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Heather Cranmer (2721 KP) rated Summer's End in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> in October).
As a fan of horror, I thought I'd end up loving this book. However, that wasn't the case. It was an okay read, and I use that term loosely.
Lisa Morton is a horror author who knows a vast amount about Halloween, as in she knows where the tradition started and all the variations. When she gets an email from a university professor saying they found a 1,500 year old Celtic manuscript, she's a bit skeptical. However, she decides to visit the professor and see what he has to say. After translating the manuscript, the professor is found dead. Could this be the work of the manuscript that spoke of the Sidh? It's up to Lisa and Conor ó Cuinn, an Irish archaeologist who found the manuscript, to save the world. But will they be in time?
I'm not a fan of the cover at all. I'm not sure if that's supposed to be a Sidh or not. I have no idea. All I know is that the cover never really pulled me in.
As for the title, it makes me think more of a love story than a horror story. Saying that, one of the translations of Samhain is summer's end according to the book, so the title does fit in with the book.
I thought the world building was alright. I really didn't find any flaws with it. The setting is a university office and an apartment, so nothing too exciting. I though the author did a fantastic job of making the Sidh feel real and like this could actually happen. However, the ending lets the world building down. (This next sentence may be slightly spoilerish). We're led to believe that the world will be destroyed if Bal-sab (the god of death) isn't destroyed. Well, I don't want to give it away too much, but yeah, it's very anti-climatic.
The pacing is extremely slow at the beginning. I was considering adding this title to my DNF (did not finish) pile. For whatever reason, I decided to carry on. Luckily, the story did improve and picked up quickly which meant I was able to finish this book.
The plot was interesting enough. It's told from the author's point of view (although this book is a work of fiction), and she even throws in titles of her other books along the way. I did like the whole Celtic/Pagan mythology throughout the book. I also really enjoyed the little footnotes throughout the book. Anyway, the protagonist of the story needs to translate a Celtic manuscript and save the world. While, it was an interesting premise, I felt that it was poorly executed due to too much info dumping, and what I felt was too much self-promotion for the author's other works.
I felt that the characters were just too run of the mill. They weren't written poorly, but they weren't written well either. I felt that maybe some back story for the characters, especially the main character, would've helped me relate to each character, but I just found myself not really caring what happened to them. I just couldn't relate at all, and believe me, I did try, but all the characters felt too monotonous for my liking. I would've liked it if at least one character had some sort of personality instead of feeling like a cardboard cutout.
The dialogue never seemed forced, but it did feel a bit stale. As I've said before, there was way too much info dumping for my liking especially towards the beginning of the book. The info dumping isn't quite so bad once the story progresses though. As for swear words, there are a few, but it's not too bad.
Overall, Summer's End by Lisa Morton is an okay (again, I use this word loosely) story. It was a fantastic idea but poorly executed, I think.
I'm on the fence with whether or not I'd recommend this book. I'd just say to read it yourself and come to a decision especially if you're into Celtic/Pagan mythology. I'd say the age group it would best fit would be those aged 16+.
I'd give Summer's End by Lisa Morton a 2.5 out of 5.
(I received a free ARC print copy through LibraryThing's Early Reviewers for a fair and honest review).
As a fan of horror, I thought I'd end up loving this book. However, that wasn't the case. It was an okay read, and I use that term loosely.
Lisa Morton is a horror author who knows a vast amount about Halloween, as in she knows where the tradition started and all the variations. When she gets an email from a university professor saying they found a 1,500 year old Celtic manuscript, she's a bit skeptical. However, she decides to visit the professor and see what he has to say. After translating the manuscript, the professor is found dead. Could this be the work of the manuscript that spoke of the Sidh? It's up to Lisa and Conor ó Cuinn, an Irish archaeologist who found the manuscript, to save the world. But will they be in time?
I'm not a fan of the cover at all. I'm not sure if that's supposed to be a Sidh or not. I have no idea. All I know is that the cover never really pulled me in.
As for the title, it makes me think more of a love story than a horror story. Saying that, one of the translations of Samhain is summer's end according to the book, so the title does fit in with the book.
I thought the world building was alright. I really didn't find any flaws with it. The setting is a university office and an apartment, so nothing too exciting. I though the author did a fantastic job of making the Sidh feel real and like this could actually happen. However, the ending lets the world building down. (This next sentence may be slightly spoilerish). We're led to believe that the world will be destroyed if Bal-sab (the god of death) isn't destroyed. Well, I don't want to give it away too much, but yeah, it's very anti-climatic.
