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Gareth von Kallenbach (971 KP) rated Chief Zabu (2016) in Movies
Oct 8, 2020
“Chief Zabu” Captures 80s America With A Comedic Twist
Greetings & Salutations Everyone!
It’s perplexing how so very few people seem to comprehend the grand efforts that go into the production of a movie. The numerous individuals involved, the various disciplines and skill sets, the length of production time, etc. The film I have the good fortune to share with you today has essentially been on one of the longest journeys I’ve ever heard of. A journey so lengthy in scope, it was the subject of a recurring gag during the tenure of ‘Mystery Science Theater 3000’. 30 years. That’s right. It actually didn’t take 30 years to literally make/film the movie. Production for the film began in 1986. But due to an unforeseen series of circumstances, production was unable to be completed until 2016. Now if you’re a ‘die hard disciple’ of MST3K, obligations don’t matter. The fact that they thought enough of it to make it the subject of a running joke is advertisement enough to make you want to see the film. So … without further adieu I present for your consideration, “Chief Zabu”
“Chief Zabu” is a socio-political comedy that takes place primarily in New York during the mid-1980s and follows a determined New York businessman who believes his dreams of wealth and political power can be secured by cornering the economic future of a newly independent Polynesian country. The film was directed, produced, and written by Zack Norman (credited as Howard Zuker) and Neil Cohen. The film stars Allen Garfield, Zack Norman, Manu Tupou, Ed Lauter, Marianna Hill, Allan Arbus, Harsh Nayyar, Joseph Warren, Betty Karlen, Tom Nardini, Charles Siegal, Shirley Stoler, Lucianne Buchanan, and Ferdinand Mayne.
Chief Henri Zabu (Tupou) is the leader of a Polynesian country who has been thrust into the world of politics and has journeyed to New York City to secure recognition for his country from the United Nations. Secretly, he has come to hopefully secure investors and the finical backing to kickstart his country’s economy and infrastructure. Ben Sydney (Garfield) and his longtime friend and partner Sammy Brooks (Norman), are a pair of devious and crafty New York realtors going from one mediocre deal to the next while fantasizing about that ‘deal of a lifetime’ that will one day hopefully ‘find them’. It does. Sort of. Through a series of almost unreal interactions with a series of characters ranging from con artists to wealthy individuals who would likely push a family member into a pool if properly motivated, Ben and Sammy believe they’ve got the political and finance connections to make their ambitions a reality. And then, just when things are going so well … the proverbial rug looks as though it’s going to get pulled out from under them. So it would seem. New York realtors with political aspirations and possibly questionable morals. Does this ring any bells anyone?
Setting aside the comedic aspects of the film, it’s a fictional yet not unrealistic representation some of the political and economic influences that surrounded the arena of the United Nations in the mid to late 80’s. An interesting side story that depicts how first world nations would seize the opportunity to try and capitalize on newly independent or weaker nations by securing footholds in their economic and political power bases. Thereby funneling a nation’s resources and wealth away from those nations.
In the end, the film captures the 80’s in America much for what it was with a comedic twist. Celebrity worship, political backstabbing, and materialism. The only other film I can think of off the top of my head that did better would be ‘American Psycho’. Thankfully and perhaps gratefully, ‘Chief Zabu’ accomplished this WITHOUT the excessive and unprecedented depictions of violence. I’d give this film 4 out of 5 stars. The only way to one-up the movie is if we could take it back in time and give it the ‘MST3K’ treatment.
It’s perplexing how so very few people seem to comprehend the grand efforts that go into the production of a movie. The numerous individuals involved, the various disciplines and skill sets, the length of production time, etc. The film I have the good fortune to share with you today has essentially been on one of the longest journeys I’ve ever heard of. A journey so lengthy in scope, it was the subject of a recurring gag during the tenure of ‘Mystery Science Theater 3000’. 30 years. That’s right. It actually didn’t take 30 years to literally make/film the movie. Production for the film began in 1986. But due to an unforeseen series of circumstances, production was unable to be completed until 2016. Now if you’re a ‘die hard disciple’ of MST3K, obligations don’t matter. The fact that they thought enough of it to make it the subject of a running joke is advertisement enough to make you want to see the film. So … without further adieu I present for your consideration, “Chief Zabu”
“Chief Zabu” is a socio-political comedy that takes place primarily in New York during the mid-1980s and follows a determined New York businessman who believes his dreams of wealth and political power can be secured by cornering the economic future of a newly independent Polynesian country. The film was directed, produced, and written by Zack Norman (credited as Howard Zuker) and Neil Cohen. The film stars Allen Garfield, Zack Norman, Manu Tupou, Ed Lauter, Marianna Hill, Allan Arbus, Harsh Nayyar, Joseph Warren, Betty Karlen, Tom Nardini, Charles Siegal, Shirley Stoler, Lucianne Buchanan, and Ferdinand Mayne.
Chief Henri Zabu (Tupou) is the leader of a Polynesian country who has been thrust into the world of politics and has journeyed to New York City to secure recognition for his country from the United Nations. Secretly, he has come to hopefully secure investors and the finical backing to kickstart his country’s economy and infrastructure. Ben Sydney (Garfield) and his longtime friend and partner Sammy Brooks (Norman), are a pair of devious and crafty New York realtors going from one mediocre deal to the next while fantasizing about that ‘deal of a lifetime’ that will one day hopefully ‘find them’. It does. Sort of. Through a series of almost unreal interactions with a series of characters ranging from con artists to wealthy individuals who would likely push a family member into a pool if properly motivated, Ben and Sammy believe they’ve got the political and finance connections to make their ambitions a reality. And then, just when things are going so well … the proverbial rug looks as though it’s going to get pulled out from under them. So it would seem. New York realtors with political aspirations and possibly questionable morals. Does this ring any bells anyone?
Setting aside the comedic aspects of the film, it’s a fictional yet not unrealistic representation some of the political and economic influences that surrounded the arena of the United Nations in the mid to late 80’s. An interesting side story that depicts how first world nations would seize the opportunity to try and capitalize on newly independent or weaker nations by securing footholds in their economic and political power bases. Thereby funneling a nation’s resources and wealth away from those nations.
In the end, the film captures the 80’s in America much for what it was with a comedic twist. Celebrity worship, political backstabbing, and materialism. The only other film I can think of off the top of my head that did better would be ‘American Psycho’. Thankfully and perhaps gratefully, ‘Chief Zabu’ accomplished this WITHOUT the excessive and unprecedented depictions of violence. I’d give this film 4 out of 5 stars. The only way to one-up the movie is if we could take it back in time and give it the ‘MST3K’ treatment.
Emma @ The Movies (1786 KP) rated Clue (1985) in Movies
Sep 25, 2019
I wish I could remember the first time I saw Clue. It has been one of my favourites for years. Tim Curry as Wadsworth and Lesley Ann Warren as Miss Scarlet will always be the highlight of this for me. Looking at my sense of humour these days I see a lot of things I recognise from these older films that I grew up with.
FUN FACT - CASTING: Jonathan Lynn said that Carrie Fisher was originally cast as Miss Scarlet but went into rehab four days before filming began, so Warren was given the role instead.
