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Alison Pink (7 KP) rated The Mirage in Books

Jan 15, 2018  
TM
The Mirage
Matt Ruff | 2012
8
8.0 (1 Ratings)
Book Rating
The Mirage tells an alternate version of history. Where the world is rocked by a terrorist attack on the Tigris & Euphrates World Trade Towers in Baghdad on 11/9/01. The planes were hijacked by Christian fundamentalists from the Third World country of America.
Years after the attack on the superpower, a homicide bomber is captured in the United Arab States (UAS) & questioned. He tells a strange story of a mirage. This mirage is one where the UAS is the super power & America is poor & broken. He argues that this is not true reality...that in the real world the USA is the super power & was attacked on 9/11 by Muslims. Gradually the Homeland Security officers in Arabia begin to unravel the story & start to believe this crazy bomber.
The story is very well written & makes you stop & think without at doubt. At times it is humorous (The Quail Hunter from Crawford, TX who takes his enemies out on hunts & accidently shoots them or the crazy man in TX who is always looking for someone or something but can't seem to find it or remember who or what he's looking for or David Koresh leading the reisitance in America or Timothy McVeigh appearing as a protector to one of the invaders). This was well worth the time. The only reason it gets 4 stars from me is that it is a book you can't put down or read in small chunks. You need to read it straight through to keep everything straight, but it is well worth the time!
  
Favian's Law (The Truth Teller Series #3)
Favian's Law (The Truth Teller Series #3)
Kurt Chambers | 2016 | Science Fiction/Fantasy, Young Adult (YA)
10
10.0 (1 Ratings)
Book Rating
This is the third of the fantasy series for young adults involving Charlotte who, with the help of a magic pendant, is able to travel to another realm populated by elves and dwarves. In this land she is known as the Truth Teller, an almost mythical being.

But Charlotte is not the only one who travels to the other world; Favian, a theatre performer, also makes the trip and Charlotte soon discovers that things are very different as a result. With big changes both in the fantasy world and when she returns to ours Charlotte must face her fears to put everything right.

The first two books were fairly straighforward fantasy; this takes on a darker tone as Favian's meddling has caused a lot of changes none of which are for the better. Here we see a very different world from the first two books. Despite being reunited with Elderfield there seems to be nothing they can do to avoid a terrible fate.

This change in tone works well with our heroes in real peril. But where the book really shines is when Charlotte returns to our world. Things have changed here too and everything really does seem hopeless.

Chambers handles the narrative with verve, putting Charlotte through the wringer but always with an eye on the sympathies of the reader. As before the reader is encouraged to care about all of the characters. Unusually there is no ultimate villain here and that makes for a interesting read as the various plot threads work their way to their conclusion.
  
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    Clash of Kings - CoK

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...For the Whole World to See by Death
...For the Whole World to See by Death
2009 | Rock
(0 Ratings)
Album Favorite

"They were a black punk band from America. I love this record because it's kind of… erudite in its expression but it's fucking brutal. It's razor sharp. It's also gloriously anarchic. It's kind of punk but it's got real rock & roll lineage to it. The titles are brilliant: there's one called 'Politicians In My Eyes', another one called 'Rock-N-Roll Victim', 'Let The World Turn', 'You're A Prisoner'. It's just a real lost classic, and it's got real power. I can't remember if they're from Detroit or not - it would make sense, because so much has come out of Detroit - but it's one of those records I've just picked up and been astounded by it. I was always really good at picking up stuff in the margins of punk history, but I'd never heard anything about this band, and I love the idea that there's still stuff out there that's going to get credit after its time; that people who didn't get credit in their lifetime eventually get it if they're good enough. You can tell this band could have gone on to be utterly amazing; there's an articulacy there, a brutality there, a real rock & roll lineage, but a little off-kilter jazz edge to little bits of the playing. And the cover's absolutely lovely, it's almost like art deco Buck Rogers. It's just one of those records that's a little surprise in life; to stay in love with music, you need to have those little surprises, something that's been locked in a vault and it comes at you and it's such a surprise. And if you're ready to take on those surprises, it just shows you're still in love with the romance of music, that something's going to hit you in the middle of the eyes. And that's what this record did to me two years ago. I found it in Spillers in Cardiff, which was good because I really don't engage in the digital world - not through any kind of arch Ludditeness or anything, I just can't be arsed. So I listen to lots of radio and read lots of press and that's how I get my new records. That's why I love going to Spillers; sometimes there'll just be that bit of advice behind the counter. "Why don't you try this?" I just love that moment."

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