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Gareth von Kallenbach (980 KP) rated Arctic (2019) in Movies
Jul 2, 2019
This week has been one of the coldest on record across much of the United States. The “polar vortex” has brought with it sub-zero temps complete with snow and ice. It seems only fitting that Arctic a survival movie co-written and directed by YouTube star Joe Penna would be releasing the very same week. In his first feature film directorial debut Penna brings both the beauty and the dangers of the Arctic (Iceland in this case) to the big screen.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
Phil Leader (619 KP) rated Cruise the Storm (John McBride #2) in Books
Nov 12, 2019
A group of terrorist hijackers on board a cruise ship. An ex SAS soldier on board teaching watercolour painting. A huge storm bearing down on the ship.
This might sound like the plot of some Hollywood blockbuster full of explosions and witty one liners from the hero but Chilcott delivers something a lot more cerebral than that. The story and characters have a sense of reality and this is more like a game of chess between the chief hijacker and the crew, a game where the ship is the board and the pawns the passengers which the terrorists are only too willing to dispose of to meet their aims.
Keith Bourne is the founder and leader of the White Christian League, an extreme right wing terrorist organisation who specialise in violent demonstration and the odd mosque burning. Bourne wants cash to further his rather nasty aims and decides that hijacking a cruise liner will fit the bill nicely. MI5 have been watching him and manage to get one of their agents onto the boat in an attempt to thwart Bourne and his cronies.
John McBride is a watercolour artist of some renown who is drafted onto the cruise to teach any interested passengers how to paint in watercolours, the scenes in the various Mediterranean ports they will be visitng being ideal subjects. McBride also happens to be a former member of the elite SAS and when he is made aware of the plot to hijack the ship is able to advise the captain and MI5.
The tension cranks up nicely through the first half of the book, seen mostly from the point of view of Bourne and McBride as each becomes aware of each other and both their plans have to be changed by circumstance. Everything comes to a head on the night the storm hits the ship.
At this point, with everything poised on a knife edge of success or failure for both sides, Chilcott pulls a deft narrative twist and goes back and tells the story again from the point of view of the chairman of the cruise line and one of the passengers, once again building up to the crisis point. This has the nice effect of filling in details that were previously only mentioned but also did lose the momentum which took a while to get going again. It may have been better to tell the story purely sequentially but seeing events from different perspectives again was interesting.
The characters and situations are written with a real authenticity. There are no miraculous escapes, no amazing feats of marksmanship and this is a very real strength of Chilcott's writing. Everthing happens in a way that seems very authentic - and in the case of the actions of the hijackers, worryingly so. Every action and reaction of the characters is plausible and there are frequent points where the story could go one way or another just on a chance encounter or random event.
This realism also felt a little like a weakness to me. Some things happen which provide some dramatic tension at the time but ultimately don't really have a bearing on the eventual outcome. Although this is very much like real life, perhaps it is not what is expected in a thriller of this type. In particlar (and these aren't really spoilers) the ship is damaged in the storm but this doesn't really affect anything, and also what happens when events are told from the point of view of one of the passengers looks to be building to something interesting but ultimately fizzles away. I would have liked to see more of these sub plots carried forward to the end of the story.
Despite this, the book was a good and interesting read and I am looking forward to reading more of Chilcott's McBride novels. I would recommend this book to anyone who likes their thrillers character driven and cerebral rather than all action. Plus you will pick up some excellent tips on painting in watercolours as a bonus.
Rated: Some violence, language and sexual references
This might sound like the plot of some Hollywood blockbuster full of explosions and witty one liners from the hero but Chilcott delivers something a lot more cerebral than that. The story and characters have a sense of reality and this is more like a game of chess between the chief hijacker and the crew, a game where the ship is the board and the pawns the passengers which the terrorists are only too willing to dispose of to meet their aims.
Keith Bourne is the founder and leader of the White Christian League, an extreme right wing terrorist organisation who specialise in violent demonstration and the odd mosque burning. Bourne wants cash to further his rather nasty aims and decides that hijacking a cruise liner will fit the bill nicely. MI5 have been watching him and manage to get one of their agents onto the boat in an attempt to thwart Bourne and his cronies.
John McBride is a watercolour artist of some renown who is drafted onto the cruise to teach any interested passengers how to paint in watercolours, the scenes in the various Mediterranean ports they will be visitng being ideal subjects. McBride also happens to be a former member of the elite SAS and when he is made aware of the plot to hijack the ship is able to advise the captain and MI5.
