There was a decent amount of cultural diversity while remaining mostly centered in the US; Chinatown in 1950s San Francisco, 1870s Mexico, Colonial New England, 1930s Hispanic New Mexico, Robin Hood-era Britain.
The stories were really good, I just wish they'd included a bisexual story and a transwoman. They did have an asexual girl, which is a sexuality often overlooked, so that was nice.
It's a great collection of stories, just limited in scope. They could have cut a few F/F stories and added in bisexual, nonbinary, and transwomen, and lived up to the open umbrella of the "queer" label a bit more. I really enjoyed it, I think I'm just a little disappointed because I was expecting more of the spectrum.
Steve Fearon (84 KP) rated Hereditary (2018) in Movies
Oct 10, 2018
It is painful.
It is uncomfortable.
It has moments of genuine scares too, but mostly it has slow dread.
The performance of this movie are outstanding and very much worthy of Oscar consideration, especially for Toni Collette who is just beyond amazing as a mother watching her family fall apart, but whose mental fragility is questioned over the course of the movie.
They keep the viewer guessing at all times as to whether the actions of this movie are due to insanity or something else, and honestly, either way, it is nightmarish.
The actions and conversations of the main characters all seem natural, or at least plausible, and this grounds the otherwise surreal situations in a way that is rare on movies of this type.
The sound design in this movie is fantastic, using really dynamic sound effects and periods of silence to create tension and keep the viewer focused, since there are very few musical cues on offer.
It is a classic, beautifully performed, lovingly crafted, and haunting in its brutality, realism and despair.
Watch it!
Phil Leader (619 KP) rated Ghosts of Winter (Grey Areas #2) in Books
Nov 13, 2019
The first book in this sage was good; this second is even better. Carl is a very talented author who can move seamlessly between emotional and romantic to crime drama without missing a beat. As with the first book, despite a large cast of characters each one is depicted with incredible realism.
The thrust of the saga is that black and white don't exist, that everyone has shades of grey and has to make decisions which may be compromising or morally questionable, and that is brought into sharp relief here with what would normally be 'good guys' and 'bad guys' both blurring a lot of lines and meeting in the middle.
Despite being the second in a sequence of four books this does have its own plot which moves to a satisfying conclusion but obviously leaves all the main players in place for the next book. Anyone who picks this up and reads it will not be disappointed.
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