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Story: 71 starts as we see Gary Hook (O’Connell) going through his training with his regiment before they get deployed to Belfast to deal with the riot situation. In Ireland the regiment receive their instructions and onto the Catholic side of the war. When the riots get out of hand Gary finds himself on the wrong side of the barrier alone and unarmed in the Irish territory.
With tensions rising Gary finds himself in the middle of the battle not knowing which side to trust as both side are preparing to attack each other as Gary learns the harsh reality of what these riots are causing.
71 puts us into the middle of the Irish riots showing just one soldier’s experience behind enemy lines, this works well. My issue with the story is unless you know the history which I only know the basics you are left kind of wondering why the riots are happening in the first place. Another problem I found was telling what was going on with the supporting characters like who was on whose side which I do understand adds to the mystery but in this situation we should be able to identify them easily. As a film about survival in an urban setting this is great though.
Actor Review
Jack O’Connell: Gary Hook is the young soldier who is on his first mission on the streets on Belfast during the riots of 71, trying to receive a lost weapon he gets separated by his unit and stranded alone behind enemy lines never sure who to trust. Jack is great in this leading role in what was an outstanding year for the young actor.gary
Sam Reid: Lt. Armitage is one of the men that wants to start searching for Gary but constantly gets put down Captain Browning. Sam is solid in this role but doesn’t get enough screen time.
Sean Harris: Captain Sandy Browning is the man running the situation he knows that Gary is alive but really is playing both sides of the battle. Sean is also solid but only in a supporting role.
Killian Scott: Quinn is one of the leaders out trying to kill Gary, he takes his men and boys out on the streets on the hunt for him and will hurt anyone who gets in his way. Killian is good in what seems like one of the primary villains.
Support Cast: 71 has a large supporting cast but working out which side they are on gets confusing at times.
Director Review: Yann Demange – Yann gives us wonderfully shot sequences throughout but not enough back story to the events on the film.
Action: 71 has intensely shot action sequences involved.
Thriller: 71 keeps us on edge as we watch Gary trying to survive the warzone.
War: 71 puts us into a warzone as we see Gary trying to avoid conflict seemingly around every single corner.
Settings: 71 puts us in the warzone of the Belfast streets which really works to pull us into the story.
Special Effects: 71 has great effects when needed without having to just go overboard with them.
Suggestion: 71 is one for fans of the genre but otherwise people might find it slightly hard to keep up with. (War Film Fans Watch)
Best Part: Bomb shock.
Worst Part: Not enough history of the events.
Believability: The riots were real but story is fictional.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Behind Enemy Lines
Awards: Nominated for One BAFTA.
Oscar Chances: No
Runtime: 1 Hour 39 Minutes
Trivia: Most scenes within the film were shot in Northern England, not in the film’s setting of Belfast.
Overall: Good history war thriller that is intense but never fully drags you into believing everything.
https://moviesreview101.com/2016/11/08/71-2014/
With tensions rising Gary finds himself in the middle of the battle not knowing which side to trust as both side are preparing to attack each other as Gary learns the harsh reality of what these riots are causing.
71 puts us into the middle of the Irish riots showing just one soldier’s experience behind enemy lines, this works well. My issue with the story is unless you know the history which I only know the basics you are left kind of wondering why the riots are happening in the first place. Another problem I found was telling what was going on with the supporting characters like who was on whose side which I do understand adds to the mystery but in this situation we should be able to identify them easily. As a film about survival in an urban setting this is great though.
Actor Review
Jack O’Connell: Gary Hook is the young soldier who is on his first mission on the streets on Belfast during the riots of 71, trying to receive a lost weapon he gets separated by his unit and stranded alone behind enemy lines never sure who to trust. Jack is great in this leading role in what was an outstanding year for the young actor.gary
Sam Reid: Lt. Armitage is one of the men that wants to start searching for Gary but constantly gets put down Captain Browning. Sam is solid in this role but doesn’t get enough screen time.
Sean Harris: Captain Sandy Browning is the man running the situation he knows that Gary is alive but really is playing both sides of the battle. Sean is also solid but only in a supporting role.
Killian Scott: Quinn is one of the leaders out trying to kill Gary, he takes his men and boys out on the streets on the hunt for him and will hurt anyone who gets in his way. Killian is good in what seems like one of the primary villains.
Support Cast: 71 has a large supporting cast but working out which side they are on gets confusing at times.
Director Review: Yann Demange – Yann gives us wonderfully shot sequences throughout but not enough back story to the events on the film.
Action: 71 has intensely shot action sequences involved.
Thriller: 71 keeps us on edge as we watch Gary trying to survive the warzone.
War: 71 puts us into a warzone as we see Gary trying to avoid conflict seemingly around every single corner.
Settings: 71 puts us in the warzone of the Belfast streets which really works to pull us into the story.
Special Effects: 71 has great effects when needed without having to just go overboard with them.
Suggestion: 71 is one for fans of the genre but otherwise people might find it slightly hard to keep up with. (War Film Fans Watch)
Best Part: Bomb shock.
Worst Part: Not enough history of the events.
Believability: The riots were real but story is fictional.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Behind Enemy Lines
Awards: Nominated for One BAFTA.
Oscar Chances: No
Runtime: 1 Hour 39 Minutes
Trivia: Most scenes within the film were shot in Northern England, not in the film’s setting of Belfast.
Overall: Good history war thriller that is intense but never fully drags you into believing everything.
https://moviesreview101.com/2016/11/08/71-2014/
Ivana A. | Diary of Difference (1171 KP) rated The Psychology of Time Travel in Books
Dec 30, 2018
The Psychology of Time Travel – Kate Mascarenhas [BOOK REVIEW]
Full review on my blog: www.diaryofdifference.com
I love the idea of time travelling and I love the idea of time travelling books. That is the main reason why I chose to read this ARC copy. The synopsis sounded intriguing, and the cover was gorgeous. I don’t have much experience reading time travelling books. I still believe the synopsis is intriguing and the cover is gorgeous, but I am not satisfied with the feelings this book left me, after I read the last chapter.
The story begins when four ladies in the early 1960s work together and build the first time travel machine. And they are surrounded by curious people and media, and one of them has a breakdown and is expelled from the project, as she is a risk to herself and others. But they don’t just exclude her from their project, but from their whole lives, and time travelling altogether.
”Sometimes we want proximity and a crowd gives us the excuse.”
And many years after, when time travelling is something everyone knows about, secrets start to be revealed, little by little, and a murder happens without explanation. A few young women, completely unrelated and with different missions will try to get their way into the whole time-travel business, and try to figure the answers to their questions.
In The Psychology of Time Travel, one is certain – you will flow through time and places like never before. One chapter it’s 1967, and the next one, it’s 2015. You will meet a lady and her young self, her old self, and her current self, all at one place, talking to each other, or simultaneously performing a dancing act. You will get to see a world very well created, a complex structure of how time travel might work, and details that you wouldn’t thought of checking twice.