Generally all round the cast is great and they all bring something memorable to their characters.
FUN FACT - COLOURS: The character's colourful monikers match with the colour of their playing pieces in the board game and their cars in the movie.
I'm not going to lie, the fact that they didn't wear their colours has always bothered me. Evidently they're all wearing the "opposite" of their colours... I'm not sure I care for that idea if I'm honest.
I can't put my finger on what I love so much about Clue. It's just so easy to watch. From the moment Wadsworth gives that dog a withering look to the triumphant ending it's just brilliant to watch. I can't think of a moment that I dislike, and trying to pick a favourite moment? Forget it. I'd just have to present you with the entire movie with ending C.
FUN FACT - ENDINGS: While there are three endings to the film that you can see on the blu-ray/DVD, there was actually a fourth one filmed where Wadsworth revealed that he had actually poisoned everyone earlier in the evening. It's still in the novelisation but was never shown.
There are so many laughs throughout and while I've seen it so often that I don't laugh out loud as much it still brings a smile to my face. I enjoy the slightly madcap interactions and the overly dramatic reactions.
Tim Curry really is amazing, I think basically all of us would agree with that. (Well apart from one person I found online who has evidently never liked anything he's been in.) This movie could be used as his emotional resume. I don't think there are any he missed!
FUN FACT - CASTING: Lynn was set to cast Leonard Rossiter (Rigsby from Rising Damp) as Wadsworth but he sadly passed away before production started. His second choice was Rowan Atkinson but the studio were worried he was too much of an unknown in the states at the time.
While I can definitely see Rossiter in his role I really can't imagine him having the same impact on screen. Curry's flamboyancy definitely lifted the film to pole position among comedies.
Watching Clue of course makes me want to watch Murder By Death which has a very similar feel, although not quite so manic towards the end.
"It's my defense mechanism!" - Miss Scarlet
Isn't it though!?
What you should do
I know older films aren't for everyone but Clue is amazingly fun and I feel like everyone need to see it, and if you don't love it... just tell me that you did in a text message so I can't tell you're lying to me.
Note: I brought a special edition of Clue from HMV. It was a blu-ray copy in a retro VHS type box. It also came with a small poster, a collectors card, a sticker and a DVD copy. It's fun and it's different, but ultimately that version really isn't worth the money. I would just get the cheapest thing that you can. The quality difference of the blu-ray isn't worth it and the VHS box gimmick is nice in theory but disappointing in reality.
Movie thing you wish you could take home
Secret passageways in a house? Erm, yes please!
FUN FACT - CASTING: Jonathan Lynn said that Carrie Fisher was originally cast as Miss Scarlet but went into rehab four days before filming began, so Warren was given the role instead.
Generally all round the cast is great and they all bring something memorable to their characters.
FUN FACT - COLOURS: The character's colourful monikers match with the colour of their playing pieces in the board game and their cars in the movie.
I'm not going to lie, the fact that they didn't wear their colours has always bothered me. Evidently they're all wearing the "opposite" of their colours... I'm not sure I care for that idea if I'm honest.
I can't put my finger on what I love so much about Clue. It's just so easy to watch. From the moment Wadsworth gives that dog a withering look to the triumphant ending it's just brilliant to watch. I can't think of a moment that I dislike, and trying to pick a favourite moment? Forget it. I'd just have to present you with the entire movie with ending C.
FUN FACT - ENDINGS: While there are three endings to the film that you can see on the blu-ray/DVD, there was actually a fourth one filmed where Wadsworth revealed that he had actually poisoned everyone earlier in the evening. It's still in the novelisation but was never shown.
There are so many laughs throughout and while I've seen it so often that I don't laugh out loud as much it still brings a smile to my face. I enjoy the slightly madcap interactions and the overly dramatic reactions.
Tim Curry really is amazing, I think basically all of us would agree with that. (Well apart from one person I found online who has evidently never liked anything he's been in.) This movie could be used as his emotional resume. I don't think there are any he missed!
FUN FACT - CASTING: Lynn was set to cast Leonard Rossiter (Rigsby from Rising Damp) as Wadsworth but he sadly passed away before production started. His second choice was Rowan Atkinson but the studio were worried he was too much of an unknown in the states at the time.
While I can definitely see Rossiter in his role I really can't imagine him having the same impact on screen. Curry's flamboyancy definitely lifted the film to pole position among comedies.
Watching Clue of course makes me want to watch Murder By Death which has a very similar feel, although not quite so manic towards the end.
"It's my defense mechanism!" - Miss Scarlet
Isn't it though!?
What you should do
I know older films aren't for everyone but Clue is amazingly fun and I feel like everyone need to see it, and if you don't love it... just tell me that you did in a text message so I can't tell you're lying to me.
Note: I brought a special edition of Clue from HMV. It was a blu-ray copy in a retro VHS type box. It also came with a small poster, a collectors card, a sticker and a DVD copy. It's fun and it's different, but ultimately that version really isn't worth the money. I would just get the cheapest thing that you can. The quality difference of the blu-ray isn't worth it and the VHS box gimmick is nice in theory but disappointing in reality.
Movie thing you wish you could take home
Secret passageways in a house? Erm, yes please!
Darren (1599 KP) rated It: Chapter Two (2019) in Movies
Sep 13, 2019
Characters – Bill was always considered the leader of the gang, he went onto write books and coming back he must face the fear about his brother’s death. Beverly has married an abusive rich man that she wants to escape from, which sees her return to Derry, where she could recapture her own love interest from childhood. Richie is a stand up comedian that is just how you would imagine him to grow up to be like, he gets plenty of laughs through the film. Mike never left Derry, he has been studying how to defeat Pennywise once and for all, he calls everybody back to the town. Ben was the fat kid, he transformed himself and became an architect with great success, he will see this return as a chance to tell Beverly how he feels. Eddie is reluctant to return though it does get him away from his wife, that is just like his mother, he will need to overcome the fears which have held him back before. Stanley is one of the group that doesn’t return, he has his reasons and it poses the reality of what will come with returning. Pennywise is the evil figure, who mostly looks like a clown, though he can become anything he wants to play into the fears. It is strange that we just don’t get that invested in the adult versions of the characters.
Performances – Jessica Chastain and James McAvoy are the two biggest names in the film, they are both fine, because nobody is a true main character, the two could do more and McAvoy is difficult to watch because his choice of accent reminds me about the 10-year-old he plays in Split. Bill Hader and James Ransone are the stars of the returning characters, they still have great chemistry. Isaiah Mustafa and Jay Ryan are both solid enough, though the characters seem to have swapped around.
Story – The story is the second part of the massive book, it follows the adult versions of the losers club that must return to fight Pennywise once again. This is a very long story, it is just under 3 hours long, which does feel like it drags along at times, once problem comes with more flashbacks with hauntings, there is no peril here, because we know the adult versions live. One of the strengths in the film is the idea of being reunited after years away with friends, it does feel natural and just how you would imagine it being. One of the issues I found in the first film was that Ben was the one that spent time learning the history of the town, while Mike did barely anything, it confused me because I always remembered it being Mike that understood the history, here it is Mike and Ben doesn’t seem to care anymore, add in the weird love triangle and you will feel like we have more that didn’t need to be here too.
