Search
Search results
To the farm!
Book and Education
App
* Nominated for the prestigious Cybils Awards 2012 in the Books category * Best10APPS said: "The...
Dingtone - WiFi Calling & Text
Social Networking and Productivity
App
Free WiFi phone calls & text messages! Make clear calls on a new line over WiFi, 3G/4G data network...
La Liga TV. La tele del fútbol
Sports and Photo & Video
9.0
Rate It
App
Do not miss out on the day´s goals or highlights of your favourite team´s match. The best football...
GPS Tracker 365 - Locator for Kids, People, Mobile, Pet & Vehicle. Real Time Location Tracking
Navigation and Utilities
8.0
Rate It
App
【Video Demo】 https://www.youtube.com/watch?v=SbMZuD1dqsU 【theiphoneappreview.com...
Planet of Heroes - Brawl MOBA
Games
App
Looking for an exciting real time war game for smartphones? Welcome to Planet of Heroes: stunning...
Rachel King (13 KP) rated Fever (The Chemical Garden, #2) in Books
Feb 11, 2019
I found this book to be much grimmer than the first book, Wither. In this book, Rhine and Gabriel spend most of their time trying to escape and running from or to some place. It was rather tiring at times, and I often wondered while I was reading, Don't they need to eat more? Seriously, they subsist on almost no food until they get to the orphanage, and even then, Rhine still seems to have an anorexic-like view of any and all food. Not very realistic for teenagers, in my view.
Moving on. Rhine's behavior while trapped in the carnival showed me that she can be very scatterbrained and disorganized, without any real planning abilities, even though I saw her as just the opposite in the first book. She seemed to just give in as the power of the drug "angel blood" is forced on her and Gabriel to control them. Her lack of motivation was disappointing, to say the least. The little girl she escapes with proves to be one of the most interesting variables in the whole book.
Further events once they escape seem to just delay the inevitable, but they do help to draw a more detailed picture of the world that Rhine comes from - the desperation and depravity that so much of society has sunk to as the hope of its children continues to inexplicably die. The division between those that want to continue looking for a cure and those that don't is clear, but what is not clear for most of the book is what is killing Rhine, who should still have 3 years of life to go. The horrible Vaughn of Wither is like a haunting presence throughout the book, and he has more secrets than even I can fathom.
The romance between Rhine and Gabriel is stagnated without the threat of discovery by Rhine's abandoned husband. Between escaping capture, living on the run, and futilely hunting down Rhine's brother, it has little chance to grow much at all. In fact, Rhine seemed to have more chemistry with another boy at the orphanage than she can maintain with Gabriel. Plus, Gabriel knows nothing about the world outside the mansion and is flung reeling into this life of survival that he could not have been prepared for - I can't help but feel sorry for him.
The most fascinating scene in the book is hinted at on the cover from the tarot card in Rhine's hand, but unfortunately those elements won't be covered until the final, untitled book in 2013. I look forward to a conclusion that more cleanly wraps up this series.
Moving on. Rhine's behavior while trapped in the carnival showed me that she can be very scatterbrained and disorganized, without any real planning abilities, even though I saw her as just the opposite in the first book. She seemed to just give in as the power of the drug "angel blood" is forced on her and Gabriel to control them. Her lack of motivation was disappointing, to say the least. The little girl she escapes with proves to be one of the most interesting variables in the whole book.
Further events once they escape seem to just delay the inevitable, but they do help to draw a more detailed picture of the world that Rhine comes from - the desperation and depravity that so much of society has sunk to as the hope of its children continues to inexplicably die. The division between those that want to continue looking for a cure and those that don't is clear, but what is not clear for most of the book is what is killing Rhine, who should still have 3 years of life to go. The horrible Vaughn of Wither is like a haunting presence throughout the book, and he has more secrets than even I can fathom.
The romance between Rhine and Gabriel is stagnated without the threat of discovery by Rhine's abandoned husband. Between escaping capture, living on the run, and futilely hunting down Rhine's brother, it has little chance to grow much at all. In fact, Rhine seemed to have more chemistry with another boy at the orphanage than she can maintain with Gabriel. Plus, Gabriel knows nothing about the world outside the mansion and is flung reeling into this life of survival that he could not have been prepared for - I can't help but feel sorry for him.
The most fascinating scene in the book is hinted at on the cover from the tarot card in Rhine's hand, but unfortunately those elements won't be covered until the final, untitled book in 2013. I look forward to a conclusion that more cleanly wraps up this series.
Rachel King (13 KP) rated Across the Universe (Across the Universe, #1) in Books
Feb 11, 2019
The opening of this novel was a bit too nauseating for my tastes, with the details of how the people aboard the spaceship Godspeed are cryogenically frozen turning my stomach, but it certainly served to make the book more realistic. I had wrongly assumed that Beth Revis would open the novel with Amy already frozen, or just waking up, but this approach has me evaluating my own life and what it would take to volunteer for such a mission. Waking up 300 years in the future, leaving behind everything you have ever known, without even the option to return to it -- such an existence feels very lonely to me. Already I have a certain respect for Amy's choice.
