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BookInspector (124 KP) rated The Key in Books
Sep 24, 2020
I really like reading books which has an interesting setting, and what could be more intriguing than a mental hospital in 60ies. That was what kindled my interest to read this book. There is always something sinister behind those closed doors…
This novel didn’t disappoint me with the originality of its characters. I loved this wide variety of amusing characters with different states of mind. The main characters in this novel were Ellen, Amy and Sarah. Amy was a patient in the hospital where Ellen was working. And Sarah was the person from the present, investigating, what happened in Ambergate all those years ago. I absolutely adored Ellen and Amy’s story in this novel. It was very indulging, absolutely absorbing and heartbreaking. I adored Ellen’s kindness and the constant fight for making patient’s lives better. I really enjoyed reading multiple perspectives in this novel, I think it opened up the characters wonderfully.
It is obvious from the blurb, that narrative was switching between past and present events, bringing different stories and different findings, and Hughes has done amazing transitions between these parts. I really liked that author was telling multiple stories in this novel, constantly bringing in turns and twists to keep the reader entertained and hooked. K. Hughes touched really sensitive topics in this novel, such as mental health, loss in a family, teenage homelessness, family relationships, disability and many more.
The writing style of this novel was absolutely beautiful and the whole book very well rounded up. It has pleasant short chapters and the pages just flew through my fingers. I really liked the way author ended this book. I think it was very deserved and heartwarming finish to the story, and I appreciate that author kept it realistic. So, to conclude, this is a very intriguing and full of surprises story, with plenty of original characters, which kept me hooked, and I savoured this book till the last page. I do strongly recommend it and I hope you will enjoy it as much as I did.
This novel didn’t disappoint me with the originality of its characters. I loved this wide variety of amusing characters with different states of mind. The main characters in this novel were Ellen, Amy and Sarah. Amy was a patient in the hospital where Ellen was working. And Sarah was the person from the present, investigating, what happened in Ambergate all those years ago. I absolutely adored Ellen and Amy’s story in this novel. It was very indulging, absolutely absorbing and heartbreaking. I adored Ellen’s kindness and the constant fight for making patient’s lives better. I really enjoyed reading multiple perspectives in this novel, I think it opened up the characters wonderfully.
It is obvious from the blurb, that narrative was switching between past and present events, bringing different stories and different findings, and Hughes has done amazing transitions between these parts. I really liked that author was telling multiple stories in this novel, constantly bringing in turns and twists to keep the reader entertained and hooked. K. Hughes touched really sensitive topics in this novel, such as mental health, loss in a family, teenage homelessness, family relationships, disability and many more.
The writing style of this novel was absolutely beautiful and the whole book very well rounded up. It has pleasant short chapters and the pages just flew through my fingers. I really liked the way author ended this book. I think it was very deserved and heartwarming finish to the story, and I appreciate that author kept it realistic. So, to conclude, this is a very intriguing and full of surprises story, with plenty of original characters, which kept me hooked, and I savoured this book till the last page. I do strongly recommend it and I hope you will enjoy it as much as I did.
LeftSideCut (3776 KP) rated The Slumber Party Massacre (1982) in Movies
Oct 10, 2020
This film has a slumber party and it also has a massacre. In that respect, The Slumber Party Massacre does exactly what is says on the tin, but actually has more to it underneath it's trashy exterior.
It may very well be another 80s slasher following in the wake of Friday the 13th, but a few things make it stick out above some of the rest.
The short 77 minute runtime means that the plot steams along at a snappy pace. The expected killer chase scenes are genuinely tense. The characters are all fairly realistic. All good stuff.
Its important to note that this film was directed by Amy Holden Jones, and written by Rita Mae Brown. The presence of two females in these usually male dominated roles is certainly noteworthy, especially in the 80s. As a result, we have female characters who aren't afraid to fight back, and who don't rely on men to save them. There's not even an obvious Final Girl candidate, any one of the main cast could have filled that role. It's refreshing to see.
