The Queens Lady is the second in the Queens of the Tower series, and picks up the Joan Vaux story where it left off in the last book. She’s now Lady Joan Guildford, and is Lady in Waiting to Queen Elizabeth, the wife of Henry VII. It’s a privileged position and means that Joan is at Court when Prince Arthur dies and Prince Henry is named as heir. Joan acts as something of a go between with the King and Queen, but King Henry is a serious, dour man - and this isn’t improved when the Queen dies shortly after her son.
Joan no longer has a place at court, and her husband falls out of favour when his enemies gain considerable influence with the King.
It was really interesting to learn about the inner workings of the English court and the precarious line that courtiers had to tread. Joan also gave some insight into some significant historical events: the Field of the Cloth of Gold in France, Princess Margaret’s marriage to King James, the arrival of Catherine of Aragon, and accompanying Princess Mary to Paris when she marries King Louis.
I’m an absolute sucker for historical fiction, and I loved the details and the very human, realistic style this book was written in. And I really liked Joan.
The ravens are a constant - after all, Joan is the Lady of the Ravens. Bu they’re not as central to the storyline this time.
I don’t know whether this will just be a duology, or if there’s more to come, but I’ve thoroughly enjoyed this book.
Highly recommended.
Director/Writer David Ayer (Street Kings, Training day) once again takes us into the world of the Los Angeles police department in the new movie End of Watch. Only this time rather than go in the corrupt police officer direction he has gone before, Ayer instead takes audiences on a honest and somewhat realistic emotionally charged ride along with two young and confident LAPD patrolmen.
While the story in this film is as simple as two cops over reaching their pay grades causing them to get on a drug cartels hit list. The film is more like an unrated extended episode of the TV series Cops, focusing on the everyday encounters of our heroes as they patrol south central LA. These encounters range from calls for lost children, domestic disturbance, and noise violations, albeit a bit exaggerated in these and several other incidents. Still the various types of encounters cause the film to feel like a true ride along into the lives of these LAPD cops. Additionally the use of the handheld “found footage” film style works surprisingly well at giving the movie that TV episodic style that makes the overall experience feel realistic. That being said, there are a few scenes where it is not clear who is holding the camera or where the shot is coming from, however these scenes are barely noticeable because of the excellent performances by our protagonists that keeps our interest on what they are saying and doing on screen rather than who is holding the camera.
Officer Bryan Taylor (Jake Gyllenhaal, Source Code) is our main protagonist of this movie. The ex-marine turned cop has to take an art elective in his pre-law studies and decides to take a documentary film class and take us on the inside of the LAPD. Gyllenhaal ‘s performance embodies Taylor as the good natured ambitious officer wanting more in his life of relationships and career. It would be easy for this character to be the traditional good cop in movies like this however given the found footage film style we instead find that Taylor, while good, can also be a complete “jerk” cop who is quick to anger and use brutish force when he deems necessary. This only helps solidify the rawness and reality of this film which pays a nod to the difficult nature of this job for real life police officers. Gyllenhaal gives yet another outstanding performance in his career causing us to grow attached to his character and respect him.
In addition Michel Pena (Crash) delivers a fantastic performance as Taylor’s partner and best friend Officer Mike Zavala. Pena embodies the other side to Gyllenhaal’s “jerk” cop by with his own good natured, simple man who is quick to become a bull when pushed. No more is this better shown in a scene where Zavala and a gang member get into a war of words and caused Zavala to drop his gun and badge and fight man to man to settle their dispute in the “street” way. Thus earning respect from that particular gang member.
Together Gyllenhaal and Pena share the screen wonderfully. Their relationship seems effortless and natural as if they were actually partners and best friends. You can tell they are having fun on set working together and it shows in their performance together as they really get a sense that they are more than partners and friends but are in fact, brothers. Their relationship and characters are only developed further as we watch Taylor pursue a deeper intellectual relationship with scientist Janet (Anna Kendrick, Up In The Air) and Zavala through the birth of his first born from wife Gabby (Natalie Martinez, Death Race). Kendrick and Martinez give believable performances as love interests to our heroes that show us a more human and softer side of these testosterone filled officers who will do whatever it takes to uphold the law. Throw in a strong supporting cast of other police officers led by Frank Grillo (Warrior) who plays the LAPD’s sergeant and you have a performance where we not only care about our heroes but we see the brotherhood of the police force in general.
