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Emma @ The Movies (1786 KP) rated The Lion King (2019) in Movies
Jun 20, 2020
It's difficult to know where to begin. I have strong feelings about Disney remakes in general, I was open to the idea until I saw some. I can understand remaking some that stand a chance of being mainly actual live-action like Cinderella and Beauty & The Beast, and I'm looking forward to Mulan despite its lack of Mushu... but... remaking something as "live-action" with realism when you have to include things that aren't realistic (talking animals) it seems pointless to me.
As the film started I was taken aback by the beautiful scenery shots, animation studios really have nailed realistic water. As the animals started to appear I was encouraged for the most part. The zebras and antelope looked wonderful and the movements were spot on, but the larger animals didn't quite have the same elegance. Watching it all was fine though until you noticed something, then it was difficult not to spot something else.
I really disliked the animation of Scar, I know he's supposed to look like the typical alpha male of the pride, but his look in the original and now has never been very in keeping to me.
The best piece of animation in the whole thing was Timon. That little meerkat was spot on through the whole thing for me, edgy and darting, it was perfect. The only drawback was the voiceover by Billy Eichner, he doesn't encapsulate the personality of Timon, but then he did have some big boots to fill.
With Timon as the best of animation, it was only fitting that Pumbaa filled in the other side by being the best of the voice cast. Seth Rogen was born for this role, he's fantastic. I absolutely loved him. Perfect comedic timing, maybe not the best singing voice but once it mixed in with everything else you couldn't tell.
Dare I say that I wasn't a fan of the songs? I didn't like the modern take on them... I'm not sure if I'd really classify it as a modern take, everything just seemed to be taken much more seriously than before. I actually quite enjoyed Be Prepared, while it wasn't really sung it probably plays better to Chiwetel Ejiofor's strengths done this way. The really dubious addition was the song "Spirit" by Beyoncé. It was barely included and if it was in there more then it really didn't stick out. The only bit I noticed was "spirit, spirit" being bellowed randomly. I've watched the video and full song on YouTube since the film, I can only assume that it's an attempt at best original song awards but I don't think it has that goosebump impact that Disney epics should. Those high notes should probably be left to Mariah.
It's difficult to know just how much my enjoyment of the original affected my feelings about the new one. It's not one that I grew up with, I rewatched it recently for what may have been the first time. Lion King is very much one of the Disney classics you can be aware of even without seeing it, that's the power of Disney.
Remaking a film as "live-action" when there's no human cast seems like the wrong choice to me. The realistic CGI will only work up to a point when you're trying to make animals speak. The films itself is still spectacular, and there are some amazing pieces of animation to see (I do love baby Simba, he's so cute), but I'm of the opinion that if it ain't broke don't fix it. When you look at it overall the voice cast isn't any better than the original, neither are the songs, with it being so incredibly similar with only the animation style being the major twist I'm left underwhelmed by the final cut.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-lion-king-movie-review.html
As the film started I was taken aback by the beautiful scenery shots, animation studios really have nailed realistic water. As the animals started to appear I was encouraged for the most part. The zebras and antelope looked wonderful and the movements were spot on, but the larger animals didn't quite have the same elegance. Watching it all was fine though until you noticed something, then it was difficult not to spot something else.
I really disliked the animation of Scar, I know he's supposed to look like the typical alpha male of the pride, but his look in the original and now has never been very in keeping to me.
The best piece of animation in the whole thing was Timon. That little meerkat was spot on through the whole thing for me, edgy and darting, it was perfect. The only drawback was the voiceover by Billy Eichner, he doesn't encapsulate the personality of Timon, but then he did have some big boots to fill.
With Timon as the best of animation, it was only fitting that Pumbaa filled in the other side by being the best of the voice cast. Seth Rogen was born for this role, he's fantastic. I absolutely loved him. Perfect comedic timing, maybe not the best singing voice but once it mixed in with everything else you couldn't tell.
