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Hazel (1853 KP) rated The Daughter of the Sea and the Sky in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>The Daughter of the Sea and the Sky</i> by David Litwack is set in a world similar to our own, however there have been many wars as a result of religion and the people have separated themselves into believers and non-believers. Helena Brewster and Jason Adams live on the republic where the people rely heavy on reason and reject the supposedly irrational ramblings of the zealots who live on the “Blessed Lands”. One day a nine-year-old girl, Kailani, escapes from the Blessed Land and sails over to the republic where Helena and Jason find her. Kailani is immediately captured and questioned by the authorities that want to send her to a correctional facility to undo the brainwashing of the zealots.
In the meantime, as it is several months until her tribunal, Helena and Jason become Kailani’s legal guardians and take her to live at Glen Eagle Farm away from the main population of the busy towns. Kailani is loved and admired by the inhabitants on the farm, however there are people on the Blessed Land that want her back.
This is certainly an interesting story that explores a range of themes. For Helena there is the grief she is suffering as a result of the recent death of her father, and the feelings she has towards her mother whom she felt abandoned by. Between Jason and Helena there is also a developing romance as the two connect in their determination to protect Kailani. The most important theme, however, is that of the antagonism between the believers and non-believers. Those living on the Blessed Land want to indoctrinate everybody with their ideals about the soul whereas on the republic this is forbidden as they insist on living a life ruled through fact. As the story goes on certain characters begin to understand the need for both realism and religion. One person even suggests, “In our pursuit of reason, we’ve become as unreasonable as the other side.”
Kailani is a lovable character, which makes the novel a joy to read. It is interesting to compare how a child brought up under a strict religion innocently views the world in comparison with adults who have no faith what so ever. Although written for adults it is suitable for young teens to read too who, although may not understand the significance of the two different sides, are sure to love and enjoy reading about Kailani.
<i>The Daughter of the Sea and the Sky</i> by David Litwack is set in a world similar to our own, however there have been many wars as a result of religion and the people have separated themselves into believers and non-believers. Helena Brewster and Jason Adams live on the republic where the people rely heavy on reason and reject the supposedly irrational ramblings of the zealots who live on the “Blessed Lands”. One day a nine-year-old girl, Kailani, escapes from the Blessed Land and sails over to the republic where Helena and Jason find her. Kailani is immediately captured and questioned by the authorities that want to send her to a correctional facility to undo the brainwashing of the zealots.
In the meantime, as it is several months until her tribunal, Helena and Jason become Kailani’s legal guardians and take her to live at Glen Eagle Farm away from the main population of the busy towns. Kailani is loved and admired by the inhabitants on the farm, however there are people on the Blessed Land that want her back.
This is certainly an interesting story that explores a range of themes. For Helena there is the grief she is suffering as a result of the recent death of her father, and the feelings she has towards her mother whom she felt abandoned by. Between Jason and Helena there is also a developing romance as the two connect in their determination to protect Kailani. The most important theme, however, is that of the antagonism between the believers and non-believers. Those living on the Blessed Land want to indoctrinate everybody with their ideals about the soul whereas on the republic this is forbidden as they insist on living a life ruled through fact. As the story goes on certain characters begin to understand the need for both realism and religion. One person even suggests, “In our pursuit of reason, we’ve become as unreasonable as the other side.”
Kailani is a lovable character, which makes the novel a joy to read. It is interesting to compare how a child brought up under a strict religion innocently views the world in comparison with adults who have no faith what so ever. Although written for adults it is suitable for young teens to read too who, although may not understand the significance of the two different sides, are sure to love and enjoy reading about Kailani.
EmersonRose (320 KP) rated Hinterland Fortress (Conquest of The Evermore #1) in Books
Nov 20, 2019
“Rhyal was sitting in a wagon. She wriggled her nose. The stench awoke her from her meditation. She opened her eyes to see Ender snoring away. She sensed and knew where she was now. She peered out of the canvas covering to see the dark mountains of Grund Morr. It would be the last known feature she’d see as they passed through the Evermire swampland.”
Conquest of the Evermire: 1. Hinterland Fortress is the first book in the Conquest of the Evermire series by author Ron Smorynski, author of the series Alfred and Knight of the Dead. (See the end of this review for links to reviews of all of those books as well). The novella follows adoptive siblings Rhyal, an elf, and Ender, a human. The two are on a journey to see the world outside of the elven havens. They have heard the stories and myths connected to Evermire, of treasure and glory, and decided to see it for themselves.