The pacing is extremely slow at the beginning. I was considering adding this title to my DNF (did not finish) pile. For whatever reason, I decided to carry on. Luckily, the story did improve and picked up quickly which meant I was able to finish this book.
The plot was interesting enough. It's told from the author's point of view (although this book is a work of fiction), and she even throws in titles of her other books along the way. I did like the whole Celtic/Pagan mythology throughout the book. I also really enjoyed the little footnotes throughout the book. Anyway, the protagonist of the story needs to translate a Celtic manuscript and save the world. While, it was an interesting premise, I felt that it was poorly executed due to too much info dumping, and what I felt was too much self-promotion for the author's other works.
I felt that the characters were just too run of the mill. They weren't written poorly, but they weren't written well either. I felt that maybe some back story for the characters, especially the main character, would've helped me relate to each character, but I just found myself not really caring what happened to them. I just couldn't relate at all, and believe me, I did try, but all the characters felt too monotonous for my liking. I would've liked it if at least one character had some sort of personality instead of feeling like a cardboard cutout.
The dialogue never seemed forced, but it did feel a bit stale. As I've said before, there was way too much info dumping for my liking especially towards the beginning of the book. The info dumping isn't quite so bad once the story progresses though. As for swear words, there are a few, but it's not too bad.
Overall, Summer's End by Lisa Morton is an okay (again, I use this word loosely) story. It was a fantastic idea but poorly executed, I think.
I'm on the fence with whether or not I'd recommend this book. I'd just say to read it yourself and come to a decision especially if you're into Celtic/Pagan mythology. I'd say the age group it would best fit would be those aged 16+.
I'd give Summer's End by Lisa Morton a 2.5 out of 5.
(I received a free ARC print copy through LibraryThing's Early Reviewers for a fair and honest review).
Gareth von Kallenbach (980 KP) rated World War Z (2013) in Movies
Jun 19, 2019
Inspired by the book of the same name, “World War Z” starring Brad Pitt has made it to theaters after several delays including seven weeks of additional shooting that was ordered by the studio after principal photography had ended. While the book covers survivor interviews in the wake of the zombie pandemic, the film covers the early days the outbreak and casts Pitt as Gerry Lane, a former U.N. troubleshooter who is left his life in the field for the ability to be a stay-at-home husband and dad to his wife and daughters. When an unexpected outbreak starts to lay waste to several cities, Gerry and his family are evacuated by his old U.N. Allies to a secure location aboard a naval flotilla and he is told that his family will remain in security providing he agrees to spearhead an investigation to determine the source of the outbreak.
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
RəX Regent (349 KP) rated Batman Begins (2005) in Movies
Feb 19, 2019
Batman has always seemed to make great viewing and with the darker takes on him of the past to decades, great movies. This was a real treat though. It’s almost a rational take on an irrational super hero. Christopher Nolan has managed to give Batman a human face and the world he inhabits a sense of scale and realism. But that’s not to say that it is lacking in the sense of the theatrical.
Back in 2005, the hype for this film was building, with a new take on the old comic hero taking shape. Though I must admit that the design of the new Batmobile didn’t look cool to me, but I loved the concept of rooting him in a real world. The other questionable point was that lack of the big hitters in terms of the villains. The Joker, Penguin, Riddler and Catwomen were dumped in favour of The Scarecrow and Ra’s al Ghul, with only one that I, as the un-indoctrinated in comic book lore, that I had heard of being The Scarecrow.
But this was not to be a typical Batman film in any sense of the word. In June 2005, Batman was reborn and not only had the career of an independently styled filmmaker, Christopher Nolan blown into the big leagues but Blockbusters had just been redefined, an event not dis-similar in effect t those of Jaws and Star Wars in the 1970’s.
Batman, a Warner Bros. cash cow for decades, was about to cross all the main lines within the industry and a blockbuster with art house sensibilities and real intelligence was about to born. It’s not the first, but it opened the door for Nolan and his like to change the way we think about movies of this kind. It doesn’t seem to be that long ago that Marvel was dominating cinemas was some first-rate adaptations such as X-Men, Spider-man and the underrated Hulk, which in many ways may be classed as a prototype for this, with art house direction from Ang Lee.
