Chloë McTaggart (48 KP) rated The Circle in Books
Oct 19, 2018
Despite being set in a dystopian world full of technology we currently only see on the Syfy channel, it somehow clings to our ideas of reality and what is possible. By doing this, it soon offers a dangerous look at what technology may become as it highlights the impact it already has on our lives. The protagonist, Mae, lands a job at a technology company named “The Circle” which is comparable to brands and companies such as Apple, Google and Samsung. Eggers takes the ideas of the main technological companies of the twenty first century and rolls them into one; producing an unstoppable powerhouse of sharing, transparency and sociability overseen by a trinity of male bosses that we never really connect to. While Eggers sets the scene, and development of society, through his use of The Circle as an interdimensional power house, he fails to develop a relatable character in his protagonist.
From the start of the book the protagonist, Mae, comes across as weak and unmotivated with some parts of the novel serving almost as a pity party for her. If she’s not complaining, she’s raving about ex-boyfriends or how hard a life she has as though she’s the only one in the world that matters - though I suppose to Eggers she is the most important. Through this self pity, the reader struggles to find a point of contact with Mae; she offers no escape from the real world and instead becomes a motivation to stop reading the novel.
However, despite the lack of character development, the novel does raise relevant questions concerning technology and social media. In the film adaptation, it serves to show us just how much of an impact we can have on others without realising it; and how even when we do realise it the popularity or reward is too enticing to stop.
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Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.
Debbiereadsbook (1557 KP) rated The Goblin King's Mischief in Books
Oct 29, 2024
I thoroughly enjoyed reading this!
When Melody first met Aodh, they were but children, but they promised themselves to each other. When Melody's father found out, he was not happy, and bound Aodh memories of Melody, and took her away. Now, on the verge of being made the mistress of another king, she does something drastic to win the Goblin King's heart. The road to true love is never easy, as Melody soon finds out. Can she make Aodh see her, really SEE that she is his, in every way?
I really only have one niggle about this book! Only Melody gets a say and I really REALLY wanted to hear from Aodh as well. I think, for me, had he been given a say, this would be a 5 star read from me.
That said, what Melody does say is that she gets across all of that heartbreak she faced when her father took her away. All of the emotion she feels, when she makes the dangerous decision to outsmart the Goblin King. And the pain she feels, when Aodh pushes her away.
There is a large supporting cast, with a betrayal thrown in, coming from a very unexpected source! But given the choice this person had to make, you can see why they did it. Melody's brother did something a bit questionable, but he got the answers he needed for Melody.
It's not especially explicit, but there is much emotion here. It's more about Melody winning Aodh over, rather than getting into his bed. Although, she wants that too :0 Some ideas are a little darker, but perfectly normal for this world. Melody is promised to another king as his mistress, and her parents are very happy about that.
No real violence, either.
The world building is excellent. Not everything is thrown at you all at once, and you can digest each little new bit of information as it comes. You can immerse yourself into this world, so beautifully.
First I've read of this author, I'd like to read more.
4 very VERY good stars.
*same worded review will appear elsewhere
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