The book combines together a lot of my favorite fantasy things. An exciting adventure, interesting renditions of classic magical beings, strong bonds of friendship or family, a well-built world, and a lot of fun and quirky side characters. I found myself very drawn to the connection between Rhyal and Ender, their close bond already formed at the beginning of the book is engaging. I also really appreciated that, while they are trained and talented fighters, they acknowledge the difference physically and mentally in fighting in real life vs. practice. This added some realism and made the fighting more interesting to follow. My favorite side character in the book was Ligo. He is a fun, quirky, snarky gone with very big dreams. He added the lightness that this book needed to balance the dark setting and fights to the death.
What this novella really does is serve as an exciting set-up to the adventure. The book allows us to get to know some of the characters, learn a bit about the Evermire, but perhaps most importantly plant the seeds of several intriguing questions. I know just want to learn more about Rhyal and Ender’s pasts, more about the magic system, what is really hidden in the depth of the Evermire… This was an exciting start to a fun adventure that I look forward to continuing in the sequel: Conquest of the Evermire: 2. The Church.
The book is great for young adults as it is not unnecessarily dark or gory. I thought that this book was really fun and I am excited to see where it goes next!
Conquest of the Evermire: 1. Hinterland Fortress is the first book in the Conquest of the Evermire series by author Ron Smorynski, author of the series Alfred and Knight of the Dead. (See the end of this review for links to reviews of all of those books as well). The novella follows adoptive siblings Rhyal, an elf, and Ender, a human. The two are on a journey to see the world outside of the elven havens. They have heard the stories and myths connected to Evermire, of treasure and glory, and decided to see it for themselves.
The book combines together a lot of my favorite fantasy things. An exciting adventure, interesting renditions of classic magical beings, strong bonds of friendship or family, a well-built world, and a lot of fun and quirky side characters. I found myself very drawn to the connection between Rhyal and Ender, their close bond already formed at the beginning of the book is engaging. I also really appreciated that, while they are trained and talented fighters, they acknowledge the difference physically and mentally in fighting in real life vs. practice. This added some realism and made the fighting more interesting to follow. My favorite side character in the book was Ligo. He is a fun, quirky, snarky gone with very big dreams. He added the lightness that this book needed to balance the dark setting and fights to the death.
What this novella really does is serve as an exciting set-up to the adventure. The book allows us to get to know some of the characters, learn a bit about the Evermire, but perhaps most importantly plant the seeds of several intriguing questions. I know just want to learn more about Rhyal and Ender’s pasts, more about the magic system, what is really hidden in the depth of the Evermire… This was an exciting start to a fun adventure that I look forward to continuing in the sequel: Conquest of the Evermire: 2. The Church.
The book is great for young adults as it is not unnecessarily dark or gory. I thought that this book was really fun and I am excited to see where it goes next!
Phil Leader (619 KP) rated Storm Clouds Rolling In (Bregdan Chronicles #1) in Books
Nov 26, 2019
Describing this book makes it sound like it could be a tale of Southern romance set before the American Civil War; Carrie Cromwell is the teenage daughter of a plantation owner in Virginia and falls for the son of another plantation owner as the political and social storm of the events of the Civil War brew around them.
In reality however this is a far more complex work - yes the romance is there but it is very much overshadowed by the situation and events of the time. Firstly Carrie is not a Southern Belle happy to sit on the verandah and look after her hard working man - she wants to make something of herself and doesn't think that she will be happy running her father's plantation in later life. Secondly she has grave doubts about slavery, an institution that has become the basis of the plantation owner's very existence.
This novel then is far more an exploration of the confict the slave issue creates as well as the lack of opportunity for a bright woman to better herself in the nineteenth century.
The author does well with the slavery issue in presenting someone from the whole spectrum, from reactionary pro-slavery plantation owners to equally abhorrent abolitionlists who are in many ways just as bad. Carrie is very much undecided throughout the book and that is a good thing, we are essentially treated to a novel length essay on the causes of the civil war and the justifications for slavery that caused a lot of the friction, along with the North failing to take account of the depth of the pride of those in the South.