The plot of Batman Begins isn’t really that important though that’s not to sell it short. It’s a highly developed and conceived story, packed from the opening frame to the 140th minute, but it’s simply the perfect blend of the evolution of Bruce Wayne into Batman, and the usual diabolical plans of the super-villain, only it doesn’t feel like that when you’re watching it. It feels like a well judged story about a traumatised young man, struggling to come terms with his parents murder, and his place in the world.
Luckily for him, his family are billionaires and his butler is Alfred, or more importantly, Michael Caine! There are of course a whole host of contrivances to explain how Batman’s image was forged, how the Batcave was created and where the Batmobile came from, but no-one’s suggesting that this a documentary. This is a more grounded and psychological approach to the story of a nutcase who dressed up like a bat and fights crime without a single superpower to his aid.
But it’s how Nolan brings all this together that works so well. He addresses things so subtly that you can end up missing them if you blink, or at least fail to see them coming. Wayne is turned into a flamboyant excentric to maintain a distance from his friends, if he even has any. The Batcave never ends up looking how we’d expect either, but it is full of bats if that helps and he does park his car there.
It is not until The Dark Knight that we see a Batcave of sorts and that isn’t even in the grounds of Wayne Manor. So, the direction, conception and writing are great, what about the casting? Christian Bale is Wayne/Batman for me, though the animatistic tone to his voice maybe a little overdone, but I do get it. Katie Holmes is the weakest link and am glad that she was recast for the sequel. The rest of the players are first-rate and this may well be on of the best casts ever assembled for a single film in my opinion.
Gary Oldman, so understated as Lt. Gordon, Caine as Alfred is perfect; Liam Neeson is on top form, which he isn’t always, let’s face it and Morgan Freeman, like Oldman and Caine can seemingly do no wrong. Then there’s Hans Zimmer‘s collaboration with James Newton Howard for the score which is one of Zimmer’s best. Howard is an able composer and he clearly provided many of the excellent emotional riffs, but it was Zimmer who brought this together with his dominant, strident style, colossal beats and pacing.
The look and sound of this film sets it apart from so many of its brethren. Batman Begins is a truly original, relentless and groundbreaking movie that is the best of the comic book movies by a mile, but not necessarily the best comic book adaptation. Spider-man or Watchmen for example, may qualify for the fact that they more literally reflect their respective sources but Nolan’s masterpiece is a blueprint as to how film should tackle such adaptations.
And yes, that’s right; Batman Begins is a masterpiece if ever there was one, though a slightly lesser one in comparison to its own sequel, The Dark Knight which may have completely rewritten the handbook.
Back in 2005, the hype for this film was building, with a new take on the old comic hero taking shape. Though I must admit that the design of the new Batmobile didn’t look cool to me, but I loved the concept of rooting him in a real world. The other questionable point was that lack of the big hitters in terms of the villains. The Joker, Penguin, Riddler and Catwomen were dumped in favour of The Scarecrow and Ra’s al Ghul, with only one that I, as the un-indoctrinated in comic book lore, that I had heard of being The Scarecrow.
But this was not to be a typical Batman film in any sense of the word. In June 2005, Batman was reborn and not only had the career of an independently styled filmmaker, Christopher Nolan blown into the big leagues but Blockbusters had just been redefined, an event not dis-similar in effect t those of Jaws and Star Wars in the 1970’s.
Batman, a Warner Bros. cash cow for decades, was about to cross all the main lines within the industry and a blockbuster with art house sensibilities and real intelligence was about to born. It’s not the first, but it opened the door for Nolan and his like to change the way we think about movies of this kind. It doesn’t seem to be that long ago that Marvel was dominating cinemas was some first-rate adaptations such as X-Men, Spider-man and the underrated Hulk, which in many ways may be classed as a prototype for this, with art house direction from Ang Lee.
The plot of Batman Begins isn’t really that important though that’s not to sell it short. It’s a highly developed and conceived story, packed from the opening frame to the 140th minute, but it’s simply the perfect blend of the evolution of Bruce Wayne into Batman, and the usual diabolical plans of the super-villain, only it doesn’t feel like that when you’re watching it. It feels like a well judged story about a traumatised young man, struggling to come terms with his parents murder, and his place in the world.
