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Kevin Phillipson (10072 KP) rated The Night House (2020) in Movies
Oct 28, 2021
Watched last night on Disney + after watching the movie last night I realised why I didn't go to see it at the cinema during the summer for starters the plot for me could get confusing but I got there in the end. Rebecca Hall was the star and she managed to keep the plot moving even when I didn't understand what was going on sometimes overall not bad movie but could have been better
Merissa (13730 KP) created a post
Dec 19, 2025
MaryAnn (14 KP) rated Midnight on the River Grey in Books
Nov 4, 2019
Abigail Wilson returns to Regency England with another tale of murder, mystery, and romance.
After her elder brotherÂs mysterious death, Rebecca Hunter vows to expose the man she believes responsible-Mr. Lewis Browning-known by the locals as the Midnight Devil and by Rebecca as her new guardian. He alone was on the bridge that fateful night and openly admits striking her brother with his horse, but he claims he remembers little else. Summoned to his reclusive country estate to await her London season, Rebecca plans her own secret investigation. Yet, Lewis Browning is not as she once imagined, and his motivation is horribly unclear. Recurrent nightmares and RebeccaÂs restless feelings are further complicated by the shadow of her motherÂs prior descent into madness and whether she too will follow the same heartbreaking path. Even as midnight rides, strange injuries, and further murders lead back to Lewis, Rebecca canÂt ignore the subtle turn of her heart. Has she developed feelings for the man she swore to see hanged? And moreover, can she trust him with her uncertain future?
My Thoughts: This was an amazing read; full of plot twists, murder and even a little love involved. Abigail Wilson has spun a tale of intrigue that keeps the readers on the edge of their seat. In this book, you never know who to really trust and just when you think you have it all figured out, the plot twists again!
The characters in this story are intriguing, some are very lovable and some are just mysterious. There is a warm feeling with the Aunt/niece relationship with Rebecca and her aunt. The readers get a true feel for the loving relationship that Rebecca has with her aunt. Since Rebecca has not had a stable family relationship, she is a free-spirited young woman who has a very independent nature for this time period. This is a helpful trait for her, to help her search for her bother's killer. Even though it's a second in a series, this is a stand-alone book. I certainly look forward to reading more from this author.
After her elder brotherÂs mysterious death, Rebecca Hunter vows to expose the man she believes responsible-Mr. Lewis Browning-known by the locals as the Midnight Devil and by Rebecca as her new guardian. He alone was on the bridge that fateful night and openly admits striking her brother with his horse, but he claims he remembers little else. Summoned to his reclusive country estate to await her London season, Rebecca plans her own secret investigation. Yet, Lewis Browning is not as she once imagined, and his motivation is horribly unclear. Recurrent nightmares and RebeccaÂs restless feelings are further complicated by the shadow of her motherÂs prior descent into madness and whether she too will follow the same heartbreaking path. Even as midnight rides, strange injuries, and further murders lead back to Lewis, Rebecca canÂt ignore the subtle turn of her heart. Has she developed feelings for the man she swore to see hanged? And moreover, can she trust him with her uncertain future?
My Thoughts: This was an amazing read; full of plot twists, murder and even a little love involved. Abigail Wilson has spun a tale of intrigue that keeps the readers on the edge of their seat. In this book, you never know who to really trust and just when you think you have it all figured out, the plot twists again!
The characters in this story are intriguing, some are very lovable and some are just mysterious. There is a warm feeling with the Aunt/niece relationship with Rebecca and her aunt. The readers get a true feel for the loving relationship that Rebecca has with her aunt. Since Rebecca has not had a stable family relationship, she is a free-spirited young woman who has a very independent nature for this time period. This is a helpful trait for her, to help her search for her bother's killer. Even though it's a second in a series, this is a stand-alone book. I certainly look forward to reading more from this author.
Amy-Faye is coordinating a celebration of Gothic novels for the local bookstore, culminating in a dance that night. The night ends in tragedy when a dead body is found â the body of a stranger. Amy-Faye had seen the victim during the events earlier in the day. Who was he? Why would someone kill him? And can the Readaholicsâs latest read, Rebecca, offer some clues to the modern crime?
It is wonderful to be back in the presents of this group of mystery lovers. All five of the women are great and contribute in their own ways to the plot. The mystery is strong with some good twists and surprises before we reach the logical and satisfying ending. I hadnât read Rebecca before I picked up this book, but that didnât hamper my enjoyment at all.
NOTE: I received a copy of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/08/book-review-readaholics-and-gothic-gala.html">Carstairs Considers</a>.