Dare I say that I wasn't a fan of the songs? I didn't like the modern take on them... I'm not sure if I'd really classify it as a modern take, everything just seemed to be taken much more seriously than before. I actually quite enjoyed Be Prepared, while it wasn't really sung it probably plays better to Chiwetel Ejiofor's strengths done this way. The really dubious addition was the song "Spirit" by Beyoncé. It was barely included and if it was in there more then it really didn't stick out. The only bit I noticed was "spirit, spirit" being bellowed randomly. I've watched the video and full song on YouTube since the film, I can only assume that it's an attempt at best original song awards but I don't think it has that goosebump impact that Disney epics should. Those high notes should probably be left to Mariah.
It's difficult to know just how much my enjoyment of the original affected my feelings about the new one. It's not one that I grew up with, I rewatched it recently for what may have been the first time. Lion King is very much one of the Disney classics you can be aware of even without seeing it, that's the power of Disney.
Remaking a film as "live-action" when there's no human cast seems like the wrong choice to me. The realistic CGI will only work up to a point when you're trying to make animals speak. The films itself is still spectacular, and there are some amazing pieces of animation to see (I do love baby Simba, he's so cute), but I'm of the opinion that if it ain't broke don't fix it. When you look at it overall the voice cast isn't any better than the original, neither are the songs, with it being so incredibly similar with only the animation style being the major twist I'm left underwhelmed by the final cut.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-lion-king-movie-review.html
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Beckie Shelton (40 KP) rated The Art of Hiding in Books
Oct 6, 2017
Right, I'm going, to be honest here and say that I really struggled with this book and it was only the last few chapters that bumped this up to a three star for me.
Until then It was a two all the way, so sorry.
I'm obviously in a minority here in regards to how The art Of Hiding was perceived by myself as I've seen many positive reviews singing its praises and this is a well-written story it just personally wasn't really my cup of tea.
So I'm going to try and pinpoint what wasn't working for me as there was never one major thing that stood out specifically and also what was actually floating my boat.
So first things first I've never read anything by Amanda Prowse before, so was going in blind here.
Well, my initial impression was that The Art Of Hiding was really well written, the words flowed easily and the writing style was one that was easy to get lost in.
But here comes my main problem, the actual story itself, I found it a bit boring and somewhat one-dimensional.
I also wondered whether the author herself has ever lived on the breadline or was this her portrayal of what she thinks it would be like to be in that scenario.
I thought to myself why wasn't Nina McCarrick with no income not down the job centre and putting in an application, dare I say it for housing benefit.
She was meant to be on her arse after all.
It also annoyed me how living on the breadline was initially portrayed all doom and gloom and shitty childhoods, I didn't find it a realistic portrayal of how the other half lives it was very stereotypical in the way it depicted the rich and the poor.
I found it so hard to connect with the characters especially Nina who I found very whiny and almost childlike in some of her reactions.
Thank god for Tiggy, she was a breath of fresh air and also very forgiving considering the way she has been treated by her sister over the past few years.
I was so glad we had tiggy to add a bit of realism to this tale, I needed her as She was the one character I actually liked completely.
So a brief description of The Art Of Hiding is Nina McCarrick has the perfect life.
Until that is her husband Finn dies in a car crash leaving Nina and their Two sons in a mountain of debt and their whole lives unravelling.
Nina moves her boys back to the streets of Southampton where she grew up and The Art Of Hiding is really the story of how Nina and her children cope and grow as individuals as their world implodes.
As I said earlier I couldn't initially connect, but then a bit before the end I felt it and this is mainly what made me bump this up a star, I had a lump in my throat as Nina and her kids visit their former home with Tiggy, it was very poignant and sentimental and after pages of just reading, I actually started to feel the words written.
Overall though this book didn't make me feel good, On finishing, I felt rather sad and deflated and I like my fiction to leave me feeling rejuvenated, an emotional wreck, happy even sad, but not deflated and down that's a no-no.
I really do think I would enjoy other works of Amanda Prowse's as I really did like the writing style It was just the Art Of Hiding just didn't quite hit the mark for me.
So, In conclusion, this is a well-written story hence the three stars, It just personally wasn't quite for me, yourself well we are all diverse in our likes and dislikes so give it a go, I would so love to hear your take on this.
I would like to thank Netgalley, the publisher and the author for providing me with an arc of The Art Of Hiding By Amanda Prowse, this is my own voluntary, honest opinion.