Horror – The horror side of the film follows the hauntings that both the kids and adults go through, it is more just separate characters getting haunting throughout. Nothing feels as scarier as the first one was.
Settings – The film takes us back to Derry, we do get flashbacks with other moments that make sense and return to the old places where the scares happen.
Special Effects – The effects are brilliant in places, though it does feel certain CGI moments just don’t work.
Scene of the Movie – Richie’s memory.
That Moment That Annoyed Me – James McAvoy’s accent.
Final Thoughts – This is a bogged down horror that just is way too long to get the best out of the scares, just like the mini series, it fizzles out.
Overall: Disappointing sequel.
Performances – Jessica Chastain and James McAvoy are the two biggest names in the film, they are both fine, because nobody is a true main character, the two could do more and McAvoy is difficult to watch because his choice of accent reminds me about the 10-year-old he plays in Split. Bill Hader and James Ransone are the stars of the returning characters, they still have great chemistry. Isaiah Mustafa and Jay Ryan are both solid enough, though the characters seem to have swapped around.
Story – The story is the second part of the massive book, it follows the adult versions of the losers club that must return to fight Pennywise once again. This is a very long story, it is just under 3 hours long, which does feel like it drags along at times, once problem comes with more flashbacks with hauntings, there is no peril here, because we know the adult versions live. One of the strengths in the film is the idea of being reunited after years away with friends, it does feel natural and just how you would imagine it being. One of the issues I found in the first film was that Ben was the one that spent time learning the history of the town, while Mike did barely anything, it confused me because I always remembered it being Mike that understood the history, here it is Mike and Ben doesn’t seem to care anymore, add in the weird love triangle and you will feel like we have more that didn’t need to be here too.
Horror – The horror side of the film follows the hauntings that both the kids and adults go through, it is more just separate characters getting haunting throughout. Nothing feels as scarier as the first one was.
Settings – The film takes us back to Derry, we do get flashbacks with other moments that make sense and return to the old places where the scares happen.
Special Effects – The effects are brilliant in places, though it does feel certain CGI moments just don’t work.
Scene of the Movie – Richie’s memory.
That Moment That Annoyed Me – James McAvoy’s accent.
Final Thoughts – This is a bogged down horror that just is way too long to get the best out of the scares, just like the mini series, it fizzles out.
Overall: Disappointing sequel.
Darren (1599 KP) rated Inception (2010) in Movies
Sep 13, 2019 (Updated Sep 13, 2019)
Brief Synopsis – A group of experts are hired to infiltrate the mind of an executive in order to implant a thought into his mind that will change the way he runs his company.
My Take on it – This is an amazing film that once again is able to prove the genius of writer/director Christopher Nolan.
This story works on so many levels and stays intriguing, interesting and thrilling from start to finish.
The story is presented as an existential one yet they expertly use special effects and dialogue to make things seem even more tangible and relatable which works superbly throughout.
The cats is unbelievable and they all are able to work so well together as a team that it helps make the story move forward at a great pace that moves so fluidly throughout.
Nolan does a splendid job directing this film and is able to create a world that is a mixture of reality and fantasy yet still comes across as plausible and realistic throughout.
The story itself is multi layered and this helps make the story feel even more interesting and intriguing as things seem to get more and more complex as they move forward.
It’s imperative to pay close attention to the story because of the fact that it jumps around within the various story levels and if you get distracted, you might miss something quite important because nothing is truly ever as it seems.
Nolan is an amazing writer and this film is further proof of his ability to create unique and original stories for us to savor for all time.
It’s a pity that most films that are made these days aren’t filled with original ideas like this one is.
The story is quite mind blowing and manages to keep surprising the viewer over and over as things move along.
This is one of the very best thrillers ever made and that has much to do with the fact that they are able to create a thriller that actually fits “outside of the box” instead of being something that just recycles old ideas.
Bottom Line – Amazing film that is able to work on so many levels. The story is quite existential yet they use effects and dialogue to help make it feel even more tangible. The cast is superb and they all work so well together as a team in order to help the story constantly move forward. Nolan directs this film amazingly and is able to create a world that is both real and fantasy for us to grasp all that is happening throughout. The story itself is quite layered and that helps make things so much more intriguing and interesting since one needs to constantly try and keep track of what’s going on the entire time because nothing is ever as it truly seems. With this film, Nolan once again proves how adept a writer he can be and is able to give us a very unique and original story that is mind blowing over and over. One of the best thrillers ever made especially since it is truly a story that fits “outside of the box”. Highly Highly Recommended!
MovieRob’s Favorite Trivia – Writer, producer, and director Christopher Nolan first pitched this movie to Warner Brothers after the completion of his third movie, Insomnia (2002), and was met with approval from the studio. However, it was not yet written at the time, and Nolan determined that rather than writing it as an assignment, it would be more suitable to his working style if he wrote it as a speculation script, and then presented it to the studio whenever it was completed. So he went off to write it, thinking it would take “a couple of months”, but it ultimately took nearly eight years. (From IMDB)
My Take on it – This is an amazing film that once again is able to prove the genius of writer/director Christopher Nolan.
This story works on so many levels and stays intriguing, interesting and thrilling from start to finish.
The story is presented as an existential one yet they expertly use special effects and dialogue to make things seem even more tangible and relatable which works superbly throughout.
The cats is unbelievable and they all are able to work so well together as a team that it helps make the story move forward at a great pace that moves so fluidly throughout.
Nolan does a splendid job directing this film and is able to create a world that is a mixture of reality and fantasy yet still comes across as plausible and realistic throughout.
The story itself is multi layered and this helps make the story feel even more interesting and intriguing as things seem to get more and more complex as they move forward.
It’s imperative to pay close attention to the story because of the fact that it jumps around within the various story levels and if you get distracted, you might miss something quite important because nothing is truly ever as it seems.
Nolan is an amazing writer and this film is further proof of his ability to create unique and original stories for us to savor for all time.
It’s a pity that most films that are made these days aren’t filled with original ideas like this one is.
The story is quite mind blowing and manages to keep surprising the viewer over and over as things move along.
This is one of the very best thrillers ever made and that has much to do with the fact that they are able to create a thriller that actually fits “outside of the box” instead of being something that just recycles old ideas.
Bottom Line – Amazing film that is able to work on so many levels. The story is quite existential yet they use effects and dialogue to help make it feel even more tangible. The cast is superb and they all work so well together as a team in order to help the story constantly move forward. Nolan directs this film amazingly and is able to create a world that is both real and fantasy for us to grasp all that is happening throughout. The story itself is quite layered and that helps make things so much more intriguing and interesting since one needs to constantly try and keep track of what’s going on the entire time because nothing is ever as it truly seems. With this film, Nolan once again proves how adept a writer he can be and is able to give us a very unique and original story that is mind blowing over and over. One of the best thrillers ever made especially since it is truly a story that fits “outside of the box”. Highly Highly Recommended!