It is wonderful to be back in the presents of this group of mystery lovers. All five of the women are great and contribute in their own ways to the plot. The mystery is strong with some good twists and surprises before we reach the logical and satisfying ending. I hadnât read Rebecca before I picked up this book, but that didnât hamper my enjoyment at all.
NOTE: I received a copy of this book in exchange for my honest review.
Read my full review at <a href="http://carstairsconsiders.blogspot.com/2016/08/book-review-readaholics-and-gothic-gala.html">Carstairs Considers</a>.
Lindsay (1793 KP) rated A Plain & Simple Heart (The Amish of Apple Grove, #2) in Books
Feb 15, 2018
This book is the second in the series called "Amish of Apple Grove." Really enjoyed this book for it quiet funny to see Rebecca get in a mess of things when she arrives in Lawrence, Kansas. She starts out day dreaming about her love for Jesse who she met four years earlier on a cattle trail drive. She hear of his aware about and heads for it.
Sheriff Maddox learns what it takes to keep peace in the small town. He just hoping things are peaceful during this time before the new sheriff arrives to take over. But things start to get quite interesting the mintue Rebecca arrives in Lawrence Kansas. Colin see her and judges she there for a protest of the night she arrived.
There are a few thing that are surprises throughout the book and believe me it a book to read. I do not want to giveaway any of the secrets of what happens to Rebecca or Colin for that matter. I do not want to tell you want happens to a few of the folks in the town. To find out it book to pick up. Another book to pick up is called "The Heart Frontier."
Sheriff Maddox learns what it takes to keep peace in the small town. He just hoping things are peaceful during this time before the new sheriff arrives to take over. But things start to get quite interesting the mintue Rebecca arrives in Lawrence Kansas. Colin see her and judges she there for a protest of the night she arrived.
There are a few thing that are surprises throughout the book and believe me it a book to read. I do not want to giveaway any of the secrets of what happens to Rebecca or Colin for that matter. I do not want to tell you want happens to a few of the folks in the town. To find out it book to pick up. Another book to pick up is called "The Heart Frontier."
Bob Mann (459 KP) rated The Night House (2020) in Movies
Aug 23, 2021
Rebecca Hall - outstanding (1 more)
Nicely vague script: leaves a lot to interpret
This one really creeped me out
Positives:
- Of the different movie genres, comedy and horror are probably the ones that polarise opinion the most. One person's meat is another's fowl. But I have to say that this movie officially creeped me out. I was extremely tense for just about the whole 107 minute running time. Much of this is down to Rebecca Hall, who is just SUPERB in this. She brilliantly portrays a woman on the edge, her impassive character breaking every so often into an "everything's fine" sarcastic smile. I know that the Academy tend not to nominate actors for Oscars for 'frivolous' films, but this genuinely, to me, felt like an Oscar-nomination-worthy performance.
- I've talked before in my blog about the overuse of 'jump scares' in horror films and the law of diminishing returns. This film doles them out very sparingly indeed. There are two notable ones (one spoiled by the trailer!) but - man - the first of these had me levitating off the seat!
- The script is very vague indeed about where you end up in this movie. (I've tried to do a synopsis of what I *think* happened in a "Sp0iler section" in my blog). The script deliciously muddies the waters between dreams and reality; sanity and madness; sobriety and drunkenness; with the real-life Madelyn (Stacy Martin) bringing you up short at times with an "oh - so that bit must by reality then"!
Negatives:
- The ending. I'm not sure how I wanted it to end. But it felt wholly anti-climactic.
Summary Thoughts on "The Night House": London-born Rebecca Hall seems to have a "leisurely" output as an actress, but she really deserves more prominence in the industry. (If you've not seen it yet, watch her outstanding performance in "Christine" as another proof point). Here she magnificently holds the movie together.
Effective horror films for me are those on the tense psychological side rather than the mindless slasher variety. This point was well made by Tom Shone in his review in "The Sunday Times", describing it as a "middle-aged kind of horror movie!". "The Night House" delivered those mental chills for me in spades. There is actually very little gore in this one. But it certainly had me thinking about it when I woke up in the middle of the night last night. Was that a noise downstairs??
If you like your scary films, then this one is highly recommended.
