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The Hemlock Cure
The Hemlock Cure
Joanne Burn | 2022 | Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
The Hemlock Cure was a fascinating insight into the lives of ordinary people during the Black Death (Bubonic Plague) epidemic of 1665-1666. The plague is very much in the background of this story for most of it, though.

The real evil isn’t a disease, it’s being shut in with people who clearly do not have good intentions.

The village of Eyam is well known for the decision to shut itself off from the outside world when its inhabitants started to become ill and die. They understood that the only way to halt the spread of the disease was to isolate themselves - a selfless act.

This novel looks at some of the families and their relationships inside and outside of their family units. The local apothecary and his daughter Mae, are one such family. Mae is desperate to be her fathers apprentice, but this isn’t a time in history where it’s safe for a woman to be working with herbs. So Mae studies with the midwife and a local wise woman (who are both also skating on thin ice, truth be told).

The plague wasn’t a constant in London it appears, and we travel there with one of the main characters. The contrast between the country village and London was quite something to read. I could almost smell the difference off the page!!

I enjoyed the pacing of this book: in Eyam the time crawls, whilst in London everything is all hustle and bustle.

The slow reveal of the terrible secrets in Mae’s family are not so much shocking as terrifying. Wulfric, Mae’s father, is not a well man. It seems to be a race against time for Mae.

I would most definitely recommend this book to historical fiction fans - and if you like a mystery, you may well like this as well.
  
Wes Craven's New Nightmare (1994)
Wes Craven's New Nightmare (1994)
1994 | Horror, Mystery
Off the bat, New Nightmare is a veritable treat for fans of A Nightmare on Elm Street. Six films deep, the cold hard fact is that this series had become so far removed from what it once was, for better or for worse, and this 7th entry into the franchise provided the shake up so sorely needed. It's meta as hell, taking place in the "real world" where ANOES is just a movie. It's a fun slasher that sees the beloved series bleeding over into reality, when an evil entity begins to terrorize the actual Heather Langenkamp, posing as the ever popular Freddy Krueger.
This whole premise is just great. The dialogue can be a bit on the nose sometimes, but it's honestly forgivable, considering that Wes Craven was trying to out-Scream himself before Scream even existed. Craven himself appears alongside the likes of Robert Englund and producer Rob Shaye as themselves. Krueger himself is thankfully a scary bastard once again. This version doesn't have time for quips or shenanigans, instead opting for general terrorising and murder (a particular highlight riffs on the infamous ceiling kill from the original, but adds to it in the best way) and is probably the scariest version of Freddy since the first two movies.
The plot is clever in its way that it connects back to the original 84 story, and deserves all the credit for having the balls to take the series in a new direction. It deserves bonus points for the commitment to using practical effects

New Nightmare is a wonderful example of what a somewhat stale series should do next, and further cements just how important Wes Craven was to the genre. It's an ambitious sequel that earns it status as a fan favourite.