However, TSPM is produced by Roger Corman, which would go someway in explaining the excessive nudity, and why the finished product is far different to what Rita Mae Brown had initially envisioned.
The practical effects are fairly minimal, but what we do get is pretty good, and there's some semi decent gore dished out by Russ Thorn, this movies antagonist. He's obviously not a patch on slasher icons such as Jason or Freddy, but he's still a weird enough dude to make his mark on the genre. (Not quite as weird as the dude who hunts snails though, what the fuck was that all about)
The Slumber Party Massacre is a straight shooting horror that may have a cheap look, but it's fun for the most part, and has some memorable slasher moments.
It may very well be another 80s slasher following in the wake of Friday the 13th, but a few things make it stick out above some of the rest.
The short 77 minute runtime means that the plot steams along at a snappy pace. The expected killer chase scenes are genuinely tense. The characters are all fairly realistic. All good stuff.
Its important to note that this film was directed by Amy Holden Jones, and written by Rita Mae Brown. The presence of two females in these usually male dominated roles is certainly noteworthy, especially in the 80s. As a result, we have female characters who aren't afraid to fight back, and who don't rely on men to save them. There's not even an obvious Final Girl candidate, any one of the main cast could have filled that role. It's refreshing to see.
However, TSPM is produced by Roger Corman, which would go someway in explaining the excessive nudity, and why the finished product is far different to what Rita Mae Brown had initially envisioned.
The practical effects are fairly minimal, but what we do get is pretty good, and there's some semi decent gore dished out by Russ Thorn, this movies antagonist. He's obviously not a patch on slasher icons such as Jason or Freddy, but he's still a weird enough dude to make his mark on the genre. (Not quite as weird as the dude who hunts snails though, what the fuck was that all about)
The Slumber Party Massacre is a straight shooting horror that may have a cheap look, but it's fun for the most part, and has some memorable slasher moments.
Eleanor Luhar (47 KP) rated Billy and Me in Books
Jun 24, 2019
This is a very, very different genre than I usually read. It was romantic and contemporary and kind of cliche and gross. But I will admit that it was written well.
Despite the gooey topics, this book was easy to sit and read through. The writing was good, though some of the speech didn't feel particularly authentic. My main problem was how cliche this was. A young woman who loves classic literature andworks in a tea shop meets a movie star without realising who he is and falls in love... Yeah, it's kind of a stereotypical romance. I hate this sort of thing. It's tacky and just ugh. But there was more to it than just the romance, which was very good. Sophie had her own issues to deal with, stemming from childhood grief and caring for her mother. It even had a really tragic moment toward the end, that didn't involve the actor - Billy - much at all.
As I mentioned above, the language wasn't always particularly fluid. It sometimes felt like Fletcher was trying too hard to make it more romantic and emotional. Billy was pretty much 'perfect' and extremely romantic, probably extremely unrealistically so. He was likeable, still, just not very realistic.
Sophie herself was a bit... not annoying, but she's not my favourite protagonist ever. She was trying too hard to be unique and strong and independent and it just irritated me. I get what Fletcher was going for (I think) but I just didn't love Sophie that much at all.
Like most other contemporary novels (not that I've actually read many of them), Sophie's life comes together perfectly at the end. Well, not quite perfectly, but the ending was sickly sweet. But I'm a bit of a cynic. You might like this more than me.
Despite the genre and gross cutesy lovey stuff, I think this deserves 3.5 stars. The writing was good and I did actually enjoy reading it.
Despite the gooey topics, this book was easy to sit and read through. The writing was good, though some of the speech didn't feel particularly authentic. My main problem was how cliche this was. A young woman who loves classic literature andworks in a tea shop meets a movie star without realising who he is and falls in love... Yeah, it's kind of a stereotypical romance. I hate this sort of thing. It's tacky and just ugh. But there was more to it than just the romance, which was very good. Sophie had her own issues to deal with, stemming from childhood grief and caring for her mother. It even had a really tragic moment toward the end, that didn't involve the actor - Billy - much at all.