(For my full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
- Of the different movie genres, comedy and horror are probably the ones that polarise opinion the most. One person's meat is another's fowl. But I have to say that this movie officially creeped me out. I was extremely tense for just about the whole 107 minute running time. Much of this is down to Rebecca Hall, who is just SUPERB in this. She brilliantly portrays a woman on the edge, her impassive character breaking every so often into an "everything's fine" sarcastic smile. I know that the Academy tend not to nominate actors for Oscars for 'frivolous' films, but this genuinely, to me, felt like an Oscar-nomination-worthy performance.
- I've talked before in my blog about the overuse of 'jump scares' in horror films and the law of diminishing returns. This film doles them out very sparingly indeed. There are two notable ones (one spoiled by the trailer!) but - man - the first of these had me levitating off the seat!
- The script is very vague indeed about where you end up in this movie. (I've tried to do a synopsis of what I *think* happened in a "Sp0iler section" in my blog). The script deliciously muddies the waters between dreams and reality; sanity and madness; sobriety and drunkenness; with the real-life Madelyn (Stacy Martin) bringing you up short at times with an "oh - so that bit must by reality then"!
Negatives:
- The ending. I'm not sure how I wanted it to end. But it felt wholly anti-climactic.
Summary Thoughts on "The Night House": London-born Rebecca Hall seems to have a "leisurely" output as an actress, but she really deserves more prominence in the industry. (If you've not seen it yet, watch her outstanding performance in "Christine" as another proof point). Here she magnificently holds the movie together.
Effective horror films for me are those on the tense psychological side rather than the mindless slasher variety. This point was well made by Tom Shone in his review in "The Sunday Times", describing it as a "middle-aged kind of horror movie!". "The Night House" delivered those mental chills for me in spades. There is actually very little gore in this one. But it certainly had me thinking about it when I woke up in the middle of the night last night. Was that a noise downstairs??
If you like your scary films, then this one is highly recommended.
(For my full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
Matthew Krueger (10051 KP) rated Lights Out (2016) in Movies
Oct 31, 2020
When The Lights Are Off
Lights Out- is a scary movie. Its terrorfying, horrorfying, suspenseful and twisted.
The plot: When Rebecca (Teresa Palmer) left home, she thought that her childhood fears were behind her. As a young girl growing up, she was never really sure of what was real when the lights went out at night. Now, her little brother Martin (Gabriel Bateman) is experiencing the same unexplained and terrifying events that jeopardized her safety and sanity. Holding a mysterious attachment to their mother (Maria Bello), a supernatural entity has returned with a vengeance to torment the entire family.
is based on Sandberg's 2013 short film of the same name and features Lotta Losten, who starred in the short.
Special effects of having the ghost appear and disappear were mostly done by using a split-screen technique as also used in the short. Sandberg said "Whenever she's in frame with another character, it's basically just a split screen. So you shoot it with her and without her. You turn the camera on with her, you turn it off and she walks off, and then you turn it on again. It's super simple, actually." Sandberg also made a list of what he called the "light gags", or different ways to create light sources from flashlights to cell phones and gunfire. In the scene when Diana appears in Rebecca's room, James Wan suggested replacing passing car headlights in an early treatment with the flashing neon sign that appears in the final film.
Sandberg originally based the character of Rebecca on a real girl that he knew who was suffering from depression, and who was engaging in self-harm, which is why Rebecca has scars on her arms, but the development of the film made it less about depression and more of a ghost story in which Diana would have been the real person who died and became a ghost. Wan came up with the idea of making Diana the ghost. Rebecca's boyfriend was also given a twist of being a rocker, but is actually committed and responsible, even driving a safe car like a Volvo. Another twist Sandberg liked was making the imaginary friend for the mother rather than the trope of having the friend be for the child
Its a excellent supernatural movie.
The plot: When Rebecca (Teresa Palmer) left home, she thought that her childhood fears were behind her. As a young girl growing up, she was never really sure of what was real when the lights went out at night. Now, her little brother Martin (Gabriel Bateman) is experiencing the same unexplained and terrifying events that jeopardized her safety and sanity. Holding a mysterious attachment to their mother (Maria Bello), a supernatural entity has returned with a vengeance to torment the entire family.
is based on Sandberg's 2013 short film of the same name and features Lotta Losten, who starred in the short.
Special effects of having the ghost appear and disappear were mostly done by using a split-screen technique as also used in the short. Sandberg said "Whenever she's in frame with another character, it's basically just a split screen. So you shoot it with her and without her. You turn the camera on with her, you turn it off and she walks off, and then you turn it on again. It's super simple, actually." Sandberg also made a list of what he called the "light gags", or different ways to create light sources from flashlights to cell phones and gunfire. In the scene when Diana appears in Rebecca's room, James Wan suggested replacing passing car headlights in an early treatment with the flashing neon sign that appears in the final film.