Luckily for him, his family are billionaires and his butler is Alfred, or more importantly, Michael Caine! There are of course a whole host of contrivances to explain how Batman’s image was forged, how the Batcave was created and where the Batmobile came from, but no-one’s suggesting that this a documentary. This is a more grounded and psychological approach to the story of a nutcase who dressed up like a bat and fights crime without a single superpower to his aid.
But it’s how Nolan brings all this together that works so well. He addresses things so subtly that you can end up missing them if you blink, or at least fail to see them coming. Wayne is turned into a flamboyant excentric to maintain a distance from his friends, if he even has any. The Batcave never ends up looking how we’d expect either, but it is full of bats if that helps and he does park his car there.
It is not until The Dark Knight that we see a Batcave of sorts and that isn’t even in the grounds of Wayne Manor. So, the direction, conception and writing are great, what about the casting? Christian Bale is Wayne/Batman for me, though the animatistic tone to his voice maybe a little overdone, but I do get it. Katie Holmes is the weakest link and am glad that she was recast for the sequel. The rest of the players are first-rate and this may well be on of the best casts ever assembled for a single film in my opinion.
Gary Oldman, so understated as Lt. Gordon, Caine as Alfred is perfect; Liam Neeson is on top form, which he isn’t always, let’s face it and Morgan Freeman, like Oldman and Caine can seemingly do no wrong. Then there’s Hans Zimmer‘s collaboration with James Newton Howard for the score which is one of Zimmer’s best. Howard is an able composer and he clearly provided many of the excellent emotional riffs, but it was Zimmer who brought this together with his dominant, strident style, colossal beats and pacing.
The look and sound of this film sets it apart from so many of its brethren. Batman Begins is a truly original, relentless and groundbreaking movie that is the best of the comic book movies by a mile, but not necessarily the best comic book adaptation. Spider-man or Watchmen for example, may qualify for the fact that they more literally reflect their respective sources but Nolan’s masterpiece is a blueprint as to how film should tackle such adaptations.
And yes, that’s right; Batman Begins is a masterpiece if ever there was one, though a slightly lesser one in comparison to its own sequel, The Dark Knight which may have completely rewritten the handbook.
Mekkin B. (122 KP) rated The Dark Tower (2017) in Movies
Oct 9, 2017
Boring male power fantasy with little to no character development
It's hard to tell who is meant to be the protagonist of this film, the young boy, Jake, or the Gunslinger. Sure, we're introduced to Jake first, and only really meet the Gunslinger towards the end of Act 1, which should signal that it's Jake.
But Jake is boring. SO BORING. He doesn't really have any character flaws. Oh sure, he has problems, expositionally convenient plot device "visions", but no real, tangible character elements. He reacts violently towards another kid at school, but this isn't treated as a flaw and this isn't a movie where Jake is going to learn that there's a better solution than violence. At best he's going to learn that it's bad to use your fists to solve problems - guns are much more efficient.
The Gunslinger is presented with all the hallmarks of a protagonist. He's got a defined past and a defined character flaw. He's consumed with thoughts of revenge and will let the world burn around him to get it. The problem is, the story never gives him a point where he actually has to make a choice between revenge and something better.
The villain, while fun, seems to have no internal motivation whatsoever. Why does he want to destroy the universe? Because that's what semi-omnipotent bad guys want to do, I guess.
And I get it, he's called the Gunslinger, he shoots guns. It's all very straightforward. But that doesn't mean it's not still kind of boring to watch EVERY problem they encounter get solved by just shooting at it enough while every single woman in the movie exists to be murdered, assaulted, and grossly sexualized by the villain.
It used every trope in the book, it used them badly, and the script was just...not good.
But Jake is boring. SO BORING. He doesn't really have any character flaws. Oh sure, he has problems, expositionally convenient plot device "visions", but no real, tangible character elements. He reacts violently towards another kid at school, but this isn't treated as a flaw and this isn't a movie where Jake is going to learn that there's a better solution than violence. At best he's going to learn that it's bad to use your fists to solve problems - guns are much more efficient.
The Gunslinger is presented with all the hallmarks of a protagonist. He's got a defined past and a defined character flaw. He's consumed with thoughts of revenge and will let the world burn around him to get it. The problem is, the story never gives him a point where he actually has to make a choice between revenge and something better.
The villain, while fun, seems to have no internal motivation whatsoever. Why does he want to destroy the universe? Because that's what semi-omnipotent bad guys want to do, I guess.