As I mentioned above, the language wasn't always particularly fluid. It sometimes felt like Fletcher was trying too hard to make it more romantic and emotional. Billy was pretty much 'perfect' and extremely romantic, probably extremely unrealistically so. He was likeable, still, just not very realistic.
Sophie herself was a bit... not annoying, but she's not my favourite protagonist ever. She was trying too hard to be unique and strong and independent and it just irritated me. I get what Fletcher was going for (I think) but I just didn't love Sophie that much at all.
Like most other contemporary novels (not that I've actually read many of them), Sophie's life comes together perfectly at the end. Well, not quite perfectly, but the ending was sickly sweet. But I'm a bit of a cynic. You might like this more than me.
Despite the genre and gross cutesy lovey stuff, I think this deserves 3.5 stars. The writing was good and I did actually enjoy reading it.
Eleanor Luhar (47 KP) rated Fire Colour One in Books
Jun 24, 2019
This is one of those books that you see displayed in the library and just think, "What the heck? I'll give it a go."
This is YA book, as most of the books I read are. It's named after a painting, which ends up as quite a significant aspect in this novel.
Iris lives with her mother Hannah and step-father Lowell. She doesn't remember her real father. Hannah has always told her that he didn't want her, that he didn't care. She blamed him for their debts, their problems.
Thurston is Iris's best friend, her only friend. He means everything to her. He's always been there for her, until she has to move away to England without any means of telling him where she's gone.
Iris herself is a pretty troubled girl. Family life isn't great - Hannah and Lowell want her to be more like them, more conscious of her appearance and wealth. But all Iris really cares about is fire. There's nothing like the soothing flicker of a flame.
When she meets her father Ernest, Iris soon realises that everything she's been told by her mother has been a lie. He didn't leave her; Hannah took her, changed her name and hid. Ernest had been searching for her for years. But now it was too late.
The book actually begins with Ernest's funeral, and sort of goes backwards a few times. There's memories written throughout, clips from the past. We slowly learn more and more about Iris's personality, and we watch her re-develop her relationship with her father.
It's actually a pretty great book. It's so realistic, and unique. It isn't a fantasy, it isn't a cheesy romance, it isn't even really a book with a typical happy ending.
Although I wouldn't have searched this book out in particular, I am happy I read it. I'm not sure it quite gets 4 stars from me, so I'll give it 3.5.
This is YA book, as most of the books I read are. It's named after a painting, which ends up as quite a significant aspect in this novel.
Iris lives with her mother Hannah and step-father Lowell. She doesn't remember her real father. Hannah has always told her that he didn't want her, that he didn't care. She blamed him for their debts, their problems.
Thurston is Iris's best friend, her only friend. He means everything to her. He's always been there for her, until she has to move away to England without any means of telling him where she's gone.
Iris herself is a pretty troubled girl. Family life isn't great - Hannah and Lowell want her to be more like them, more conscious of her appearance and wealth. But all Iris really cares about is fire. There's nothing like the soothing flicker of a flame.
When she meets her father Ernest, Iris soon realises that everything she's been told by her mother has been a lie. He didn't leave her; Hannah took her, changed her name and hid. Ernest had been searching for her for years. But now it was too late.
The book actually begins with Ernest's funeral, and sort of goes backwards a few times. There's memories written throughout, clips from the past. We slowly learn more and more about Iris's personality, and we watch her re-develop her relationship with her father.
It's actually a pretty great book. It's so realistic, and unique. It isn't a fantasy, it isn't a cheesy romance, it isn't even really a book with a typical happy ending.
Although I wouldn't have searched this book out in particular, I am happy I read it. I'm not sure it quite gets 4 stars from me, so I'll give it 3.5.
