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Gareth von Kallenbach (980 KP) rated Ghost in the Shell (2017) in Movies
Jul 12, 2019
Ghost in the Shell is a film adaptation of a 1989 manga and subsequent 1995 anime. Set in the “not so distant future,” Scarlet Johansson plays as Major, the first functioning human brain/consciousness saved from an accident and placed into a full cybernetic body. Effectively, she is the perfect soldier and member of the Section 9 special task-force devoted to counter-terrorism operations.
As an adaptation, fans of the franchise will be pleased to know that Ghost in the shell nails the aesthetic and tone of the source material to provide a stunning, “lived in” future world. The special effects are excellent and really shine to bring this film to life and help us understand the world these characters inhabit.
The characters themselves, while “cool,” lack any real depth. It is not that Scarlet Johansson does an excellent job at being pensive and fits the role fine. It is just that there is no real human quality to her for us to attach to. Instead, everything she does feel “robotic.” Similar to her performance in Lucy with a little bit of Black Widow from the marvel universe crossed in.
Yes, I know she is supposed to be a cyborg. But the film wants us to believe she has actual interest in finding out who she was before the “accident,” but she shows very little human emotion to get us there. Furthermore, if she was the first human mind saved and put into a cyborg body, why doesn’t she show more human emotion when she starts to uncover her past. Meanwhile, her partner, Batou (Pilou Asbaek) showcases just slightly more emotion because he likes to feed stray dogs, however in his case, we at least understand that he is a loyal solder and friend to Major, and thus understand why he is along for the ride.
Additionally (or perhaps as a result) the story suffers from some pacing issues as the film doesn’t always provide clear or strong markers to help the viewer understand what exactly is motivating the characters throughout the film. Rather the film often holds a bit too long on sequences in an attempt to showcase the beautiful world and let the view ponder their own meaning of what they are watching.
This becomes problematic as the characters never really become likeable or establish any depth beyond the paint by numbers plot. Human becomes Cyborg, Cyborg works for a corporation/government, Cyborg figures out they have been lied to, revenge ensues.
In the end, I found myself checking my watch more than I had hoped as the film felt long and tired. If it wasn’t for the stunning world created on screen I would have been completely bored. It’s a shame because I really wanted to like this film. I cannot help but think that if this film had come out in 1999, it would have been amazing!
But in 2017 it feels average at best. Still, Ghost in the Shell is an adequate adaptation that fans of the franchise will enjoy. However I feel this adaptation does not help elevate the franchise beyond what the 1995 Anime has already accomplished.
As an adaptation, fans of the franchise will be pleased to know that Ghost in the shell nails the aesthetic and tone of the source material to provide a stunning, “lived in” future world. The special effects are excellent and really shine to bring this film to life and help us understand the world these characters inhabit.
The characters themselves, while “cool,” lack any real depth. It is not that Scarlet Johansson does an excellent job at being pensive and fits the role fine. It is just that there is no real human quality to her for us to attach to. Instead, everything she does feel “robotic.” Similar to her performance in Lucy with a little bit of Black Widow from the marvel universe crossed in.
Yes, I know she is supposed to be a cyborg. But the film wants us to believe she has actual interest in finding out who she was before the “accident,” but she shows very little human emotion to get us there. Furthermore, if she was the first human mind saved and put into a cyborg body, why doesn’t she show more human emotion when she starts to uncover her past. Meanwhile, her partner, Batou (Pilou Asbaek) showcases just slightly more emotion because he likes to feed stray dogs, however in his case, we at least understand that he is a loyal solder and friend to Major, and thus understand why he is along for the ride.
Additionally (or perhaps as a result) the story suffers from some pacing issues as the film doesn’t always provide clear or strong markers to help the viewer understand what exactly is motivating the characters throughout the film. Rather the film often holds a bit too long on sequences in an attempt to showcase the beautiful world and let the view ponder their own meaning of what they are watching.
This becomes problematic as the characters never really become likeable or establish any depth beyond the paint by numbers plot. Human becomes Cyborg, Cyborg works for a corporation/government, Cyborg figures out they have been lied to, revenge ensues.