I couldn’t connect to any character. Maybe there were too many. The chapters were very short, and they travelled through years so quickly, that I couldn’t catch up. Catching up with the plot of a book, and figuring out what is going on while being presented things so fast is very frustrating. It’s like watching a movie in a foreign language, the subtitles being your only way of gathering information, and they disappear instantly, without you having a chance to understand.
The romance in this book was another thing that bothered me. While we get a lot of romantic relationships going around, one particularly threw me off my feet. A love story where one girl is in love with another. This is the completely realistic part. But the unrealistic one was that one girl lives in the present, and the other is a time-traveller in the past – so even though they are currently (technically) the same age, in reality one is in the mid 20s, and the other in the mid 80s. I couldn’t process this, or agree with it.
”You couldn’t get involved with someone who spent most of their life in a different time period from you.”
I am sure I would have loved the characters, have I had more chances to get to know them. They showed signs of bravery, and goals and hopes for a better tomorrow, with a spark unlike any others. But it all lasted so short, before we switched to another character, and so on.
Even though this one didn’t work for me – I still encourage you to give it a go, if you are a fan of time travel. The idea of time travelling is very well done, and deserves to be discussed.
A huge thank you to NetGalley and Crooked Lane Books, for providing me an ARC copy of The Psychology of Time Travel in exchange for an honest review.
I love the idea of time travelling and I love the idea of time travelling books. That is the main reason why I chose to read this ARC copy. The synopsis sounded intriguing, and the cover was gorgeous. I don’t have much experience reading time travelling books. I still believe the synopsis is intriguing and the cover is gorgeous, but I am not satisfied with the feelings this book left me, after I read the last chapter.
The story begins when four ladies in the early 1960s work together and build the first time travel machine. And they are surrounded by curious people and media, and one of them has a breakdown and is expelled from the project, as she is a risk to herself and others. But they don’t just exclude her from their project, but from their whole lives, and time travelling altogether.
”Sometimes we want proximity and a crowd gives us the excuse.”
And many years after, when time travelling is something everyone knows about, secrets start to be revealed, little by little, and a murder happens without explanation. A few young women, completely unrelated and with different missions will try to get their way into the whole time-travel business, and try to figure the answers to their questions.
In The Psychology of Time Travel, one is certain – you will flow through time and places like never before. One chapter it’s 1967, and the next one, it’s 2015. You will meet a lady and her young self, her old self, and her current self, all at one place, talking to each other, or simultaneously performing a dancing act. You will get to see a world very well created, a complex structure of how time travel might work, and details that you wouldn’t thought of checking twice.
I couldn’t connect to any character. Maybe there were too many. The chapters were very short, and they travelled through years so quickly, that I couldn’t catch up. Catching up with the plot of a book, and figuring out what is going on while being presented things so fast is very frustrating. It’s like watching a movie in a foreign language, the subtitles being your only way of gathering information, and they disappear instantly, without you having a chance to understand.
The romance in this book was another thing that bothered me. While we get a lot of romantic relationships going around, one particularly threw me off my feet. A love story where one girl is in love with another. This is the completely realistic part. But the unrealistic one was that one girl lives in the present, and the other is a time-traveller in the past – so even though they are currently (technically) the same age, in reality one is in the mid 20s, and the other in the mid 80s. I couldn’t process this, or agree with it.
”You couldn’t get involved with someone who spent most of their life in a different time period from you.”
I am sure I would have loved the characters, have I had more chances to get to know them. They showed signs of bravery, and goals and hopes for a better tomorrow, with a spark unlike any others. But it all lasted so short, before we switched to another character, and so on.
Even though this one didn’t work for me – I still encourage you to give it a go, if you are a fan of time travel. The idea of time travelling is very well done, and deserves to be discussed.
A huge thank you to NetGalley and Crooked Lane Books, for providing me an ARC copy of The Psychology of Time Travel in exchange for an honest review.
Gareth von Kallenbach (974 KP) rated Hellboy II: The Golden Army (Hellboy 2) (2008) in Movies
Aug 14, 2019
Hollywood is often littered with decisions that in hindsight seem to be utterly insane. For all of the big budgeted films that go on to do huge business, there are films such as “Waterworld”, “Howard The Duck”, “Hudson Hawk”, and countless others that make you scratch your head and wonder who thought they were worth the investment of millions of dollars that were needed to bring them to the big screen.
One such decision that will undoubtedly look bad with the passage of time, was the decision for Columbia not to continue the “Hellboy” film series and allow it to walk away to find a home elsewhere.
Thankfully due to the strength of “Pan’s Labyrinth”, creator Guillmo del Toro who is riding a wave of critical success, “Hellboy II: The Golden Army”, is a step up from the previous film and sets the stage for a potential series of sequels for Universal.
The film once again stars Ron Perlman as the title character, a demon of supernatural origin who was raised by humans and leads a team of gifted individuals in the ultra-secret Bureau for Paranormal Research and Defense (BPRD).
The story begins shortly after the events of the last film, and finds BPRD Director Tom Manning (Jeffrey Tambor), frustrated with Hellboy’s continued flaunting of the rules by posing for pictures and autographs while on missions, despite being sworn to keep himself and the agency a closely guarded secret.
As if this was not enough trouble, Hellboy is having issues with the love of his life Liz (Selma Blair), who is starting to have issues with his gruff mannerisms and slovenly ways.
Unknown to the BRPD a new threat is brewing in the form of Prince Nauada (Luke Goss), who plans to retrieve three pieces of a golden crown so that he may control a fabled army of golden soldiers, and wage war on humanity.
Nauada is part of the mythical world of beings that long ago formed a truce with humanity and have lived in peace. Nauada, who has lived under the rule of his father for centuries, strikes out and sets events into motion which require the BPRD to respond to a threat greater than any they have previously faced,.
With the able help of Abe Sapien (Doug Jones), and new member Johann Krauss (Seth MacFarlane), the BPRD clash with themselves and the forces of Nauada with the fate of the world in the balance.
The new film is significantly better than the previous one, and del Toro has masterfully blended the characters and many interesting sub-stories with solid action, FX, and surprising humor. There is a scene in the film where Hellboy and Abe bond over music and beer to discuss women that is truly classic as is the confrontation between Hellboy and Krauss over leadership.
del Toro is a master at creating world of fantasy and splendor and when he allows the film to venture into this area, the film truly shines. It is during the transition between fantasy and alleged reality where the film has a few rough edges. While it was great to see the characters have a more defined relationship and interaction with one another, it seemed at times that areas for potential gold were glossed over or rushed to get back to the action and FX. There are some great storylines about Hellboy’s relationship with humanity, Liz being caught between two worlds, and many more that I hope get developed more in any future films.