The tension cranks up nicely through the first half of the book, seen mostly from the point of view of Bourne and McBride as each becomes aware of each other and both their plans have to be changed by circumstance. Everything comes to a head on the night the storm hits the ship.
At this point, with everything poised on a knife edge of success or failure for both sides, Chilcott pulls a deft narrative twist and goes back and tells the story again from the point of view of the chairman of the cruise line and one of the passengers, once again building up to the crisis point. This has the nice effect of filling in details that were previously only mentioned but also did lose the momentum which took a while to get going again. It may have been better to tell the story purely sequentially but seeing events from different perspectives again was interesting.
The characters and situations are written with a real authenticity. There are no miraculous escapes, no amazing feats of marksmanship and this is a very real strength of Chilcott's writing. Everthing happens in a way that seems very authentic - and in the case of the actions of the hijackers, worryingly so. Every action and reaction of the characters is plausible and there are frequent points where the story could go one way or another just on a chance encounter or random event.
This realism also felt a little like a weakness to me. Some things happen which provide some dramatic tension at the time but ultimately don't really have a bearing on the eventual outcome. Although this is very much like real life, perhaps it is not what is expected in a thriller of this type. In particlar (and these aren't really spoilers) the ship is damaged in the storm but this doesn't really affect anything, and also what happens when events are told from the point of view of one of the passengers looks to be building to something interesting but ultimately fizzles away. I would have liked to see more of these sub plots carried forward to the end of the story.
Despite this, the book was a good and interesting read and I am looking forward to reading more of Chilcott's McBride novels. I would recommend this book to anyone who likes their thrillers character driven and cerebral rather than all action. Plus you will pick up some excellent tips on painting in watercolours as a bonus.
Rated: Some violence, language and sexual references
365Flicks (235 KP) rated Bad Frank (2017) in Movies
Nov 20, 2019
I love it when a movie can come completely out of nowhere and surprise this humble reviewer. Bad Frank is exactly that, A movie that on paper looks and sounds like most other Kidnap Revenge thrillers you may have seen over the years. But let me tell you that Bad Frank is far from some of the copy and paste garbage out there.
I was instantly drawn to this Flick after stumbling upon its Twitter page and hey full disclosure I saw Tom Sizemore and Brian O’Halloran and thought ‘Okay, Im in’. Little did I know that after contacting the movies director I was about to watch a somewhat by the numbers movie that takes all of the numbers and turns them on there head with a great tightly written script and one hell of a powerhouse performance (not by either of the two men I named above by the way).
Bad Frank is about a man named ummmm Frank. Frank (played by Kevin Interdonato) is a seemingly normal guy living a seemingly normal existence. He seems to have it all, but you can tell right from the outset that the man has got some demons. We learn that he is on some serious medication to deal with his head aches from a life of regrets, He is estranged from both his mum and dad and struggling to keep his marriage together. Frank is pulled into an easy money job by his buddy Travis (Brandon Heitkamp) who is in deep to Donny Shakes (O’Halloran). What is promised to be a quick job brings Frank face to face with an old acquaintance he would rather forget. Things really go sideways on the job and in turn his life, when Franks wife Gina (Amanda Clayton) is kidnapped by face from the past Mickey Duro (Sizemore). I am gonna stop plot wise now because anymore and I am giving too much away.
Tony Germinario has pulled an absolute stormer out of the bag for his debut feature length movie, a fact that was completely lost on me upon viewing. For a budget of roughly 80k he has used all tricks at his disposal to make it look like a multi million dollar flick and Bad Frank looks all the more impressive for it. A lot of the time a the script to a movie like this can get lost in its own simplicity but Tony wrote a script that really didnt conform to what I was expecting and gave the lead a chance to deliver. So lets just talk about the lead, Kevin Interdonato brings an absolute realism and intensity to this role that sucks you right in and leaves you kinda second guessing yourself, anything could happen with this guy at any moment and that to me is scary. I went from feeling sorry for this guy to thinking well he deserved everything and ending up thinking ‘SHIT’.
Tom Sizemore is in fine form as Sizemore always is. An actor that I personally love and wish got more of the beefier roles but it was great to see him on screen and like I say, seeing his name splashed on the poster was one of the reasons I sought this one out. Then there is Brian O’Halloran doing his thing as he does (always liked this dude since his Clerks days nice to see him spreading his wings).
It is easy to see how Tony and his crew took Bad Frank to Film Fest International in London last week and was not only nominated for 5 awards but Tony himself won Best Director.
