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In Home Behind, you take on the role of a refugee cast out from your homeland by a band of rebels....
Tombland (The Shardlake series Book 7)
Book
Summer, 1549. Two years after the death of Henry VIII, England is sliding into chaos . . . The...
Blood Communion: A Tale of Prince Lestat (The Vampire Chronicles, #13)
7.7
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Book
The Vampire Chronicles continue with a riveting, rich saga--part adventure, part suspense--of Prince...
Vampire horror
Scoundrels (Star Wars Legends)
Book
To make his biggest score, Han’s ready to take even bigger risks. But even he can’t do this job...
Otway93 (580 KP) rated Resident Evil (2021) in Movies
Feb 13, 2022
Story (1 more)
Nostalgic
Casting (1 more)
Character Traits
A fun film, but not without obvious flaws.
Resident Evil: Welcome to Raccoon City is a great film. It attempts to combine key elements from the first 3 Resident Evil games into one movie, which kind of works, and kind of doesn't at the same time. Expect a lot of familiar moments and memorable key moments from the story of Raccoon City, but also don't get too excited because a lot of key moments and characters are missing entirely.
The film should have been two films really, the first covering the Mansion Incident, and the second covering the outbreak in Raccoon City.
The characters, while being most of the best known characters from the original game, are present yet at the same time not quite right. The casting, while not terrible, did make some mistakes, mostly in Tom Hopper's portrayal of Wesker, he just seems far too young for the role. But that isn't the only issue. The character's personalities are not as you remember them.
Chris comes across as very arrogant and annoying, Jill comes across as quite sassy, and poor Leon, the rookie cop seems to be a bumbling fool there for comic relief.
The best written and acted character by a long way is Claire, who comes across as the little rebel we know and love.
All in all, definitely worth a watch, and I will definitely watch it again. But if you are a huge Resident Evil nerd such as myself, it will certainly have it's moments for you, but don't go in expecting to see the entire story of Raccoon City unfold before your eyes.
Also, don't forget to keep watching the credits...
The film should have been two films really, the first covering the Mansion Incident, and the second covering the outbreak in Raccoon City.
The characters, while being most of the best known characters from the original game, are present yet at the same time not quite right. The casting, while not terrible, did make some mistakes, mostly in Tom Hopper's portrayal of Wesker, he just seems far too young for the role. But that isn't the only issue. The character's personalities are not as you remember them.
Chris comes across as very arrogant and annoying, Jill comes across as quite sassy, and poor Leon, the rookie cop seems to be a bumbling fool there for comic relief.
The best written and acted character by a long way is Claire, who comes across as the little rebel we know and love.
All in all, definitely worth a watch, and I will definitely watch it again. But if you are a huge Resident Evil nerd such as myself, it will certainly have it's moments for you, but don't go in expecting to see the entire story of Raccoon City unfold before your eyes.
Also, don't forget to keep watching the credits...
ClareR (5854 KP) rated The Kingdoms in Books
Mar 6, 2022
I’m writing this review two weeks after finishing ‘The Kingdoms’, and I realise that I haven’t actually stopped thinking about it (off and on, obviously. I’m not THAT obsessed!). It’s one of those books that has really caught my imagination, and I’m certain that I’ll have to read it again at some point.
Basically (and I warn you: there’s nothing basic about this storyline!), Joe Tournier finds himself at a London train station, and realises that he doesn’t know how he got there, or who he is. A kind stranger takes him to the hospital where he’s diagnosed with amnesia. After a week at an asylum, his owner and his wife come to claim him. His French owner. He is a slave in Londres, which is occupied by the French after they won the Napoleonic Wars. But none of this feels right to him.
A month or so later, he receives a postcard written in illegal English, from a lighthouse in rebel Scotland - written 100 years ago. After gaining his freedom as a slave, Joe becomes an engineer, and is sent to the same lighthouse to make repairs. And that’s all I’ll say, because I really don’t want to spoil the story. I will say that there’s some jumping around in time, and it shows that if you change a small thing in the past, there can be huge ramifications in the future.
I loved the characters, the plot, the setting - just everything about it really appealed to me. I can’t say as I’ve read many books set mainly on boats, naval or otherwise. The rules and the running of the ships were really interesting, and the sea battles were gripping.
It’s a fabulous book, and I’d most definitely recommend it. Thanks to The Pigeonhole for the serialisation!
Basically (and I warn you: there’s nothing basic about this storyline!), Joe Tournier finds himself at a London train station, and realises that he doesn’t know how he got there, or who he is. A kind stranger takes him to the hospital where he’s diagnosed with amnesia. After a week at an asylum, his owner and his wife come to claim him. His French owner. He is a slave in Londres, which is occupied by the French after they won the Napoleonic Wars. But none of this feels right to him.