And I get it, he's called the Gunslinger, he shoots guns. It's all very straightforward. But that doesn't mean it's not still kind of boring to watch EVERY problem they encounter get solved by just shooting at it enough while every single woman in the movie exists to be murdered, assaulted, and grossly sexualized by the villain.
It used every trope in the book, it used them badly, and the script was just...not good.
Sexist, self-absorbed codswallop
This is probably one of the worst books I've read this year unfortunately. It's full of contradictions, too many to go through each and every one. But here are a few.
For one, it claims to be an anti-self-help book but in fact it is, not only that it repeats phrases that other books use often but it reiterates it in a much more uglier fashion by replacing every other word with "f**k".
Secondly, the author is actually incredibly sexist throughout the whole book - revealing that this book is for a privileged white, male audience. He flashes his wealth throughout the book by even saying "I come from a wealthy family" and 'this doesn't apply to an Indian family who need an extra $10'. And then talks about his sexual exploits with women, saying that one of his former goals was to "be with more women" - like women are collective objects. He's boastful about sleeping around throughout, referring to women in a derogatory way.
The chapter on false memories and child sexual abuse is shocking, absolutely no disclaimers, just a rookie spouting off information that he clearly had no idea about. He discounts thousands of horrific accounts as if they're something imagined up and to be gotten over with. An extremely precarious viewpoint.
The irony is that the author describes himself perfectly here: "People declare themselves experts, entrepreneurs, inventors, innovators, mavericks, and coaches without any real-life experience. And they do this not because they actually think they are greater than everybody else; they do it because they feel that they need to be great to be accepted in a world that broadcasts only the extraordinary." And this pretty much sums up the book.
For one, it claims to be an anti-self-help book but in fact it is, not only that it repeats phrases that other books use often but it reiterates it in a much more uglier fashion by replacing every other word with "f**k".
Secondly, the author is actually incredibly sexist throughout the whole book - revealing that this book is for a privileged white, male audience. He flashes his wealth throughout the book by even saying "I come from a wealthy family" and 'this doesn't apply to an Indian family who need an extra $10'. And then talks about his sexual exploits with women, saying that one of his former goals was to "be with more women" - like women are collective objects. He's boastful about sleeping around throughout, referring to women in a derogatory way.
The chapter on false memories and child sexual abuse is shocking, absolutely no disclaimers, just a rookie spouting off information that he clearly had no idea about. He discounts thousands of horrific accounts as if they're something imagined up and to be gotten over with. An extremely precarious viewpoint.
The irony is that the author describes himself perfectly here: "People declare themselves experts, entrepreneurs, inventors, innovators, mavericks, and coaches without any real-life experience. And they do this not because they actually think they are greater than everybody else; they do it because they feel that they need to be great to be accepted in a world that broadcasts only the extraordinary." And this pretty much sums up the book.
Alison Pink (7 KP) rated Gone Girl in Books
Jan 15, 2018
I feel a bit let down. Don't take that the wrong way...it is NOT AT ALL because this book was bad, but because it was so good, very, VERY good!!! And I've read it already. And it's over. It's become my favorite read of 2013 & it's only January!! This doesn't bode well for the books I'll read the rest of the year!
This book went from 0 to 10 in the matter of a few pages & just went faster from there. I literally could not put it down. There were so many unexpected twists & turns that it was quite frankly, a roller coaster. I'd love to see it as a movie, but at the same time I dread those words when applied to a book I adored because the movie version never quite lives up to the book itself.
Gone Girl tells the story of Nick & Amy Dunne a seemingly perfect, blissfully happily married. Successful writers, trust fund, living a glamorous life in Manhattan, cool couple. Until they are very suddenly thrust into the "real" world...kind of. Suddenly, they are both laid off, Nick's mom gets cancer, they move to Missouri & then things go terribly wrong. Not just wrong, but horribly, unbelievably, scarily, WRONG! The door to their McMansion is left hanging open, the living room is a wreck & Amy is gone. Of course the investigation, in both the legal & public opinion arenas, is focused squarely on Nick. The cheating, abusive, cheater of a husband...of course. Or is he?
I want to say so much more, but really I can't. I don't want to ruin it for you should you be wise (or lucky) enough to pick up this book & crack open it's spine. You deserve to go into unaware, to experience the ride for yourself. You deserve a great book & this, my friends, is IT!!!!