Eleanor Luhar (47 KP) rated Tyranny in Books
Jun 24, 2019
So as you've probably realised by now, I have anorexia. And because of that, I am always drawn to books about eating disorders, including this graphic novel I found in the library. It's always good to see realistic and relatable presentations of ED's, and I'm also always quick to point out when something is being portrayed wrong.
This book was a pretty accurate representation of my own personal battle with anorexia. It addressed the starving and the bingeing that many anorexics go through, as well as the body dysmorphia and unhealthy habits and routines. It included friends of Anna (the protagonist of this book) who are also suffering - one of which eventually suffered a heart attack and died. It's not uncommon for people with anorexia to have friends who pass away as a result of the unhealthy habits brought on by the disorder.
Anna does eventually decide she wants life, and goes into treatment. She learns to tell Tyranny (the voice/persons of her ED) that she doesn't care about being thin anymore, and eventually she gets her to leave entirely. (I can't say that's happened to me; it's more of an ongoing, up-and-down struggle in my experience.)
One thing I wasn't sure was so good about this book was the inclusion of weights - her weight loss process, the weight of another patient. This can be incredibly triggering for people suffering with an eating disorder, and can make people feel invalidated - feeling as if their ED isn't as "bad" or "real" because their weight wasn't quite as low. For this reason, I would be hesitant about recommending this book to people who are trying to recover from their disorder.
Overall, I felt it was a good portrayal of anorexia. It was brutally honest and included both the starving and the bingeing, which lots of people don't often discuss. 4.5 stars.
This book was a pretty accurate representation of my own personal battle with anorexia. It addressed the starving and the bingeing that many anorexics go through, as well as the body dysmorphia and unhealthy habits and routines. It included friends of Anna (the protagonist of this book) who are also suffering - one of which eventually suffered a heart attack and died. It's not uncommon for people with anorexia to have friends who pass away as a result of the unhealthy habits brought on by the disorder.
Anna does eventually decide she wants life, and goes into treatment. She learns to tell Tyranny (the voice/persons of her ED) that she doesn't care about being thin anymore, and eventually she gets her to leave entirely. (I can't say that's happened to me; it's more of an ongoing, up-and-down struggle in my experience.)
One thing I wasn't sure was so good about this book was the inclusion of weights - her weight loss process, the weight of another patient. This can be incredibly triggering for people suffering with an eating disorder, and can make people feel invalidated - feeling as if their ED isn't as "bad" or "real" because their weight wasn't quite as low. For this reason, I would be hesitant about recommending this book to people who are trying to recover from their disorder.
Overall, I felt it was a good portrayal of anorexia. It was brutally honest and included both the starving and the bingeing, which lots of people don't often discuss. 4.5 stars.
Eleanor Luhar (47 KP) rated A Voice in the Distance (Flynn Laukonen, #2) in Books
Jun 24, 2019
I read A Note of Madness a little while ago and absolutely loved it. Flynn is a great character, and the story of his struggles with mental health is just fantastic. There can never be too much awareness, especially in boys/men.
This book was even more... emotional for me. I don't want to go into too much detail, but Flynn really reminds me of my boyfriend. The ending of this novel - while fantastic and honest - was not very comforting at all.
Jennah and Flynn started dating after the first book, and so in this book we alternate between the two narratives. Hearing Jennah's thoughts on what's happening with Flynn was amazing. I related to a lot of it.
In case you haven't heard about A Note of Madness, it's about Flynn Laukonen, a young uni student in London. He struggles with mental health problems and is misdiagnosed at first, but eventually correctly diagnosed with bipolar disorder. He suffers from extreme manic episodes, followed by severe depression. Fitting his music - especially competitions - around these episodes is quite a feat.
As I mentioned earlier, the ending is great. It was extremely bittersweet. I think it's good to be honest about things like this, though, and not just throw together a stereotypical happy ending.
In this book, Flynn goes through a few treatment methods. Following attempted suicide (which may be hard for some people to read about, so be warned) he is sectioned and sent to a residential unit for a month. He also has some issues involving his medication and the side effects they cause.