Arc Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Until then It was a two all the way, so sorry.
I'm obviously in a minority here in regards to how The art Of Hiding was perceived by myself as I've seen many positive reviews singing its praises and this is a well-written story it just personally wasn't really my cup of tea.
So I'm going to try and pinpoint what wasn't working for me as there was never one major thing that stood out specifically and also what was actually floating my boat.
So first things first I've never read anything by Amanda Prowse before, so was going in blind here.
Well, my initial impression was that The Art Of Hiding was really well written, the words flowed easily and the writing style was one that was easy to get lost in.
But here comes my main problem, the actual story itself, I found it a bit boring and somewhat one-dimensional.
I also wondered whether the author herself has ever lived on the breadline or was this her portrayal of what she thinks it would be like to be in that scenario.
I thought to myself why wasn't Nina McCarrick with no income not down the job centre and putting in an application, dare I say it for housing benefit.
She was meant to be on her arse after all.
It also annoyed me how living on the breadline was initially portrayed all doom and gloom and shitty childhoods, I didn't find it a realistic portrayal of how the other half lives it was very stereotypical in the way it depicted the rich and the poor.
I found it so hard to connect with the characters especially Nina who I found very whiny and almost childlike in some of her reactions.
Thank god for Tiggy, she was a breath of fresh air and also very forgiving considering the way she has been treated by her sister over the past few years.
I was so glad we had tiggy to add a bit of realism to this tale, I needed her as She was the one character I actually liked completely.
So a brief description of The Art Of Hiding is Nina McCarrick has the perfect life.
Until that is her husband Finn dies in a car crash leaving Nina and their Two sons in a mountain of debt and their whole lives unravelling.
Nina moves her boys back to the streets of Southampton where she grew up and The Art Of Hiding is really the story of how Nina and her children cope and grow as individuals as their world implodes.
As I said earlier I couldn't initially connect, but then a bit before the end I felt it and this is mainly what made me bump this up a star, I had a lump in my throat as Nina and her kids visit their former home with Tiggy, it was very poignant and sentimental and after pages of just reading, I actually started to feel the words written.
Overall though this book didn't make me feel good, On finishing, I felt rather sad and deflated and I like my fiction to leave me feeling rejuvenated, an emotional wreck, happy even sad, but not deflated and down that's a no-no.
I really do think I would enjoy other works of Amanda Prowse's as I really did like the writing style It was just the Art Of Hiding just didn't quite hit the mark for me.
So, In conclusion, this is a well-written story hence the three stars, It just personally wasn't quite for me, yourself well we are all diverse in our likes and dislikes so give it a go, I would so love to hear your take on this.
I would like to thank Netgalley, the publisher and the author for providing me with an arc of The Art Of Hiding By Amanda Prowse, this is my own voluntary, honest opinion.
Arc Reviewed By Beckie Bookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Kristy H (1252 KP) rated This is How it Always Is in Books
Feb 1, 2018
Rosie and Penn are a bit of an amazing love story. They both knew they'd fall in love before they even met. Now they have five rambunctious kids, a farmhouse in Wisconsin, and a crazy, wonderful life. Things get a little more complicated, however, when their youngest son, Claude, starts wanting to wear a dress to preschool. Claude wants long hair with barrettes. Claude wants to be a princess when he grows up. Rosie and Penn are supportive of Claude: they just want their children to be happy, after all. But they soon realize Claude isn't just going through a phase. Claude has gender dysphoria, and their son wants to become a little girl named Poppy. The family is willing to support Poppy, but Rosie and Penn make the decision to do so in secret. But secrets don't stay kept forever.
<i>This is a fascinating, heartbreaking, and beautiful book.</i> It's filled with endearing characters, and I will certainly be recommending it to many people. I had a few issues with some of the realism aspects (more on that below), but I loved its details about raising children (of all kinds) and its humor. Penn, Rosie, and their kids are real.