MovieRob’s Favorite Trivia – Writer, producer, and director Christopher Nolan first pitched this movie to Warner Brothers after the completion of his third movie, Insomnia (2002), and was met with approval from the studio. However, it was not yet written at the time, and Nolan determined that rather than writing it as an assignment, it would be more suitable to his working style if he wrote it as a speculation script, and then presented it to the studio whenever it was completed. So he went off to write it, thinking it would take “a couple of months”, but it ultimately took nearly eight years. (From IMDB)
Darren (1599 KP) rated Obey (2018) in Movies
Aug 30, 2019
Verdict: Eye-Opening Drama
Story: Obey starts as we meet Leon (Rutherford) a 19-year-old man living in London, he doesn’t have the education, he spends most of his time getting high and drinking with friends, while causing trouble with other gangs, Leon does train in boxing and is starting to wonder what his life is meant to be.
As the violence in the surrounding neighbourhood, Leon starts to question everything more, as he sees his friends acting out causing bigger problems, while he homelife isn’t getting any better with his alcoholic mother, stopping him from getting a chance to improve himself and the woman he meets Twiggy (Clark) only gives him mixed messages.
Thoughts on Obey
Characters – Leon is the 19-year-old man that was raised in the London, where he has become part of a gang, didn’t get a chance at an education and is left facing a life of uncertainty. Leon is feeling like life is going no where now and he wants to do something about it, this could see him go back into education or continue his training in boxing, but the reality comes with him that he just doesn’t want to get involved in criminal actions going on within London, it is a make or break time for the young man, that we completely understand his position in life. Twiggy is the woman that Leon meets, she has been squatting in London with her boyfriend, though she is a free spirit that isn’t looking for trouble, which makes her different to everybody else in Leon’s life. Anton is her boyfriend that we don’t learn to much about other than he is happy to hang out with whoever and fights for rights. We do get to meet most of the gang Leon is in, though the names are easy to forget, they represent a life of crime he could fall into, Leon’s alcoholic mother and her abusive boyfriend, each character does seem to reflect a life Leon could have.
Performances – Marcus Rutherford easily gives us a standout performance in this film, he will make you understand every single situation his character is going through, which is a delight to watch. Sophie Kennedy Clark is everything she needs to be, with the whole supporting cast making you feel like you are part of this world that Leon is living through.
Story – The story here follows a young man who grew up in London as part of a gang, who isn’t given a chance of a future, until he meets a stranger and is left to decide what he wants for his own future. This story is a true eye opener when it comes to showing us how the gang situation happens, is treated and how hopeless somebody could be if they are trapped within it. We do only follow one person, who is given a few outs, through support, a woman, but is also held back by his lack of education, his gang friends and caring for his addict mother. This does show us how hard the life can be, how the mentality can see the person making the wrong decisions, how the outsiders can see them as wrong, rather than not given a chance. This is an important story for the people of England to see and one that could open up more eyes to what the problems really are, not what they think they are.
Settings – The film is set in London, this does show us just how difficult the life would be for Leon and other young people in this location, if they haven’t been given a chance.
Scene of the Movie – The journey.
That Moment That Annoyed Me – Not enough development of the supporting characters.
Final Thoughts – This is one of the most important eye openers in the world of film, it doesn’t glorify anything, just keeps it feeling realistic throughout the film.
Overall: Important drama.
Story: Obey starts as we meet Leon (Rutherford) a 19-year-old man living in London, he doesn’t have the education, he spends most of his time getting high and drinking with friends, while causing trouble with other gangs, Leon does train in boxing and is starting to wonder what his life is meant to be.
As the violence in the surrounding neighbourhood, Leon starts to question everything more, as he sees his friends acting out causing bigger problems, while he homelife isn’t getting any better with his alcoholic mother, stopping him from getting a chance to improve himself and the woman he meets Twiggy (Clark) only gives him mixed messages.
Thoughts on Obey
Characters – Leon is the 19-year-old man that was raised in the London, where he has become part of a gang, didn’t get a chance at an education and is left facing a life of uncertainty. Leon is feeling like life is going no where now and he wants to do something about it, this could see him go back into education or continue his training in boxing, but the reality comes with him that he just doesn’t want to get involved in criminal actions going on within London, it is a make or break time for the young man, that we completely understand his position in life. Twiggy is the woman that Leon meets, she has been squatting in London with her boyfriend, though she is a free spirit that isn’t looking for trouble, which makes her different to everybody else in Leon’s life. Anton is her boyfriend that we don’t learn to much about other than he is happy to hang out with whoever and fights for rights. We do get to meet most of the gang Leon is in, though the names are easy to forget, they represent a life of crime he could fall into, Leon’s alcoholic mother and her abusive boyfriend, each character does seem to reflect a life Leon could have.
Performances – Marcus Rutherford easily gives us a standout performance in this film, he will make you understand every single situation his character is going through, which is a delight to watch. Sophie Kennedy Clark is everything she needs to be, with the whole supporting cast making you feel like you are part of this world that Leon is living through.
Story – The story here follows a young man who grew up in London as part of a gang, who isn’t given a chance of a future, until he meets a stranger and is left to decide what he wants for his own future. This story is a true eye opener when it comes to showing us how the gang situation happens, is treated and how hopeless somebody could be if they are trapped within it. We do only follow one person, who is given a few outs, through support, a woman, but is also held back by his lack of education, his gang friends and caring for his addict mother. This does show us how hard the life can be, how the mentality can see the person making the wrong decisions, how the outsiders can see them as wrong, rather than not given a chance. This is an important story for the people of England to see and one that could open up more eyes to what the problems really are, not what they think they are.
Settings – The film is set in London, this does show us just how difficult the life would be for Leon and other young people in this location, if they haven’t been given a chance.
Scene of the Movie – The journey.
That Moment That Annoyed Me – Not enough development of the supporting characters.
Final Thoughts – This is one of the most important eye openers in the world of film, it doesn’t glorify anything, just keeps it feeling realistic throughout the film.
Overall: Important drama.
Ivana A. | Diary of Difference (1171 KP) rated Ethereal Custody: Anthologies in Books
Aug 3, 2020
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Ethereal Custody: Anthologies is a story about a young man, who was born in an underground slum and decides to risk his life for a chance to reach the surface. During his pursuit, he discovers that he is part of a much larger scheme of a supernatural nature, in an alternate reality. To escape his world, he grasps the opportunity to create utopia. But paradise has a dark side too.
While we follow this main character, we also follow different characters, who are part of the alternative world that this man created in his dreams - with their own stories of supernatural nature, Angels and people with animalistic tendencies involved as well.
<b><i>“We don’t hold grudges against Angels who didn’t save us. Our self-held grudges stem from the idea that we should have been able to save ourselves.”</i></b>
The story follows a few different planets, with a lot of different characters.
The book is written in the form of a journal. For me, it was very difficult to keep track of the planets and characters. I was losing interest very quickly, re-reading the same page a few times, seeking for adventures and plot twists, when all I could see were descriptions of places and objects. Sometimes there were good parts, where the story was really intriguing. Other times, I had to put the book down and read something else.