The perspective of the male main character, Elder, alternating with Amy's thoughts and dreams in her frozen state were interesting. I kind of expected Amy to finally wake up mad as a hatter from her conscious entrapment. Eldest likely would have just dumped her into space if that had happened.
The encased world that had been created inside the spaceship Godspeed was both mind-boggling in its vastness and claustrophobic in its simplicity. Many things are seen as commonplace, such as genetic manipulation and mass control through brain-washing and the widespread use of drugs. Many things are backwards from what I know in today's reality, such as Eldest's support of Hitlerian tactics, and the idea that those of creative and genius-level intellect are "crazy", while the mind-numbed masses are "normal." The language has also evolved into a kind of slurred and shortened English that Amy struggles to understand, as well as the addition of new slang terms.
Amy has quite an uphill battle in enacting change on this ship for the better, especially with her red hair, green eyes, and pale skin. I certainly would not want to be in her shoes, but I admire her resolve and determination despite how alone and trapped she feels. Elder is ignorant and immature at the beginning of the novel, but Amy's presence wakes him up to the reality of his world and his responsibility towards it.
The book does not have a real "ending" so much as a place to pause -- until the next book comes out. There were a ton of questions I had at the end that I hope are resolved in the next book, such as Doc's lack of an apprentice. On to A Million Suns!
The perspective of the male main character, Elder, alternating with Amy's thoughts and dreams in her frozen state were interesting. I kind of expected Amy to finally wake up mad as a hatter from her conscious entrapment. Eldest likely would have just dumped her into space if that had happened.
The encased world that had been created inside the spaceship Godspeed was both mind-boggling in its vastness and claustrophobic in its simplicity. Many things are seen as commonplace, such as genetic manipulation and mass control through brain-washing and the widespread use of drugs. Many things are backwards from what I know in today's reality, such as Eldest's support of Hitlerian tactics, and the idea that those of creative and genius-level intellect are "crazy", while the mind-numbed masses are "normal." The language has also evolved into a kind of slurred and shortened English that Amy struggles to understand, as well as the addition of new slang terms.
Amy has quite an uphill battle in enacting change on this ship for the better, especially with her red hair, green eyes, and pale skin. I certainly would not want to be in her shoes, but I admire her resolve and determination despite how alone and trapped she feels. Elder is ignorant and immature at the beginning of the novel, but Amy's presence wakes him up to the reality of his world and his responsibility towards it.
The book does not have a real "ending" so much as a place to pause -- until the next book comes out. There were a ton of questions I had at the end that I hope are resolved in the next book, such as Doc's lack of an apprentice. On to A Million Suns!
Rachel King (13 KP) rated Fragile Eternity (Wicked Lovely, #3) in Books
Feb 11, 2019
At first I was really excited that this book was picking up on Seth and Aislinn from where the first book left off. Sorcha's court is very interesting and uniquely different from the other three courts, and I think that it is the court I would most likely fit into. I like how Marr fashions each court by a different set of rules, so that something that one court has the power to accomplish another court cannot necessarily duplicate. This makes the plot less predictable and allows the monarchs of each court to become more memorable and unique to the reader.
Keenan is just as much of an arse as he is in the other books - I see the least character growth with him, despite how much he is not getting what he wants. Aislinn is obviously still relatively naive about him. Despite how hard she works to be a good queen, she still appears to be an amateur, based on how easily everyone keeps secrets from her. I really like how hard Seth works to be a good boyfriend, but I love how the reader gets to see him in his weaker moments. This makes him more humane and believeable. His courage and determination are quite commendable, but I can hardly believe that he missed that very important detail about Faerie when he makes his bargain with Sorcha. As much reading as he has supposedly done on the subject, it isn't very likely that he would not read about the time differences. I was so disappointed when I realized that Seth had essentially become a "momma's boy" when Sorcha makes him her Faerie son. While this seems to benefit Sorcha, I really don't see how this will benefit Seth - and every other fairy, except for Bananach, seems to agree with this.
As for Bananach, while what she sees is focused on her goals of War, by the end of this book, I don't see how there could be any other outcome. Each of the monarchs are too focused on protecting and strengthening his or her own courts to care about the fate of the fairy world as a whole, which the real world has proven can only have one outcome. While the romantic in me just wants to see each of the monarchs find mates and a happily ever after, I like how Marr deviates from this typical theme and produces books that thrive on unpredictability. I look forward to getting my hands on the next book, Radiant Shadows (Wicked Lovely).