Woven and embedded throughout this novel is a fairytale that Penn tells his children--starting with when his first boys were babies--and in some ways, the novel itself has its own fairytale moments. Frankel mentions that she does have a child who used to be a little boy and is now a little girl, but the story is not about her daughter. It is, she writes, "an act of imagination, an exercise in wish fulfillment." Still, you can imagine her as a supportive parent. That's certainly not everyone's experience. Does that mean everyone has to write a novel where the child's parents throw them out and society shames them? No. Would I have liked to have a seen a little more of a realistic take on how Poppy and her parents would deal with her secret and how those around her would take it? Maybe. It's not that the family doesn't have hardship, because they do, and Frankel does a good job showing that it takes a bit of a toll on her clan of brothers, as well. But--and I don't want to go into too much, as I don't want to give spoilers--I felt the resolution to the story was a bit pat. Much like Penn's fairytales, it seems to allow things to just wrap up quickly easily. So that was a little problematic for me. But, I didn't feel as irritated after reading Frankel's afterword, because I realize that this novel--for her--is indeed an "exercise in wish fulfillment." This is what she wants in the world. I won't lie: it's what I wish for as well. And perhaps reading novels like this, featuring a wonderful, precocious little boy who can become a wonderful, beautiful, mostly accepted little girl, is a great first step.
The novel is intricate and very detailed, though quite well-written. It's heartbreaking in Penn and Rosie's realization that Claude wants to be a girl and what that will mean for him and the family. They only want for their children to be happy. Frankel does an excellent job at portraying how adults and children can see the world so differently--in terms of gender and much more. As a parent, I often found myself wondering about what I'd do in their situation: it's a book that gets you thinking, for sure. In the end, I loved the family very much and was quite invested in their happiness. Again, another reason why I would have liked a slightly more developed ending after having gone through so much with them.
Still, this is a lovely, timely book. No matter some of the issues I had, I still enjoyed it and certainly recommend it.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
<i>This is a fascinating, heartbreaking, and beautiful book.</i> It's filled with endearing characters, and I will certainly be recommending it to many people. I had a few issues with some of the realism aspects (more on that below), but I loved its details about raising children (of all kinds) and its humor. Penn, Rosie, and their kids are real.
Woven and embedded throughout this novel is a fairytale that Penn tells his children--starting with when his first boys were babies--and in some ways, the novel itself has its own fairytale moments. Frankel mentions that she does have a child who used to be a little boy and is now a little girl, but the story is not about her daughter. It is, she writes, "an act of imagination, an exercise in wish fulfillment." Still, you can imagine her as a supportive parent. That's certainly not everyone's experience. Does that mean everyone has to write a novel where the child's parents throw them out and society shames them? No. Would I have liked to have a seen a little more of a realistic take on how Poppy and her parents would deal with her secret and how those around her would take it? Maybe. It's not that the family doesn't have hardship, because they do, and Frankel does a good job showing that it takes a bit of a toll on her clan of brothers, as well. But--and I don't want to go into too much, as I don't want to give spoilers--I felt the resolution to the story was a bit pat. Much like Penn's fairytales, it seems to allow things to just wrap up quickly easily. So that was a little problematic for me. But, I didn't feel as irritated after reading Frankel's afterword, because I realize that this novel--for her--is indeed an "exercise in wish fulfillment." This is what she wants in the world. I won't lie: it's what I wish for as well. And perhaps reading novels like this, featuring a wonderful, precocious little boy who can become a wonderful, beautiful, mostly accepted little girl, is a great first step.
The novel is intricate and very detailed, though quite well-written. It's heartbreaking in Penn and Rosie's realization that Claude wants to be a girl and what that will mean for him and the family. They only want for their children to be happy. Frankel does an excellent job at portraying how adults and children can see the world so differently--in terms of gender and much more. As a parent, I often found myself wondering about what I'd do in their situation: it's a book that gets you thinking, for sure. In the end, I loved the family very much and was quite invested in their happiness. Again, another reason why I would have liked a slightly more developed ending after having gone through so much with them.
Still, this is a lovely, timely book. No matter some of the issues I had, I still enjoyed it and certainly recommend it.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
BankofMarquis (1832 KP) rated It (2017) in Movies
Feb 14, 2018
IT is very good
I met the clown and IT is...fascinating, gripping, thrilling, humorous, intense and good.
But...is it scary? Sure...scary enough, but this adaptation of Stephen King's bestseller is much, much more than a scary movie.