<b><i>“I don’t know if it’s forgiveness or love or grieving. But life feels like this slow and heartbroken process of learning to live without something we wanted so badly that we cannot have. To go on without those loved people we miss so much and all the precious moments we could have shared and knowing those futures will never be. It’s having to learn how to trek forward in a new life without a part of yourself; that missing fragment of a loving heart we surrendered and gave away as a gift to someone who’s no longer here with us.”</i></b>
There were many descriptions of places being repeated with the exact words. This made me wonder and question myself whether I’ve read this before. I then needed to go back in the book and reassure myself. It was very irritating to go back and find the same paragraph a few chapters earlier, with the same description of a place.
<b><i>“If there’s anything I learned tonight, it is this: I want to die with a smile on my face.”</i></b>
I am sad to say I didn’t enjoy this book.
Honestly, I liked the idea and where it was intended to go. I also liked the way it was written in the form of a journal. However, the writing was bad. Not only from a grammar and editing point of view, but also the skill to keep the reader intrigued. This book put me through a big reading slump. I am not a fan of DNFing books, but I was close with this one. I recommend Ethereal Custody: Anthologies, if you enjoy multiple planets, a lot of characters and a bit of supernatural sprinkles on top, but this book wasn’t for me.
<b><i>“We are afraid to be silent, yet afraid to speak. We fear to be alone with our demons in the dark, yet we are terrified of those demons being seen in the light among friends. Afraid to be powerless; afraid to be influential. I don’t understand it. I just don’t want to be afraid of myself anymore.”</i></b>
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/06/Book-Review-Banner-60.png"/>;
Ethereal Custody: Anthologies is a story about a young man, who was born in an underground slum and decides to risk his life for a chance to reach the surface. During his pursuit, he discovers that he is part of a much larger scheme of a supernatural nature, in an alternate reality. To escape his world, he grasps the opportunity to create utopia. But paradise has a dark side too.
While we follow this main character, we also follow different characters, who are part of the alternative world that this man created in his dreams - with their own stories of supernatural nature, Angels and people with animalistic tendencies involved as well.
<b><i>“We don’t hold grudges against Angels who didn’t save us. Our self-held grudges stem from the idea that we should have been able to save ourselves.”</i></b>
The story follows a few different planets, with a lot of different characters.
The book is written in the form of a journal. For me, it was very difficult to keep track of the planets and characters. I was losing interest very quickly, re-reading the same page a few times, seeking for adventures and plot twists, when all I could see were descriptions of places and objects. Sometimes there were good parts, where the story was really intriguing. Other times, I had to put the book down and read something else.
<b><i>“I don’t know if it’s forgiveness or love or grieving. But life feels like this slow and heartbroken process of learning to live without something we wanted so badly that we cannot have. To go on without those loved people we miss so much and all the precious moments we could have shared and knowing those futures will never be. It’s having to learn how to trek forward in a new life without a part of yourself; that missing fragment of a loving heart we surrendered and gave away as a gift to someone who’s no longer here with us.”</i></b>
There were many descriptions of places being repeated with the exact words. This made me wonder and question myself whether I’ve read this before. I then needed to go back in the book and reassure myself. It was very irritating to go back and find the same paragraph a few chapters earlier, with the same description of a place.
<b><i>“If there’s anything I learned tonight, it is this: I want to die with a smile on my face.”</i></b>
I am sad to say I didn’t enjoy this book.
Honestly, I liked the idea and where it was intended to go. I also liked the way it was written in the form of a journal. However, the writing was bad. Not only from a grammar and editing point of view, but also the skill to keep the reader intrigued. This book put me through a big reading slump. I am not a fan of DNFing books, but I was close with this one. I recommend Ethereal Custody: Anthologies, if you enjoy multiple planets, a lot of characters and a bit of supernatural sprinkles on top, but this book wasn’t for me.
<b><i>“We are afraid to be silent, yet afraid to speak. We fear to be alone with our demons in the dark, yet we are terrified of those demons being seen in the light among friends. Afraid to be powerless; afraid to be influential. I don’t understand it. I just don’t want to be afraid of myself anymore.”</i></b>
Emma @ The Movies (1786 KP) rated Tenet (2020) in Movies
Aug 30, 2020
This is the first big new release in a long time I've gone into basically blind. I hadn't seen a trailer, read a synopsis, and I only picked up a few things off Twitter because people seem to forget how to use hashtags.
A CIA operative is brought into the fold of a secret operation to prevent a Russian arms dealer starting World War 3 with the most extraordinary ordinary weapons anyone has ever seen.
My initial reaction on Tenet as I walked out of the cinema was that I'd just watched the most predictable and confusing films I've ever seen... I really don't know how it manages to be both.
There are lots of faces in Tenet you'll recognise and all of them do a wonderful job of delivering their parts. I was particularly impressed with Kenneth Branagh and John David Washington, though the latter felt rather understated for an operative at that sort of level... but then that's probably just my opinion on something I only know about from action films. RPatz felt wrong, his delivery was good but my personal preference about his acting technique came out in full force.
When you have a lot of characters it can be difficult to follow everything but surprisingly that was the easiest thing to keep track of. I'm not sure if I was surprised about the way they were handled though. We delve heavily into Andrei and Kat with background and their life, and yes they're main characters but apart from them we don't seem to learn a great deal about anyone else. Is it because of the secretive nature of their situation? Perhaps, but it felt very off balance.
I want to talk about the predictability very briefly because it crosses over into my next point as well. Once you discover the reality behind everything it actually becomes very easy to spot things that are going to lead to something, and that partly because bit stick out like sore thumbs. A few pieces did elude me, but I'm putting that mainly down to the other distractions getting in the way.
So, those distractions came in two forms for me. Firstly, the sound. The music was good and the sound effects there helped with tension and atmosphere... but the volume... there's intense and then there's feeling your ribs rattle in your chest. I wondered if it was the screen's audio initially but there are so many other people saying it that it's definitely designed that way. At its most intense I found it difficult to follow anything, some times we got speech that was hidden by the sound intentionally but at least once the sound overtook some lines with no real purpose. Secondly, the action sequences. They are impressive, you can't deny that, but I found the necessary "transitions" distracting from the scenes which was a major drawback. Any momentum and excitement of the action was knocked straight out of me when I'd noticed that odd movement, it was rather deflating.
There are several good things about Tenet but I think I'd want to watch it twice more. I like going back to watch films to catch the little things I missed, but a second rewatch would almost be a first watch. I'm sure this won't go down well but perhaps it thinks it's rather clever when in fact it's just slightly too complicated to be enjoyable... there are several pieces that feel like they're from other things and in the end I don't think that enough comes together to be good enough to deal with the sound issues.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/tenet-movie-review.html
A CIA operative is brought into the fold of a secret operation to prevent a Russian arms dealer starting World War 3 with the most extraordinary ordinary weapons anyone has ever seen.
My initial reaction on Tenet as I walked out of the cinema was that I'd just watched the most predictable and confusing films I've ever seen... I really don't know how it manages to be both.
There are lots of faces in Tenet you'll recognise and all of them do a wonderful job of delivering their parts. I was particularly impressed with Kenneth Branagh and John David Washington, though the latter felt rather understated for an operative at that sort of level... but then that's probably just my opinion on something I only know about from action films. RPatz felt wrong, his delivery was good but my personal preference about his acting technique came out in full force.