I am gonna recommend the shit out of this Flick, Bad Frank is not what you expect going in, there are some pretty cool curve-balls, it moves along at a quick enough pace and no spoilers but the final 10 minutes are a Tour-De-Force. Performances wise you are getting more bang for you buck in what the Director himself considers to be an “as Indie as it gets” movie (not that you can tell mind you).
I was instantly drawn to this Flick after stumbling upon its Twitter page and hey full disclosure I saw Tom Sizemore and Brian O’Halloran and thought ‘Okay, Im in’. Little did I know that after contacting the movies director I was about to watch a somewhat by the numbers movie that takes all of the numbers and turns them on there head with a great tightly written script and one hell of a powerhouse performance (not by either of the two men I named above by the way).
Bad Frank is about a man named ummmm Frank. Frank (played by Kevin Interdonato) is a seemingly normal guy living a seemingly normal existence. He seems to have it all, but you can tell right from the outset that the man has got some demons. We learn that he is on some serious medication to deal with his head aches from a life of regrets, He is estranged from both his mum and dad and struggling to keep his marriage together. Frank is pulled into an easy money job by his buddy Travis (Brandon Heitkamp) who is in deep to Donny Shakes (O’Halloran). What is promised to be a quick job brings Frank face to face with an old acquaintance he would rather forget. Things really go sideways on the job and in turn his life, when Franks wife Gina (Amanda Clayton) is kidnapped by face from the past Mickey Duro (Sizemore). I am gonna stop plot wise now because anymore and I am giving too much away.
Tony Germinario has pulled an absolute stormer out of the bag for his debut feature length movie, a fact that was completely lost on me upon viewing. For a budget of roughly 80k he has used all tricks at his disposal to make it look like a multi million dollar flick and Bad Frank looks all the more impressive for it. A lot of the time a the script to a movie like this can get lost in its own simplicity but Tony wrote a script that really didnt conform to what I was expecting and gave the lead a chance to deliver. So lets just talk about the lead, Kevin Interdonato brings an absolute realism and intensity to this role that sucks you right in and leaves you kinda second guessing yourself, anything could happen with this guy at any moment and that to me is scary. I went from feeling sorry for this guy to thinking well he deserved everything and ending up thinking ‘SHIT’.
Tom Sizemore is in fine form as Sizemore always is. An actor that I personally love and wish got more of the beefier roles but it was great to see him on screen and like I say, seeing his name splashed on the poster was one of the reasons I sought this one out. Then there is Brian O’Halloran doing his thing as he does (always liked this dude since his Clerks days nice to see him spreading his wings).
It is easy to see how Tony and his crew took Bad Frank to Film Fest International in London last week and was not only nominated for 5 awards but Tony himself won Best Director.
I am gonna recommend the shit out of this Flick, Bad Frank is not what you expect going in, there are some pretty cool curve-balls, it moves along at a quick enough pace and no spoilers but the final 10 minutes are a Tour-De-Force. Performances wise you are getting more bang for you buck in what the Director himself considers to be an “as Indie as it gets” movie (not that you can tell mind you).
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Movie Metropolis (309 KP) rated The Hunger Games: Catching Fire (2013) in Movies
Jun 10, 2019
The Hunger Games franchise has come at a time that is almost certain to gather box-office success. After Harry Potter finished two years ago and The Twilight Saga bowed out just 12 months ago, teenagers and young adults have been craving for a new series of blockbusters to ‘sink their teeth into’.
The first film of this new dawn, based on Suzanne Collins’ successful book, was released in March last year and greeted with warm reviews and a staggering box-office performance, a gross just shy of $700m to be a little more precise.
However, rumoured tensions between director Gary Ross and studio Color Force meant that despite its impressive takings, he was not to helm its sequel, Catching Fire. Taking over from him is Francis Lawrence, director of I am Legend, Constantine and Water for Elephants, but can he better what preceded him?
The series centres around an annual ‘games’, in which people aged between 12 and 18 must fight to the death in a custom made arena, leaving only one victor, who is showered with riches for the rest of their lives.
Jennifer Lawrence, returning to the series after her first Oscar win this year, plays Katniss Everdeen, a plucky young teen who fresh from winning the previous Hunger Games tournament alongside her beau Peeta Mellark, played by Josh Hutcherson, travel through the land of Panem (a post-apocalyptic America) to spread their story and persuade others to take part in the vicious tournament.
However, after angering the Capitol, run by cold-hearted President Snow (Donald Sutherland) who becomes increasingly concerned that an up-rising is brewing, it is decided that previous victors must once again take part, to show that even they are not above the law.