The most noteworthy thing about Jennah's take on Flynn's illness is her admitting that Flynn can be horrible and can hurt her sometimes, and it's okay to recognise that. Just because he is ill does not mean he is excused for harmful and mean behaviour. This is so important for anyone to realise when dealing with a loved one with any kind of mental health problems.
A really good book, realistic and reassuring but really quite emotional. 4 stars.
This book was even more... emotional for me. I don't want to go into too much detail, but Flynn really reminds me of my boyfriend. The ending of this novel - while fantastic and honest - was not very comforting at all.
Jennah and Flynn started dating after the first book, and so in this book we alternate between the two narratives. Hearing Jennah's thoughts on what's happening with Flynn was amazing. I related to a lot of it.
In case you haven't heard about A Note of Madness, it's about Flynn Laukonen, a young uni student in London. He struggles with mental health problems and is misdiagnosed at first, but eventually correctly diagnosed with bipolar disorder. He suffers from extreme manic episodes, followed by severe depression. Fitting his music - especially competitions - around these episodes is quite a feat.
As I mentioned earlier, the ending is great. It was extremely bittersweet. I think it's good to be honest about things like this, though, and not just throw together a stereotypical happy ending.
In this book, Flynn goes through a few treatment methods. Following attempted suicide (which may be hard for some people to read about, so be warned) he is sectioned and sent to a residential unit for a month. He also has some issues involving his medication and the side effects they cause.
The most noteworthy thing about Jennah's take on Flynn's illness is her admitting that Flynn can be horrible and can hurt her sometimes, and it's okay to recognise that. Just because he is ill does not mean he is excused for harmful and mean behaviour. This is so important for anyone to realise when dealing with a loved one with any kind of mental health problems.
A really good book, realistic and reassuring but really quite emotional. 4 stars.
Mark @ Carstairs Considers (2340 KP) rated The Skeleton Stuffs a Stocking in Books
Sep 27, 2019
That Bone Isn’t Sid’s
When Dr. Georgia Thackery’s dog, Byron, gets out one afternoon, and when she and her daughter Madison find him again, he is clutching a bone. Naturally, the two assume it is part of Sid, and they race home to apologize to their friend. However, all of Sid’s bones are present and accounted for, so they get the police involved. It turns out that Byron has found part of a normal skeleton (you know, not walking and talking), and the police are able to determine that the skeleton was murdered. The police have no leads on who the skeleton might have been in life, but Georgia’s friend and fellow adjunct, Charles, approaches her. He thinks he might know the victim, but the only way to give the police that information might lead the police directly to Charles. And so Georgia jumps into action again, with Sid doing his best to research the case on the internet. Was the victim Charles’s friend? If so, who killed her?
If you are new to the series, you might be a bit lost. You see, Sid is a walking, talking skeleton and Georgia’s best friend. That’s the only paranormal element to the series, and it is done is a realistic manner, which makes it feel very natural. The characters, including Sid, are very strong, which certainly helps make it all seem real. The plot, while not a traditional cozy mystery plot, is very strong with plenty of twists and surprises along the way to the climax. In fact, I liked the fact that it was something different plot wise, and it certainly kept me engaged the entire time. I did think that Christmas aspect could have been stronger, but that’s my only complaint and a very small one at that. As a lover of puns, I absolutely loved the puns and other humor in the book. If you are just now meeting Sid, you are in for a treat. If you are already a fan, you’ll love this newest visit with him.
If you are new to the series, you might be a bit lost. You see, Sid is a walking, talking skeleton and Georgia’s best friend. That’s the only paranormal element to the series, and it is done is a realistic manner, which makes it feel very natural. The characters, including Sid, are very strong, which certainly helps make it all seem real. The plot, while not a traditional cozy mystery plot, is very strong with plenty of twists and surprises along the way to the climax. In fact, I liked the fact that it was something different plot wise, and it certainly kept me engaged the entire time. I did think that Christmas aspect could have been stronger, but that’s my only complaint and a very small one at that. As a lover of puns, I absolutely loved the puns and other humor in the book. If you are just now meeting Sid, you are in for a treat. If you are already a fan, you’ll love this newest visit with him.