There were times in the film where the nearly two hour run time seemed excessive and dragged, especially leading up to a finale, that did not deliver as big an impact as the setup had hinted at.
That being said, thanks to great characters and visuals “Hellboy II: The Golden Army”, is the rare sequel that is better than the original.
One such decision that will undoubtedly look bad with the passage of time, was the decision for Columbia not to continue the “Hellboy” film series and allow it to walk away to find a home elsewhere.
Thankfully due to the strength of “Pan’s Labyrinth”, creator Guillmo del Toro who is riding a wave of critical success, “Hellboy II: The Golden Army”, is a step up from the previous film and sets the stage for a potential series of sequels for Universal.
The film once again stars Ron Perlman as the title character, a demon of supernatural origin who was raised by humans and leads a team of gifted individuals in the ultra-secret Bureau for Paranormal Research and Defense (BPRD).
The story begins shortly after the events of the last film, and finds BPRD Director Tom Manning (Jeffrey Tambor), frustrated with Hellboy’s continued flaunting of the rules by posing for pictures and autographs while on missions, despite being sworn to keep himself and the agency a closely guarded secret.
As if this was not enough trouble, Hellboy is having issues with the love of his life Liz (Selma Blair), who is starting to have issues with his gruff mannerisms and slovenly ways.
Unknown to the BRPD a new threat is brewing in the form of Prince Nauada (Luke Goss), who plans to retrieve three pieces of a golden crown so that he may control a fabled army of golden soldiers, and wage war on humanity.
Nauada is part of the mythical world of beings that long ago formed a truce with humanity and have lived in peace. Nauada, who has lived under the rule of his father for centuries, strikes out and sets events into motion which require the BPRD to respond to a threat greater than any they have previously faced,.
With the able help of Abe Sapien (Doug Jones), and new member Johann Krauss (Seth MacFarlane), the BPRD clash with themselves and the forces of Nauada with the fate of the world in the balance.
The new film is significantly better than the previous one, and del Toro has masterfully blended the characters and many interesting sub-stories with solid action, FX, and surprising humor. There is a scene in the film where Hellboy and Abe bond over music and beer to discuss women that is truly classic as is the confrontation between Hellboy and Krauss over leadership.
del Toro is a master at creating world of fantasy and splendor and when he allows the film to venture into this area, the film truly shines. It is during the transition between fantasy and alleged reality where the film has a few rough edges. While it was great to see the characters have a more defined relationship and interaction with one another, it seemed at times that areas for potential gold were glossed over or rushed to get back to the action and FX. There are some great storylines about Hellboy’s relationship with humanity, Liz being caught between two worlds, and many more that I hope get developed more in any future films.
There were times in the film where the nearly two hour run time seemed excessive and dragged, especially leading up to a finale, that did not deliver as big an impact as the setup had hinted at.
That being said, thanks to great characters and visuals “Hellboy II: The Golden Army”, is the rare sequel that is better than the original.
Gareth von Kallenbach (974 KP) rated White Noise (2005) in Movies
Aug 14, 2019
Ever since the phenomenal success of “The Sixth Sense”, films dealing with the supernatural have been an ever increasing presence at theaters world wide as studios attempt to find the next break out film in the genre to ensure lucrative box office and video returns.
The latest foray into the Supernatural is the new Michael Keaton film White Noise, which is based on the actual study of E.V.P. or Electronic Voice Phenomena which is reputed some paranormal investigators to be the voices of dead people speaking to the living via static in electronic devices.
Although the factuality of this is still a topic of hot debate, as after decades of study, no conclusive finding either way as to the legitimacy of E.V.P. have been found as many people attribute the supposed voices as simply the mind hearing what it wants to hear. Despite this, there are a growing number of groups and organizations worldwide who are dedicated to the study of E.V.P.
The film centers on Jonathan Rivers’s (Michael Keaton), a successful architect who is married to a best selling author Anna (Chandra West). The couple is anxiously awaiting the arrival of their first child as Jonathan has a son from a previous marriage and is thrilled to see his family grow
Tragedy sets in when Anna goes missing and eventually is found dead after an apparent accident. Jonathan has his world collapse around him yet and is living in a state of despair. Shortly, a man named Raymond Price (Ian McNeice) comes to Jonathan claiming that he has been receiving messages from Anna from the afterlife. Jonathan is at first dismissive but when he gets calls on his cell that are originating from Anna’s cell number; he visits Raymond and learns about E.V.P.
Jonathan becomes drawn into the study of E.V.P. and soon becomes obsessed with recording voices and images from the afterlife as he is desperate to stay in contact with Anna. All is not well though as Raymond failed to tell Jonathan that there are evil and dangerous entities in the afterlife and they can also use E.V.P. as a way to access and influence the living.
Jonathan also meets a fellow E.V.P user named Sara (Deborah Kara Unger), who like Jonathan becomes involved in a deeper and darker mystery as Jonathan begins to decipher a pattern behind the messages as well as the intentions behind them.
White Noise starts well as a solid mystery and had a few moments where what you imagine is often more intense than what the reality really is. Early in the film there are some good chills and creepy moments as the story unfolds. Roughly ¾ of the way into the film, the tone of the film changes from supernatural thriller to that of a mystery and I suspect that the film will lose many people at this point. The film was working well as a thrill, yet the last ¼ of the film and the conclusion become confused and sporadic as the momentum and flow of the film is lost.
The conclusion was unsatisfying as I was able to see where it was going and based on the very promising first hour of the film, it was sad to see that the film took the easy way out and relied on tired premises instead of continuing to forge ahead with the new premise and take it to what should have been a much better and more logical conclusion.
Keaton does solid work and carries the film very well. It is great to see him back on the big screen as he is a gifted and versatile actor who is capable of handling a wide range of roles.
While not a bad film, White Noise is sunk by the issues with the finale that I mentioned above. That being said, it is an entertaining film that aside from the ending, does generally work and holds the attention of the viewer.
The latest foray into the Supernatural is the new Michael Keaton film White Noise, which is based on the actual study of E.V.P. or Electronic Voice Phenomena which is reputed some paranormal investigators to be the voices of dead people speaking to the living via static in electronic devices.
Although the factuality of this is still a topic of hot debate, as after decades of study, no conclusive finding either way as to the legitimacy of E.V.P. have been found as many people attribute the supposed voices as simply the mind hearing what it wants to hear. Despite this, there are a growing number of groups and organizations worldwide who are dedicated to the study of E.V.P.
The film centers on Jonathan Rivers’s (Michael Keaton), a successful architect who is married to a best selling author Anna (Chandra West). The couple is anxiously awaiting the arrival of their first child as Jonathan has a son from a previous marriage and is thrilled to see his family grow
Tragedy sets in when Anna goes missing and eventually is found dead after an apparent accident. Jonathan has his world collapse around him yet and is living in a state of despair. Shortly, a man named Raymond Price (Ian McNeice) comes to Jonathan claiming that he has been receiving messages from Anna from the afterlife. Jonathan is at first dismissive but when he gets calls on his cell that are originating from Anna’s cell number; he visits Raymond and learns about E.V.P.