The characters are very well drawn, and although each more-or-less repesents one particular facet of the debate none are mere ciphers and indeed many of them evolve over time and change their outlook and opinions, not lease Carrie but also of note the slaves Rose and Moses, both young but who really grow during the course of the story. The author has necessarily put some perjorative terms for slaves in the mouths of some of her characters - for which she apologises in a brief forward - but this not only lends realism but underlines those characters attitudes towards the slaves.
The book does move at a relatively slow pace, and there are plenty of discussions around politics, society and slavery but it is quite immersive and acts to let each character become far more solid.
Overall a book I enjoyed and it provides a lot of insight into the state of America at the outbreak of war and why it happened
In reality however this is a far more complex work - yes the romance is there but it is very much overshadowed by the situation and events of the time. Firstly Carrie is not a Southern Belle happy to sit on the verandah and look after her hard working man - she wants to make something of herself and doesn't think that she will be happy running her father's plantation in later life. Secondly she has grave doubts about slavery, an institution that has become the basis of the plantation owner's very existence.
This novel then is far more an exploration of the confict the slave issue creates as well as the lack of opportunity for a bright woman to better herself in the nineteenth century.
The author does well with the slavery issue in presenting someone from the whole spectrum, from reactionary pro-slavery plantation owners to equally abhorrent abolitionlists who are in many ways just as bad. Carrie is very much undecided throughout the book and that is a good thing, we are essentially treated to a novel length essay on the causes of the civil war and the justifications for slavery that caused a lot of the friction, along with the North failing to take account of the depth of the pride of those in the South.
The characters are very well drawn, and although each more-or-less repesents one particular facet of the debate none are mere ciphers and indeed many of them evolve over time and change their outlook and opinions, not lease Carrie but also of note the slaves Rose and Moses, both young but who really grow during the course of the story. The author has necessarily put some perjorative terms for slaves in the mouths of some of her characters - for which she apologises in a brief forward - but this not only lends realism but underlines those characters attitudes towards the slaves.
The book does move at a relatively slow pace, and there are plenty of discussions around politics, society and slavery but it is quite immersive and acts to let each character become far more solid.
Overall a book I enjoyed and it provides a lot of insight into the state of America at the outbreak of war and why it happened
Andy K (10821 KP) rated The Nightingale (2018) in Movies
Dec 11, 2019
Brutal and beautiful
In 1825 Tasmania, a young wife and mother experiences brutal atrocity against her family by the British soldiers in her midst. With her entire world shattered, the battered and broken young woman embarks on a quest for revenge. Not thinking clearly through her grief, she decides to escapade through the harsh and unforgiving countryside with only a native guide to show her the way and maybe catch those who have violated her world. Haunted by the images of her recent past, Clare is tortured by what she remembers, but needs to persevere for her wits to remain intact.
The path is ripe with treachery. The jungle can be beautiful and harsh simultaneously. Her guide is reluctant to lead the way and has to be bribed to do so. Clare, the young woman, has to deceive her real motives and says she has to meet her husband who as gone on ahead a few days journey. The duo have several unforgiving encounters while tracking the soldiers. The soldiers themselves continually perpetrate barbarism on those they encounter as their own guide takes them on an equally perilous journey through the unforgiving countryside.
Clare's quest for revenge and redemption could end up costing her her own life and soul in the process.
Writer/director Jennifer Kent is now one I will start having to keep my eye on for her future theatrical endeavors. First she spooked us all in the cleverly inventive, The Babadook, and now shows us a glimpse as to the brutal world of 1825 in unrelenting realism. The Australian county is go gorgeous during the day, but during the night presents many ghouls and strange sounds.
The intrigue the film presents is not the brutality itself, but Clare's reaction to it and thus her sense of retribution. She presents strength and weakness sometimes at the same moment, but you feel for her, her tough life and her struggle to meander through it. She wanders from soul to soul trying to get help, but finds few who are willing to help her.
The leading role for actress Aisling Franciosi was astonishing. Her portrayal of Clare was honest, heartbreaking and inspiring during different parts of the film. She wasn't just a victim of violence then a heartless killer, she shows depth and compassion as well.
Some of the images the film shows the audience will be hard to forget any time soon, but I am so glad I found this film. Highly recommended.
