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Atypical Plays for Atypical Actors
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Although disabled characters appear often in plays within the Western theatrical tradition, seldom...
Gareth von Kallenbach (980 KP) rated Nightcrawler (2014) in Movies
Aug 6, 2019
The concept of the American dream is generally thought of as ascending to great heights of success. For some, that means creating something out of nothing. They can do this either through lots of hard work, or by having a stroke of good luck.
“Nightcrawler” centers around Louis Bloom (Jake Gyllenhaal), a young man who is attempting to do just that – create something out of nothing and ascend to great heights of success.
Truly a schmuck by every definition of the word, Louis is a contemptible character. He lies, steals, and bends every rule in pursuit of the almighty dollar. This makes for a character that people will love to hate.
Louis discovers a grand opportunity to make money by essentially playing paparazzi to the world of crime. A skill in high demand in a news industry which sensationalizes violence and crime in order to gain ratings.
The film portrays the workings of the news media as somewhat twisted. The industry plays off of the naivety of the American public.
This theme builds throughout the movie, becoming more and more apparent. It hints at an uncertainty of the ethics of crime news coverage. This message is perhaps intended to extend beyond the silver screen and into the real world.
A thriller with depth, “Nightcrawler” is one hell of a debut for director Dan Gilroy. In addition to the unique and complex plot line, the cast is expertly selected.
Each character achieves a raw realness that turns the audience into witnesses rather than movie goers.
Gyllenhaal, who lost 20 pounds for the role, has mastered the art of portraying madness. His eyes communicate a certain detached sadness, yet at the same time he appears egotistical. His expression exudes an inner dialogue which is fleeting and somewhat absent from reality. He is the main character in the movie, as well as in his own mind.
The evolution which his character, Louis, exhibits is electrifying. He is a man in constant motion – doing whatever it takes to succeed, and sinking deeper into the dark side of a news media that lives off of ratings.
The film starts to resemble a gory train wreck which one cannot resist but to stare at as it follows Louis. In order to get the perfect shot, he pushes the line of morality further and further. His morally questionable character begins to blur into the realm of psychotic.
Human lives begin to be something of a commodity when on the other side of a lens. Nina (Rene Russo), a news director desperate to stay in demand is determined to stay focused on theme of urban crime creeping into suburban neighborhoods. She knows this is what grabs attention, and despite reality, she intends to deliver a particular story to viewers.
Russo’s tired eyes add to the realness of the dramatic story. She is just one of the characters which may confuse the audience in regards to who is “good” and who is “bad.” The interplay between characters who cannot be defined as good or bad creates a massively entertaining drama.
The deeper message of the film is left up for interpretation. Perhaps many people are just “not so good,” then there’s Louis who most people won’t be able to help but loath.
A true statement piece, “Nightcrawler” delivers a nauseating cinematic rush.
I give “Nightcrawler” 5 out of 5 stars.
“Nightcrawler” centers around Louis Bloom (Jake Gyllenhaal), a young man who is attempting to do just that – create something out of nothing and ascend to great heights of success.
Truly a schmuck by every definition of the word, Louis is a contemptible character. He lies, steals, and bends every rule in pursuit of the almighty dollar. This makes for a character that people will love to hate.
Louis discovers a grand opportunity to make money by essentially playing paparazzi to the world of crime. A skill in high demand in a news industry which sensationalizes violence and crime in order to gain ratings.
The film portrays the workings of the news media as somewhat twisted. The industry plays off of the naivety of the American public.
This theme builds throughout the movie, becoming more and more apparent. It hints at an uncertainty of the ethics of crime news coverage. This message is perhaps intended to extend beyond the silver screen and into the real world.
A thriller with depth, “Nightcrawler” is one hell of a debut for director Dan Gilroy. In addition to the unique and complex plot line, the cast is expertly selected.
Each character achieves a raw realness that turns the audience into witnesses rather than movie goers.
