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War of Gods Box Set (War of Gods #1-4)
8.0
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Book
Box set featuring all four novels in the bestselling War of Gods paranormal romance series. ...
Paranormal Romance
Cooked
Book
In Cooked, Michael Pollan explores the previously uncharted territory of his own kitchen. Here, he...
Songs of Love and Death: All-Original Tales of Star-Crossed Love
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N this star-studded cross-genre anthology, seventeen of the greatest modern authors of fantasy,...
Gareth von Kallenbach (980 KP) rated the Xbox One version of Ion Fury in Video Games
Aug 16, 2019
Back in the 90s before the days of High-Speed Internet, 3D Graphics Cards, and other gaming technologies that we take for granted was Duke Nukem 3D. The game was developed by Voidpoint, in association with 3D Realms and 1C Publishing on the Build Engine and became a big hit in large part to the action, character, and interactive features of the game which were fairly new at the time.
Other games such as Shadow Warrior and Blood followed which were powered by this technology but it soon became a thing of the past as games such as Quake set the new standards for graphics and online play and with the advent of 3D acceleration; pixelated graphics became a thing of the past.
What was once old is now new again as 3D Realms have returned with a new game called Ion Fury. While Duke and Shadow Warrior have spawned sequels and remakes using modern gaming features and graphics Ion Fury takes a step back by giving gamers the look, sound, and feel of a game from the 90s.
Playing as Shelly “Bombshell” Harrison; players must take on the evil Dr. Jadus Heskel and his army of Cyber-Cultists.
While the look of the game may be retro there are many features that were not possible back in the day such as auto saves, improved physics, headshots, and more; the game is a fast-paced and action-packed shooter that more than holds its own with any of the recent entries into the genre.
While I had played the preview mission about a year ago, the full game did take a bit of adjustment as some things simply do not play like a modern game would. There can be some clipping issues, and enemy A.I. can be erratic. But the awesome array of weapons from your Loverboy pistol to Shotguns, Machine Guns, Chain Guns, and Grenade Launchers are more than enough to cut enemies down to size. You will need this and more such as your Seeking Grenades and Mines as the game throws lots of enemies at you and as you progress they become more abundant, varied, and dangerous.
Ion Fury is filled with numerous secret areas and Pop Culture references from the lines your character says to all sorts of locales and situations that arise. There are also some clever call backs to earlier games as I noticed the Bloody Handprint from BLOOD, the Ying/Yang Symbol from Shadow Warrior, and Duke’s Atomic symbol at various times.
The game mixes indoor and outdoor locales well including an Academy, Subway, Mansion, and of course the secret lab filled with all sorts of evil experiments.
The game is also filled with several puzzles as well as a few very annoying times jumps that had me cursing at their difficulty on more than one occasion. There were also plenty of long levels where you had to find alternate ways into rooms to obtain Key Cards to unlock other areas and keep the action moving. There was a decent supply of health and Body Armor along the way and it never was unappreciated as enemies would either swarm or attack from hiding frequently.
As I played the game I moved past the nostalgia and became really focused on the story and the action. I was able to look past the older graphics and gameplay and remember just how fun this type of game was and how we would spend hours online playing games like this.
Sadly this is not an option in Ion Fury at the time as the game is missing a Multiplay segment. We had done an interview for the game over a year ago; and we were of the understanding that this would be a part of the final release but sadly it is not. I had hoped to relive some of classic Deathmatch games of old.
The game is affordable as it is set to sell at $19.99 and considering I have over 14 hours of gameplay to complete the game; it more than delivers and I did not even find all of the secret areas each level offers.
In the end if you are in the mood for some retro action; then Ion Fury is one that you will not want to miss.
4 stars out of 5
http://sknr.net/2019/08/14/ion-fury/
Other games such as Shadow Warrior and Blood followed which were powered by this technology but it soon became a thing of the past as games such as Quake set the new standards for graphics and online play and with the advent of 3D acceleration; pixelated graphics became a thing of the past.
What was once old is now new again as 3D Realms have returned with a new game called Ion Fury. While Duke and Shadow Warrior have spawned sequels and remakes using modern gaming features and graphics Ion Fury takes a step back by giving gamers the look, sound, and feel of a game from the 90s.
Playing as Shelly “Bombshell” Harrison; players must take on the evil Dr. Jadus Heskel and his army of Cyber-Cultists.
While the look of the game may be retro there are many features that were not possible back in the day such as auto saves, improved physics, headshots, and more; the game is a fast-paced and action-packed shooter that more than holds its own with any of the recent entries into the genre.
While I had played the preview mission about a year ago, the full game did take a bit of adjustment as some things simply do not play like a modern game would. There can be some clipping issues, and enemy A.I. can be erratic. But the awesome array of weapons from your Loverboy pistol to Shotguns, Machine Guns, Chain Guns, and Grenade Launchers are more than enough to cut enemies down to size. You will need this and more such as your Seeking Grenades and Mines as the game throws lots of enemies at you and as you progress they become more abundant, varied, and dangerous.