A month or so later, he receives a postcard written in illegal English, from a lighthouse in rebel Scotland - written 100 years ago. After gaining his freedom as a slave, Joe becomes an engineer, and is sent to the same lighthouse to make repairs. And that’s all I’ll say, because I really don’t want to spoil the story. I will say that there’s some jumping around in time, and it shows that if you change a small thing in the past, there can be huge ramifications in the future.
I loved the characters, the plot, the setting - just everything about it really appealed to me. I can’t say as I’ve read many books set mainly on boats, naval or otherwise. The rules and the running of the ships were really interesting, and the sea battles were gripping.
It’s a fabulous book, and I’d most definitely recommend it. Thanks to The Pigeonhole for the serialisation!
The Godmother's Secret
Book
What if you knew what happened to the Princes in the Tower. Would you tell? Or would you forever...
Biographical Historical Fiction Historical Mystery
Sophia (Bookwyrming Thoughts) (530 KP) rated Powerless (The Hero Agenda, #1) in Books
Jan 23, 2020
<strong>Guys, I've found the Fight Book of the Year.</strong> At this rate I'm actually wondering if there's such a thing as a Blogger's Choice Awards so I can actually <i>nominate</i> this.
(If there is one, point me there NOW. I'll love you forever. :p)
In a world with heroes and villains, Kenna Swift works as an intern in a lab. While working in the lab one night, Kenna gets attacked by villains and is even saved by one of them. Being saved by a villain causes her to think about what a hero or a villain really is, and she ends up teaming up with them after finding out that maybe heroes aren't exactly heroes.
<b>I actually like Kenna as a character. Considering her circumstances, she's actually pretty brilliant and resourceful</b> when all else fails, kick butt by kneeing someone in the balls. She even had an experiment before everything went Inferno to try and become a hero as well instead of being powerless. <b>Her brilliance and intelligence sometimes fall short in the midst of chaos, but I pretty much approve her as a character.</b>
Except... I'm still irritated. <strong><i>Powerless</i> just has sooo many arguments and fights. The characters fight with each other constantly verbally and physically. The fighting takes up over half of the book</strong> when Kenna, Rebel, and Jeremy team up with villains. Kenna is basically a bystander, Rebel is ironically the glue, and Jeremy is going neck to neck with Draven. Nitro and Dante already have some tension between them. <strong>There's boy drama and fighting thrown together, and it is SO. DARN. IRRITATING.</strong>
Have I mentioned <strong>it sounds completely immature?</strong> By some point in the book, I've deemed <i>Powerless</i> <b>a book unworthy of memorability in my brain simply because of the number of fights that belong in a playground with unruly little kids tugging each other consistently.</b> The amount was also great enough I mentally started to threaten poor A.G. Howard's <i>Unhinged</i>.
But of course, <i><a title="Splintered by A.G. Howard" href="https://bookwyrmingthoughts.com/review-splintered-by-ag-howard/"; target="_blank" rel="noopener">Splintered</a></i> has a love triangle to which I feel completely indifferent to regardless of the fact I like the world and read the second book to determine which, if any, corner actually deserves my complete and utmost devotion.
(It also inspired a few discussion posts for the future. *tucks posts in an invisible drawer*)
Anyways, back to the fights. The majority of book are the characters not getting along for most of the book it's akin to the <a title="Lark by Erica Cope" href="https://bookwyrmingthoughts.com/review-lark-by-erica-cope/"; target="_blank" rel="noopener">romance overshadowing the plot</a> and I found it highly annoying. Meanwhile, <strong>I'm left with questions about the entire world after reading the book and none of them actually got answered.</strong><strong>
</strong>
How does this whole power thing work? Are powers inherited, or are they random? Is being a villain or hero random, or are they inherited (that seems to be yes)? Why was the hero/villain world created? HOW was it created? Was it an experiment gone awry? Is it similar to Captain America?
I got vague answers or no answers. Childs and Deebs may answer those questions in the sequels, or perhaps it's the overall plot of the series, but, I don't really see how it will all fit with what they've laid out in <i>Powerless</i>. <b>It's plot-driven and doesn't take too much time to develop the world or the characters, but makes you question what is considered good and evil.</b>
<a href="https://bookwyrmingthoughts.com/review-powerless-by-tera-lynn-childs-and-tracey-deebs/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
(If there is one, point me there NOW. I'll love you forever. :p)
In a world with heroes and villains, Kenna Swift works as an intern in a lab. While working in the lab one night, Kenna gets attacked by villains and is even saved by one of them. Being saved by a villain causes her to think about what a hero or a villain really is, and she ends up teaming up with them after finding out that maybe heroes aren't exactly heroes.