Gyllenhaal, who lost 20 pounds for the role, has mastered the art of portraying madness. His eyes communicate a certain detached sadness, yet at the same time he appears egotistical. His expression exudes an inner dialogue which is fleeting and somewhat absent from reality. He is the main character in the movie, as well as in his own mind.
The evolution which his character, Louis, exhibits is electrifying. He is a man in constant motion – doing whatever it takes to succeed, and sinking deeper into the dark side of a news media that lives off of ratings.
The film starts to resemble a gory train wreck which one cannot resist but to stare at as it follows Louis. In order to get the perfect shot, he pushes the line of morality further and further. His morally questionable character begins to blur into the realm of psychotic.
Human lives begin to be something of a commodity when on the other side of a lens. Nina (Rene Russo), a news director desperate to stay in demand is determined to stay focused on theme of urban crime creeping into suburban neighborhoods. She knows this is what grabs attention, and despite reality, she intends to deliver a particular story to viewers.
Russo’s tired eyes add to the realness of the dramatic story. She is just one of the characters which may confuse the audience in regards to who is “good” and who is “bad.” The interplay between characters who cannot be defined as good or bad creates a massively entertaining drama.
The deeper message of the film is left up for interpretation. Perhaps many people are just “not so good,” then there’s Louis who most people won’t be able to help but loath.
A true statement piece, “Nightcrawler” delivers a nauseating cinematic rush.
I give “Nightcrawler” 5 out of 5 stars.
Gareth von Kallenbach (980 KP) rated The Hummingbird Project (2018) in Movies
Jul 2, 2019
Contemporary technology drama comes to the silver screen in the form of The Hummingbird Project starring Jesse Eisenberg, Alexander Skarsgård, and Salma Hayek. The film’s premise is realistic enough: A pair of insiders at a big Wall Street company defect to start a project for a rival firm – to built a single fiber optic connection between a stock exchange in Kansas City and the New York Stock Exchange. This was realistic enough that my lack of knowledge on the history of Wall Street’s networking had me looking up later to see if there was any truth or basis to portions of the plot. Unfortunately, I can’t seem to find anything referencing a Kansas City Stock Exchange. Unless they were referring to livestock? Because there was a Kansas City Livestock Exchange. Anyway, my biases up front – despite my clear lacking of aforementioned knowledge, I am a tech geek with experience in networking and related technology fields. So, a premise like this has a lot to attract my attention. There is admittedly much to enjoy about dramas regarding our contemporary plights in the realm of technology, because that’s where a lot of work is centered. Gone are the days of building railroads. But our internet infrastructure…
The film does a fairly good job representing the intense difficulty of such a project: it’s something like one thousand miles of straight line to run one fiber optic connection without obstruction. Most people would not think about what goes into making that into reality, which is the draw for most of the film’s conflict. I do however recognize that centering the plot on a large scale construction job of an internet cable doesn’t exactly scream excitement for most people; and this is especially true when the end goal is to shave off one millisecond from their current transaction times. Yet, this arguably ironic dynamic actually ended up being somewhat of a draw for me. Halfway through the film the question arises, “All this for just a millisecond of increased speed?” That’s the point though, and I wish the film would have delved deeper into these kinds of themes. This represents my chief criticism: all of the elements are here for a truly stellar drama but everything is explored at only a shallow or moderate depth. The characters have decent arcs, thrown some difficult challenges and curveballs to overcome, but Jesse Eisenberg’s character only briefly touches on the back-story that truly drives him, and while Alexander Skarsgård‘s character is more fully fleshed out his arc is essentially basic. I do enjoy the role reversal as one would usually expect to see Jesse Eisenberg playing the socially awkward genius programmer and Alexander Skarsgård to play the ambitious go-getter who runs the project, but they take opposite roles to great effect. The actors all do great here for the most part, including the excellent Michael Mando in a supporting role. My only complaint here is the acting dips a bit into melodrama later in the film, but this is mostly attributed to subplots that edge into the unbelievable.