Sandberg originally based the character of Rebecca on a real girl that he knew who was suffering from depression, and who was engaging in self-harm, which is why Rebecca has scars on her arms, but the development of the film made it less about depression and more of a ghost story in which Diana would have been the real person who died and became a ghost. Wan came up with the idea of making Diana the ghost. Rebecca's boyfriend was also given a twist of being a rocker, but is actually committed and responsible, even driving a safe car like a Volvo. Another twist Sandberg liked was making the imaginary friend for the mother rather than the trope of having the friend be for the child
Its a excellent supernatural movie.
Gareth von Kallenbach (980 KP) rated The Bag Man (2014) in Movies
Aug 6, 2019
Sometimes it sucks to be a delivery guy when you donât know what you are
carrying in a tightly sealed leather bag. Anything can happen when too many
people are interested in what The Bag Man is carrying when it gets a
limited theatrical run starting Feb 28th.
When Jack (John Cusack) is a fixer/hitman under the employ of Dragna
(Robert De Niro), a crime lord â tasked to bring a leather bag to a seedy
hotel â the people he runs into are more shadier than he is. All he has to
do is to wait for the arrival of this gangster and not look at whatâs
inside.
Both the movie and night is long while Jack fends for himself. His dealings
with the motel manager (beautifully played by Crispin Glover) is far more
interesting than the lady of the night, Rivka (Rebecca Da Costa), he meets.
Together what they end up in is a cat and mouse game of nearly everybody
from this sleepy hole-in-the-wall after them. Everyone is interested in
what the bag contains, and this Macguffin never strays far from the plot.
Even though the concept of whatâs in the bag is hardly original, this
narrative device will keep some people â characters included â invested
in wondering whatâs so important about it. When the contents are revealed,
will whatâs revealed be King Midasâ gold or the evils from Pandoraâs Box?
This loose thriller has its moments where viewers will be glued to the
suspense but ultimately, itâs this movieâs pacing that slows the action
down. Losing 10-15 minutes might help in keeping the tale tight.
That can help everyone, audience included, from not losing interest. Sooner
or later, the cat has to be let out of the bag.
carrying in a tightly sealed leather bag. Anything can happen when too many
people are interested in what The Bag Man is carrying when it gets a
limited theatrical run starting Feb 28th.
When Jack (John Cusack) is a fixer/hitman under the employ of Dragna
(Robert De Niro), a crime lord â tasked to bring a leather bag to a seedy
hotel â the people he runs into are more shadier than he is. All he has to
do is to wait for the arrival of this gangster and not look at whatâs
inside.
Both the movie and night is long while Jack fends for himself. His dealings
with the motel manager (beautifully played by Crispin Glover) is far more
interesting than the lady of the night, Rivka (Rebecca Da Costa), he meets.
Together what they end up in is a cat and mouse game of nearly everybody
from this sleepy hole-in-the-wall after them. Everyone is interested in
what the bag contains, and this Macguffin never strays far from the plot.
Even though the concept of whatâs in the bag is hardly original, this
narrative device will keep some people â characters included â invested
in wondering whatâs so important about it. When the contents are revealed,
will whatâs revealed be King Midasâ gold or the evils from Pandoraâs Box?
This loose thriller has its moments where viewers will be glued to the
suspense but ultimately, itâs this movieâs pacing that slows the action
down. Losing 10-15 minutes might help in keeping the tale tight.
That can help everyone, audience included, from not losing interest. Sooner
or later, the cat has to be let out of the bag.
Bob Mann (459 KP) rated The Snowman (2017) in Movies
Sep 29, 2021
âWeâre trudging through the slushâ.
Unlike its animated namesake, âThe Snowmanâ is not a good film. Frustratingly it has all the right ingredients:
A story by bestselling Nordic writer Jo Nesbø;
Gorgeously photogenic snowy scenes of Oslo and Bergen;
A stellar cast (Michael Fassbender (âAlien: Covenantâ); Rebecca Ferguson (âMission Impossible: Rogue Nationâ); J.K. Simmons (âWhiplashâ); Toby Jones (âDadâs Armyâ); Chloe Sevigny (âLove and Friendshipâ); Charlotte Gainsbourg (âIndependence Day: Resurgenceâ, very sexy as Fassbenderâs ex-squeeze) and even Val Kilmer (âTop Gunâ, whose mother â interesting fact â is actually Swedish).
snowman2
That sinking feeling when you realise youâve been drinking all night and its too late for bed before work.