The path is ripe with treachery. The jungle can be beautiful and harsh simultaneously. Her guide is reluctant to lead the way and has to be bribed to do so. Clare, the young woman, has to deceive her real motives and says she has to meet her husband who as gone on ahead a few days journey. The duo have several unforgiving encounters while tracking the soldiers. The soldiers themselves continually perpetrate barbarism on those they encounter as their own guide takes them on an equally perilous journey through the unforgiving countryside.
Clare's quest for revenge and redemption could end up costing her her own life and soul in the process.
Writer/director Jennifer Kent is now one I will start having to keep my eye on for her future theatrical endeavors. First she spooked us all in the cleverly inventive, The Babadook, and now shows us a glimpse as to the brutal world of 1825 in unrelenting realism. The Australian county is go gorgeous during the day, but during the night presents many ghouls and strange sounds.
The intrigue the film presents is not the brutality itself, but Clare's reaction to it and thus her sense of retribution. She presents strength and weakness sometimes at the same moment, but you feel for her, her tough life and her struggle to meander through it. She wanders from soul to soul trying to get help, but finds few who are willing to help her.
The leading role for actress Aisling Franciosi was astonishing. Her portrayal of Clare was honest, heartbreaking and inspiring during different parts of the film. She wasn't just a victim of violence then a heartless killer, she shows depth and compassion as well.
Some of the images the film shows the audience will be hard to forget any time soon, but I am so glad I found this film. Highly recommended.
JT (287 KP) rated End of Watch (2012) in Movies
Mar 10, 2020
Officer Brian Taylor’s (Jake Gyllenhaal) opening monologue in which we see a car chase and shoot out from the front dashboard camera of a Los Angeles black and white, sets the tone for what will be a gripping action flick.
It’s an indication that this cop film is not going to be as clear cut as any before it, and its no frills policy will surely shock most viewers as officers Taylor and Zavala (Michael Peña) tackle everything from the mundane to the murderous on their watch. We follow the pair during their daily routines which includes in the locker room, the briefing room as well as unique camera set ups from inside the patrol car and a hand held that Taylor carries along with him.
It’s incredibly well shot, and takes the conventional cop film and gives it a big slice of realism. It would give you the impression of what a real ride along might include, and the kinds of situations they find themselves in.
“I am the police, and I’m here to arrest you. You’ve broken the law.”
These situations might affect you in different ways, like the one involving two young children, which is particularly hard to watch. Director David Ayer has not shied away from the brutality of the surroundings the officers find themselves in, and uncomfortable scenarios are all part and parcel of this job. It’s not long before they start to ruffle a few feathers not just on the streets but within their own department. When they uncover a drug cartel which is a small piece of a very large jigsaw they are marked for death.
The film is also looked at from the view point of LA’s criminal underworld, where it seems everyone has a hand held camera and likes to film themselves. It seems a bit stupid really and maybe Ayer should have kept that side of the story to the conventional camera, it doesn’t work all that well if I’m honest. The relationship between Taylor and Zavala is probably the most believable of any on screen buddy cop partnerships, not since Lethal Weapon (the first film at least) has a pairing conveyed such emotion and chemistry. You’d almost believe that these two had been together for years.
Ayer has had plenty of experience in this field already, having written the scripts for S.W.A.T, Training Day and The Fast and the Furious, but those films only looked at cops from the outside. End of Watch goes in just that little bit further which helps to make it unique from all the rest.
It’s an indication that this cop film is not going to be as clear cut as any before it, and its no frills policy will surely shock most viewers as officers Taylor and Zavala (Michael Peña) tackle everything from the mundane to the murderous on their watch. We follow the pair during their daily routines which includes in the locker room, the briefing room as well as unique camera set ups from inside the patrol car and a hand held that Taylor carries along with him.
It’s incredibly well shot, and takes the conventional cop film and gives it a big slice of realism. It would give you the impression of what a real ride along might include, and the kinds of situations they find themselves in.
“I am the police, and I’m here to arrest you. You’ve broken the law.”
These situations might affect you in different ways, like the one involving two young children, which is particularly hard to watch. Director David Ayer has not shied away from the brutality of the surroundings the officers find themselves in, and uncomfortable scenarios are all part and parcel of this job. It’s not long before they start to ruffle a few feathers not just on the streets but within their own department. When they uncover a drug cartel which is a small piece of a very large jigsaw they are marked for death.