For those fresh to the series, I warn you not to watch this film without seeing the first, as much of the plot will be near incomprehensible and your enjoyment will suffer as a result.
The film starts slowly, giving enough backstory before the inevitable return to the arena. Thankfully despite its large running time of 146 minutes, it never falters and after allowing the audience to see how the world has changed, it is back into the new and improved arena for the 75th Hunger Games.
Gone is the shaky handy-cam of director Gary Ross, and in its place we are treated to sweeping shots of numerous landscapes; from the coal-mining community of District 12, to the bright lights of the Capitol and even the large arena which has been given a radical overhaul to make it even more challenging than ever.
The acting is simply sublime by all accounts. Jennifer Lawrence, fresh from the honour of an Oscar plays Katniss with such a subtle grace that she is mesmerising to watch, a real treat for fans of J-Law and of course Suzanne Collins’ character. Liam Hemsworth returns to the series as Katniss’ secret love interest Gale, but he is sorely underused. Josh Hutcherson’s Peeta Mellark is as irritating as ever and lacks a backbone, but this is more to do with the script than Hutcherson’s abilities as an actor.
Woody Harrelson, Elizabeth Banks, Stanley Tucci also return, with the latter being a real stand-out in a film which is filled with quirky and unusual characters.
Those of you who have read my review of the previous film will know that I wasn’t a fan of its lacklustre special effects. Thankfully my prayers were answered and due to a budget that has almost doubled, the effects are glorious. The Capitol is perhaps the best use of the CGI, where the first film looked like a Star Wars: Episode I rip-off, here we really feel like the city is living and breathing for the very first time.
Unfortunately, it seems like the special effects team are still struggling with CGI fire as the computer generated flames are still laughable in their realism.
At 146 minutes, Catching Fire was always going to numb your backside, but you don’t care, the film is an absolute treat to watch. Director Francis Lawrence has retained the violent nature of the series despite its ridiculous 12A certification and manages to get around those limitations with style and flair.
Yes, if I was pushed I’d say it was a little over-long, the CGI flames still look ridiculous and the ending is far too abrupt, but if those are the only faults I can find in a film, then clearly it is more than worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/11/23/hunger-games-catching-fire-review/
The first film of this new dawn, based on Suzanne Collins’ successful book, was released in March last year and greeted with warm reviews and a staggering box-office performance, a gross just shy of $700m to be a little more precise.
However, rumoured tensions between director Gary Ross and studio Color Force meant that despite its impressive takings, he was not to helm its sequel, Catching Fire. Taking over from him is Francis Lawrence, director of I am Legend, Constantine and Water for Elephants, but can he better what preceded him?
The series centres around an annual ‘games’, in which people aged between 12 and 18 must fight to the death in a custom made arena, leaving only one victor, who is showered with riches for the rest of their lives.
Jennifer Lawrence, returning to the series after her first Oscar win this year, plays Katniss Everdeen, a plucky young teen who fresh from winning the previous Hunger Games tournament alongside her beau Peeta Mellark, played by Josh Hutcherson, travel through the land of Panem (a post-apocalyptic America) to spread their story and persuade others to take part in the vicious tournament.
However, after angering the Capitol, run by cold-hearted President Snow (Donald Sutherland) who becomes increasingly concerned that an up-rising is brewing, it is decided that previous victors must once again take part, to show that even they are not above the law.
For those fresh to the series, I warn you not to watch this film without seeing the first, as much of the plot will be near incomprehensible and your enjoyment will suffer as a result.
The film starts slowly, giving enough backstory before the inevitable return to the arena. Thankfully despite its large running time of 146 minutes, it never falters and after allowing the audience to see how the world has changed, it is back into the new and improved arena for the 75th Hunger Games.
Gone is the shaky handy-cam of director Gary Ross, and in its place we are treated to sweeping shots of numerous landscapes; from the coal-mining community of District 12, to the bright lights of the Capitol and even the large arena which has been given a radical overhaul to make it even more challenging than ever.
The acting is simply sublime by all accounts. Jennifer Lawrence, fresh from the honour of an Oscar plays Katniss with such a subtle grace that she is mesmerising to watch, a real treat for fans of J-Law and of course Suzanne Collins’ character. Liam Hemsworth returns to the series as Katniss’ secret love interest Gale, but he is sorely underused. Josh Hutcherson’s Peeta Mellark is as irritating as ever and lacks a backbone, but this is more to do with the script than Hutcherson’s abilities as an actor.