One of the best screen adaptations of a Stephen King book, ever, IT tells the story of a group of13 year olds in Derry, Maine (one of the main towns featured in a variety of King's stories). It is 1989 and children have been going missing at an alarming rate. The adults in the town seem impassive about this, and when the younger brother of one of the gang goes missing, this "Loser's Club" investigates. What they find is a horrifying evil at the center of it all.
Like the plot of this film, there is much, much more going on in this film than what that last paragraph suggests, for this story is not only about the mystery of the missing children, it is a loving look back at childhood, friendship, caring and bonding. Think of this film as STAND BY ME meets...well...a killer clown.
And the clown IS killer. As played by Bill Skarsgard (TV's THE CROWN), Pennywise The Dancing Clown is slyly sinister, drawing the children in as a spider would a fly. It is only when the children are close (and alone) does he drop the guise of niceness and pounce. This is an intense and terrifyingly terrific performance, keeping the fine line between realism and camp (a line that Tim Curry trounced all over in the TV Mini-series version of this material in the 1980's).
I'm a big fan of Stephen King's writing (having read nearly all of his books and short stories) and I walked out of the theater thinking "finally, someone figured out the right way to make a Stephen King thriller work on the screen" and that someone is Director Andy Muschietti (MAMA). He guides this film with a strong hand, not wavering in his vision or sense of purpose as to where (and how) he wants this story to go. He let's the young actor's lead this story, with Skargard's clown pouncing every now and then. This works well, especially when infusing something that is sorely lacking, typically, in these types of films - humor.
And the humor, mostly, falls into the hands of Richie Tozier (Finn Wolfhard, STRANGER THINGS). He is an absolute bright spot injecting just the wrong (or maybe it is right?) comment in a tense situation, just as a 13 year old boy would do. As part of the "Loser's Club", he holds a bright spot in keeping things together when the mood threatens to get too grim or dire. And grim and dire is what is following this set of "Loser's", a veritable "who's who" of loser stereotypes. There is the "fat kid", Ben Hanscome (Jeremy Ray Taylor, ANT-MAN, in a sweet performance), the "always sick kid with the overbearing mother", Eddie Kasbrak (Jack Dylan Grazer), the "Jewish kid", Stanley Uris (Wyatt Oleff) and the "Black Kid", Mike Hanlon (Chosen Jacobs).
But the heart and sole of this film is the two main leads of the "Loser's Club", Bill Denbrough (Jaeden Lieberher, star of two criminally under-viewed gems MIDNIGHT SPECIAL and ST. VINCENT) and Beverly Marsh (Sophia Lillis, a relative newcomer that bears watching in the future). Both are harboring deep, emotional scars - Bill blames himself for the death of his brother by Pennywise and Beverly is (wrongly) viewed as a 13 year old slut by school rumor and innuendo and is sexually harassed by her father. The relationship between these two and the rest of the Loser's Club is the real treat of this film and the actor's are up to the challenge to draw us in and care about what happens to them when they are, ultimately, separated and confronted by Pennywise.
I was surprised by how little graphic gore there was in this film (though there is plenty of blood) and there is a little too many "jump scares" for my taste, but these are quibbles for a very good, very intense "scary film".
I floated out of the cinema after seeing this film You'll float too.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
But...is it scary? Sure...scary enough, but this adaptation of Stephen King's bestseller is much, much more than a scary movie.
One of the best screen adaptations of a Stephen King book, ever, IT tells the story of a group of13 year olds in Derry, Maine (one of the main towns featured in a variety of King's stories). It is 1989 and children have been going missing at an alarming rate. The adults in the town seem impassive about this, and when the younger brother of one of the gang goes missing, this "Loser's Club" investigates. What they find is a horrifying evil at the center of it all.
Like the plot of this film, there is much, much more going on in this film than what that last paragraph suggests, for this story is not only about the mystery of the missing children, it is a loving look back at childhood, friendship, caring and bonding. Think of this film as STAND BY ME meets...well...a killer clown.