The film is also looked at from the view point of LA’s criminal underworld, where it seems everyone has a hand held camera and likes to film themselves. It seems a bit stupid really and maybe Ayer should have kept that side of the story to the conventional camera, it doesn’t work all that well if I’m honest. The relationship between Taylor and Zavala is probably the most believable of any on screen buddy cop partnerships, not since Lethal Weapon (the first film at least) has a pairing conveyed such emotion and chemistry. You’d almost believe that these two had been together for years.
Ayer has had plenty of experience in this field already, having written the scripts for S.W.A.T, Training Day and The Fast and the Furious, but those films only looked at cops from the outside. End of Watch goes in just that little bit further which helps to make it unique from all the rest.
BankofMarquis (1832 KP) rated Batman Begins (2005) in Movies
Feb 25, 2018
Good start to the DARK KNIGHT trilogy
BATMAN BEGINS is a seminal film in the oeuvre of Christopher Nolan for a variety of reasons. Certainly, it became his biggest Box Office success to date and marked him as an "A" list Director. Also, you start seeing the recurring actors that I call "the Nolan players" in his films - Michael Caine, Cillian Murphy, Ken Watanabe. But, most importantly, BATMAN BEGINS starts showing the Hallmarks of what a "Christopher Nolan" film is.
What are "hallmarks of a Christopher Nolan" film? Well...the film starts with a long tracking shot.. If you just showed me this shot, I would have instantly said "Christopher Nolan". Nolan plays with time (as usual) in this film, albeit, in a "standard" flash back, flash forward way. And, of course, there is the driving Hans Zimmer score and marvelous Cinematography by frequent Nolan collaborator Wally Pfister. All sure signs that you are watching something directed by Nolan.
BATMAN BEGINS, of course, tells the origin story of Bruce Wayne/Batman. While most of us (including me) rolled their eyes in 2005 at the thought of another Batman flick (the memories of George Clooney and his "Bat-Nipples" still fresh), Nolan had a different idea - a serious take on the material. And it is the realism and grit that make this film work. Instead of making a COMIC BOOK movie, Nolan made a movie BASED ON a comic book (an important distinction) and this spin on this genre works very well.
Downing the cowl in this film is Christian Bale. At the time, he was NOT a household name. As a matter of fact, he was beginning to be branded as a young, talented actor who was somewhat difficult to work with. Casting Bale in the title role was a stroke of genius by Nolan. He is the perfect embodiment of this character. Showing the dark side - and intensity - that this character needs, Bale also brings a bit of playfullness that I did not remember to the part - and this helps balance the character, he is just not all "Dark Knight" (do you hear me current JUSTICE LEAGUE Directors/Writers)?
Michael Caine is also perfectly cast as the fatherly figure, Alfred Pennywise (Bruce Wayne's Butler) as is Gary Oldman as Police Sgt. Jim Gordon. What makes Oldman's casting so interesting is that it was so against type for him. The same can be said for Liam Neeson's casting as Ducard. You could argue that "Liam Neeson - Action Star" grew from this role. Along for the ride is good ol' Morgan Freeman as Lucius Fox, the "Q" of this series, so we get an answer to the age old question "how does Batman get all those wonderful toys". Finally, I have to admit that - upon rewatching this film - I was surprised at how good Katie Holmes is in the role of Rachel Dawes. Sure, it ends up being the typical "damsel in distress" role at the end, but until then she brings a character of strength to the screen that more than holds her own against Bale.
But, make no mistake about it, this film is not just about the characters, it is about the vision - and the action - that Nolan brings to the screen and he brings it hard. This film is dark - and works here. Up until now, SuperHero films were multi-colored, bright COMIC BOOK looking films, but Nolan brings grit, realism and darkness to the proceedings here. It is a jarring change that instantly made this film very interesting to watch (of course, it also ushered in the era of "dark" films, but I can't blame Nolan for poor copycats).
Nolan also relied on - primarily - practical effectst througout this film and the movie has a heaviness to it because of it. When a train crashes, you feel that a train has crashed. When Batman breaks through the window, you can FEEL the window break. This sort of visceral experience just can't be duplicated on a green screen.
Not everything in this film works - Tom Wilkerson's mob boss Falcone is a bit too cartoon-y for my tastes and Cillian Murphy's villain SCARECROW just isn't villiany enough for me - but these are quibbles in a film that was unique for it's time - and ushered in a whole new way to make SuperHero films. A type of film that Nolan will continue to tweak - and improve on - in the subsequent films in this Dark Knight series.