When you have a lot of characters it can be difficult to follow everything but surprisingly that was the easiest thing to keep track of. I'm not sure if I was surprised about the way they were handled though. We delve heavily into Andrei and Kat with background and their life, and yes they're main characters but apart from them we don't seem to learn a great deal about anyone else. Is it because of the secretive nature of their situation? Perhaps, but it felt very off balance.
I want to talk about the predictability very briefly because it crosses over into my next point as well. Once you discover the reality behind everything it actually becomes very easy to spot things that are going to lead to something, and that partly because bit stick out like sore thumbs. A few pieces did elude me, but I'm putting that mainly down to the other distractions getting in the way.
So, those distractions came in two forms for me. Firstly, the sound. The music was good and the sound effects there helped with tension and atmosphere... but the volume... there's intense and then there's feeling your ribs rattle in your chest. I wondered if it was the screen's audio initially but there are so many other people saying it that it's definitely designed that way. At its most intense I found it difficult to follow anything, some times we got speech that was hidden by the sound intentionally but at least once the sound overtook some lines with no real purpose. Secondly, the action sequences. They are impressive, you can't deny that, but I found the necessary "transitions" distracting from the scenes which was a major drawback. Any momentum and excitement of the action was knocked straight out of me when I'd noticed that odd movement, it was rather deflating.
There are several good things about Tenet but I think I'd want to watch it twice more. I like going back to watch films to catch the little things I missed, but a second rewatch would almost be a first watch. I'm sure this won't go down well but perhaps it thinks it's rather clever when in fact it's just slightly too complicated to be enjoyable... there are several pieces that feel like they're from other things and in the end I don't think that enough comes together to be good enough to deal with the sound issues.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/tenet-movie-review.html
Emma @ The Movies (1786 KP) rated Fantasy Island (2020) in Movies
May 5, 2020
Michael Peña and Maggie Q in a film... I'm in. This was high up my watchlist even though Blumhouse and I don't always see eye to eye.
A group of strangers arrive on an island, this experience will give them their deepest desires. Wish for it and you can live it, all you have to do is see it through to the end on Fantasy Island.
Evidently, Nic Cage turned down the role of Mr Roarke... I didn't know that he turned down any roles so that (if true) should have been a massive warning sign.
I do have to wonder how some of these stories come about. This is based on the 70's TV show of the same name which was entirely not scary as far as I know. Is there a giant bingo cage full of ping pong balls inscribed with names of old shows and films? Do they just let studios try their luck to spin whatever they get to their niche?
Twisting this tale is a pretty good idea, though I'm not really sure why an island would want to do that to people, but what do I know about malevolent black goop spirits? I was generally on board with the storyline and I thought it wove them together quite well but that ending... are you kidding me? There was some speculation thrown out about what was going on and that thread was believable. The one they gave us was laughable, the absolute worst choice. Had they done a small reshuffle they could have given a much less ridiculous conclusion.
There are a lot of different threads and each one has its moments, as daft as they might be they come together quite well even when the filler is poor.
Maggie Q's performance as Gwen felt like the most believable out of the whole ensemble, but that's not really a surprise from her. Gwen is basically the only decent person in the group and throughout her stay she is the one that's grounded and tries to deal with her situation. That should give us something good to work off... but she's kind of bland on screen compared to everything else.
Michael Peña is always a pull to a movie for me, but Roarke's story wasn't all the effective. Had he been a construct of the island then there might have been something in it, but as it was you didn't get any real struggle with his actions, I couldn't see how a character that wasn't portrayed as actively evil could go along with any of it even given his background.
While the rest of the cast is filled with faces you'd know there isn't really a great performance to be seen. From unlikeable characters to a script that's not amusing when it tries to be, what's left of the film is plain in a glossy kind of way, and by that I mean it's got the makings of something good but misses anything that could have made an impact. The effects are fine for the most part and the sets are fine when you take into consideration they're supposed to be a fantasy and don't need to fit together perfectly. The exception is Roarke's door that Maggie Q interacts with, I liked that move and I don't know whether the rest of the film might have benefitted from something similar.
Bits of the film are quite good and could have made for an exciting watch, but that ending was so frustrating that any enjoyment went straight out the window and any thrill from what I'd already seen was gone. Also, considering it is classified as horror there wasn't really enough, or anything of quality, too make that a reality. Untapped potential in abundance here.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/05/fantasy-island-movie-review.html
A group of strangers arrive on an island, this experience will give them their deepest desires. Wish for it and you can live it, all you have to do is see it through to the end on Fantasy Island.
Evidently, Nic Cage turned down the role of Mr Roarke... I didn't know that he turned down any roles so that (if true) should have been a massive warning sign.
I do have to wonder how some of these stories come about. This is based on the 70's TV show of the same name which was entirely not scary as far as I know. Is there a giant bingo cage full of ping pong balls inscribed with names of old shows and films? Do they just let studios try their luck to spin whatever they get to their niche?
Twisting this tale is a pretty good idea, though I'm not really sure why an island would want to do that to people, but what do I know about malevolent black goop spirits? I was generally on board with the storyline and I thought it wove them together quite well but that ending... are you kidding me? There was some speculation thrown out about what was going on and that thread was believable. The one they gave us was laughable, the absolute worst choice. Had they done a small reshuffle they could have given a much less ridiculous conclusion.
There are a lot of different threads and each one has its moments, as daft as they might be they come together quite well even when the filler is poor.
Maggie Q's performance as Gwen felt like the most believable out of the whole ensemble, but that's not really a surprise from her. Gwen is basically the only decent person in the group and throughout her stay she is the one that's grounded and tries to deal with her situation. That should give us something good to work off... but she's kind of bland on screen compared to everything else.
Michael Peña is always a pull to a movie for me, but Roarke's story wasn't all the effective. Had he been a construct of the island then there might have been something in it, but as it was you didn't get any real struggle with his actions, I couldn't see how a character that wasn't portrayed as actively evil could go along with any of it even given his background.
While the rest of the cast is filled with faces you'd know there isn't really a great performance to be seen. From unlikeable characters to a script that's not amusing when it tries to be, what's left of the film is plain in a glossy kind of way, and by that I mean it's got the makings of something good but misses anything that could have made an impact. The effects are fine for the most part and the sets are fine when you take into consideration they're supposed to be a fantasy and don't need to fit together perfectly. The exception is Roarke's door that Maggie Q interacts with, I liked that move and I don't know whether the rest of the film might have benefitted from something similar.
Bits of the film are quite good and could have made for an exciting watch, but that ending was so frustrating that any enjoyment went straight out the window and any thrill from what I'd already seen was gone. Also, considering it is classified as horror there wasn't really enough, or anything of quality, too make that a reality. Untapped potential in abundance here.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/05/fantasy-island-movie-review.html
Bob Mann (459 KP) rated The Last Duel (2021) in Movies
Oct 28, 2021
Three nuanced perspectives on a winter’s tale.
In Ridley Scott’s new movie “The Last Duel” we are in the late 14th century in France. And – apart from in one scene – it appears to be perpetual winter!
Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).
But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.