And the clown IS killer. As played by Bill Skarsgard (TV's THE CROWN), Pennywise The Dancing Clown is slyly sinister, drawing the children in as a spider would a fly. It is only when the children are close (and alone) does he drop the guise of niceness and pounce. This is an intense and terrifyingly terrific performance, keeping the fine line between realism and camp (a line that Tim Curry trounced all over in the TV Mini-series version of this material in the 1980's).
I'm a big fan of Stephen King's writing (having read nearly all of his books and short stories) and I walked out of the theater thinking "finally, someone figured out the right way to make a Stephen King thriller work on the screen" and that someone is Director Andy Muschietti (MAMA). He guides this film with a strong hand, not wavering in his vision or sense of purpose as to where (and how) he wants this story to go. He let's the young actor's lead this story, with Skargard's clown pouncing every now and then. This works well, especially when infusing something that is sorely lacking, typically, in these types of films - humor.
And the humor, mostly, falls into the hands of Richie Tozier (Finn Wolfhard, STRANGER THINGS). He is an absolute bright spot injecting just the wrong (or maybe it is right?) comment in a tense situation, just as a 13 year old boy would do. As part of the "Loser's Club", he holds a bright spot in keeping things together when the mood threatens to get too grim or dire. And grim and dire is what is following this set of "Loser's", a veritable "who's who" of loser stereotypes. There is the "fat kid", Ben Hanscome (Jeremy Ray Taylor, ANT-MAN, in a sweet performance), the "always sick kid with the overbearing mother", Eddie Kasbrak (Jack Dylan Grazer), the "Jewish kid", Stanley Uris (Wyatt Oleff) and the "Black Kid", Mike Hanlon (Chosen Jacobs).
But the heart and sole of this film is the two main leads of the "Loser's Club", Bill Denbrough (Jaeden Lieberher, star of two criminally under-viewed gems MIDNIGHT SPECIAL and ST. VINCENT) and Beverly Marsh (Sophia Lillis, a relative newcomer that bears watching in the future). Both are harboring deep, emotional scars - Bill blames himself for the death of his brother by Pennywise and Beverly is (wrongly) viewed as a 13 year old slut by school rumor and innuendo and is sexually harassed by her father. The relationship between these two and the rest of the Loser's Club is the real treat of this film and the actor's are up to the challenge to draw us in and care about what happens to them when they are, ultimately, separated and confronted by Pennywise.
I was surprised by how little graphic gore there was in this film (though there is plenty of blood) and there is a little too many "jump scares" for my taste, but these are quibbles for a very good, very intense "scary film".
I floated out of the cinema after seeing this film You'll float too.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
LilyLovesIndie (123 KP) rated Just Like in the Movies (Summer Heat) in Books
Nov 5, 2018
This review was originally posted over on Lily Loves Indie here - http://lilylovesindie.co.uk/?p=201
As with 'Right Click, Love', I really don't know where to start showering praise on this story. A happy ever after but with all the integrity and realism of the life of someone who just got lucky. Quirky, easy to relate to, completely believable and just a delight to read. There are so many things I just loved about it that I'm struggling to put them into words. That being said, you might need to wade through some gushing from myself as I try to pin down just a few key features for you....
I guess I'll start with Ava. She is so like me it is unbelievable, down to the relationships and everything (the books, the pets, the house). But I don't think that is the only reason I love her, it's her down to earth attitude to life and her personality as a whole. She's just so likeable! And so utterly believable as well! It's like she just hops out the page and starts talking to you, like a friend we probably all have (or the person we are in my case), she's just a delightful lead character. Her relationship with Morgan, and her friendship with Erica are also incredibly well written, again believable, realistic and enjoyable interactions throughout. They're all characters that we could encounter at work or amongst friends, and as a result of that we can engage with them so much easier, welcoming them into our lives like we would their real life counterparts. I've digressed, and waffled (no change there!) but what I'm getting at is that they are all fabulous characters, but especially Ava, she just has a certain something that makes her that extra bit more wonderful.
Another thing which I loved was the style in which this was written. Feeney includes everything we need to know, yet cleverly leaves little gaps to stimulate our imagination. I love finding this in a book as it gives the reader a little scope to make the characters their own, there's that little bit of wriggle room for interpretation. There's also a wonderfully dry sense of humour to Feeney's writing, a sort of wit and sarcasm that feels so natural and enjoyable to read. It makes it feel familiar, and it's more like chatting with a friend rather than reading a book. It's very well done and is so enjoyable to read, a much needed change from the ooey-gooey romances that line the shelves at the moment!