One final note, when rewatching a film from over 10 years ago, it is fun (at least for me) to see "stars before they were stars" in small roles. In this one, Katie Holme's Rachel Dawes character helps a little boy through the carnage of the final battle. I kept looking at that little boy and saying to myself - who is that? GAME OF THRONES fans will recognize that little boy is none other than King Joffrey himself, Jack Gleeson.
If you haven't seen BATMAN BEGINS in awhile, check it out - it holds up well.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
What are "hallmarks of a Christopher Nolan" film? Well...the film starts with a long tracking shot.. If you just showed me this shot, I would have instantly said "Christopher Nolan". Nolan plays with time (as usual) in this film, albeit, in a "standard" flash back, flash forward way. And, of course, there is the driving Hans Zimmer score and marvelous Cinematography by frequent Nolan collaborator Wally Pfister. All sure signs that you are watching something directed by Nolan.
BATMAN BEGINS, of course, tells the origin story of Bruce Wayne/Batman. While most of us (including me) rolled their eyes in 2005 at the thought of another Batman flick (the memories of George Clooney and his "Bat-Nipples" still fresh), Nolan had a different idea - a serious take on the material. And it is the realism and grit that make this film work. Instead of making a COMIC BOOK movie, Nolan made a movie BASED ON a comic book (an important distinction) and this spin on this genre works very well.
Downing the cowl in this film is Christian Bale. At the time, he was NOT a household name. As a matter of fact, he was beginning to be branded as a young, talented actor who was somewhat difficult to work with. Casting Bale in the title role was a stroke of genius by Nolan. He is the perfect embodiment of this character. Showing the dark side - and intensity - that this character needs, Bale also brings a bit of playfullness that I did not remember to the part - and this helps balance the character, he is just not all "Dark Knight" (do you hear me current JUSTICE LEAGUE Directors/Writers)?
Michael Caine is also perfectly cast as the fatherly figure, Alfred Pennywise (Bruce Wayne's Butler) as is Gary Oldman as Police Sgt. Jim Gordon. What makes Oldman's casting so interesting is that it was so against type for him. The same can be said for Liam Neeson's casting as Ducard. You could argue that "Liam Neeson - Action Star" grew from this role. Along for the ride is good ol' Morgan Freeman as Lucius Fox, the "Q" of this series, so we get an answer to the age old question "how does Batman get all those wonderful toys". Finally, I have to admit that - upon rewatching this film - I was surprised at how good Katie Holmes is in the role of Rachel Dawes. Sure, it ends up being the typical "damsel in distress" role at the end, but until then she brings a character of strength to the screen that more than holds her own against Bale.
But, make no mistake about it, this film is not just about the characters, it is about the vision - and the action - that Nolan brings to the screen and he brings it hard. This film is dark - and works here. Up until now, SuperHero films were multi-colored, bright COMIC BOOK looking films, but Nolan brings grit, realism and darkness to the proceedings here. It is a jarring change that instantly made this film very interesting to watch (of course, it also ushered in the era of "dark" films, but I can't blame Nolan for poor copycats).
Nolan also relied on - primarily - practical effectst througout this film and the movie has a heaviness to it because of it. When a train crashes, you feel that a train has crashed. When Batman breaks through the window, you can FEEL the window break. This sort of visceral experience just can't be duplicated on a green screen.
Not everything in this film works - Tom Wilkerson's mob boss Falcone is a bit too cartoon-y for my tastes and Cillian Murphy's villain SCARECROW just isn't villiany enough for me - but these are quibbles in a film that was unique for it's time - and ushered in a whole new way to make SuperHero films. A type of film that Nolan will continue to tweak - and improve on - in the subsequent films in this Dark Knight series.
One final note, when rewatching a film from over 10 years ago, it is fun (at least for me) to see "stars before they were stars" in small roles. In this one, Katie Holme's Rachel Dawes character helps a little boy through the carnage of the final battle. I kept looking at that little boy and saying to myself - who is that? GAME OF THRONES fans will recognize that little boy is none other than King Joffrey himself, Jack Gleeson.
