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Pan's Labyrinth (2006)
Pan's Labyrinth (2006)
2006 | Fantasy
Could Have Been Better
A little girl ventures into a fantasy world to complete three dangerous tasks after which she will be able to return to her underground kingdom. I had high hopes for Pan's Labyrinth and unfortunately there were a few factors that let me down. A few tweaks would have helped the film ascend to greatness.


Acting: 10

Beginning: 7
Not the best start I've seen in a film, but certainly not the worst. It gives you just enough to hook you and anticipate what is to follow.

Characters: 10

Cinematography/Visuals: 8

Conflict: 5

Genre: 3

Memorability: 8
The high score here is moreso indicative of director Guillermo del Toro trying something new and daring to be different. The creatures and the world in which they belong were unique enough to stand their own among other fantasy films I've seen. However, as the film shifts back and forth between fantasy and reality, I didn't get as much of the former as I would have hoped.

Pace: 4

Plot: 5
Again, I applaud an attempt to be innovative. What bothered me was how much was going on at once. It made it hard for me to enjoy the film as a whole. Things get pretty dark and depressing with no redemption in sight. I question some of the plot choices. Also, I was hoping that the fantasy world had a closer tie to the real world. Things fell apart for me when they did finally try and combine the two.

Resolution: 3

Overall: 63
A film with potential squandered by a mediocre ending and not going all in on the fantasy side. Not everyone's cup of tea, but I know a number of people that love it. I didn't.
  
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Awix (3310 KP) rated Bright (2017) in Movies

Feb 8, 2018 (Updated Feb 8, 2018)  
Bright (2017)
Bright (2017)
2017 | Drama, Fantasy, Sci-Fi
Orcz in da Hood
Fantasy-cop movie mash-up which probably sounded cool at the pitch meeting but doesn't really work as a full movie. Will Smith plays a careworn LA street cop saddled with an Orc (Joel Edgerton) as his partner, as this is a world where humans and fantasy creatures co-exist. The two of them end up contending with the anti-Orc racism of the LAPD and a cult of evil Elves seeking to use a magic wand to bring about the end of the world (Noomi Rapace and her cheekbones are well-cast as the baddie).

David Ayer seems much more comfortable handling the cop movie angle than the fantasy, but then at least this bit of the script actually makes a degree of sense. The movie no offers no clues as to how a world with Dark Lords and dragons and near-omnipotent magic wands ended up so closely resembling our own, with roughly the same history, countries, and cities (they even have Uber, for God's sake). And you have to wonder what kind of social commentary writer Max Landis is intent on when he implicitly draws parallels between Orcs (strong, dim, violent) and real-world ethnic groups.

Looking on the (wait for it) bright side, there is some snappy dialogue and good performances from Smith and (particularly) Edgerton, and most of the action is well-staged. One of those movies that works better if you just don't think about it, but let it wash over you; apparently a sequel is in the works and maybe they will address some of these issues there. David Ayer should definitely stick to writing his own scripts in future, though.