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Doors:  Field of Blood
Doors: Field of Blood
Markus Heitz | 2021 | Science Fiction/Fantasy
5
5.0 (1 Ratings)
Book Rating
Finally at an end
This the third and final book in this set (though they aren't to be read in any specific order) was consistent with the first two books. The beginning, shared, quarter sets up an intriguing tale of a group of disparate experts tasked with rescuing the missing daughter of a rich businessman, who has disappeared after going through a mysterious door.
This book sees the group enter a door that takes them to an alternate version of middle-ages France/Germany and the reign of the Frankian empire. As with the World War II element of the second book, this was more or less a passing interest to the book rather than a key element of the story.
The group have found themselves in a version of history where women rule the empire and generally take positions of power, and a building conspiracy among men seeks to reverse this and look to change this in the history books. For me, this was the most interesting aspect of the book, and one that could be plausible. Sadly, I couldn't see past some modern day people apparently conversing comfortably with people from the 9th century without issue, and there being no attempt to address this at all.
Meanwhile in the real world, we learn more about the doors, their use and the mysterious agency controlling them. We learn more in this one book than the other two put together, and between the three we now have a good amount of knowledge about these portals. Some aspects of their use don't add up though, as with any sort of time travel/portal notion.
The book ends fairly abruptly with a long voyage which is skipped over in a very 'sod it, that's the word count reached, wrap it up' style.
Overall, I was very disappointed with these books. While I liked having to piece together things from each book and start to get a feel for the world, I felt so much of it fell short. As with the other two books, it offered so much promise but fell flat.
  
Sgt. Pepper's Lonely Hearts Club Band by The Beatles
Sgt. Pepper's Lonely Hearts Club Band by The Beatles
1967 | Pop, Psychedelic, Rock

"I associate this album with a specific moment in my life. We never had a TV until I was about 16, so we would only hear about stuff like The Simpsons and Neighbours from friends. They seemed exotic and distant. But this one time I did see an episode of Neighbours in which one of the main characters got hit by a car, and it really fucked me up! I'd never seen anything like it before. And so, as I was driving home, my mum had Sgt. Pepper's on in the car and I was listening to 'A Day In The Life', and I was looking at a certain spot in the road, and I heard the line, which goes ""he blew his mind out in a car"", and it all suddenly came together. I imagined a car crash and I imagined this spot on the road and I imagined what I'd just seen with this song. And I think that is the first time that I genuinely understood the concept of death. I was probably only about five. That's the thing about The Beatles, you can get it into you from zero up. I never forgot that feeling of being petrified and understanding death for the first time. And the music did that to me. It wasn't Neighbours or the road, it was the fact that somehow that song had transported me and helped me to understand a real emotion. He [Lennon] had been dead about five years at that point. Children love The Beatles, and they love Queen, because there is something about those bands that is so colourful and fun and they create such a world. And the Sgt. Pepper's world is so easy to visualise, you can literally hear the crowd and the characters and the colours, the carnival air. It's all just magical. I've always enjoyed the fact that my band doesn't sound the same from song to song, and I think we get that from The Beatles. The Beatles were every type of band for ten years, and then they were nothing, which is probably why they are the most famous band in the world."

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