Jonathan becomes drawn into the study of E.V.P. and soon becomes obsessed with recording voices and images from the afterlife as he is desperate to stay in contact with Anna. All is not well though as Raymond failed to tell Jonathan that there are evil and dangerous entities in the afterlife and they can also use E.V.P. as a way to access and influence the living.
Jonathan also meets a fellow E.V.P user named Sara (Deborah Kara Unger), who like Jonathan becomes involved in a deeper and darker mystery as Jonathan begins to decipher a pattern behind the messages as well as the intentions behind them.
White Noise starts well as a solid mystery and had a few moments where what you imagine is often more intense than what the reality really is. Early in the film there are some good chills and creepy moments as the story unfolds. Roughly ¾ of the way into the film, the tone of the film changes from supernatural thriller to that of a mystery and I suspect that the film will lose many people at this point. The film was working well as a thrill, yet the last ¼ of the film and the conclusion become confused and sporadic as the momentum and flow of the film is lost.
The conclusion was unsatisfying as I was able to see where it was going and based on the very promising first hour of the film, it was sad to see that the film took the easy way out and relied on tired premises instead of continuing to forge ahead with the new premise and take it to what should have been a much better and more logical conclusion.
Keaton does solid work and carries the film very well. It is great to see him back on the big screen as he is a gifted and versatile actor who is capable of handling a wide range of roles.
While not a bad film, White Noise is sunk by the issues with the finale that I mentioned above. That being said, it is an entertaining film that aside from the ending, does generally work and holds the attention of the viewer.
Gareth von Kallenbach (974 KP) rated Grandma's Boy (2006) in Movies
Aug 14, 2019
Life for video game tester is often filled with long hours, countless repetition and ever looming deadlines as the rush to get the latest games done and on budget is a key factor in the gaming industry. Often testers, much like the game coders toil away in obscurity with only their fellow gamers and personality quirks as their only companions. One such individual is a man named Alex (Allen Covert), a 36 year old professional game tester who suddenly finds himself out of his home thanks to a roommate who spends months of rent money at a local brothel.
Undaunted, Alex drifts from friend to friend often with disastrous results as he attempts to take stock of his situation and avoid the unpleasant alternative of moving in with his Grandmother (Doris Roberts) and her friends. With a deadline looming for his company’s latest game, a producer named Samantha (Linda Cardellini) is brought in to get the team on task. Faced with the reality of sleeping at his desk thanks to a rather embarrassing incident at a friend’s house, Alex is forced to reluctantly take refuge at his grandmothers.
Since Alex is the old man amongst the early 20’s testers who want nothing better than to break his unbeaten streak in head to head game challenges, Alex is forced to tell his co-workers that he spends his nights with three women and they wear him out. The sad truth is that Alex is worn out from 6:00 AM wakeups followed by three hours of chores before going to work. As if life was not complicated enough for Alex, the head game designer J.P. (Joel Moore), becomes more and more eccentric and this is only fueled by his interest in Samantha and his knowledge that Alex is attracted to her.
With a premise like this “Grandma’s Boys” has all of the ingredients to be a fun comedy that continues in the tradition of Adam Sandler’s comedies since his company produced the film. Sadly the film despite a few laughs becomes utterly predictable and drags in many places. The cast is enjoyable enough, but the jokes are too far between leaving the cast to carry the story which sadly is not strong enough to support the down time between jokes.
This is not to say that there are not some funny moments in the film as I can think of at least a half dozen good laughs. The issue is that when you have to wait 15-20 minutes between then in a film that is just over an hour and a half, it does tend to make the film drag. Also, much of the humor is derived from drug use. While it is funny in spots, the constant use of drugs, being stoned, and so on becomes old fast and makes the film seem like a one trick pony.
Covert who co wrote the film does his best in the film, but seems best suited as a supporting character as his character while likeable does not really connect with the audience the same way that one would with say Sandler, Schneider, or even Stiller. There are some good cameos in the film and Shirley Jones, Ms. Partridge herself is good as the older lady with a healthy libido, but I just could not help think that this film could have, and should have been much better than it was.
In the end, despite some good moments, there simply was not enough of them to save the film as the thin story, repetitive themes, and long gaps between good jokes ultimately sinks the film. It was nice to see a film about game testers as it is a group that is rife with comedic potential to be exploited, but sadly Grandma’s Boys barely scratches the surface.
Undaunted, Alex drifts from friend to friend often with disastrous results as he attempts to take stock of his situation and avoid the unpleasant alternative of moving in with his Grandmother (Doris Roberts) and her friends. With a deadline looming for his company’s latest game, a producer named Samantha (Linda Cardellini) is brought in to get the team on task. Faced with the reality of sleeping at his desk thanks to a rather embarrassing incident at a friend’s house, Alex is forced to reluctantly take refuge at his grandmothers.
Since Alex is the old man amongst the early 20’s testers who want nothing better than to break his unbeaten streak in head to head game challenges, Alex is forced to tell his co-workers that he spends his nights with three women and they wear him out. The sad truth is that Alex is worn out from 6:00 AM wakeups followed by three hours of chores before going to work. As if life was not complicated enough for Alex, the head game designer J.P. (Joel Moore), becomes more and more eccentric and this is only fueled by his interest in Samantha and his knowledge that Alex is attracted to her.
With a premise like this “Grandma’s Boys” has all of the ingredients to be a fun comedy that continues in the tradition of Adam Sandler’s comedies since his company produced the film. Sadly the film despite a few laughs becomes utterly predictable and drags in many places. The cast is enjoyable enough, but the jokes are too far between leaving the cast to carry the story which sadly is not strong enough to support the down time between jokes.
This is not to say that there are not some funny moments in the film as I can think of at least a half dozen good laughs. The issue is that when you have to wait 15-20 minutes between then in a film that is just over an hour and a half, it does tend to make the film drag. Also, much of the humor is derived from drug use. While it is funny in spots, the constant use of drugs, being stoned, and so on becomes old fast and makes the film seem like a one trick pony.
Covert who co wrote the film does his best in the film, but seems best suited as a supporting character as his character while likeable does not really connect with the audience the same way that one would with say Sandler, Schneider, or even Stiller. There are some good cameos in the film and Shirley Jones, Ms. Partridge herself is good as the older lady with a healthy libido, but I just could not help think that this film could have, and should have been much better than it was.
In the end, despite some good moments, there simply was not enough of them to save the film as the thin story, repetitive themes, and long gaps between good jokes ultimately sinks the film. It was nice to see a film about game testers as it is a group that is rife with comedic potential to be exploited, but sadly Grandma’s Boys barely scratches the surface.