In the end, I found myself checking my watch more than I had hoped as the film felt long and tired. If it wasn’t for the stunning world created on screen I would have been completely bored. It’s a shame because I really wanted to like this film. I cannot help but think that if this film had come out in 1999, it would have been amazing!
But in 2017 it feels average at best. Still, Ghost in the Shell is an adequate adaptation that fans of the franchise will enjoy. However I feel this adaptation does not help elevate the franchise beyond what the 1995 Anime has already accomplished.
Ross (3284 KP) rated The Iron Circlet in Books
Nov 13, 2017
Wowsers. I was a little tentative starting this the fourth book in the Chronicles of the Black Gate series, as I found the third book to drag somewhat, though it ended well.
That proved unfounded. This book gets straight back in the swing of things right from the off and the pace just does not let up. Other that a little bit of re-gouping and re-organising at the outset, the plot continues with chapter after chapter offering excitement and plot/character development aplenty.
Tharok is still up to no good, running amok with his massive army of orc-like kragh, backed by trolls and a medusa and looking to capitalise on his victory at the end of book 3.
Tiron finds himself deep behind enemy lines and totally out of his depth but finding ways to adapt.
Asho looks to lead the defence of Ennoia against the kragh invasion, while Kethe tries to do the same in Nous.
And Audsley finds himself in an assassination plot and getting a potted history of the real background of the empire.
This is simply fantasy fiction at its best: an epic world created, full of wonderful creatures and characters with an intricate plot which, while covering numerous threads never becomes untenable, with exciting and surprising battle scenes and twists.
Simply put one of the best fantasy books I have ever read, and I am now greedily wolfing down the final book in the series.
That proved unfounded. This book gets straight back in the swing of things right from the off and the pace just does not let up. Other that a little bit of re-gouping and re-organising at the outset, the plot continues with chapter after chapter offering excitement and plot/character development aplenty.
Tharok is still up to no good, running amok with his massive army of orc-like kragh, backed by trolls and a medusa and looking to capitalise on his victory at the end of book 3.
Tiron finds himself deep behind enemy lines and totally out of his depth but finding ways to adapt.
Asho looks to lead the defence of Ennoia against the kragh invasion, while Kethe tries to do the same in Nous.
And Audsley finds himself in an assassination plot and getting a potted history of the real background of the empire.
This is simply fantasy fiction at its best: an epic world created, full of wonderful creatures and characters with an intricate plot which, while covering numerous threads never becomes untenable, with exciting and surprising battle scenes and twists.
Simply put one of the best fantasy books I have ever read, and I am now greedily wolfing down the final book in the series.
Acanthea Grimscythe (300 KP) rated The Ocean at the End of the Lane in Books
May 16, 2018
The Ocean at the End of the Lane is the first work I’ve read by Neil Gaiman – and I love it. This short novel tells the story of a young boy. He discovers a sort of magic in the world around him that blends in a delightfully haunting way. The real star of this book isn’t the boy though. It’s the Hempstocks.
This piece of fiction is a quick read and harbors elements of fantasy and horror in a world much like our own. The house at the end of the lane is a bit removed from the rest of society and, to a homegrown, country girl like myself, oozes a rural familiarity. This house, being the home of the Hempstocks, is the source of everything surreal in The Ocean at the End of the Lane and through the little boy and his friend Lettie, we see an entirely different side of things. A place where a child learns morals (such as lying, obeying, etc.) in the most horrifying ways.
I found The Ocean at the End of the Lane nearly impossible to put down – in fact, I only paused long enough to shower and take a brief nap. I refused to sleep until I had turned the last page. It’s nice to see several elements of fiction in play, especially with how Gaiman foreshadows and references certain odd incidents that take place in his story. My next Gaiman read will be American Gods, which I received as a gift from Dad.
This piece of fiction is a quick read and harbors elements of fantasy and horror in a world much like our own. The house at the end of the lane is a bit removed from the rest of society and, to a homegrown, country girl like myself, oozes a rural familiarity. This house, being the home of the Hempstocks, is the source of everything surreal in The Ocean at the End of the Lane and through the little boy and his friend Lettie, we see an entirely different side of things. A place where a child learns morals (such as lying, obeying, etc.) in the most horrifying ways.