And while these elements congeal in the snow together quite well as vignettes, the whole film jerks from vignette to vignette in a most unsatisfactory way. I havenât read the book (which might be much better) but the inclusion in the (terrible!) trailers of key scenes that never made the final cut (where was the fire for example?, the fish? the man trap?) implied to me that the director (Tomas Alfredson, âTinker, Tailor, Soldier, Spyâ) and screenwriting team â Peter Straughan (also âTinker, Tailorâ), Hossein Amini (âThe Two Faces of Januaryâ) and Søren Sveistrup (TVâs âThe Killingâ) â either didnât have (or didnât agree on) the direction they wanted the film to go in.
Film Title: The Snowman
Arve Stop (J.K. Simmons) and Katrine (Rebecca Ferguson) having a âWeinstein momentâ at the hotel.
Nesbø (and indeed most crime writers these days) litter their work with damaged copsâŚ. you have to question whether the detective application form has a mandatory check-box with âalcoholic and borderline psychoâ on it!. This film is no exception. Fassbender plays Nesbøâs master sleuth Harry Hole: an alcoholic insomniac well off the rails between homicide cases. âIf only Oslo had a higher murder rateâ bemoans his boss (Ronan Vibert). He joins forces with newby officer Katrine Bratt (Rebecca Ferguson), who has her fair share of mental demons to fight, in investigating a series of missing person/murder cases. The duo unearth a link between the cases â all happen when the snow starts to fall and to particular types of women, with the protagonist leaving a snowman at the scene.
snowman5
One of the cuter snowmen⌠they get worse⌠much worse.
The plot is highly formulaic â I guessed who the killer was within about 20 minutes. But what makes this movie stand out, for all the wrong reasons, is that it has one of the most stupid, vacuous, flaccid, inane, ridiculous ⌠(add 50 other thesaurus entries)⌠endings imaginable. My mouth actually gaped in astonishment!
There are also a surprisingly large number of loose ends you ponder after the film ends: why the âSnowmanââs fixation with Harry?; what was with the âVetlesen cleanerâ subplot? How is Star Trek transportation possible in Norway? (But wait⌠âTelemarkâ⌠âTeleportââŚ. coincidence????? đ
On the plus side, there is some lovely Norwegian drone cinematography â (by Australian Dion Beebe (âEdge of Tomorrowâ) â that immediately made me put âtravel by winter train from Oslo to Bergenâ on my life-map. The music by Marco Beltrami (âLoganâ) is also effective and suitably Hitchcockian.
If you like your films gory, this one is definitely for you, with some pretty graphic content that (for those who like to cover their eyes) is cut to so quickly by editors Thelma Schoonmaker (âThe Wolf of Wall Streetâ) and Claire Simpson (âFar From The Madding Crowdâ) that your hands wonât have time to leave your lap! I remember this being a feature of a previous Nesbø adaptation (the much better âHeadhuntersâ from 2011) but here it goes into overdrive.
snowman1
One of my favourite actresses â Rebecca Ferguson, curiously playing much âyoungerâ in this film than she appears in her previous hits.
Overall this was a rather disappointing effort that was heading for a FFf rating. But just because of that ending Iâm knocking a whole extra Fad off!
A story by bestselling Nordic writer Jo Nesbø;
Gorgeously photogenic snowy scenes of Oslo and Bergen;
A stellar cast (Michael Fassbender (âAlien: Covenantâ); Rebecca Ferguson (âMission Impossible: Rogue Nationâ); J.K. Simmons (âWhiplashâ); Toby Jones (âDadâs Armyâ); Chloe Sevigny (âLove and Friendshipâ); Charlotte Gainsbourg (âIndependence Day: Resurgenceâ, very sexy as Fassbenderâs ex-squeeze) and even Val Kilmer (âTop Gunâ, whose mother â interesting fact â is actually Swedish).
snowman2
That sinking feeling when you realise youâve been drinking all night and its too late for bed before work.
And while these elements congeal in the snow together quite well as vignettes, the whole film jerks from vignette to vignette in a most unsatisfactory way. I havenât read the book (which might be much better) but the inclusion in the (terrible!) trailers of key scenes that never made the final cut (where was the fire for example?, the fish? the man trap?) implied to me that the director (Tomas Alfredson, âTinker, Tailor, Soldier, Spyâ) and screenwriting team â Peter Straughan (also âTinker, Tailorâ), Hossein Amini (âThe Two Faces of Januaryâ) and Søren Sveistrup (TVâs âThe Killingâ) â either didnât have (or didnât agree on) the direction they wanted the film to go in.