<b>I actually like Kenna as a character. Considering her circumstances, she's actually pretty brilliant and resourceful</b> when all else fails, kick butt by kneeing someone in the balls. She even had an experiment before everything went Inferno to try and become a hero as well instead of being powerless. <b>Her brilliance and intelligence sometimes fall short in the midst of chaos, but I pretty much approve her as a character.</b>
Except... I'm still irritated. <strong><i>Powerless</i> just has sooo many arguments and fights. The characters fight with each other constantly verbally and physically. The fighting takes up over half of the book</strong> when Kenna, Rebel, and Jeremy team up with villains. Kenna is basically a bystander, Rebel is ironically the glue, and Jeremy is going neck to neck with Draven. Nitro and Dante already have some tension between them. <strong>There's boy drama and fighting thrown together, and it is SO. DARN. IRRITATING.</strong>
Have I mentioned <strong>it sounds completely immature?</strong> By some point in the book, I've deemed <i>Powerless</i> <b>a book unworthy of memorability in my brain simply because of the number of fights that belong in a playground with unruly little kids tugging each other consistently.</b> The amount was also great enough I mentally started to threaten poor A.G. Howard's <i>Unhinged</i>.
But of course, <i><a title="Splintered by A.G. Howard" href="https://bookwyrmingthoughts.com/review-splintered-by-ag-howard/"; target="_blank" rel="noopener">Splintered</a></i> has a love triangle to which I feel completely indifferent to regardless of the fact I like the world and read the second book to determine which, if any, corner actually deserves my complete and utmost devotion.
(It also inspired a few discussion posts for the future. *tucks posts in an invisible drawer*)
Anyways, back to the fights. The majority of book are the characters not getting along for most of the book it's akin to the <a title="Lark by Erica Cope" href="https://bookwyrmingthoughts.com/review-lark-by-erica-cope/"; target="_blank" rel="noopener">romance overshadowing the plot</a> and I found it highly annoying. Meanwhile, <strong>I'm left with questions about the entire world after reading the book and none of them actually got answered.</strong><strong>
</strong>
How does this whole power thing work? Are powers inherited, or are they random? Is being a villain or hero random, or are they inherited (that seems to be yes)? Why was the hero/villain world created? HOW was it created? Was it an experiment gone awry? Is it similar to Captain America?
I got vague answers or no answers. Childs and Deebs may answer those questions in the sequels, or perhaps it's the overall plot of the series, but, I don't really see how it will all fit with what they've laid out in <i>Powerless</i>. <b>It's plot-driven and doesn't take too much time to develop the world or the characters, but makes you question what is considered good and evil.</b>
<a href="https://bookwyrmingthoughts.com/review-powerless-by-tera-lynn-childs-and-tracey-deebs/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Ross (3284 KP) rated Dogs of War in Books
Sep 19, 2017
Disclosure: I received a free advance copy of this novel from NetGalley in return for an honest review.
This near-future science fiction story surrounds the use of genetically modified, cyborg animals in security and warfare and the humane concerns around that.
Having read the author's fantasy series, Shadows of the Apt, I was already familiar with Tchaikovsky's style, and his liking for warfare and technology (that series including the development of a number of new technologies which are eventually used as weapons).
What I was not quite prepared for was how he would write if in the PoV of a cyborg dog (how can you prepare yourself for that?!). This took a little getting used to, but not too much (a little like Flowers for Algernon, the language starts off simplistic but develops). Rex's vocabulary is like that of a small child, but one that has learned certain military phrases. Rex just wants his master to acknowledge him with a "good dog" now and then.
The story develops through a government-backed incursion into rebel-held Mexico, then into the courtroom and beyond into the brave new world for suddenly free man-made creatures.
There are a number of topical issues dealt with here, using not-people to do unpleasant jobs, the burden of responsibility in warfare and also the dangers of cyber-linked machines/people.
I really enjoyed the book and how the different PoVs come across and also how the setting and the message keeps changing throughout so there are different concerns to be dealt with or discussed (without being preachy!).
I also enjoyed Tchaikovsky's descriptions of conflict and battle scenes: giving enough of a picture of the whole battle while focussing on key moments and events.
Overall, something of a departure from my usual book, but very much enjoyable. This wouldn't have looked out of place with Richard Bachman's name on it.