Gareth von Kallenbach (980 KP) rated 47 Meters Down (2017) in Movies
Jul 11, 2019
The British horror film “47 Meters Down” tells the tale of two young women on vacation in Mexico who get far more of a thrill then they bargained for during a shark cage swim session. Sisters, Lisa (Mandy Moore) and Kate (Claire Holt) meet two charming young men as they try to lick Lisa’s post-break up wounds during a night out somewhere Mexico. When the guys offer to take them out on a shark swim adventure, Kate pushes Lisa to go ahead and do it in an effort to prove she is not as boring as her ex claims.
The film spends about twenty minutes building up this background story, but fails to create any moments for the audience to connect with the characters.
The whole premise is built around what clearly is a poor decision as a rusty old boat pulls into the marina to board the sisters. At this point forward, the entire rest of the film is shot primarily from Lisa’s point of view deep inside the ocean.
As the cage the girls are in first lowers down, there are a few shots of sharks that are very beautiful and thrilling. But after the predictable breakage of the winch holding the cage to the boat ensues, the girls sink to the bottom and attempt to fight for survival.
At this point forward it becomes a bit frustrating to watch because the entire film is very dark and you only get a few glimpses of a shark here or there. If there had been a bit more character build up or story line including rescue efforts, this may have been a theater worthy view. Audiences definitely won’t get as much excitement as they did from other shark films like that of “Jaws” or “Sharknado.” Mostly because this film attempts to take on a more realistic feel. Unfortunately it falls a bit flat and the audience finds comedy in what was supposed to be serious.
I give “47 meters Down” 1 out of 5 stars.
The film spends about twenty minutes building up this background story, but fails to create any moments for the audience to connect with the characters.
The whole premise is built around what clearly is a poor decision as a rusty old boat pulls into the marina to board the sisters. At this point forward, the entire rest of the film is shot primarily from Lisa’s point of view deep inside the ocean.
As the cage the girls are in first lowers down, there are a few shots of sharks that are very beautiful and thrilling. But after the predictable breakage of the winch holding the cage to the boat ensues, the girls sink to the bottom and attempt to fight for survival.
At this point forward it becomes a bit frustrating to watch because the entire film is very dark and you only get a few glimpses of a shark here or there. If there had been a bit more character build up or story line including rescue efforts, this may have been a theater worthy view. Audiences definitely won’t get as much excitement as they did from other shark films like that of “Jaws” or “Sharknado.” Mostly because this film attempts to take on a more realistic feel. Unfortunately it falls a bit flat and the audience finds comedy in what was supposed to be serious.
I give “47 meters Down” 1 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Rings (2017) in Movies
Jul 12, 2019
Going in I have to admit I had the lowest expectations for this movie. And indeed it starts off seeming like a complete joke with a scene on a plane that is reminiscent of “Snakes on Plane” but with an evil spirit, flies, and black sludge instead of snakes. The theater filled with laughter for the first five minutes.
A plot about a film that kills people who watch it is in itself offputtingly hokey. Previously I was never a fan of “The Ring” or “The Ring 2,” and I did not find either of them memorable to say the least. But, this sequel starts off in such a comedic fashion that most people will no longer have expectations to be scared. But this may not be a bad thing at all.
After the first few scenes something happens, and the film begins to be more artsy rather than hokey. Trippy effects like rain flowing upward or weird black liquid that almost looks like melted latex flowing out each time the evil spirit is coming, make this a surreal piece of entertainment. This film is actually best described as a modern day dark fairy tale and not a horror film.
Parts of the plot are very dark as you learn the complete story of Samara. Themes of captivity, murder, infanticide, and child molestation subtly peak into the plot. But it does not delve too far into these aspects which could have been truly twisted, instead it veers off into a more modern theme.