Ironically Hummingbird Project works best at representing its core premise of what most would consider a mundane construction project. The actors do well, and I especially enjoy Alexander Skarsgård‘s portrayal of the lonely genius, but their underlying drama and back-stories are a bit of a mixed bag. Some of it works decently well while other elements do not – particularly late in the film. Sadly the themes at play are a bit too obvious and underexplored, but it is an appreciated attempt to represent a seldom explored aspect of contemporary industry.
The film does a fairly good job representing the intense difficulty of such a project: it’s something like one thousand miles of straight line to run one fiber optic connection without obstruction. Most people would not think about what goes into making that into reality, which is the draw for most of the film’s conflict. I do however recognize that centering the plot on a large scale construction job of an internet cable doesn’t exactly scream excitement for most people; and this is especially true when the end goal is to shave off one millisecond from their current transaction times. Yet, this arguably ironic dynamic actually ended up being somewhat of a draw for me. Halfway through the film the question arises, “All this for just a millisecond of increased speed?” That’s the point though, and I wish the film would have delved deeper into these kinds of themes. This represents my chief criticism: all of the elements are here for a truly stellar drama but everything is explored at only a shallow or moderate depth. The characters have decent arcs, thrown some difficult challenges and curveballs to overcome, but Jesse Eisenberg’s character only briefly touches on the back-story that truly drives him, and while Alexander Skarsgård‘s character is more fully fleshed out his arc is essentially basic. I do enjoy the role reversal as one would usually expect to see Jesse Eisenberg playing the socially awkward genius programmer and Alexander Skarsgård to play the ambitious go-getter who runs the project, but they take opposite roles to great effect. The actors all do great here for the most part, including the excellent Michael Mando in a supporting role. My only complaint here is the acting dips a bit into melodrama later in the film, but this is mostly attributed to subplots that edge into the unbelievable.
Ironically Hummingbird Project works best at representing its core premise of what most would consider a mundane construction project. The actors do well, and I especially enjoy Alexander Skarsgård‘s portrayal of the lonely genius, but their underlying drama and back-stories are a bit of a mixed bag. Some of it works decently well while other elements do not – particularly late in the film. Sadly the themes at play are a bit too obvious and underexplored, but it is an appreciated attempt to represent a seldom explored aspect of contemporary industry.
Hazel (1853 KP) rated Musical Mayhem (Totally Twins, #1) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.
Musical Mayhem</i> is the first book in the <i>Totally Twins</i> series aimed at ten-year-old girls. Subtitled <i>The Fabulous Diary of Persephone Pinchgut</i>, the series is about the life of identical sisters from one twin’s point of view. Portia and Persephone may look the same, share friends and borrow each other’s clothes, but inside they are polar opposites. Starting a diary is the only way Persephone can have something that is entirely her own, where she can write about how she really feels.
The main storyline revolves around the upcoming end of term musical at the twins’ school. Persephone only joined the drama class at Portia’s insistence, whereas in reality she is a shy girl with absolutely no singing ability. Persephone writes about her dread of the auditions and the hurtful teasing from her perfect sister.
Many young girls (and boys), like the author herself, wish at some point to have a twin. Portia and Persephone may have a special connection that other siblings do not, but as this diary reveals, having a twin is not all sunshine and rainbows. Persephone also writes about her parents’ divorce, her alternate therapy obsessed Mum and her hopes and dreams for the future. There are many things for young girls to relate to.
Illustrator Serena Geddes completes the book with her simple drawings. <i>Musical Mayhem</i> is not a children’s’ picture book; it is a step between child and teenager novels. For an adult reader the storyline is uninspiring, however a child of ten would enjoy the characters, humour and the issues expressed.
<i>Totally Twins: Musical Mayhem</i> is a great start to a unique series of short books for girls. It is something that junior school children will love to collect to build up their own personal library. The book jackets are attractive and will look great when all together as a set. If you are looking for a present for a young girl, I recommend considering this book.