This near-future science fiction story surrounds the use of genetically modified, cyborg animals in security and warfare and the humane concerns around that.
Having read the author's fantasy series, Shadows of the Apt, I was already familiar with Tchaikovsky's style, and his liking for warfare and technology (that series including the development of a number of new technologies which are eventually used as weapons).
What I was not quite prepared for was how he would write if in the PoV of a cyborg dog (how can you prepare yourself for that?!). This took a little getting used to, but not too much (a little like Flowers for Algernon, the language starts off simplistic but develops). Rex's vocabulary is like that of a small child, but one that has learned certain military phrases. Rex just wants his master to acknowledge him with a "good dog" now and then.
The story develops through a government-backed incursion into rebel-held Mexico, then into the courtroom and beyond into the brave new world for suddenly free man-made creatures.
There are a number of topical issues dealt with here, using not-people to do unpleasant jobs, the burden of responsibility in warfare and also the dangers of cyber-linked machines/people.
I really enjoyed the book and how the different PoVs come across and also how the setting and the message keeps changing throughout so there are different concerns to be dealt with or discussed (without being preachy!).
I also enjoyed Tchaikovsky's descriptions of conflict and battle scenes: giving enough of a picture of the whole battle while focussing on key moments and events.
Overall, something of a departure from my usual book, but very much enjoyable. This wouldn't have looked out of place with Richard Bachman's name on it.
Watchman (19 KP) rated Bumblebee (2018) in Movies
Jan 5, 2019 (Updated Jan 9, 2019)
Great soundtrack (2 more)
Central performance
Exciting action
Worthy of a positive buzz!
With Michael Bay handing over the directing reins after 5 movies, this franchise looked to be heading to the scrap yard. Convoluted and overlong, the franchise had become bloated and boring.
Step in everyones favourite Autobot, Travis Knight behind the camera (re: the brill Kubo and the two strings), a timeshift to the 80s, and some genuine heart, and there's suddenly 'more than meets the eye' to Transformers again.
With Spielberg on producing duties, there's an ET, ShortCircuit, feel about a young girl (the ever excellent Hailee Steinfeld) trying to cope with the aftermath of the death of her dad, and finding a way with our Bombus from out of space.
After a thrilling action set up involving B-127 (our robot hero) being sent to Earth to form a base for the Autobots, and with 2 Decepticons in hot pursuit, a particually nasty fight ensues (resulting in bumblebees lost voicebox) leaving him battered and bruised, and we settle into what is essentially a heartfelt story of a mourning girl on her birthday and her newly discovered robot. Whilst this could have become cloying, it's handled with a real love of the material, and placing it in the 80s, gives it a great throwback feel (we even have the mean girls at school, a 'Higher Love' song montage, and some fantastic coastal vistas)
The support cast is ok, whilst John Cena flexes his comedic muscle as a soldier on the hunt of our hero.
The action is realised with real excitement, there are plenty of 'I remember those' moments, and the soundtrack wins through. But the real winner is the bond between Charlie and Bumblebee, which is more emotive than a rebel teen and a junkyard VW has any right to be.
Enjoyable and highly recommended. Roll on Bumblebee. You deserve the buzz.
Step in everyones favourite Autobot, Travis Knight behind the camera (re: the brill Kubo and the two strings), a timeshift to the 80s, and some genuine heart, and there's suddenly 'more than meets the eye' to Transformers again.
With Spielberg on producing duties, there's an ET, ShortCircuit, feel about a young girl (the ever excellent Hailee Steinfeld) trying to cope with the aftermath of the death of her dad, and finding a way with our Bombus from out of space.
After a thrilling action set up involving B-127 (our robot hero) being sent to Earth to form a base for the Autobots, and with 2 Decepticons in hot pursuit, a particually nasty fight ensues (resulting in bumblebees lost voicebox) leaving him battered and bruised, and we settle into what is essentially a heartfelt story of a mourning girl on her birthday and her newly discovered robot. Whilst this could have become cloying, it's handled with a real love of the material, and placing it in the 80s, gives it a great throwback feel (we even have the mean girls at school, a 'Higher Love' song montage, and some fantastic coastal vistas)
The support cast is ok, whilst John Cena flexes his comedic muscle as a soldier on the hunt of our hero.
The action is realised with real excitement, there are plenty of 'I remember those' moments, and the soundtrack wins through. But the real winner is the bond between Charlie and Bumblebee, which is more emotive than a rebel teen and a junkyard VW has any right to be.
Enjoyable and highly recommended. Roll on Bumblebee. You deserve the buzz.