One thing that I was not expecting from the film is the amount of moments where the audience literally laughed out loud. That is not to say that this is a comedy, in fact it is far from it. But the quick witted jokes and verbal jabs by our onscreen partners help alleviate some of the heavy emotional scenes of the movie. I felt that these characters used that good natured humor to keep themselves from going off of the deep end in handling all of the gruesome encounters they witness. These well placed laughs helped the audience deal with these gruesome scenes as well and helped strengthen our bond with these brothers.
All in all, this movie is a buddy cop film on steroids. While there is not much of a traditional story arch, this helps develop the realistic feel more like an unrated extended episode of Cops. That being said Gyllenhaal and Pena deliver a fantastic performance together. They have a real connection that makes you believe they have been partners for years and consider each other brothers. Add in a solid ensemble cast and the overall experience is worth the price of admission. However those who grow motion sick from found footage films may want to stay clear as there is a definite lack of steady cam
One of Us is Lying is a mix between the Breakfast Club and Pretty Little Liars. Five strangers walk into detention but only 4 walk out alive. The four have to work together to find the culprit, but the blame could easily be on one of them.
The book follows all 4 of the students who were in detention. They're stereotyped as the brain, beauty, jock and the criminal. But they are also so much more. The character arcs show how much they change in the weeks after the murder. One of Us is Lying also shows us insights into who they really are and the differences between public and private personas.
The characters were also likable and realistic. Unlike Pretty Little Liars, they dont do stupid things which will put themselves in worse situations. Their problems were also relatable, and their relationships felt real. Some of the issues tackled are social media usage, depression, sexuality, abuse, etc. There's so much packed into one book due to the vastly different characters involved.
The mystery of the book was so interesting and I didn't see it coming. It seems kind of obvious in hindsight, and I know a lot of people did guess. But I very rarely read mystery style books, and I often don't focus too much on the clues. That's my excuse for not figuring it out anyway.
Overall I really loved the book. There was exploration of different societal themes. The writing was good. Characters were likable and interesting. An all round good read. I would definitely recommend.
I received One of Us is Lying* by Karen M. McManus as an e-book from the publisher, Penguin Random House, via Netgalley. This is an honest and unbiased review.
This book was pretty decent. I wouldn't recommend it to anyone who hadn't already watched the series or read the original comic books simply because the three different stories are written by different people, and they wrote these stories with different time periods in mind.
For instance, the first story is meant to take place near the beginning of the series when Buffy and Angel are still in that "honeymoon" phase of their relationship. Then, when the second story opens, Buffy and Angel are mortal enemies and Buffy is trying to consider how exactly she's going to bring herself to kill him. In the third story, Buffy and Angel are all snuggly again.
So, if someone who had never watched the series simply picked this book up on a whim to read it, I think they would find it very hard and confusing to read. But the storylines were good, and the characterization of the characters was great. I could just hear some of the lines coming from the mouths of Sarah Michelle Geller and David Boreanaz.
Individually, the second story was probably the best. It had an entirely original storyline (within the framework of the overall series, that is) that was just really involved and really well-done. I really loved that one. The first one was good, as well. I was less fond of the third and final story because parts of it were very similar to other Buffy episodes/comics already available AND because some of thing things that happened (like Angel actually deciding to kill Willow to save Buffy) just were NOT realistic. Of the three, the last one was definitely the weakest.
However, the anthology was still a nice addition to anyone who loves Buffy.
There are so many patterns to choose from in this book by, Véronique Enginger. This is a newer release book and originally available in French with a different cover and at a much higher price. I adore Véronique's patterns and am a big fan of her work! This book is full of fairy tale characters, characters from fables and French nursery rhymes. My favorite is Little Red Riding Hood but Beauty & The Beast and The Little Mermaid were also in the run for my favorite. I would complete all of the patterns, I love this book, that much! I like that Véronique creates patterns that can tell a story or you can choose to stitch a smaller scene or character. Véronique's patterns of faces are incredible and look like true works of art. It is very difficult finding cross stitch patterns with such natural looking faces. I have made several of her patterns and they are easy to follow and look just like the finished samples on the pages of her books. This book has given me so much inspiration and joy and I can't wait to work on more of the patterns. The book is hardcover and has nice big pages to make it easy to work from. The patterns have a retro feel that you might find on a 1940's-50's apron, blanket or tablecloth. I highly recommend this book for cross stitch enthusiasts, like myself. This isn't a beginner's book, however and should know how to read a cross stitch graph. It's also helpful to know how to stitch on linen to give these a more professional feel and more realistic look.
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