I found The Ocean at the End of the Lane nearly impossible to put down – in fact, I only paused long enough to shower and take a brief nap. I refused to sleep until I had turned the last page. It’s nice to see several elements of fiction in play, especially with how Gaiman foreshadows and references certain odd incidents that take place in his story. My next Gaiman read will be American Gods, which I received as a gift from Dad.
I had to read this book for my craft of fiction class. This was my first time reading it, but we were able to look at it as more than just plot, and more about how it was written and why it was written that way.
There are spoilers, so read at your own risk.
I very much enjoyed this book. I loved this view into a post slavery world filled of women who have to deal with the grief that has followed them throughout their lives. Sethe, though she has made her mistakes in her life, is still a sympathetic character who relies on her grief to survive through what she has done. Her daughters are strong women in their own rights. Beloved, being childlike and taking out her rage of her death on her mother and her family through stealing the attention and food for herself. She isolates, makes it so the others feel death hanging over themselves to understand her pain.
The format, being more stream of consciousness and not a cohesive, linear narrative, lends itself well to the magical realism of this book. This is nothing like a Harry Potter type of magical realism though. This is steeped in the tradition of former slaves, magical in their beliefs of the world and the afterlife. Not the people being able to control magic, but allowing it to be a real thing in their lives either way.
I really liked this book. If you want to understand why, check it out for yourself.
There are spoilers, so read at your own risk.
I very much enjoyed this book. I loved this view into a post slavery world filled of women who have to deal with the grief that has followed them throughout their lives. Sethe, though she has made her mistakes in her life, is still a sympathetic character who relies on her grief to survive through what she has done. Her daughters are strong women in their own rights. Beloved, being childlike and taking out her rage of her death on her mother and her family through stealing the attention and food for herself. She isolates, makes it so the others feel death hanging over themselves to understand her pain.
The format, being more stream of consciousness and not a cohesive, linear narrative, lends itself well to the magical realism of this book. This is nothing like a Harry Potter type of magical realism though. This is steeped in the tradition of former slaves, magical in their beliefs of the world and the afterlife. Not the people being able to control magic, but allowing it to be a real thing in their lives either way.
I really liked this book. If you want to understand why, check it out for yourself.
Erika Kehlet (21 KP) rated Shadow and Bone (The Grisha #1) in Books
Feb 19, 2018
Shadow and Bone is a quasi-Russian-themed fantasy, from the landscape and building design, the ranks of both the soldiers and the Grisha, right down to the character and place names. This similarity to something slightly familiar had the effect of making the whole world, and the magic contained within it, even more believable to me. I love when I am able to become so completely immersed in a fictional world that I can almost forget it isn’t real.
I liked Alina from her first appearance as a young orphan. She’s smart and wily, and it seems like she is the one instigating if she and her friend Mal end up in trouble. She’s neither whiny, nor arrogant and entitled like she could have been growing up an orphan in a Duke’s home. Rather than feel sorry for herself, she grows into a young woman willing to accept the life that she’s been given, never thinking of herself as anything particularly special. She isn’t perfect; she can be naive, but then learns from her mistakes.
I have to admit that I knew almost nothing about this book going in. I was attracted to the cover (which I kept seeing everywhere), so when Barnes and Noble had the Nook book on sale, I decided I’d finally check it out. What I found was a tale of friendship, betrayal, love, and adventure. I wasn’t disappointed, and if you are a fan of Young Adult, Fantasy, or are just looking for a unique adventure, I don’t think you will be either.
I liked Alina from her first appearance as a young orphan. She’s smart and wily, and it seems like she is the one instigating if she and her friend Mal end up in trouble. She’s neither whiny, nor arrogant and entitled like she could have been growing up an orphan in a Duke’s home. Rather than feel sorry for herself, she grows into a young woman willing to accept the life that she’s been given, never thinking of herself as anything particularly special. She isn’t perfect; she can be naive, but then learns from her mistakes.
I have to admit that I knew almost nothing about this book going in. I was attracted to the cover (which I kept seeing everywhere), so when Barnes and Noble had the Nook book on sale, I decided I’d finally check it out. What I found was a tale of friendship, betrayal, love, and adventure. I wasn’t disappointed, and if you are a fan of Young Adult, Fantasy, or are just looking for a unique adventure, I don’t think you will be either.
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