Chris Sawin (602 KP) rated After.Life (2010) in Movies
Jun 23, 2019
Anna (Christina Ricci) and Paul (Justin Long) have been together for quite some time. Although Anna seems to be pulling away, Paul is still madly in love with her. When his job offers him a promotion that would require him to move, Paul intends to ask Anna to come with him and be his wife. Anna, however, takes his lead-in as a break-up proposal before he can finish and leaves. After getting into a car accident, Anna wakes up in a funeral home where the director Eliot Deacon (Liam Neeson) tries to convince her that she's dead. Anna struggles with whether or not she has passed on and is merely in transition to the afterlife in the hands of a man with an incredible gift or is still alive and being held captive by a a lunatic.
When a film like After.Life is released theatrically, the part of me that loves horror films gets the best of me. It's true that most horror films turn out to be more terrible than you could ever imagine, but are pretty fantastic every once in a while. Fans of the genre live for the times a horror film not only lives up to expectations, but surpasses them. After.Life certainly looked to have potential, but wound up being another mediocre and predictable horror film.
The story is the film's biggest flaw. Although that is probably what will interest people and is what reeled you in (or pushed you away) judging by the trailer. The most interesting aspect of the film can really only go one of two ways. There's a 50/50 chance you already know how it ends. The film attempts to swerve you in a different direction once or twice, but is disproved as soon as the thought crosses your mind that something may happen you weren't expecting. It's like the film didn't wait long enough to let the swerve(s) sink in. Its predictability is too obvious to ignore even if you're somebody who doesn't try to figure out the ending before it happens.
I've always been picky when it comes to the use of CGI in films. Most of the time special effects that are used turn out looking cheap and take you out of the film since it's obvious the actor(s) is standing in front of a green screen and/or reacting to something that isn't there. I see movies to escape reality and it's hard to do that when crummy CGI takes me out of the film. As spectacular as the effects were in Avatar, they set the new standard as far as special effects go. While the special effects in After.Life are minimal, the scene featuring them is probably the weakest in the film.
Justin Long was pretty surprising. Judging by the trailer, his role seemed nearly identical to his role as Clay Dalton in Drag Me To Hell. While his role as Paul is similar, he showed a lot more emotion this time around. Long proved that he has more skill and is more talented than a lot of people (including myself) have ever given him credit for in the past.
After.Life isn't a terrible film, but is disappointing in comparison to what it could have been. Justin Long manages to outshine both Liam Neeson and Christina Ricci while the film's low budget is noticeable in its cheap but minimal use of CGI. While its premise may seem promising, After.Life is just another run of the mill horror/thriller. You do, however, get to see Christina Ricci bare it all for a good portion of the film. So it's not all bad.
When a film like After.Life is released theatrically, the part of me that loves horror films gets the best of me. It's true that most horror films turn out to be more terrible than you could ever imagine, but are pretty fantastic every once in a while. Fans of the genre live for the times a horror film not only lives up to expectations, but surpasses them. After.Life certainly looked to have potential, but wound up being another mediocre and predictable horror film.
The story is the film's biggest flaw. Although that is probably what will interest people and is what reeled you in (or pushed you away) judging by the trailer. The most interesting aspect of the film can really only go one of two ways. There's a 50/50 chance you already know how it ends. The film attempts to swerve you in a different direction once or twice, but is disproved as soon as the thought crosses your mind that something may happen you weren't expecting. It's like the film didn't wait long enough to let the swerve(s) sink in. Its predictability is too obvious to ignore even if you're somebody who doesn't try to figure out the ending before it happens.
I've always been picky when it comes to the use of CGI in films. Most of the time special effects that are used turn out looking cheap and take you out of the film since it's obvious the actor(s) is standing in front of a green screen and/or reacting to something that isn't there. I see movies to escape reality and it's hard to do that when crummy CGI takes me out of the film. As spectacular as the effects were in Avatar, they set the new standard as far as special effects go. While the special effects in After.Life are minimal, the scene featuring them is probably the weakest in the film.
Justin Long was pretty surprising. Judging by the trailer, his role seemed nearly identical to his role as Clay Dalton in Drag Me To Hell. While his role as Paul is similar, he showed a lot more emotion this time around. Long proved that he has more skill and is more talented than a lot of people (including myself) have ever given him credit for in the past.
After.Life isn't a terrible film, but is disappointing in comparison to what it could have been. Justin Long manages to outshine both Liam Neeson and Christina Ricci while the film's low budget is noticeable in its cheap but minimal use of CGI. While its premise may seem promising, After.Life is just another run of the mill horror/thriller. You do, however, get to see Christina Ricci bare it all for a good portion of the film. So it's not all bad.
Darren (1599 KP) rated Paddington (2015) in Movies
Jun 23, 2019
Thoughts on Paddington
Characters – Paddington is the Peruvian bear we have all gotten to know from our childhoods, he travels to London in search for an explorer that met his Uncle and Aunt, what he finds is a busy city that has no time for stranger until he meets the Brown family. Paddington is learning about a new world in London, which sees his curiosity getting him stuck in a pickle more often than not, with his love of marmalade being the cause of most of his troubles. Henry Brown is the father that has taken Paddington in reluctantly, he has been working in risk assessment which doesn’t make a bear in the house seem safe, Paddington will help unlock the wild side that Henry once had in his youth before becoming a father. Mary is the mother who wants to take Paddington in, her heart is what makes her the reason the family will let him in, always wanting to do the right thing. Millicent works at the natural history museum, she wants Paddington so she can stuff him and add him to the collection at the museum, always thinking about herself and her family’s legacy.
Performances – Hugh Bonneville as the strict father shown that he isn’t willing to take a change, he goes against everything going with Paddington, only to show just how different a man can be once hit with parenthood. Sally Hawkins brings the light to the film as the caring mother. Nicole Kidman looks like she is enjoying the villainous figure in the film, which does show terrifying moments for the family film. Ben Whishaw does make the voice of Paddington a pleasure to watch through the film, handling the comedy very well.
Story – The story brings the character of Paddington bear to modern day London, where he must learn to fit in while alluding an evil taxidermist. We did need to keep the story simple for the first part of the chapter here, bringing Paddington to a modern London is a fresh spin because the original story was a different time, different minds and now everybody is so busy in their lives they barely notice a bear at a train station. We do get to see how Paddington must adjust to life in London, getting himself into trouble both in and out the house, but shows that his good-natured side will keep the family together, while the villain does have a good motivation which does play into the history of the natural history museum and just how twisted the reality behind it actually is. We do also have a strong theme that shows us just how difficult deforestation will be on animal families around the world, with Paddington being a victim of this.
Adventure/Comedy – The adventure takes Paddington around the world to a new family, new country and new culture, seeing how he learns plays into the comedy of the film which will get laughs of the pickles he finds himself involved in.