A college professor, Gabriel (Johnny Galecki), who teaches an experimental biology course and studies the afterlife, discovers the deadly film when he buys an old VCR. After watching it himself he comes up with a creative way of keeping himself and others who watch it alive. Hint – it involves a selfish pattern of sacrifice, which is a bit darkly comedic but also a realistic and shadowy reflection of human nature.
“Rings” is no horror masterpiece, but it is entertaining, unique, and a tad bit creepy.
A plot about a film that kills people who watch it is in itself offputtingly hokey. Previously I was never a fan of “The Ring” or “The Ring 2,” and I did not find either of them memorable to say the least. But, this sequel starts off in such a comedic fashion that most people will no longer have expectations to be scared. But this may not be a bad thing at all.
After the first few scenes something happens, and the film begins to be more artsy rather than hokey. Trippy effects like rain flowing upward or weird black liquid that almost looks like melted latex flowing out each time the evil spirit is coming, make this a surreal piece of entertainment. This film is actually best described as a modern day dark fairy tale and not a horror film.
Parts of the plot are very dark as you learn the complete story of Samara. Themes of captivity, murder, infanticide, and child molestation subtly peak into the plot. But it does not delve too far into these aspects which could have been truly twisted, instead it veers off into a more modern theme.
A college professor, Gabriel (Johnny Galecki), who teaches an experimental biology course and studies the afterlife, discovers the deadly film when he buys an old VCR. After watching it himself he comes up with a creative way of keeping himself and others who watch it alive. Hint – it involves a selfish pattern of sacrifice, which is a bit darkly comedic but also a realistic and shadowy reflection of human nature.
“Rings” is no horror masterpiece, but it is entertaining, unique, and a tad bit creepy.
Mark @ Carstairs Considers (2340 KP) rated Fashionably Late in Books
Sep 20, 2019
I’m Late Reading This Book, But I Enjoyed It
It all starts with a fashion show. It’s fashion week in Milano – Milano, Florida, that is, and Summer Smythe has snagged tickets for herself and her friend Dorothy Westin to the luncheon and fashion show that are kicking things off. However, things take a strange turn when Angelica Downs, one of the models, asks them for help before the show starts. When they try to track her down, they find her dead body. Angelica’s mother, Frankie, is living in the part of their senior center for those with memory issues, and Dorothy and Summer are worried that Frankie might be next. However, when they go to talk to Frankie, that only leaves them with more questions. Is a killer after Frankie? Who killed Angelica? Can Dorothy and Summer figure out what is really going on?
Having read the previous two books in this series, I knew what to expect, and I wasn’t disappointed. The plot starts off strongly. We don’t seem to be gathering any clues right off the bat, but there is still plenty happening to keep our interest. Naturally, much of that comes back into play as the book leads us to the logical conclusion. The climax was a tad rushed, but it was also fun and answered all of our questions. The characters range from fairly realistic, like Dorothy, to less so, like Summer, to outright wacky. The mix works for this book. We care enough to want to see justice done, but we also are having fun laughing and smiling as things go along. The book is set in December, but the holidays only color events a little. Instead, this is more about the fashion shows and the events happening in connection with them. If you are looking for a delightful book, this is definitely one to pick up.
Having read the previous two books in this series, I knew what to expect, and I wasn’t disappointed. The plot starts off strongly. We don’t seem to be gathering any clues right off the bat, but there is still plenty happening to keep our interest. Naturally, much of that comes back into play as the book leads us to the logical conclusion. The climax was a tad rushed, but it was also fun and answered all of our questions. The characters range from fairly realistic, like Dorothy, to less so, like Summer, to outright wacky. The mix works for this book. We care enough to want to see justice done, but we also are having fun laughing and smiling as things go along. The book is set in December, but the holidays only color events a little. Instead, this is more about the fashion shows and the events happening in connection with them. If you are looking for a delightful book, this is definitely one to pick up.