If you haven't seen BATMAN BEGINS in awhile, check it out - it holds up well.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
graveyardgremlin (7194 KP) rated India Black (Madam of Espionage, #1) in Books
Feb 15, 2019
<b>3.5 stars</b>
<b>India Black</b> is a well-written and entertaining read, featuring a no-nonsense, street-wise, and book-smart whore-turned-madam who is the namesake of the book. While I do like India and her voice, there was something about her that felt off, and after thinking about it I've come to realize that I really don't know her that well. I find that odd because the book is told first-person. Even though this is the first in the series and some authors may not want to divulge everything about a character, I think there needed to be more tidbits about India. What's her history? How did she grow up? Was she groomed to be a whore? Etc., etc., etc. Besides, French is the secretive one, we don't need two mysterious characters in one book. As for the attraction between India and French promised on the back of the book, well, it wasn't there. Now there's the promise for that in the future, but there weren't enough scenes with the two of them together for anything to actually happen except some minor discussions about the issue(s) at hand, some bantering, and a decent amount of bickering -- though luckily not too much of the latter to annoy.
The plot is fine, but there's really nothing new to distinguish it from others in Victorian mysteries. Actually, the book doesn't feature any mystery what-so-ever and it's more of a chase to retrieve top secret government documents; I've heard the term caper thrown around and that sounds about right for this book. After a while I felt like I was in <b>Groundhog Day</b> -- same scenarios popped up under different circumstances, but all with the same outcome, which became tiring. The historical facts would have been better served had they been more smoothly incorporated into the story rather than dropped in big chunky lumps that often bored me (and I <i>like</i> history). The atmosphere of the book was fairly well-done, though it seemed a bit too polished and clean, so a little more grit would have given it some needed realism. The main character is a madam who can't possibly live in best neighborhood, and no matter how well-mannered, groomed, or intelligent she may be, she has to live in a tough place.
While I do have those minor issues about the book, the question is, <i>"Would I read the next book in the series?"</i> Yes, I believe so, because overall, I did enjoy this foray into India Black's world and it has the makings of a very interesting series.
<b>India Black</b> is a well-written and entertaining read, featuring a no-nonsense, street-wise, and book-smart whore-turned-madam who is the namesake of the book. While I do like India and her voice, there was something about her that felt off, and after thinking about it I've come to realize that I really don't know her that well. I find that odd because the book is told first-person. Even though this is the first in the series and some authors may not want to divulge everything about a character, I think there needed to be more tidbits about India. What's her history? How did she grow up? Was she groomed to be a whore? Etc., etc., etc. Besides, French is the secretive one, we don't need two mysterious characters in one book. As for the attraction between India and French promised on the back of the book, well, it wasn't there. Now there's the promise for that in the future, but there weren't enough scenes with the two of them together for anything to actually happen except some minor discussions about the issue(s) at hand, some bantering, and a decent amount of bickering -- though luckily not too much of the latter to annoy.
The plot is fine, but there's really nothing new to distinguish it from others in Victorian mysteries. Actually, the book doesn't feature any mystery what-so-ever and it's more of a chase to retrieve top secret government documents; I've heard the term caper thrown around and that sounds about right for this book. After a while I felt like I was in <b>Groundhog Day</b> -- same scenarios popped up under different circumstances, but all with the same outcome, which became tiring. The historical facts would have been better served had they been more smoothly incorporated into the story rather than dropped in big chunky lumps that often bored me (and I <i>like</i> history). The atmosphere of the book was fairly well-done, though it seemed a bit too polished and clean, so a little more grit would have given it some needed realism. The main character is a madam who can't possibly live in best neighborhood, and no matter how well-mannered, groomed, or intelligent she may be, she has to live in a tough place.
While I do have those minor issues about the book, the question is, <i>"Would I read the next book in the series?"</i> Yes, I believe so, because overall, I did enjoy this foray into India Black's world and it has the makings of a very interesting series.
Kristy H (1252 KP) rated The Girl with the Lower Back Tattoo in Books
Feb 1, 2018
Amy Schumer's book comes out at a time when it seems like every celebrity in the world has a book out: some collection of essays about their life, showcasing how funny they are and what their life is like as a celebrity. In Schumer's, we hear about her life from childhood to her post <i>Trainwreck</i> success and nearly everything in between: her friendships, her relationships, her parents, and her growth as a comedian. And, of course, a lot about sex. The book is told in a series of chapters - essays if you will - each one covering a particular moment in Schumer's life. They don't go in any particular order, but cover the gamut of her range of experiences.