Woody Harrelson, Elizabeth Banks, Stanley Tucci also return, with the latter being a real stand-out in a film which is filled with quirky and unusual characters.
Those of you who have read my review of the previous film will know that I wasn’t a fan of its lacklustre special effects. Thankfully my prayers were answered and due to a budget that has almost doubled, the effects are glorious. The Capitol is perhaps the best use of the CGI, where the first film looked like a Star Wars: Episode I rip-off, here we really feel like the city is living and breathing for the very first time.
Unfortunately, it seems like the special effects team are still struggling with CGI fire as the computer generated flames are still laughable in their realism.
At 146 minutes, Catching Fire was always going to numb your backside, but you don’t care, the film is an absolute treat to watch. Director Francis Lawrence has retained the violent nature of the series despite its ridiculous 12A certification and manages to get around those limitations with style and flair.
Yes, if I was pushed I’d say it was a little over-long, the CGI flames still look ridiculous and the ending is far too abrupt, but if those are the only faults I can find in a film, then clearly it is more than worth the increasingly expensive price of a cinema admission ticket.
https://moviemetropolis.net/2013/11/23/hunger-games-catching-fire-review/
Movie Metropolis (309 KP) rated The Hunger Games (2012) in Movies
Jun 10, 2019
Director Gary Ross had his work cut out trying to create a film which brought to life the startling realism of Suzanne Collins’ successful trilogy of novels and here we have the first, The Hunger Games.
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/
This film has come at a time where movie fans have been released from the clawing hooks of the Harry Potter franchise and the finale of the Twilight Saga is now on the horizon. Some would say, it’s the perfect time to begin a new franchise and for the most part, they’re right. Move over witches and vampires, there’s a new, more mature kid ready to take your crowns.
I for one went into The Hunger Games trilogy blindfolded. I have not read the books so this review is purely based on the film I saw before me and I must say; I was mightily impressed.
The film is set some way in the future and the world is a much different place; in a place called Panem (a post-apocalyptic North America) is where we find 12 Districts full of variety with different races living alongside each other, just as we have today. However, there is a more sinister side to things as we learn that once a year; The Hunger Games tournament takes place.
For those of you not familiar with the event itself, here’s a brief description. Each year, one boy and one girl aged between 12 and 18 from each district fights to the death until there is one winner, showered with riches for the remainder of their lives.
Jennifer Lawrence of X-Men First Class fame stars as Katniss Everdeen, a plucky young girl brought up in the coal mining community of District 12. After her young sister is picked to represent District 12, she decides the only thing to do is nominate herself and save her from certain death. Her male counterpart is Peeta Mellark played by a mature looking Josh Hutcherson of Journey to the Centre of the Earth fame.
Once the pair have been selected, they are taken to Capitol, a city brimming with the wealthy, a stark contrast to the coal mining community our District 12 heroes come from. Woody Harrelson stars as a previous winner of the games and the District 12 mentor, he takes it upon himself to train the ‘tributes’ and prepare them for the task ahead.
Once in battle, all chaos ensues and this is where the film begins to partially unravel. The actors and actresses all do excellent jobs, in particular Lawrence plays Katniss exceptionally well, her soft side comes through but you never forget her harsher, hunter like persona. Unfortunately, the action is held back by the ridiculous 12A certification the film has been lumbered with. It has become the case, as with The Woman in Black earlier this year that films based on best-selling and well known books or with teen stars have to be given this frankly dire classification. The violence is toned down to such a level that it becomes unrealistic and from what I have read, The Hunger Games is a much more brutal and unforgiving experience as a novel.
Other negatives include some shoddy CGI and too much hand based camera work, the battles at the beginning of the games are messy and not enjoyable to sit through. It’s a disappointing lapse in a film which is actually very good indeed.
Thankfully, the lengthy running time allows the final third to pick up nicely to leave you with a lasting impression.
The Hunger Games had the unenviable task of being on the receiving end of comparisons to Harry Potter and the Twilight franchises, and to an extent it has done its source material proud. Does it live up to the much-loved world of Hogwarts? Probably not. Does it live up to the lust and romance of the Twilight Saga? Most definitely. It sits, right smack in the middle and that’s not a bad place to be.
Gary Ross has produced a fine blockbuster with excellent performances from the cast and some fabulous design choices. Yes, it’s a little too long, there are some shoddy special effects and the character development lacks depth, but for fans of the series and newcomers alike, it moves the game on and is an enjoyable experience.
https://moviemetropolis.net/2012/04/05/the-hunger-games-2012-review/