Ion Fury is filled with numerous secret areas and Pop Culture references from the lines your character says to all sorts of locales and situations that arise. There are also some clever call backs to earlier games as I noticed the Bloody Handprint from BLOOD, the Ying/Yang Symbol from Shadow Warrior, and Duke’s Atomic symbol at various times.
The game mixes indoor and outdoor locales well including an Academy, Subway, Mansion, and of course the secret lab filled with all sorts of evil experiments.
The game is also filled with several puzzles as well as a few very annoying times jumps that had me cursing at their difficulty on more than one occasion. There were also plenty of long levels where you had to find alternate ways into rooms to obtain Key Cards to unlock other areas and keep the action moving. There was a decent supply of health and Body Armor along the way and it never was unappreciated as enemies would either swarm or attack from hiding frequently.
As I played the game I moved past the nostalgia and became really focused on the story and the action. I was able to look past the older graphics and gameplay and remember just how fun this type of game was and how we would spend hours online playing games like this.
Sadly this is not an option in Ion Fury at the time as the game is missing a Multiplay segment. We had done an interview for the game over a year ago; and we were of the understanding that this would be a part of the final release but sadly it is not. I had hoped to relive some of classic Deathmatch games of old.
The game is affordable as it is set to sell at $19.99 and considering I have over 14 hours of gameplay to complete the game; it more than delivers and I did not even find all of the secret areas each level offers.
In the end if you are in the mood for some retro action; then Ion Fury is one that you will not want to miss.
4 stars out of 5
http://sknr.net/2019/08/14/ion-fury/
Ross (3284 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 5, 2018 (Updated Nov 5, 2018)
Slight variation on the Alice in Wonderland reboot
I'm guessing Disney want to keep going with their live action Princess films, and thought they'd hit gold with the rights to the Nutcracker for a Christmas release. Similar to the 2010 Alice in Wonderland, the film intends to act as a sequel to the original tale of the Nutcracker, where the world has fallen into disarray. Clara is the daughter of the original story's Marie, who has passed away, and looking to open the intriguing present left by her mother she finds herself following a mouse (not a rabbit!) into a strange world. She is introduced to the world her mother was made queen of, though sadly learns that the "fourth realm" (led by Helen Mirren as Mother Ginger) is at war with the other three (among them are realms led by Keira Knightley and an underused Richard E Grant).
Here Disney have taken some liberties as Clara's brother and sister take the roles and names of her mother's siblings in the original, and for no apparent reason the film based on the Russian ballet that was based on the French adaptation of the German fairy tale, is set in London. I can only assume this was to up the Festive quotient, but seems a very odd choice, despite keeping a number of the German themes.
Keira Knightley is very irritating, doing an ear-piercing impression of Queenie from Blackadder.
Neither of the actors playing Clara or the Nutcracker are very good or likeable and you find yourself bored and starting to root for Mother Ginger just to end it.
The film is too long, and drags in large parts, and all three of my kids were restless for a lot of it. And there was a definite lack of large-scale special effects, some impressive scenes but audiences expect spectacles (not 3D glasses, I mean big scenes!) these days and those were lacking.
The most enjoyable scene was the use of ballet to get Clara up to date with the world she found herself in, being quite respectful to the medium it was adapting (though I can't say how authentic it was!).
Here Disney have taken some liberties as Clara's brother and sister take the roles and names of her mother's siblings in the original, and for no apparent reason the film based on the Russian ballet that was based on the French adaptation of the German fairy tale, is set in London. I can only assume this was to up the Festive quotient, but seems a very odd choice, despite keeping a number of the German themes.
Keira Knightley is very irritating, doing an ear-piercing impression of Queenie from Blackadder.
Neither of the actors playing Clara or the Nutcracker are very good or likeable and you find yourself bored and starting to root for Mother Ginger just to end it.
The film is too long, and drags in large parts, and all three of my kids were restless for a lot of it. And there was a definite lack of large-scale special effects, some impressive scenes but audiences expect spectacles (not 3D glasses, I mean big scenes!) these days and those were lacking.
The most enjoyable scene was the use of ballet to get Clara up to date with the world she found herself in, being quite respectful to the medium it was adapting (though I can't say how authentic it was!).
The Awakener
Book
The Dawning of the New Age on Earth, the Seventh Universal Golden Age is upon us. A wonderful new...
ISS Vanguard
9.0
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Tabletop Game
ISS Vanguard is a 1-4 player co-operative, campaign Board Game. It will bring players right into...
Emma @ The Movies (1786 KP) rated Can You Ever Forgive Me? (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I long for the blockbusters to come around again so I can stop saying "this is great but..." It has definitely become my mantra for January and I think it's the curse of awards season.
Melissa McCarthy is the second actor this month to take a big leap in genre and I'm loving it. Her comedy offerings have always amused me, Life Of The Party last year was great fun and I've just discovered she was DNAmy in Kim Possible so that means I need to watch all of that again!
I'm in danger of going off point now I've realised that last fact. Where was I?