Certification:
US: R. UK: 18.
Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.
Directed by: Ridley Scott.
Written by: Matt Damon, Ben Affleck and Nicole Holofcener.
“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.
Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.
Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.
Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.
Plot Summary:
Widowed Jean de Carrouges (Matt Damon) is a battle-hardened warrior, loyal to King Charles VI of France (Alex Lawther). He is becoming progressively estranged from his one-time friend Jacques Le Gris (Adam Driver), a personal favourite of Normandy ruler Pierre d’Alençon (Ben Affleck).
But Carrouges’ lovely new wife Marguerite (Jodie Comer) accuses Le Gris of a terrible crime. But who is telling the truth? Only God can decide, as Carrouges and Le Gris must duel to the death.
Certification:
US: R. UK: 18.
Talent:
Starring: Jodie Comer, Matt Damon, Adam Driver, Ben Affleck.
Directed by: Ridley Scott.
Written by: Matt Damon, Ben Affleck and Nicole Holofcener.
“The Last Duel” Review: Positives:
It’s an intriguing script – the first collaboration between Damon and Affleck since their Oscar-winning “Good Will Hunting” from 25 years ago. It presents 3 different versions of “the truth” from three different perspectives. (One of these – Marguerite’s version – is suggested as being the ‘actual’ truth through a clever delayed fade of the chapter title). Many of the same scenes are repeated in each variant: sometimes with obvious differences in fact; sometimes with the slightest nuance of tone or expression; and sometimes with no change to the visuals, but with the benefit of hearing the dialogue being spoken. Very clever.
“Killing Eve”‘s Jodie Comer is just brilliant here. She is the master of nuanced expression, and she genuinely deserves an Oscar nomination for this work. Combined with her great and fun role in the surprise summer hit “Free Guy“, Comer is surely on a path to movie acting greatness.
Damon, Driver and Affleck also have great fun with their roles: they are all eminently watchable and this is a study in acting greatness. But I particularly loved Alex Lawther’s turn as the king: all excitable childish power in the body of a young adult.
Battle scenes and the final duel are delivered in visceral nature reminiscent of Ridley Scott’s famous battle and arena scenes in “Gladiator”.
Excellent production design and special effects on show here. Another Oscar nomination perhaps? The movie was filmed in the Dordogne region of France and also – after a 2020 Covid lockdown – in Ireland.
Negatives:
At two and a half hours it’s another long film (is October 2021 designated long film month??). And although the nuances between the different versions of reality are fascinating, there’s a degree of tedium involved in rehashing the same scenes (in some cases) for the third time. Arguably I think a few of these re-versions could have been omitted to reduce the bladder-testing run time.
Summary Thoughts on “The Last Duel”
This is Ridley Scott back on top form again. I found this a gripping watch. As the film opens, we are teased with the start of the ‘boss level’ duel between Damon and Driver. But these final dramatic scenes are the emotional lynchpin of the movie since only then do you understand the background and the ramifications of the fight.
Evidently, 14th Century France was NOT a great time for sexual equality. Women were merely chattels, denied not only fair play and self-determination, but also the bedroom niceties of foreplay and, in most cases, orgasms. As the story was based on real events, the courage and determination of Marguerite of Carrouges were extraordinary. And Jodie Comer’s portrayal of her wonderfully demonstrates, yet again, why she is the UK’s most exciting acting export for many years.
Kirk Bage (1775 KP) rated Tales from the Loop in TV
Jan 22, 2021
Such is the competition for our attention on the major streaming services, and such is the daunting depth of choice, that sometimes something of real quality can slip through the net for a while. I like to think that eventually, everything gets the audience it deserves, because eventually enough people that appreciated it will find it and pass it on. But it is apparent that good things can go under the radar very easily for one reason or another.
Everything about the production and presentation of Amazon’s Tales From the Loop suggests they thought it might be a bigger hit, or at least they had enough faith in it to let it be different from the mass appeal conventions that apply to sci-fi shows. They have proved this many times in recent years, with shows like The Man In the High Castle and The Expanse favouring patient and mature story-telling over interminable flashbangs and whizzpops usually found in the more action based sci-fi on Netflix and others (The Handmaid’s Tale being another notable exception).
Having raised myself auto-didactically on the oldest traditions of science fiction writing in novel and short story form since my teenage years, I can say with some amateur authority that the point of using sci-fi ideas was always about the people and the parallels to social reality and politics that could be highlighted by putting them in a “what-if” situation. The lazer guns and spaceships and evil aliens were much more a product of Hollywood, and still are. Great science fiction writing can and usually does revolve around a very simple change to the world we know, an inversion or a convention or a technology that turns how we live on its head. At its best it is philosophical and moral poetry.
Tales From the Loop, inspired by the beguiling paintings of Swedish Artist Simon Stålenhag aspires to return to these principles, eschewing breakneck pace and unnecessary exposition at every turn – it is entirely content to confuse and sometimes even bore you with its patient, melancholy approach, testing almost if you are worthy to reach the prize of deeper meaning buried away in the final few episodes.
The idea of Stålenhag’s work is to juxtapose a familiar and mundane landscape with a detail of technology that does not exist in our reality. Often it is something broken, run-down or neglected, leaving a strange sadness and beauty behind that has you wondering who once made this and what was it for, and why is it no longer loved? The untold stories objects and hidden lives, secrets and desires that have been lost, is what this sensitive and delicate show is about. It is about the interconnection of lives caught in time, and the sci-fi / tech conceit is only the hanger that coat is put on. Which… I love.
The surface idea is that we are looking at the inhabitants of a small American town that once relied on farming and community, but now has been changed by the presence of an underground facility that deals with experimental physics and finding ways to make impossible things possible. They call it The Loop. It is never fully explained where it came from, or why, or what it is truly capable of – the mystery is always allowed to remain mostly a mystery – which, again, I love!
Many people in the town work at The Loop and rely on it for their livelihoods and collective economy, including Jonathon Pryce and Rebecca Hall, who are ostensibly the show’s main characters. But most folk have no idea what is really going on. Each episode focuses on one or two members of the community that interweave with one another; several important people begin as background dressing and become more prevalent as the full story of their lives and connections unfolds. But no one character is in every episode… which, you know, I love.
Their lives, that seem simple at first glance, are revealed to be complex tapestries of emotion and personal history, revolving around how The Loop has affected them and the things they love. The progression and unfolding of the detail is so deliberate and usually under-explained that very often you don’t realise the effect the full image will have. And when it does catch up with you it becomes a very moving and meaningful experience. Characters that you don’t understand or even like at first come into sharper focus as we reach the climax of the season and grow to learn why they are the way they are. The story arcs of Pryce and Hall in particular are very satisfying, tragic yet utterly beautiful to comprehend.
A lot of the criticism you will see about the show will concentrate on how slow it all is. I am totally convinced this is a deliberate artistic choice to weed out the thrill junkies. They are very welcome to go elsewhere, and it sounds as if many of them did, basing their reviews on one or two half watched episodes they couldn’t be bothered to engage with or wonder at. Which is why I think in time the respect for this as a work of art will come back around.