Settings – The film is mostly set in London, it shows just how big the city is for people who have never been there before, the Natural History museum is used well to show moments of fear in the film too.
Special Effects – Paddington being placed into the world looks fantastic, he never looks out of place which shows just how well the effects team worked to make this look seamless.
Scene of the Movie – Using the facilities.
That Moment That Annoyed Me – That jungle music line, seems completely out of place in this movie.
Final Thoughts – This is a fun family film that does bring to life one of the most famous childhood characters, it is filled with heart and brings the modernisation vision to the story with ease.
Overall: Family Fun Film.
Characters – Paddington is the Peruvian bear we have all gotten to know from our childhoods, he travels to London in search for an explorer that met his Uncle and Aunt, what he finds is a busy city that has no time for stranger until he meets the Brown family. Paddington is learning about a new world in London, which sees his curiosity getting him stuck in a pickle more often than not, with his love of marmalade being the cause of most of his troubles. Henry Brown is the father that has taken Paddington in reluctantly, he has been working in risk assessment which doesn’t make a bear in the house seem safe, Paddington will help unlock the wild side that Henry once had in his youth before becoming a father. Mary is the mother who wants to take Paddington in, her heart is what makes her the reason the family will let him in, always wanting to do the right thing. Millicent works at the natural history museum, she wants Paddington so she can stuff him and add him to the collection at the museum, always thinking about herself and her family’s legacy.
Performances – Hugh Bonneville as the strict father shown that he isn’t willing to take a change, he goes against everything going with Paddington, only to show just how different a man can be once hit with parenthood. Sally Hawkins brings the light to the film as the caring mother. Nicole Kidman looks like she is enjoying the villainous figure in the film, which does show terrifying moments for the family film. Ben Whishaw does make the voice of Paddington a pleasure to watch through the film, handling the comedy very well.
Story – The story brings the character of Paddington bear to modern day London, where he must learn to fit in while alluding an evil taxidermist. We did need to keep the story simple for the first part of the chapter here, bringing Paddington to a modern London is a fresh spin because the original story was a different time, different minds and now everybody is so busy in their lives they barely notice a bear at a train station. We do get to see how Paddington must adjust to life in London, getting himself into trouble both in and out the house, but shows that his good-natured side will keep the family together, while the villain does have a good motivation which does play into the history of the natural history museum and just how twisted the reality behind it actually is. We do also have a strong theme that shows us just how difficult deforestation will be on animal families around the world, with Paddington being a victim of this.
Adventure/Comedy – The adventure takes Paddington around the world to a new family, new country and new culture, seeing how he learns plays into the comedy of the film which will get laughs of the pickles he finds himself involved in.
Settings – The film is mostly set in London, it shows just how big the city is for people who have never been there before, the Natural History museum is used well to show moments of fear in the film too.
Special Effects – Paddington being placed into the world looks fantastic, he never looks out of place which shows just how well the effects team worked to make this look seamless.
Scene of the Movie – Using the facilities.
That Moment That Annoyed Me – That jungle music line, seems completely out of place in this movie.
Final Thoughts – This is a fun family film that does bring to life one of the most famous childhood characters, it is filled with heart and brings the modernisation vision to the story with ease.
Overall: Family Fun Film.
Matthew Krueger (10051 KP) rated Eternal Darkness: Sanity's Requiem in Video Games
Oct 28, 2019 (Updated Oct 28, 2019)
Psychological Warfare
Contains spoilers, click to show
Eternal Darkness- why does no one talk about this game. It is amazing, its horrorfying, terroryfying, spooky, creepy, thrilling, chilling and so much more. Plus it came out only for the gamecube, which is huge because nintendo doesnt put out or release alot of horror games. This, luigi's mansion and Resident Evil 4 were the big horror games for the gamecube. Maybe more came out, but those 3 were the big ones. Lets talk about this game, shall we....
The narrative of the game's story switches between two phases. The main phase focuses on a series of chapters in which players take control of a new character each time. The other phase acts as an intermission. The game boasts twelve playable characters, split between four distinct locations, and from different periods of time.
The story features multiple paths that can be taken. This choice not only determines which of the game's three other antagonists are aligned to the plot, but it also has subtle effects on the gameplay in chapters and intermission periods. Some changes include slight differences in puzzles and items, but most changes revolve around enemy placement, which will determine how the player engages them. This can even have an effect on the relative difficulty of the game in certain situations. Red tinted enemies, for example, are tougher than their counterparts.
The other distinctive gameplay aspect comes from "Sanity Effects", the game's standout concept that Nintendo patented. Upon beginning the game's second chapter, players must keep watch on a Sanity meter – a green bar which decreases when the player is spotted by an enemy. As the bar becomes low, subtle changes to the environment and random unusual events begin to occur, which reflect the character's slackening grip on reality.
While minor effects include a skewed camera angle, heads of statues following the character, and unsettling noises, stronger effects include bleeding on walls and ceilings, entering a room that is unrealistic before finding that the character never left the previous room, the character suddenly dying, and fourth wall breaking effect such as "To Be Continued" promotions for a "sequel", and simulated errors and anomalies of the TV or GameCube. While the latter does not affect gameplay, they can be misconstrued by the player as being actual technical malfunctions.
Lets talk about the plot/story....
The story of Eternal Darkness takes place over four principal locations which the game skips back and forth between. They include an underground temple complex called the Forbidden City, in Persia; a Khmer temple in Angkor Thom, Cambodia; Oublié Cathedral in Amiens, France (not to be confused with Amiens Cathedral); and the Roivas Family Estate in Rhode Island, which also leads to an ancient underground city named Ehn'gha beneath the mansion. Each time a location is visited, it is done so in a different time period. Spanning from 26 BC to 2000 AD. Almost half of which take place in the 20th century. Each different era and character offers a different periodic and personal perspective on the location.
The chapters found in the game are not discovered in chronological order. Instead, to make the narrative more dramatic, each chapter jumps around the timeline of the plot. However, despite the overall story skipping back and forth through time, the chapters do follow chronological order within their respective locations. This is because each setting also has its own contained story.
This game is so good, its epic, im surprised that not of people know about this game and heard about this game.
I highly reccordmend playing this game.
Lastly shout out to @LeftSideCut for getting the hints/clues for this review.
The narrative of the game's story switches between two phases. The main phase focuses on a series of chapters in which players take control of a new character each time. The other phase acts as an intermission. The game boasts twelve playable characters, split between four distinct locations, and from different periods of time.
The story features multiple paths that can be taken. This choice not only determines which of the game's three other antagonists are aligned to the plot, but it also has subtle effects on the gameplay in chapters and intermission periods. Some changes include slight differences in puzzles and items, but most changes revolve around enemy placement, which will determine how the player engages them. This can even have an effect on the relative difficulty of the game in certain situations. Red tinted enemies, for example, are tougher than their counterparts.