When you consider the length of the book, and the amount of content included, plus the space for your own ideas, Feeney shows great skill in developing a wonderful plot and cast of characters in such a relatively short amount of pages. This makes it so much easier for you to read because you get all the enjoyment and detail you'd find in a full length novel, yet you could easily read the story in a day without feeling you were being cheated or missing any of the action. I've not encountered many authors who has grasped such a skill for this genre and length, but Feeney is definitely one of them. She pitches it perfectly every time, doesn't miss a beat or opportunity to seize on a plot development point yet still keeps us guessing as to exactly what is going to happen. Even though I had an inkling Ava and Morgan would get it on, I in no way expected the ending that occurred!
In conclusion, I guess what I'm trying to say is that this book is rather amazing. I experienced a wide range of emotions, from warm fuzzies, to anger, laughing and crying, tutting at characters and cheering them on. For such a short story it doesn't half pack a punch, but I'm learning that this is Feeney's style. I cannot recommend this story highly enough, and really, truly, honestly think you should all go add it to Goodreads lists, and one-click it on Amazon UK or Amazon US.
As with 'Right Click, Love', I really don't know where to start showering praise on this story. A happy ever after but with all the integrity and realism of the life of someone who just got lucky. Quirky, easy to relate to, completely believable and just a delight to read. There are so many things I just loved about it that I'm struggling to put them into words. That being said, you might need to wade through some gushing from myself as I try to pin down just a few key features for you....
I guess I'll start with Ava. She is so like me it is unbelievable, down to the relationships and everything (the books, the pets, the house). But I don't think that is the only reason I love her, it's her down to earth attitude to life and her personality as a whole. She's just so likeable! And so utterly believable as well! It's like she just hops out the page and starts talking to you, like a friend we probably all have (or the person we are in my case), she's just a delightful lead character. Her relationship with Morgan, and her friendship with Erica are also incredibly well written, again believable, realistic and enjoyable interactions throughout. They're all characters that we could encounter at work or amongst friends, and as a result of that we can engage with them so much easier, welcoming them into our lives like we would their real life counterparts. I've digressed, and waffled (no change there!) but what I'm getting at is that they are all fabulous characters, but especially Ava, she just has a certain something that makes her that extra bit more wonderful.
Another thing which I loved was the style in which this was written. Feeney includes everything we need to know, yet cleverly leaves little gaps to stimulate our imagination. I love finding this in a book as it gives the reader a little scope to make the characters their own, there's that little bit of wriggle room for interpretation. There's also a wonderfully dry sense of humour to Feeney's writing, a sort of wit and sarcasm that feels so natural and enjoyable to read. It makes it feel familiar, and it's more like chatting with a friend rather than reading a book. It's very well done and is so enjoyable to read, a much needed change from the ooey-gooey romances that line the shelves at the moment!
When you consider the length of the book, and the amount of content included, plus the space for your own ideas, Feeney shows great skill in developing a wonderful plot and cast of characters in such a relatively short amount of pages. This makes it so much easier for you to read because you get all the enjoyment and detail you'd find in a full length novel, yet you could easily read the story in a day without feeling you were being cheated or missing any of the action. I've not encountered many authors who has grasped such a skill for this genre and length, but Feeney is definitely one of them. She pitches it perfectly every time, doesn't miss a beat or opportunity to seize on a plot development point yet still keeps us guessing as to exactly what is going to happen. Even though I had an inkling Ava and Morgan would get it on, I in no way expected the ending that occurred!
In conclusion, I guess what I'm trying to say is that this book is rather amazing. I experienced a wide range of emotions, from warm fuzzies, to anger, laughing and crying, tutting at characters and cheering them on. For such a short story it doesn't half pack a punch, but I'm learning that this is Feeney's style. I cannot recommend this story highly enough, and really, truly, honestly think you should all go add it to Goodreads lists, and one-click it on Amazon UK or Amazon US.