Musical Mayhem</i> is the first book in the <i>Totally Twins</i> series aimed at ten-year-old girls. Subtitled <i>The Fabulous Diary of Persephone Pinchgut</i>, the series is about the life of identical sisters from one twin’s point of view. Portia and Persephone may look the same, share friends and borrow each other’s clothes, but inside they are polar opposites. Starting a diary is the only way Persephone can have something that is entirely her own, where she can write about how she really feels.
The main storyline revolves around the upcoming end of term musical at the twins’ school. Persephone only joined the drama class at Portia’s insistence, whereas in reality she is a shy girl with absolutely no singing ability. Persephone writes about her dread of the auditions and the hurtful teasing from her perfect sister.
Many young girls (and boys), like the author herself, wish at some point to have a twin. Portia and Persephone may have a special connection that other siblings do not, but as this diary reveals, having a twin is not all sunshine and rainbows. Persephone also writes about her parents’ divorce, her alternate therapy obsessed Mum and her hopes and dreams for the future. There are many things for young girls to relate to.
Illustrator Serena Geddes completes the book with her simple drawings. <i>Musical Mayhem</i> is not a children’s’ picture book; it is a step between child and teenager novels. For an adult reader the storyline is uninspiring, however a child of ten would enjoy the characters, humour and the issues expressed.
<i>Totally Twins: Musical Mayhem</i> is a great start to a unique series of short books for girls. It is something that junior school children will love to collect to build up their own personal library. The book jackets are attractive and will look great when all together as a set. If you are looking for a present for a young girl, I recommend considering this book.
Emma @ The Movies (1786 KP) rated What They Had (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
What They Had is what I wanted from The Leisure Seeker, it ends up being a touching look at how Alzheimer's can affect the family unit. That being said, it is still just an average family drama that has a great cast.
All four of our leads bring something special to this film, for me though, Robert Forster was far and away the best of them. His progression throughout the film makes for such a powerful moment at the end when he finally sees the reality of his situation.
There's no denying that if you take out these big name actors you've just got another Lifetime movie. It needed some more punch in the other areas to bring it up, but I honestly don't know how it could have done that. It is what it is, there isn't a lot to play with apart from a more dramatic storyline.
The main story does flow well but the side stories are rather forgettable. When we get to the end and they're all neatly tied up I wasn't overly bothered. Even with these great actors in all of the scenes nothing was particularly tugging at my heartstrings.
Blythe Danner really came into her own towards the end of What They Had. The sequence of events that takes place brought more than the odd tear to my eye. There's some beautiful logic from Ruth and if I'd been in her daughter's position in that moment I would have been snotty crying.
We also need to acknowledge the elephant (or in this case, turkey) in the room. We've had Ruth's emotional scenes, we get the last bit of the story sewn up in possibly an overly sweet scenario and then... a turkey... literally. I honestly didn't get it.
Sadly, although I enjoy it and I wasn't bored I think this is going to quickly be cast into the "oh yeah, I remember that film" pile.
What you should do
If you enjoy family dramas then this is one of the better ones recently and is certainly worth a watch.
Movie thing you wish you could take home
I quite liked the look of Nick's bar, I wouldn't mind getting my own one... it would be movie-themed of course.
All four of our leads bring something special to this film, for me though, Robert Forster was far and away the best of them. His progression throughout the film makes for such a powerful moment at the end when he finally sees the reality of his situation.
There's no denying that if you take out these big name actors you've just got another Lifetime movie. It needed some more punch in the other areas to bring it up, but I honestly don't know how it could have done that. It is what it is, there isn't a lot to play with apart from a more dramatic storyline.
The main story does flow well but the side stories are rather forgettable. When we get to the end and they're all neatly tied up I wasn't overly bothered. Even with these great actors in all of the scenes nothing was particularly tugging at my heartstrings.
Blythe Danner really came into her own towards the end of What They Had. The sequence of events that takes place brought more than the odd tear to my eye. There's some beautiful logic from Ruth and if I'd been in her daughter's position in that moment I would have been snotty crying.