This book went from 0 to 10 in the matter of a few pages & just went faster from there. I literally could not put it down. There were so many unexpected twists & turns that it was quite frankly, a roller coaster. I'd love to see it as a movie, but at the same time I dread those words when applied to a book I adored because the movie version never quite lives up to the book itself.
Gone Girl tells the story of Nick & Amy Dunne a seemingly perfect, blissfully happily married. Successful writers, trust fund, living a glamorous life in Manhattan, cool couple. Until they are very suddenly thrust into the "real" world...kind of. Suddenly, they are both laid off, Nick's mom gets cancer, they move to Missouri & then things go terribly wrong. Not just wrong, but horribly, unbelievably, scarily, WRONG! The door to their McMansion is left hanging open, the living room is a wreck & Amy is gone. Of course the investigation, in both the legal & public opinion arenas, is focused squarely on Nick. The cheating, abusive, cheater of a husband...of course. Or is he?
I want to say so much more, but really I can't. I don't want to ruin it for you should you be wise (or lucky) enough to pick up this book & crack open it's spine. You deserve to go into unaware, to experience the ride for yourself. You deserve a great book & this, my friends, is IT!!!!
BeRad89 (48 KP) rated The War Nurses in Books
Apr 5, 2018
“... a flying ambulance corps made up of a naturist, a pianist, a journalist, a lady and a widowed mother...and a non smoking schoolgirl.” This is the description of the ambulance corp of Elsie Knockers and Mairi Chisholm during World War I. Will these brave ladies' friendship and sisterhood survive the war as they live in close quarters and dodge bullets as front line nurses in a cellar?
I started this book without much hope. To me, the cover is cheap-looking, and I admit this colored my judgement. How wrong I was!!! The War Nurses ended up being a very good read. Mairi is shown in such a real light. I was amazed at what both women did during the war. To see the human side of such a brave woman was interesting. I didn't personally like Elsie, but her character was amusing and kept surprising me.
While it didn't particularly bother me, some people will not like the amount of gore and yucky stuff in this book. While I know you can't judge a book by its cover, the cover to this book is very cheap looking.
The War Nurses by Lizzie Page is a work of historical fiction. It will be published April 17, 2018 by Bookouture.
I give this book 4 out of 5 stars. It ending up being a very pleasant surprise, as I judged this book by the cover and wasn't expecting much from it. It is an inspiring and eye-opening book. I recommend to anyone who loves powerful women, coming of age stories, WWI, medical stories, and/or historical fiction.
I was given a free copy from Net Galley and Bookouture in exchange for my honest review.
I started this book without much hope. To me, the cover is cheap-looking, and I admit this colored my judgement. How wrong I was!!! The War Nurses ended up being a very good read. Mairi is shown in such a real light. I was amazed at what both women did during the war. To see the human side of such a brave woman was interesting. I didn't personally like Elsie, but her character was amusing and kept surprising me.
While it didn't particularly bother me, some people will not like the amount of gore and yucky stuff in this book. While I know you can't judge a book by its cover, the cover to this book is very cheap looking.
The War Nurses by Lizzie Page is a work of historical fiction. It will be published April 17, 2018 by Bookouture.
I give this book 4 out of 5 stars. It ending up being a very pleasant surprise, as I judged this book by the cover and wasn't expecting much from it. It is an inspiring and eye-opening book. I recommend to anyone who loves powerful women, coming of age stories, WWI, medical stories, and/or historical fiction.
I was given a free copy from Net Galley and Bookouture in exchange for my honest review.
Simon Theo Cutter (2 KP) rated Alita: Battle Angel (2019) in Movies
Feb 10, 2019
Amazing world building (1 more)
Jaw dropping special effects
A master class in science fiction
So I saw this movie Friday and I loved it ,this is the kind of movie you have to see on the biggest screen possible ,and beautiful to look at ,I completely forgot that the character of ALITA is completely rendered in I computer there are times where you swear that ALITA is a real human being ,the action is top notch it has some of the most exciting action set pieces I've seen in a movie period especially the motor ball scene ,it was a joy to watch that entire scene play out and my mouth was on the floor the entire time ,that scene alone is worth the ticket admission,the acting is great across the board you could tell that everyone involved was passionate about this project and they wanted to make the best movie possible ,there is however an aspect of this movie I thought didn't work and that was the love story it felt it was unnecessary but it did pay off in the end ,I'm not going to go into spoilers because I believe the best way to see this spectacular movie is to go in knowing next to nothing and just experience it ,I will say this Alita battle angel is a fast paced ,epic ,science fiction adventure and I came out of the screening wanting more ,this movie is a passion project for James Cameron and you can really tell ,after seeing this I can't wait to see what he brings to the table with his avatar sequels..I loved this movie !!!!