Film Title: The Snowman
Arve Stop (J.K. Simmons) and Katrine (Rebecca Ferguson) having a âWeinstein momentâ at the hotel.
Nesbø (and indeed most crime writers these days) litter their work with damaged copsâŚ. you have to question whether the detective application form has a mandatory check-box with âalcoholic and borderline psychoâ on it!. This film is no exception. Fassbender plays Nesbøâs master sleuth Harry Hole: an alcoholic insomniac well off the rails between homicide cases. âIf only Oslo had a higher murder rateâ bemoans his boss (Ronan Vibert). He joins forces with newby officer Katrine Bratt (Rebecca Ferguson), who has her fair share of mental demons to fight, in investigating a series of missing person/murder cases. The duo unearth a link between the cases â all happen when the snow starts to fall and to particular types of women, with the protagonist leaving a snowman at the scene.
snowman5
One of the cuter snowmen⌠they get worse⌠much worse.
The plot is highly formulaic â I guessed who the killer was within about 20 minutes. But what makes this movie stand out, for all the wrong reasons, is that it has one of the most stupid, vacuous, flaccid, inane, ridiculous ⌠(add 50 other thesaurus entries)⌠endings imaginable. My mouth actually gaped in astonishment!
There are also a surprisingly large number of loose ends you ponder after the film ends: why the âSnowmanââs fixation with Harry?; what was with the âVetlesen cleanerâ subplot? How is Star Trek transportation possible in Norway? (But wait⌠âTelemarkâ⌠âTeleportââŚ. coincidence????? đ
On the plus side, there is some lovely Norwegian drone cinematography â (by Australian Dion Beebe (âEdge of Tomorrowâ) â that immediately made me put âtravel by winter train from Oslo to Bergenâ on my life-map. The music by Marco Beltrami (âLoganâ) is also effective and suitably Hitchcockian.
If you like your films gory, this one is definitely for you, with some pretty graphic content that (for those who like to cover their eyes) is cut to so quickly by editors Thelma Schoonmaker (âThe Wolf of Wall Streetâ) and Claire Simpson (âFar From The Madding Crowdâ) that your hands wonât have time to leave your lap! I remember this being a feature of a previous Nesbø adaptation (the much better âHeadhuntersâ from 2011) but here it goes into overdrive.
snowman1
One of my favourite actresses â Rebecca Ferguson, curiously playing much âyoungerâ in this film than she appears in her previous hits.
Overall this was a rather disappointing effort that was heading for a FFf rating. But just because of that ending Iâm knocking a whole extra Fad off!
Lindsay (1793 KP) rated Amish Christmas at North Star in Books
Sep 10, 2017
You get to hear about all four babies that were born near Christmas. Rebecca is an Amish midwife. In Guiding Star it about a 25-year old disappearing from an Amish baby. Will there be love for Elle McAllister? We get a quite a nice way to see what her life is like after being born on that snowy night with three other babies.
Morning Star is about a girl named Eden Hochstetler. She wants to investigate her friends Isaac death. It has got her thinking about who could have done it and hurt Isaac. She meets his great nephew Jesse. Who is guilty? Does she start to fall for Jesse? Who in their community is the one to hurt Isaac and want him killed.
What happens in the Starsâ, is about a family that wants to stay together. Will Kole, and Savilla be able to do that and still find love for themselves, What can make to lives back together with other than a trouble of children? One that is expecting to get another member adopted and brought home. Kole and Savilla you can find out more about them.
Andy is schemed to bring back home. His little brother tries to fetch him home and this is a story of Grace. I really do enjoy the family and time together. Will Andy find love while he comes home and is forgiven?
Morning Star is about a girl named Eden Hochstetler. She wants to investigate her friends Isaac death. It has got her thinking about who could have done it and hurt Isaac. She meets his great nephew Jesse. Who is guilty? Does she start to fall for Jesse? Who in their community is the one to hurt Isaac and want him killed.
What happens in the Starsâ, is about a family that wants to stay together. Will Kole, and Savilla be able to do that and still find love for themselves, What can make to lives back together with other than a trouble of children? One that is expecting to get another member adopted and brought home. Kole and Savilla you can find out more about them.
Andy is schemed to bring back home. His little brother tries to fetch him home and this is a story of Grace. I really do enjoy the family and time together. Will Andy find love while he comes home and is forgiven?