There is nothing to fault in the production at all. From the opening credits to the end of each episode, what you get is a very highly polished and considered look and feel, designed to evoke certain feelings over others – a wistfulness, an ennui, a bittersweet smile of knowing, perhaps. It invites you to watch patiently and relate, not to watch eagerly and expect… which, you know, I love.
The photography is crisp and well framed always; the music is subtle but effective; the dialogue is often sparing and well chosen (no detail is merely thrown away); and the direction is of a remarkably uniform vision, considering each episode is a different guest professional, including such prestigious names as Jodie Foster, Mark Romanek and Andrew Stanton.
I absolutely urge anyone that isn’t put off by a little sentiment to give this one a try. Sadness and regret in life is not something to shun and be afraid of, they are parts of human experience, and I love art that explores them as concepts. Put that art in a science fiction context and I am bound to love it even more. Like the final moments of Blade Runner, we know that one day all these moments will be lost in time, like tears in rain. We have to take time to see the beauty while we can, even if that beauty is painful.
It may not be for you – I don’t think it is better or worse than other things, just more… me. There is every chance that if it isn’t you… you will hate it. If you do begin, however, please see it to the finish before casting judgement – the final episode directed by Jodie Foster is truly wonderful: a pay-off of such emotion after your investment of seven previous stories, tying it all together perfectly. Rarely have I felt so stupid for not understanding the point of something sooner, or been more pleased that I hadn’t. The final moment of the season is literally unforgettable, and gets richer in my imagination by the day.
Will there be a second season? There certainly could be. Was it enough of a success to justify the investment? Hmm, not sure. Either way, it either sits as a perfect self contained collection of fine, old-fashioned sci-fi stories, or I’d be happy to see it expand, as long as the temptation isn’t to listen to the negative reviews and pander to the fast-food mentality that has already rejected it without fully understanding it. Because nothing needs to change here. A thing of beauty, recommended to those who like beautiful and delicate things.
Everything about the production and presentation of Amazon’s Tales From the Loop suggests they thought it might be a bigger hit, or at least they had enough faith in it to let it be different from the mass appeal conventions that apply to sci-fi shows. They have proved this many times in recent years, with shows like The Man In the High Castle and The Expanse favouring patient and mature story-telling over interminable flashbangs and whizzpops usually found in the more action based sci-fi on Netflix and others (The Handmaid’s Tale being another notable exception).
Having raised myself auto-didactically on the oldest traditions of science fiction writing in novel and short story form since my teenage years, I can say with some amateur authority that the point of using sci-fi ideas was always about the people and the parallels to social reality and politics that could be highlighted by putting them in a “what-if” situation. The lazer guns and spaceships and evil aliens were much more a product of Hollywood, and still are. Great science fiction writing can and usually does revolve around a very simple change to the world we know, an inversion or a convention or a technology that turns how we live on its head. At its best it is philosophical and moral poetry.
Tales From the Loop, inspired by the beguiling paintings of Swedish Artist Simon Stålenhag aspires to return to these principles, eschewing breakneck pace and unnecessary exposition at every turn – it is entirely content to confuse and sometimes even bore you with its patient, melancholy approach, testing almost if you are worthy to reach the prize of deeper meaning buried away in the final few episodes.
The idea of Stålenhag’s work is to juxtapose a familiar and mundane landscape with a detail of technology that does not exist in our reality. Often it is something broken, run-down or neglected, leaving a strange sadness and beauty behind that has you wondering who once made this and what was it for, and why is it no longer loved? The untold stories objects and hidden lives, secrets and desires that have been lost, is what this sensitive and delicate show is about. It is about the interconnection of lives caught in time, and the sci-fi / tech conceit is only the hanger that coat is put on. Which… I love.
The surface idea is that we are looking at the inhabitants of a small American town that once relied on farming and community, but now has been changed by the presence of an underground facility that deals with experimental physics and finding ways to make impossible things possible. They call it The Loop. It is never fully explained where it came from, or why, or what it is truly capable of – the mystery is always allowed to remain mostly a mystery – which, again, I love!
Many people in the town work at The Loop and rely on it for their livelihoods and collective economy, including Jonathon Pryce and Rebecca Hall, who are ostensibly the show’s main characters. But most folk have no idea what is really going on. Each episode focuses on one or two members of the community that interweave with one another; several important people begin as background dressing and become more prevalent as the full story of their lives and connections unfolds. But no one character is in every episode… which, you know, I love.
Their lives, that seem simple at first glance, are revealed to be complex tapestries of emotion and personal history, revolving around how The Loop has affected them and the things they love. The progression and unfolding of the detail is so deliberate and usually under-explained that very often you don’t realise the effect the full image will have. And when it does catch up with you it becomes a very moving and meaningful experience. Characters that you don’t understand or even like at first come into sharper focus as we reach the climax of the season and grow to learn why they are the way they are. The story arcs of Pryce and Hall in particular are very satisfying, tragic yet utterly beautiful to comprehend.
A lot of the criticism you will see about the show will concentrate on how slow it all is. I am totally convinced this is a deliberate artistic choice to weed out the thrill junkies. They are very welcome to go elsewhere, and it sounds as if many of them did, basing their reviews on one or two half watched episodes they couldn’t be bothered to engage with or wonder at. Which is why I think in time the respect for this as a work of art will come back around.
There is nothing to fault in the production at all. From the opening credits to the end of each episode, what you get is a very highly polished and considered look and feel, designed to evoke certain feelings over others – a wistfulness, an ennui, a bittersweet smile of knowing, perhaps. It invites you to watch patiently and relate, not to watch eagerly and expect… which, you know, I love.
The photography is crisp and well framed always; the music is subtle but effective; the dialogue is often sparing and well chosen (no detail is merely thrown away); and the direction is of a remarkably uniform vision, considering each episode is a different guest professional, including such prestigious names as Jodie Foster, Mark Romanek and Andrew Stanton.
I absolutely urge anyone that isn’t put off by a little sentiment to give this one a try. Sadness and regret in life is not something to shun and be afraid of, they are parts of human experience, and I love art that explores them as concepts. Put that art in a science fiction context and I am bound to love it even more. Like the final moments of Blade Runner, we know that one day all these moments will be lost in time, like tears in rain. We have to take time to see the beauty while we can, even if that beauty is painful.
It may not be for you – I don’t think it is better or worse than other things, just more… me. There is every chance that if it isn’t you… you will hate it. If you do begin, however, please see it to the finish before casting judgement – the final episode directed by Jodie Foster is truly wonderful: a pay-off of such emotion after your investment of seven previous stories, tying it all together perfectly. Rarely have I felt so stupid for not understanding the point of something sooner, or been more pleased that I hadn’t. The final moment of the season is literally unforgettable, and gets richer in my imagination by the day.
Will there be a second season? There certainly could be. Was it enough of a success to justify the investment? Hmm, not sure. Either way, it either sits as a perfect self contained collection of fine, old-fashioned sci-fi stories, or I’d be happy to see it expand, as long as the temptation isn’t to listen to the negative reviews and pander to the fast-food mentality that has already rejected it without fully understanding it. Because nothing needs to change here. A thing of beauty, recommended to those who like beautiful and delicate things.