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Vivekananda - Amar Chitra Katha Comics
Book and Entertainment
App
** Download our "India comics" App - ***Includes FREE ACK AND DIAMOND COMICS. link:...
The Fourth Generation: A Personal Story of Humour and Heartache 1885-1985
Book
There are no exceptions and therefore there are no choices. This book is about the choices people...
Small Area Estimation and Microsimulation Modeling
Book
Small Area Estimation and Microsimulation Modeling is the first practical handbook that...
Berlin Marco Polo Handbook
Book
For advice you can trust, look no further than Marco Polo. The Berlin Marco Polo Handbook offers...
Egypt Marco Polo Guide
Book
Marco Polo Egypt: the Travel Guide with Insider Tips Experience all Egypt's attractions with this...
Haypi Adventure: Kingdom of Glory
Games and Entertainment
App
This new strategic war game is based during the Age of Discovery! The game has been well received...
Groovy Notes for iPad - Organizer, Journal & Diary
Productivity and Utilities
App
Groovy Notes is your personal diary for text, voice notes, attachments, annotations and more!! ...
Charlie Cobra Reviews (1840 KP) rated Gemini Man (2019) in Movies
Jul 7, 2020
Innovative and Intriguing, Double The Will Smith Fails To Push The Movie From Good To Great
Contains spoilers, click to show
So before I saw this movie I actually saw Will Smith on The Stephen Colbert Show. They rolled a clip from the motorcycle fight scene from the movie and I was taken aback by how fake some of it looked. And not the action of it but the movements of the younger Will Smith clone. On the show Will Smith said that this is the first film where the entire character of the young clone was completely digital and there was no MOCAP or digital de-aging. I'm not sure if it was this new way of having the character there that caused the movement to look so fake but some of the scenes had parts that were downright laughable. Since I knew this already I tried not to go into the movie with too high of expectations. And because of this and really giving it a chance I think I was more able to enjoy it then others who will definitely be turned off by it. I hate that for some people it will hurt there ability to suspend belief because that's one reason we all go to the theater. To get sucked into another world where anything is possible and forget about the real world for an hour or two. This really was a good movie besides that being it's greatest fault. There are even some scenes where it looks totally fine and really good. Most scenes like that are zoomed into his face during dialogue and the amount of detail they did was really fantastic. I mean Will Smith did a great job as this disillusioned assassin, Mary Elizabeth Winstead did a good job as a rookie agent meant to be surveiling him, and Benedict Wong was cool as Baron his friend and ex-colleague. Even Clive Owen did good as Clay Varris, head of a top-secret black ops unit codenamed "Gemini". The plot wasn't very complicated, Will retires and starts learning that people he killed were innocent and then people start trying to kill him before he can learn the truth. He finds out that a younger clone of himself is trying to kill him and he tries not to kill him as he tries to take down the man responsible for this. Nothing remarkable but there were some pretty good action scenes especially the finale where they fight in the town. As I said I give this movie a 6/10.
Kristy H (1252 KP) rated Follow Me Back in Books
Oct 15, 2020
This is the sixth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet.
Tessa Hart spends most (okay all) of her days in her bedroom. After an incident that causes her intense anxiety and agoraphobia, her one outlet and escape is the online world of pop star Eric Thorn. She can lose herself in his music, as well as the digital chatter of Twitter. For Eric, though, online is a scary place, where he fears his fans' obsessive behavior. He's even more scared in real life, especially after one of his fellow stars is murdered by a crazed fan. But online media is key to his success, according to his PR team. So Eric decides to ruin his image via a trolling Twitter account--of his own making. But his plan derails quickly and he finds himself involved in his deepest and most meaningful relationship to date, albeit a virtual one. But when he and his Twitter friend agree to meet, everything goes wrong.
This is one of those books that you know will probably be incredibly silly and cheesy, and it was definitely both of those things. But I still read it in one day, because, well, sometimes you just need silly and cheesy in your life. I was all for something related to Twitter that didn't involve politics and the world ending.
Honestly, Follow Me Back was quite addictive and easy-to-read, even if I wanted to shake Tessa and Eric sometimes for their bad decisions. Some early honesty would have avoided a lot of angst. It's told via the point-of-view of both characters, along with excerpts from police interrogations. Through the police pieces, we know something bad has happened--then we back up to the events that lead up to it. The book delves into the pressures of stardom, along with anxiety, assault, and mental illness. It's a little all over the place, at times--perhaps trying to throw us off course, but I appreciated that it did try to cover Tessa's issues respectfully. There's Eric and Tessa's relationship, as well as a bit of a mystery element.
Overall, this was just an escapist novel for me, and it did its job fairly well. My only problem was that it ended with a cliffhanger ending, so while I did move this book off my shelf, I am going to have to track down book #2 to see how it all ends. Darn it! Still, 3 stars for a fun and crazy ride.