McCarthy... Lee Israel is rather brash and as such has the potential to be entirely unlikeable, the performance is excellent though and McCarthy manages to make every situation feel very real. Despite that though I didn't get any real emotions out of any of it.
Luckily Richard E. Grant's inclusion allows the film to have a few lighter moments and the pair work wonderfully together on screen. I'm rather glad that this erased some of the damage The Nutcracker And The Four Realms did.
At no point during the film did I think anything was badly done. Lead and supporting actors were brilliant, the story it was based on was an interesting one... insert my phrase of the month here... The main issue I had with the film was pacing. I came out thinking that was a long two hour film before realising that it was only actually an hour and 46 minutes. At the mid-point my interest dwindled severely for a while but it did thankfully pick up a little. There are several bits that don't feel like they have much of a place in the story, whether they're part of the original narrative or added for the film I don't know but while they might have been there for background they didn't add any impact to the main story.
This rating has me a little at odds, the stars are mainly for the acting and the switch in pace for Melissa McCarthy, and as I said, nothing is badly done. Even with the limited audience potential this could have been an amazing film had it had something to keep you interested the whole way through.
What you should do
It's got some good points, but it is a very niche subject matter so I don't think I'd be recommending a viewing to anyone but my most booky friends.
Movie thing you wish you could take home
All those glorious bookshops!
Melissa McCarthy is the second actor this month to take a big leap in genre and I'm loving it. Her comedy offerings have always amused me, Life Of The Party last year was great fun and I've just discovered she was DNAmy in Kim Possible so that means I need to watch all of that again!
I'm in danger of going off point now I've realised that last fact. Where was I?
McCarthy... Lee Israel is rather brash and as such has the potential to be entirely unlikeable, the performance is excellent though and McCarthy manages to make every situation feel very real. Despite that though I didn't get any real emotions out of any of it.
Luckily Richard E. Grant's inclusion allows the film to have a few lighter moments and the pair work wonderfully together on screen. I'm rather glad that this erased some of the damage The Nutcracker And The Four Realms did.
At no point during the film did I think anything was badly done. Lead and supporting actors were brilliant, the story it was based on was an interesting one... insert my phrase of the month here... The main issue I had with the film was pacing. I came out thinking that was a long two hour film before realising that it was only actually an hour and 46 minutes. At the mid-point my interest dwindled severely for a while but it did thankfully pick up a little. There are several bits that don't feel like they have much of a place in the story, whether they're part of the original narrative or added for the film I don't know but while they might have been there for background they didn't add any impact to the main story.
This rating has me a little at odds, the stars are mainly for the acting and the switch in pace for Melissa McCarthy, and as I said, nothing is badly done. Even with the limited audience potential this could have been an amazing film had it had something to keep you interested the whole way through.
What you should do
It's got some good points, but it is a very niche subject matter so I don't think I'd be recommending a viewing to anyone but my most booky friends.
Movie thing you wish you could take home
All those glorious bookshops!
JT (287 KP) rated Insidious (2010) in Movies
Mar 10, 2020
James Wan has all the talent but for some reason is unable to put the killer instinct into his films and finish them off like they should be. With the exception of being one of the founding members of the Saw franchise, his films to date haven’t quite lived up to the expectations we know he can and should be able to deliver on.
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Wan returns with Leigh Whannell the creator and writer of Saw, with the pair looking to yet again scare everyone shitless with a haunted house tale, this time focussing on a young boy whose slipped into a coma and drifted into the outer realms called The Further.
When writing Insidious Whannell wanted to make sure that he avoided all the haunted house cliches, and he pretty much did that. What he failed to do though was script a stronger third act, something which might have brought this up on a par with Saw.
Dalton is the one in peril as he suddenly slips into a coma one morning, his mother Renai (Byrne) is then forced to spend time looking after her trio of kids all the while looking over her shoulder, as she hears one bump to the next occurring both in broad daylight and at night.
After some decent scares from the outset including the old “he’s behind you” and murmurings through the baby monitor the film was almost guilty of slipping into a farce as our protagonist Josh Lambert (Wilson) was forced to engage in some astro physics in order to save the day.
It was a real shame as up till that point you’d have spent most of the run time hiding under the covers, as Wan introduced one jolt after another, some more subtle than others but ultimately offering the same desired effect.
The introduction of Elise Rainier (Lin Shaye) the Ghost hunter whose come to see what all the fuss is about is pretty much inevitable. Armed with the latest high tech equipment and a couple of geeks, the aptly named Specs and Tucker, provides much amusement as Rainier delivers the killer line “It’s not the house that’s haunted”.
The film moves through the gears well, but it’s that annoyingly poor third act that ruins it for me. It does try and redeem itself with an all too predictable ending, those that have seen Wan and Whannel’s other film Dead Silence will know what I mean.
At the end of the day you feel all Wan had to do was hit the target, but this is just off to the right!
Warlords Classic - official port from Mac/PC/Amiga
Games
App
Warlords Classic is an official port of the fabulous game you have been playing in your childhood on...