We also need to acknowledge the elephant (or in this case, turkey) in the room. We've had Ruth's emotional scenes, we get the last bit of the story sewn up in possibly an overly sweet scenario and then... a turkey... literally. I honestly didn't get it.
Sadly, although I enjoy it and I wasn't bored I think this is going to quickly be cast into the "oh yeah, I remember that film" pile.
What you should do
If you enjoy family dramas then this is one of the better ones recently and is certainly worth a watch.
Movie thing you wish you could take home
I quite liked the look of Nick's bar, I wouldn't mind getting my own one... it would be movie-themed of course.
Gareth von Kallenbach (980 KP) rated Whiskey Tango Foxtrot (2016) in Movies
Aug 6, 2019
Based on “The Taliban Shuffle: Strange Days in Afghanistan,” a memoir by Kim Barker, “Whiskey Tango Foxtrot” follows the journey of a copy writer turned war reporter (Tina Fey).
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
Kim Pook (101 KP) rated Before I Wake (2016) in Movies
Nov 20, 2020
After losing their son. A young couple, Mark and Jessie, decide to Foster a young boy named Cody. Cody had been to a few Foster homes but they all proved problematic, one family even disappeared, leaving Cody by himself.
When we meet Cody properly, he appears to be very well mannered and even takes his shoes off before entering the couples home.
The couple soon discover that Cody has a box of stimulants to keep him awake at night, which he says is to keep the canker man from eating him. The couple brush it off thinking it's a typical child's over-active imagination.
When Cody finally goes to sleep, strange things start to happen in the house. A load of butterflies appear in the living room and their son appears in the house, he doesn't speak but just stands there smiling and they are able to touch him, strangely he disappears when Cody wakes up. It doesn't take the couple long to work out that as Cody sleeps, he is able to make their son appear using videos and photos as references, essentially his dreams become reality. What they don't realise is the evil darkness that comes with it, and it isn't long before it starts attacking Cody whilst he's awake, due to him being sleep deprived. Eventually Jessie searches for ways to help him.
I put this movie off for so long as I didn't expect to like it. It turned out I actually really enjoyed it. It moved at a nice pace and I found it interesting right from the beginning which doesn't tend to happen in horror movies. Mind you I say horror movies but this is more of a fantasy drama with a small element of horror. The acting from everyone is spot on and the horror element of it good, it had a couple of jump scares but they're not over the top. Visuals are good for the most part, but I felt the butterflies looked really false.
I would definitely recommend this movie if you haven't seen it already.
When we meet Cody properly, he appears to be very well mannered and even takes his shoes off before entering the couples home.
The couple soon discover that Cody has a box of stimulants to keep him awake at night, which he says is to keep the canker man from eating him. The couple brush it off thinking it's a typical child's over-active imagination.
When Cody finally goes to sleep, strange things start to happen in the house. A load of butterflies appear in the living room and their son appears in the house, he doesn't speak but just stands there smiling and they are able to touch him, strangely he disappears when Cody wakes up. It doesn't take the couple long to work out that as Cody sleeps, he is able to make their son appear using videos and photos as references, essentially his dreams become reality. What they don't realise is the evil darkness that comes with it, and it isn't long before it starts attacking Cody whilst he's awake, due to him being sleep deprived. Eventually Jessie searches for ways to help him.
I put this movie off for so long as I didn't expect to like it. It turned out I actually really enjoyed it. It moved at a nice pace and I found it interesting right from the beginning which doesn't tend to happen in horror movies. Mind you I say horror movies but this is more of a fantasy drama with a small element of horror. The acting from everyone is spot on and the horror element of it good, it had a couple of jump scares but they're not over the top. Visuals are good for the most part, but I felt the butterflies looked really false.
I would definitely recommend this movie if you haven't seen it already.
Practice to Deceive
Book
#1 New York Times bestselling author and Queen of True Crime Ann Rule delivers another gripping...