Keenan is just as much of an arse as he is in the other books - I see the least character growth with him, despite how much he is not getting what he wants. Aislinn is obviously still relatively naive about him. Despite how hard she works to be a good queen, she still appears to be an amateur, based on how easily everyone keeps secrets from her. I really like how hard Seth works to be a good boyfriend, but I love how the reader gets to see him in his weaker moments. This makes him more humane and believeable. His courage and determination are quite commendable, but I can hardly believe that he missed that very important detail about Faerie when he makes his bargain with Sorcha. As much reading as he has supposedly done on the subject, it isn't very likely that he would not read about the time differences. I was so disappointed when I realized that Seth had essentially become a "momma's boy" when Sorcha makes him her Faerie son. While this seems to benefit Sorcha, I really don't see how this will benefit Seth - and every other fairy, except for Bananach, seems to agree with this.
As for Bananach, while what she sees is focused on her goals of War, by the end of this book, I don't see how there could be any other outcome. Each of the monarchs are too focused on protecting and strengthening his or her own courts to care about the fate of the fairy world as a whole, which the real world has proven can only have one outcome. While the romantic in me just wants to see each of the monarchs find mates and a happily ever after, I like how Marr deviates from this typical theme and produces books that thrive on unpredictability. I look forward to getting my hands on the next book, Radiant Shadows (Wicked Lovely).
Rachel King (13 KP) rated Masquerade in Books
Feb 11, 2019
I was surprised at how much I enjoyed reading this novel by the end of it. The beginning is a bit slow and dry, as Moser sets up the background information and almost struggles to get the reader to "side" with the main character Charlotte Gleason by using her maid's voice to excuse Charlotte's "spoiled rich girl" behavior. I really have a hard time buying the lines that Charlotte really is a good person even though she chooses to be naive about the world she lives in because she feels helpless to enact change. But what happens to her family to force her to travel to America is just the thing to wake her up to the real world and her own responsibilities in it.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
Kyera (8 KP) rated Batman: Nightwalker - DC Icons Book 2 in Books
Jan 31, 2018
Batman: Nightwalker gives us an origin story for the Caped Crusader that we didn't know we needed - even if it doesn't feel like the dark, gritty Batman we know from the Dark Knight or the comics. Bruce is an eighteen-year-old boy who is still trying to figure out who he is in a world where his parents were murdered when he was a child and he has just come into their vast fortune. He struggles to figure out how to live up to his parents' legacy and finds himself in a dangerous situation.
If you go into this book expecting Batman, I'm afraid you're going to be disappointed. This is a teenaged boy who is realizing that he wants to do more for his city and is coming to the conclusion that Bruce Wayne might not be enough. This book is his real origin story and Marie Lu brings his transformation back to its roots. We meet the boy who will one day become Batman, not the man we are familiar with as the Dark Knight.
I really enjoyed getting to know young Bruce in this story, although Alfred certainly stole the show. You could feel the bond that they had with one another, which translated so much more authentically than some of the other relationships in the story. I felt that Diane and Harvey were a little underdeveloped in the story, so I never really formed a connection with them. I really enjoyed the little cameos from characters we're familiar with and the characterization of people that we know are much more important in the Batman mythology in later years.
Superhero books are definitely difficult to write because they're so action heavy and as a result, visual, but I feel that Lu managed to capture the kinesthetic nature of the book well. She definitely delved more into Batman's detective nature, which was really nice because we don't see that as often as his fighting bad guys schtick. If you're interested in seeing the detective Batman dig into mysteries and try to foil a criminal organization than you should enjoy this book - just don't expect giant action-packed fight scenes.
I have really enjoyed the DC Icons series thus far because it brings the characters we've grown familiar with back to their roots. They're teenagers who are still figuring out who they are in the world, regardless of their future superhero journey. They are fragile and unsure, yet with a thirst for justice that one day will allow them to grow into the superheroes we know and love.
If you go into this book expecting Batman, I'm afraid you're going to be disappointed. This is a teenaged boy who is realizing that he wants to do more for his city and is coming to the conclusion that Bruce Wayne might not be enough. This book is his real origin story and Marie Lu brings his transformation back to its roots. We meet the boy who will one day become Batman, not the man we are familiar with as the Dark Knight.
I really enjoyed getting to know young Bruce in this story, although Alfred certainly stole the show. You could feel the bond that they had with one another, which translated so much more authentically than some of the other relationships in the story. I felt that Diane and Harvey were a little underdeveloped in the story, so I never really formed a connection with them. I really enjoyed the little cameos from characters we're familiar with and the characterization of people that we know are much more important in the Batman mythology in later years.
Superhero books are definitely difficult to write because they're so action heavy and as a result, visual, but I feel that Lu managed to capture the kinesthetic nature of the book well. She definitely delved more into Batman's detective nature, which was really nice because we don't see that as often as his fighting bad guys schtick. If you're interested in seeing the detective Batman dig into mysteries and try to foil a criminal organization than you should enjoy this book - just don't expect giant action-packed fight scenes.
I have really enjoyed the DC Icons series thus far because it brings the characters we've grown familiar with back to their roots. They're teenagers who are still figuring out who they are in the world, regardless of their future superhero journey. They are fragile and unsure, yet with a thirst for justice that one day will allow them to grow into the superheroes we know and love.