The other distinctive gameplay aspect comes from "Sanity Effects", the game's standout concept that Nintendo patented. Upon beginning the game's second chapter, players must keep watch on a Sanity meter – a green bar which decreases when the player is spotted by an enemy. As the bar becomes low, subtle changes to the environment and random unusual events begin to occur, which reflect the character's slackening grip on reality.
While minor effects include a skewed camera angle, heads of statues following the character, and unsettling noises, stronger effects include bleeding on walls and ceilings, entering a room that is unrealistic before finding that the character never left the previous room, the character suddenly dying, and fourth wall breaking effect such as "To Be Continued" promotions for a "sequel", and simulated errors and anomalies of the TV or GameCube. While the latter does not affect gameplay, they can be misconstrued by the player as being actual technical malfunctions.
Lets talk about the plot/story....
The story of Eternal Darkness takes place over four principal locations which the game skips back and forth between. They include an underground temple complex called the Forbidden City, in Persia; a Khmer temple in Angkor Thom, Cambodia; Oublié Cathedral in Amiens, France (not to be confused with Amiens Cathedral); and the Roivas Family Estate in Rhode Island, which also leads to an ancient underground city named Ehn'gha beneath the mansion. Each time a location is visited, it is done so in a different time period. Spanning from 26 BC to 2000 AD. Almost half of which take place in the 20th century. Each different era and character offers a different periodic and personal perspective on the location.
The chapters found in the game are not discovered in chronological order. Instead, to make the narrative more dramatic, each chapter jumps around the timeline of the plot. However, despite the overall story skipping back and forth through time, the chapters do follow chronological order within their respective locations. This is because each setting also has its own contained story.
This game is so good, its epic, im surprised that not of people know about this game and heard about this game.
I highly reccordmend playing this game.
Lastly shout out to @LeftSideCut for getting the hints/clues for this review.
LeftSideCut (3778 KP) rated Watchmen - Season 1 in TV
Dec 26, 2019 (Updated Dec 27, 2019)
Pretty much perfect
Watchmen, in my opinion, is one of the best, if not the best graphic novels ever released. It's neon lit alternate reality setting and it's collection of jaded, flawed, and sometimes toxic characters were a far cry from usual comic book territory.
I was absolutely buzzing when I heard that HBO were going to be airing a series based on the property. A series would have more room to breathe and for exploration than the movie (that I still like, for the record). When it became apparent that it would be set some time after the comic, I was honestly a bit miffed. I was looking forward to seeing Rorschach and Co on the small screen...
But it turns out, I had no reason to be worried. Watchmen is outstanding through and through.
Plot wise, it's set in present day, and maintains the events of the comic in the 1980s. The world we're presented with is a world still feeling the effects from the mass killing via giant squid monster from the comic. A world where the police cover their faces to protect their identities. A world where racism is still rife and peddled by a white supremacist group calling themselves The Seventh Cavalry, a group that happen to wear Rorschach masks.
It's set mainly in Tulsa, Oklahoma, and it's distance from the neon New York setting of the comic gives it a more realistic feeling.
Angela Abar, aka Sister Night (Regina King), is heading the investigation into the Cavalry, and when things start to spiral out of control, the FBI send Laurie Blake (Jean Smart) - the retired Silk Spectre - to Tulsa to take over proceedings and figure out what's really happening behind the scenes.
To discuss the plot anymore than this would be spoiling it, but rest assured, after a fairly slow burning start, Watchmen quickly hits an ascending slope of quality that doesn't waver, and when concrete connections to the comic come out to play, the show hits some extremely lofty heights.
The cast are all brilliant. Regina King takes centre stage, and she manages to be badass, relatable, and sympathetic. Her relationship with her husband Cal (Yahya Abdul-Mateen II) is one of the best character elements throughout.
Characters that could be described more as 'side characters' played by the likes of Tim Blake Nelson, Louis Gossett Jr, James Woke, and Hong Chau (just to name a few), all end up with surprisingly strong development.
As for the characters from the original comic, we have the aforementioned Laurie Blake played by Jean Smart, and Adrian Veidt aka Ozymandius played by Jeremy Irons.
Jeremy Irons is a undoubtable highlight of the whole series. His portrayal of an older Veidt is pretty spot on, and his plot line is equal parts bizarre and humorous.
As seen from the trailers, Dr. Manhattan has a part to play here as well, but again, no spoilers here. Just have a look for yourself. It's great.
As the narrative jumps around and steams ahead, Watchmen still manages to touch on important subjects, such as war, family, and especially that of race and racism. There are some powerful moments littered throughout, and some genuinely emotional scenes that had me tearing up at times.
The direction and dialogue are brilliant, and the use of digital effects are mostly subtle and look great. The whole season is filled to the brim with amazing shots.
The music score is great as well, especially the original stuff, penned by Trent Reznor and Atticus Ross. Reznor's distinctive industrial sound suits the series down to the ground.
I absolutely loved Watchmen from start to finish. It's shows consistent willingness to do something new and it's a hugely ambitious project that's pulled off so damn well. I really hope that a second season comes about, but if it doesn't, then I'm suitably satisfied by what we've already been given. Just fantastic.
I was absolutely buzzing when I heard that HBO were going to be airing a series based on the property. A series would have more room to breathe and for exploration than the movie (that I still like, for the record). When it became apparent that it would be set some time after the comic, I was honestly a bit miffed. I was looking forward to seeing Rorschach and Co on the small screen...
But it turns out, I had no reason to be worried. Watchmen is outstanding through and through.
Plot wise, it's set in present day, and maintains the events of the comic in the 1980s. The world we're presented with is a world still feeling the effects from the mass killing via giant squid monster from the comic. A world where the police cover their faces to protect their identities. A world where racism is still rife and peddled by a white supremacist group calling themselves The Seventh Cavalry, a group that happen to wear Rorschach masks.
It's set mainly in Tulsa, Oklahoma, and it's distance from the neon New York setting of the comic gives it a more realistic feeling.
Angela Abar, aka Sister Night (Regina King), is heading the investigation into the Cavalry, and when things start to spiral out of control, the FBI send Laurie Blake (Jean Smart) - the retired Silk Spectre - to Tulsa to take over proceedings and figure out what's really happening behind the scenes.
To discuss the plot anymore than this would be spoiling it, but rest assured, after a fairly slow burning start, Watchmen quickly hits an ascending slope of quality that doesn't waver, and when concrete connections to the comic come out to play, the show hits some extremely lofty heights.
The cast are all brilliant. Regina King takes centre stage, and she manages to be badass, relatable, and sympathetic. Her relationship with her husband Cal (Yahya Abdul-Mateen II) is one of the best character elements throughout.
Characters that could be described more as 'side characters' played by the likes of Tim Blake Nelson, Louis Gossett Jr, James Woke, and Hong Chau (just to name a few), all end up with surprisingly strong development.
