katha Comics
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The Fourth Generation: A Personal Story of Humour and Heartache 1885-1985
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Team Genius: The New Science of High-Performing Organizations
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Kristy H (1252 KP) rated The Switch in Books
Jan 7, 2021
A touching look at love and loss
Leena Cotton's way to deal with life is losing herself in her work. But when she's forced to take a two-month sabbatical, her usual focal point is gone. So Leena comes up with a plan: she'll escape to her grandmother Eileen's house, a beautiful little cottage in the lovely, quiet village of Hamleigh, and Eileen will come and stay in Leena's flat in London. To Leena, this sounds perfect; her grandmother, after all, though nearly eighty, is newly single and looking for another chance at love. Where better to find it than in bustling London? But switching places isn't as easy as it seems. In Hamleigh, Leena learns her grandmother's shoes are hard to fill, having to plan a local festival and deal with nosy neighbors. Meanwhile, in London, Eileen has to get up-to-speed with online dating and the hustle and bustle of a busy city. But, all may not be lost for the Cotton women.
Oh this book. It's just absolutely lovely. I wasn't sure if the idea of a "swapping places" book would come across as silly or trite, but in O'Leary's deft hands, it's perfect. She gives us a beautiful story about healing after grief (Leena's sabbatical comes because she blows a presentation as she's dealing with the grief of losing her sister; Eileen, obviously, has lost her granddaughter). But it's also funny, sweet, and romantic. The sadness is woven in with hope and beauty. It's one of those rare books that can make you both cry and laugh.
Eileen and Leena--what can I say about these characters? They are so real! I identified, of course, with workaholic Leena, and you just want to go into the book and save her (though she doesn't need it) as she struggles with her sister's death, feeling abandoned by her own grieving mother after the loss, and getting her life back on track. And Eileen? She's a total trip. Finally free to find love again, she's a wonderful and spunky woman that you cannot help but root for. The supporting cast is absolutely excellent--Leena's friends and flatmates, combined with the townspeople of Hamleigh, make for some of the most memorable supporting cast I can remember in quite some time. They all fit together perfectly in the story.
Overall, I defy you not to fall for this tale. Eileen's quest for love. Leena's quest to find herself again. O'Leary gives us a beautiful gift in THE SWITCH. One of my favorite reads of the year. 4.5+ stars.
Leena Cotton's way to deal with life is losing herself in her work. But when she's forced to take a two-month sabbatical, her usual focal point is gone. So Leena comes up with a plan: she'll escape to her grandmother Eileen's house, a beautiful little cottage in the lovely, quiet village of Hamleigh, and Eileen will come and stay in Leena's flat in London. To Leena, this sounds perfect; her grandmother, after all, though nearly eighty, is newly single and looking for another chance at love. Where better to find it than in bustling London? But switching places isn't as easy as it seems. In Hamleigh, Leena learns her grandmother's shoes are hard to fill, having to plan a local festival and deal with nosy neighbors. Meanwhile, in London, Eileen has to get up-to-speed with online dating and the hustle and bustle of a busy city. But, all may not be lost for the Cotton women.
Oh this book. It's just absolutely lovely. I wasn't sure if the idea of a "swapping places" book would come across as silly or trite, but in O'Leary's deft hands, it's perfect. She gives us a beautiful story about healing after grief (Leena's sabbatical comes because she blows a presentation as she's dealing with the grief of losing her sister; Eileen, obviously, has lost her granddaughter). But it's also funny, sweet, and romantic. The sadness is woven in with hope and beauty. It's one of those rare books that can make you both cry and laugh.
Eileen and Leena--what can I say about these characters? They are so real! I identified, of course, with workaholic Leena, and you just want to go into the book and save her (though she doesn't need it) as she struggles with her sister's death, feeling abandoned by her own grieving mother after the loss, and getting her life back on track. And Eileen? She's a total trip. Finally free to find love again, she's a wonderful and spunky woman that you cannot help but root for. The supporting cast is absolutely excellent--Leena's friends and flatmates, combined with the townspeople of Hamleigh, make for some of the most memorable supporting cast I can remember in quite some time. They all fit together perfectly in the story.
Overall, I defy you not to fall for this tale. Eileen's quest for love. Leena's quest to find herself again. O'Leary gives us a beautiful gift in THE SWITCH. One of my favorite reads of the year. 4.5+ stars.