I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved <i>Trainwreck</i> and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).
Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.
In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.
I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved <i>Trainwreck</i> and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).
Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.
In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.
Zuky the BookBum (15 KP) rated The Chalk Man in Books
Mar 15, 2018
Big thanks to Janel @ Keeper of Pages for sending me her copy of the book!
This is one of those books that’s been getting a lot of attention in the bookish world, so of course, I wanted to see what all the fuss was about! While it only took me a couple of sessions to get through the whole thing, I wasn’t that thrilled by it. The hype wasn’t worth it for me.
I immediately knew this novel wasn’t going to be a 5 star read because I didn’t like the way it was written from page 1. It’s one of those novels that’s told in flashbacks, but rather than transporting us back in time to live the events as they happened, we were told it as though we were being read a story. I feel like this way of writing really makes you take a step back from the events and you don’t get the chance to experience them along with the characters. So anything that’s meant to be tense or exciting didn’t feel that way for me.
As for characters, I honestly didn’t have an opinion on any of them. You would have thought that our main character / narrator Eddie would have left some kind of impression on me, but he didn’t. I genuinely have nothing to say about him… he was unforgettable. The only thing I can think to mention is that his relationship with his housemate Chloe seriously cringy.
<spoiler>For me, there were too many characters in this book that were irrelevant. Including Mr. Halloran – “The Chalk Man”. He was literally only a character to make the title make sense and to have an extremely obvious ‘distraction’ to the real bad guy.</spoiler>
I didn’t mind the story in this one, but the synopsis had me ready for something so much more exciting and sinister. It kept me interested for the most part, but I wasn’t enthralled. I had the ‘baddie’ sussed in a matter of chapters, so from there, all I was trying to work out was their motive. It was pretty good at keeping you on your toes in that sense.
Some books try so hard to be exciting and this is one of them. It seemed to me, that each chapter had new drama in it. Less is sometimes more! Don’t forget that! We don’t need drama, after drama, after drama to keep us entertained. It got tedious and took any realism away from the story.
In the end, this novel was extremely underwhelming for me. I didn’t find it exciting and I didn’t think the story was particularly unique. I think this would be a good novel for non-mystery readers, but I’ve just read too many similar stories.
This is one of those books that’s been getting a lot of attention in the bookish world, so of course, I wanted to see what all the fuss was about! While it only took me a couple of sessions to get through the whole thing, I wasn’t that thrilled by it. The hype wasn’t worth it for me.
I immediately knew this novel wasn’t going to be a 5 star read because I didn’t like the way it was written from page 1. It’s one of those novels that’s told in flashbacks, but rather than transporting us back in time to live the events as they happened, we were told it as though we were being read a story. I feel like this way of writing really makes you take a step back from the events and you don’t get the chance to experience them along with the characters. So anything that’s meant to be tense or exciting didn’t feel that way for me.
As for characters, I honestly didn’t have an opinion on any of them. You would have thought that our main character / narrator Eddie would have left some kind of impression on me, but he didn’t. I genuinely have nothing to say about him… he was unforgettable. The only thing I can think to mention is that his relationship with his housemate Chloe seriously cringy.
<spoiler>For me, there were too many characters in this book that were irrelevant. Including Mr. Halloran – “The Chalk Man”. He was literally only a character to make the title make sense and to have an extremely obvious ‘distraction’ to the real bad guy.</spoiler>
I didn’t mind the story in this one, but the synopsis had me ready for something so much more exciting and sinister. It kept me interested for the most part, but I wasn’t enthralled. I had the ‘baddie’ sussed in a matter of chapters, so from there, all I was trying to work out was their motive. It was pretty good at keeping you on your toes in that sense.
Some books try so hard to be exciting and this is one of them. It seemed to me, that each chapter had new drama in it. Less is sometimes more! Don’t forget that! We don’t need drama, after drama, after drama to keep us entertained. It got tedious and took any realism away from the story.
In the end, this novel was extremely underwhelming for me. I didn’t find it exciting and I didn’t think the story was particularly unique. I think this would be a good novel for non-mystery readers, but I’ve just read too many similar stories.
Phillip McSween (751 KP) rated Braveheart (1995) in Movies
Jul 28, 2018
Epic
The Story of Scottish Patriot William Wallace (Mel Gibson) and his quest to unite the clans and rise up against their English oppressors.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.