As for the characters from the original comic, we have the aforementioned Laurie Blake played by Jean Smart, and Adrian Veidt aka Ozymandius played by Jeremy Irons.
Jeremy Irons is a undoubtable highlight of the whole series. His portrayal of an older Veidt is pretty spot on, and his plot line is equal parts bizarre and humorous.
As seen from the trailers, Dr. Manhattan has a part to play here as well, but again, no spoilers here. Just have a look for yourself. It's great.
As the narrative jumps around and steams ahead, Watchmen still manages to touch on important subjects, such as war, family, and especially that of race and racism. There are some powerful moments littered throughout, and some genuinely emotional scenes that had me tearing up at times.
The direction and dialogue are brilliant, and the use of digital effects are mostly subtle and look great. The whole season is filled to the brim with amazing shots.
The music score is great as well, especially the original stuff, penned by Trent Reznor and Atticus Ross. Reznor's distinctive industrial sound suits the series down to the ground.
I absolutely loved Watchmen from start to finish. It's shows consistent willingness to do something new and it's a hugely ambitious project that's pulled off so damn well. I really hope that a second season comes about, but if it doesn't, then I'm suitably satisfied by what we've already been given. Just fantastic.
Samantha Hemsley (2 KP) rated The Reader on the 6.27 in Books
Jun 30, 2019
Feel-good (4 more)
Simple easy-to read style
A celebration of the power of reading
Lovable characters
Brilliant translation from French
I'm so glad to have come across this little hidden gem.
The unfortunately named (apparently -- I think you have to be a French speaker to really understand the reasoning) Guylain Vignolles is 36, lives alone with his beloved goldfish and works in a job he detests -- operating a book-pulping machine in a publishing factory. Guylain alleviates his resultant mental anguish by rescuing the occasional surviving pages at the end of each shift and reading them aloud to his fellow commuters on the 6.27 train each morning much to their mingled bewilderment and joy. Featuring some wonderful larger-than-life characters such as the classical theatre loving security guard who only speaks in Verse and the reformed alcoholic engaged in a quest to be reunited with his missing limbs and the toilet attendant with a secret talent for writing, this book is quirky and a bit ridiculous in the very best way.
As a fellow book lover, I empathised with Guylain's heartbreak over destroying so many books day in and day out. I can't even bear to write in a book or fold the corner of a page never mind reduce them to a pulp! I absolutely loved the way he attempted to do the books justice by giving what pages he could save an audience. This book is a real testament to the power and pleasure of reading aloud which is something I'm hugely passionate about -- I even wrote one of my university dissertations about the benefits of reading aloud with children.
I also loved its message of how reading can unite people, despite it being seen as a generally quite solitary or even introverted activity. Through his reading, Guylain finds himself being invited to do regular readings at a care home, much to the delight of the residents and when he finds a USB stick on his usual train seat containing over 70 diary entries, the lonely Guylain might just find that it leads to true love.
As well as being very charming and quaint, the novel manages to avoid becoming trite with its very astute observations and brilliant humour -- often laugh-out-loud funny. The prose is simple but very skillful -- especially the verses concocted by Yvon the security guard. Huge credit must also be given to the translator here. (The book was originally written in French) To translate rhyme into a different language so that it still rhymes and still makes perfect sense in the context can't be an easy feat!
My only criticism is that the book is very short -- fewer than 200 pages. Apparently the author is usually a writer of short stories and this is his first novel. This definitely shows as the ending feels very abrupt and definitely as if it could have done with another 50 pages or so; perhaps even more. I wasn't ready to say goodbye yet! Having said that, the ending was very sweet and it was only its abruptness that prevented it from being 100% satisfactory. I wouldn't quite say that there are any loose ends but it would have been nice to find out a little more about some of the characters and their stories.
Overall though this was a really lovely feel-good read that will appeal to anyone who loves literature and zany but endearing characters. I read one review that said the plot was "outlandish" and the characters "unbelievable" but I believe this reviewer was missing the point. This book champions the escapist qualities of reading and to have a story and characters who perhaps just slightly transcend reality can only elevate the escapism just that bit more. Feasibility be damned, I loved Guylain and his supporting cast members and I think I could easily read this short but sweet little story again and again!
The unfortunately named (apparently -- I think you have to be a French speaker to really understand the reasoning) Guylain Vignolles is 36, lives alone with his beloved goldfish and works in a job he detests -- operating a book-pulping machine in a publishing factory. Guylain alleviates his resultant mental anguish by rescuing the occasional surviving pages at the end of each shift and reading them aloud to his fellow commuters on the 6.27 train each morning much to their mingled bewilderment and joy. Featuring some wonderful larger-than-life characters such as the classical theatre loving security guard who only speaks in Verse and the reformed alcoholic engaged in a quest to be reunited with his missing limbs and the toilet attendant with a secret talent for writing, this book is quirky and a bit ridiculous in the very best way.
As a fellow book lover, I empathised with Guylain's heartbreak over destroying so many books day in and day out. I can't even bear to write in a book or fold the corner of a page never mind reduce them to a pulp! I absolutely loved the way he attempted to do the books justice by giving what pages he could save an audience. This book is a real testament to the power and pleasure of reading aloud which is something I'm hugely passionate about -- I even wrote one of my university dissertations about the benefits of reading aloud with children.
I also loved its message of how reading can unite people, despite it being seen as a generally quite solitary or even introverted activity. Through his reading, Guylain finds himself being invited to do regular readings at a care home, much to the delight of the residents and when he finds a USB stick on his usual train seat containing over 70 diary entries, the lonely Guylain might just find that it leads to true love.
As well as being very charming and quaint, the novel manages to avoid becoming trite with its very astute observations and brilliant humour -- often laugh-out-loud funny. The prose is simple but very skillful -- especially the verses concocted by Yvon the security guard. Huge credit must also be given to the translator here. (The book was originally written in French) To translate rhyme into a different language so that it still rhymes and still makes perfect sense in the context can't be an easy feat!
My only criticism is that the book is very short -- fewer than 200 pages. Apparently the author is usually a writer of short stories and this is his first novel. This definitely shows as the ending feels very abrupt and definitely as if it could have done with another 50 pages or so; perhaps even more. I wasn't ready to say goodbye yet! Having said that, the ending was very sweet and it was only its abruptness that prevented it from being 100% satisfactory. I wouldn't quite say that there are any loose ends but it would have been nice to find out a little more about some of the characters and their stories.
Overall though this was a really lovely feel-good read that will appeal to anyone who loves literature and zany but endearing characters. I read one review that said the plot was "outlandish" and the characters "unbelievable" but I believe this reviewer was missing the point. This book champions the escapist qualities of reading and to have a story and characters who perhaps just slightly transcend reality can only elevate the escapism just that bit more. Feasibility be damned, I loved Guylain and his supporting cast members and I think I could easily read this short but sweet little story again and again!