Kristy H (1252 KP) rated Winter in Paradise in Books
Apr 4, 2019 (Updated Apr 5, 2019)
Great, engaging read
This was such a good book. I found it to be totally engrossing. It was a compelling read: dramatic in some places and fun and engaging in others. As always, Hilderbrand has a way of reeling you in. Her characters are so real and fully formed. I could feel Irene's pain and shock; Baker and Cash's disbelief; and the horror of those on the island, who lost someone they loved, as well.
Maybe it's just the part of me who loves a good soap opera, but I was totally swept up in the drama of this novel. I felt completely transported into the world of the Steeles and St. John island. While I'll have to wait a while for the next book in this series (more on that in a bit), I enjoyed this book so much that it had me tracking down Hilderbrand's Winter series, so I could continue reading her work. I have the first three books (of four), so I will be digging into those soon. Not since I read a book by Liane Moriarty and then read her entire catalog, have I felt so into an author at the moment.
And speaking of this series, there's definitely a cliffhanger at the end. Be prepared. I'm quite excited to read the next book and see where the Steele family and all their drama and intrigue takes us. Such unlikely partnerships form in this one; there's an exciting love triangle; there are interesting island characters--it's such a fun book.
Overall, this is a great read. It's engaging, and heartbreaking at times and sweet and funny at others. I loved the characters and felt totally caught up in the story. I am very much looking forward to book #2 (if not the wait for it!).
Maybe it's just the part of me who loves a good soap opera, but I was totally swept up in the drama of this novel. I felt completely transported into the world of the Steeles and St. John island. While I'll have to wait a while for the next book in this series (more on that in a bit), I enjoyed this book so much that it had me tracking down Hilderbrand's Winter series, so I could continue reading her work. I have the first three books (of four), so I will be digging into those soon. Not since I read a book by Liane Moriarty and then read her entire catalog, have I felt so into an author at the moment.
And speaking of this series, there's definitely a cliffhanger at the end. Be prepared. I'm quite excited to read the next book and see where the Steele family and all their drama and intrigue takes us. Such unlikely partnerships form in this one; there's an exciting love triangle; there are interesting island characters--it's such a fun book.
Overall, this is a great read. It's engaging, and heartbreaking at times and sweet and funny at others. I loved the characters and felt totally caught up in the story. I am very much looking forward to book #2 (if not the wait for it!).
Neon's Nerd Nexus (360 KP) rated The Lego Movie 2: The Second Part (2019) in Movies
May 13, 2019
Smashing
#legomovie2 is a sequel that manages to out brick the first film & fly straight into your #heart #spaceship first. I loved the first lego movie & absolutely adored the #legoninjago movie but wasn't entirely sure if we needed anymore of them. That being said Im happy to report that the second lego movie is infact really #awesome & while not laugh out loud funny its by far the most interesting & varied one out of the bunch. This time the story is centred around #love, change & the inner battles we all face on a day to day basis with strong themes of battling #depression, realising self worth, being who you are/trying to fit in & trust it gets #pretty complex at times too & as i left i overheard kids telling their parents that they didnt get it. That being said there is enough visual variety, visual pop & #crazy #music numbers to keep people of all ages engrossed the entire run time too. Talking of visuals the #beauty/complexity of the animation & textures has been severely ramped up this time, figures have dust, muck, scratches & chipped paint galore making the real world connection to these plastic blocks even more prominent. Riding on movie cliches & poking fun of other films is a big part of this film too as are various #popculture #cameos & they fit perfectly/bring a #smile (there are some really niche one too like #starshiptroopers & #2001aspaceodyssey which isreally #cool to see). #legomovie 2 really is a lot of #fun & with a good over all message letting us all know that sometimes not everything is awesome.... but that's ok is something i feel a lot of us can certainly learn from. Take the #family to see it you'll all have a blast i promise. #odeon #odeonlimitless #filmbuff #filmcritic #lego #weekend #kids #family #funny #silly #saturday