Tessa Hart spends most (okay all) of her days in her bedroom. After an incident that causes her intense anxiety and agoraphobia, her one outlet and escape is the online world of pop star Eric Thorn. She can lose herself in his music, as well as the digital chatter of Twitter. For Eric, though, online is a scary place, where he fears his fans' obsessive behavior. He's even more scared in real life, especially after one of his fellow stars is murdered by a crazed fan. But online media is key to his success, according to his PR team. So Eric decides to ruin his image via a trolling Twitter account--of his own making. But his plan derails quickly and he finds himself involved in his deepest and most meaningful relationship to date, albeit a virtual one. But when he and his Twitter friend agree to meet, everything goes wrong.
This is one of those books that you know will probably be incredibly silly and cheesy, and it was definitely both of those things. But I still read it in one day, because, well, sometimes you just need silly and cheesy in your life. I was all for something related to Twitter that didn't involve politics and the world ending.
Honestly, Follow Me Back was quite addictive and easy-to-read, even if I wanted to shake Tessa and Eric sometimes for their bad decisions. Some early honesty would have avoided a lot of angst. It's told via the point-of-view of both characters, along with excerpts from police interrogations. Through the police pieces, we know something bad has happened--then we back up to the events that lead up to it. The book delves into the pressures of stardom, along with anxiety, assault, and mental illness. It's a little all over the place, at times--perhaps trying to throw us off course, but I appreciated that it did try to cover Tessa's issues respectfully. There's Eric and Tessa's relationship, as well as a bit of a mystery element.
Overall, this was just an escapist novel for me, and it did its job fairly well. My only problem was that it ended with a cliffhanger ending, so while I did move this book off my shelf, I am going to have to track down book #2 to see how it all ends. Darn it! Still, 3 stars for a fun and crazy ride.
Gareth von Kallenbach (980 KP) rated Collateral Beauty (2016) in Movies
Jul 12, 2019
Loss is something that all of us must face at one time or another. It affects each person differently. While some seem unfazed, others cannot adjust to life after the death of a loved one.
In Collateral Beauty, Will Smith portrays Howard Arnett, a father and advertising executive who has shut off the world after the loss of his daughter to cancer.
He disconnects from work, friends, and family. He is a shell of himself, not knowing how to find his place in the world now that a major piece of him is missing.
In an attempt to bring normalcy back to his life and save their company, his friends and colleagues band together to devise a plan to hire actors to play the roles of abstract beings that Howard contacts in his distress, hoping that it forces him to confront his feelings about his loss.
Collateral Beauty is more than just your run of the mill Holiday films. The movie is touching, heart-wrenching, and layered. The film is not limited to the growth of Howard.
We witness how each of his friends has a challenge that they must face that they have been putting off, just as their friend has for the past two years. An ensemble cast of Dame Hellen Mirren, Edward Norton, Kate Winslet, Michael Pena, Kiera Knigthley, and Naomie Harris would normally have audiences or critics worried that the film itself may be light on content, plot, or depth. This is not the case.
The film’s cast is outshined by the story that develops as audiences watch and wait for Howard to become unbroken. The film does not overshoot with respect to their expectations or even offer up conflated ideas and developments. Collateral Beauty gives audiences a chance to watch a man deal with loss and reflect on how we all deal with loss in our own ways.
The film is tough to watch in some moments due to its approach to love and death in not simplifying the significance of one’s life. It demonstrates that each person matters and their lives have a lasting impact. Collateral Beauty will leave audiences reflecting on their own circumstances and those of people they know.
At times, the feelings are too real and a deep connection is made between the characters and the audience that will leave many wishing that they had brought boxes of tissue with them as they will find themselves being touched and heavily impacted.
In Collateral Beauty, Will Smith portrays Howard Arnett, a father and advertising executive who has shut off the world after the loss of his daughter to cancer.
He disconnects from work, friends, and family. He is a shell of himself, not knowing how to find his place in the world now that a major piece of him is missing.
In an attempt to bring normalcy back to his life and save their company, his friends and colleagues band together to devise a plan to hire actors to play the roles of abstract beings that Howard contacts in his distress, hoping that it forces him to confront his feelings about his loss.
Collateral Beauty is more than just your run of the mill Holiday films. The movie is touching, heart-wrenching, and layered. The film is not limited to the growth of Howard.
We witness how each of his friends has a challenge that they must face that they have been putting off, just as their friend has for the past two years. An ensemble cast of Dame Hellen Mirren, Edward Norton, Kate Winslet, Michael Pena, Kiera Knigthley, and Naomie Harris would normally have audiences or critics worried that the film itself may be light on content, plot, or depth. This is not the case.
The film’s cast is outshined by the story that develops as audiences watch and wait for Howard to become unbroken. The film does not overshoot with respect to their expectations or even offer up conflated ideas and developments. Collateral Beauty gives audiences a chance to watch a man deal with loss and reflect on how we all deal with loss in our own ways.
The film is tough to watch in some moments due to its approach to love and death in not simplifying the significance of one’s life. It demonstrates that each person matters and their lives have a lasting impact. Collateral Beauty will leave audiences reflecting on their own circumstances and those of people they know.
At times, the feelings are too real and a deep connection is made between the characters and the audience that will leave many wishing that they had brought boxes of tissue with them as they will find themselves being touched and heavily impacted.