True crime murder
Sophia (Bookwyrming Thoughts) (530 KP) rated Gamer Girl in Books
Jan 23, 2020
I was in the process of getting another book entirely at the library when I noticed Mari Mancusi's Gamer Girl peeking out from its hiding place between two other books. Being the occasional gamer myself (though currently I'm being a little too scholarly to even focus on gaming), I could definitely relate to the title (not so much the synopsis).
There's much to love about Gamer Girl: the synopsis made the book sound like a very happy book something that I've been on the hunt for awhile. The cover is simplistic and gorgeous it definitely puts down the entire idea of the book with the drawing of the main character, Maddy, and the avatar she uses in a game (Fields of Fantasy) she gets for her birthday shortly after her parents divorce. The interior is just as gorgeous as the cover the chapter headings depict Maddy's main emotions she's feeling by the end of the chapter.
Mancusi's writing style and use of Maddy's voice is great as well Maddy is a very relatable character and she has an attitude that isn't annoying, making the book feel perfectly paced as Maddy gets to know SirLeo in Fields of Fantasy and falls in love with him. For awhile it probably feels as though Maddy will find out SirLeo is really an online predator.
Much as I really loved Gamer Girl and Mancusi's writing style, the book feels as though it's aimed more toward middle grade than a high schooler my age. The book is stereotypical with Maddy being bullied by the "Royal Court" as soon as she starts a new school and Maddy tries to escape from the troubles of her reality by entering the gaming world and playing Fields of Fantasy with an elfin character named Allora, someone she would rather be. It all leads to a very cute and adorable ending with the popular guy falling for the outcast very happy and light-hearted, and certainly not something you're likely to come across in real life, compared to the realistic drama of Margo Kelly's Who R U Really.
----------------
Review originally posted at <a href="http://bookwyrming-thoughts.blogspot.com/2015/01/review-gamer-girl-by-mari-mancusi.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
There's much to love about Gamer Girl: the synopsis made the book sound like a very happy book something that I've been on the hunt for awhile. The cover is simplistic and gorgeous it definitely puts down the entire idea of the book with the drawing of the main character, Maddy, and the avatar she uses in a game (Fields of Fantasy) she gets for her birthday shortly after her parents divorce. The interior is just as gorgeous as the cover the chapter headings depict Maddy's main emotions she's feeling by the end of the chapter.
Mancusi's writing style and use of Maddy's voice is great as well Maddy is a very relatable character and she has an attitude that isn't annoying, making the book feel perfectly paced as Maddy gets to know SirLeo in Fields of Fantasy and falls in love with him. For awhile it probably feels as though Maddy will find out SirLeo is really an online predator.
Much as I really loved Gamer Girl and Mancusi's writing style, the book feels as though it's aimed more toward middle grade than a high schooler my age. The book is stereotypical with Maddy being bullied by the "Royal Court" as soon as she starts a new school and Maddy tries to escape from the troubles of her reality by entering the gaming world and playing Fields of Fantasy with an elfin character named Allora, someone she would rather be. It all leads to a very cute and adorable ending with the popular guy falling for the outcast very happy and light-hearted, and certainly not something you're likely to come across in real life, compared to the realistic drama of Margo Kelly's Who R U Really.
----------------
Review originally posted at <a href="http://bookwyrming-thoughts.blogspot.com/2015/01/review-gamer-girl-by-mari-mancusi.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
As a worker tears apart an old house under construction in London, he makes an unsettling discovery: tiny bones. The police believe they belong to a baby who was buried years earlier. The story catches the eye of journalist Kate Waters, who immediately wants to determine the child's identity. Her research leads her to a missing child from several decades in the past: a stolen baby, who was never found. Kate finds herself drawn into the missing baby's case and the lives of several women: Angela, a mother who had her baby stolen many years ago; Emma, who once lived on the block where the baby's bones were found; and Jude, Emma's mother.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.