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Micky Barnard (542 KP) rated To Kill a Kingdom in Books
Dec 6, 2018
Scrappy siren
This is a thrilling debut from Alexandra Christo, taking a unique perspective on The Little Mermaid. It’s rather rudimentary to compare TO KILL A KINGDOM to The Little Mermaid because apart from some basics on characterisation, there really is little similarity.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
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LeftSideCut (3778 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Oct 20, 2019
A pretty solid sequel
Contains spoilers, click to show
The first Maleficent is a film that could quite easily be a one and done type deal. It doesn't particularly need a sequel, but diving back into this world is huge heaps of fun.
The narrative is a little faffy to begin with, as it establishes the story, introducing us to new characters, and re-introducing us to others.
But once it gets going, it easily manages to re capture everything that was good about the first film.
Angelina Jolie, Elle Fanning, and Sam Riley are Greta as they were before, and newer characters played by the likes of Warwick Davis, Ed Skrein, Robert Lindsay, and Chiwetel Ejiofor all have their place and fit alongside everyone else nicely.
Michelle Pfeiffer is also a fun villain , starting off as a thorn in the side and evolving into full mad queen by the end.
The expiration of the larger world surrounding Maleficent is a nice route to take for the most part. There are some pacing issues around the mid section, and sometimes it feels like Maleficent is sidelined in favour of other it strands.
These are minor annoyances though, as the film heads towards it's hugely entertaining finale.
The third act is fantastic. The action is thrilling, the visuals are stunning, and the stakes actually feel quite high. It plays out at times like a PG version of The Red Wedding!
The CGI throughout is top quality, and much like the first, the various settings seen throughout feel fully realised and vivid.
Mistress of Evil is a sequel that perhaps didn't need to happen, but I'm glad that it did, and the two films together stand head and shoulders above any other live action adaption that Disney have put out in recent years.
The narrative is a little faffy to begin with, as it establishes the story, introducing us to new characters, and re-introducing us to others.
But once it gets going, it easily manages to re capture everything that was good about the first film.
Angelina Jolie, Elle Fanning, and Sam Riley are Greta as they were before, and newer characters played by the likes of Warwick Davis, Ed Skrein, Robert Lindsay, and Chiwetel Ejiofor all have their place and fit alongside everyone else nicely.
Michelle Pfeiffer is also a fun villain , starting off as a thorn in the side and evolving into full mad queen by the end.
The expiration of the larger world surrounding Maleficent is a nice route to take for the most part. There are some pacing issues around the mid section, and sometimes it feels like Maleficent is sidelined in favour of other it strands.
These are minor annoyances though, as the film heads towards it's hugely entertaining finale.
The third act is fantastic. The action is thrilling, the visuals are stunning, and the stakes actually feel quite high. It plays out at times like a PG version of The Red Wedding!
The CGI throughout is top quality, and much like the first, the various settings seen throughout feel fully realised and vivid.
Mistress of Evil is a sequel that perhaps didn't need to happen, but I'm glad that it did, and the two films together stand head and shoulders above any other live action adaption that Disney have put out in recent years.
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Eleanor Luhar (47 KP) rated Ensnared (Splintered, #3) in Books
Jun 24, 2019
I read the first novel of the Splintered series and immediately fell in love with it - purchasing the entire series as paperbacks. This is book #3 in the series by A.G. Howard.
If you haven't read the first two novels then I don't want to spoil anything for you. But I will say what I can about the plot and character development (of which there is plenty).
Alyssa takes us on another crazy journey, from the human realm through AnyElsewhere and, of course, Wonderland. Again, she finds herself stuck between her two halves - and between her two loves.
Along with her parents, Morpheus and Jeb, Alyssa must banish Red's spirit forever, return Wonderland to its former glory, and find a way to balance the two halves of her heart. But the travel to this magical realm has changed Jeb, and he's found something he's not willing to leave behind anymore.
There's a lot of madness and magic in this, which is my favourite part. The pure craziness and mystery of Carroll's Wonderland is captured beautifully by Howard. There are weird and terrifying creatures - my favourite being the strange butterflies native to AnyElsewhere, even if they do endanger the life of one of our beloved characters - as well as beautiful landscapes and clever backstories. The whole origin of Carroll's story is put into question, Alyssa slowly uncovering how he discovered the magical land all those years ago.
The main part of this is about Alyssa trying to placate the two halves of her heart. After her previous run-in with Queen Red, there's something strange going on inside her heart - something that hurts when her human side and netherling side are fighting. What's wrong with her? How can she live like this?
And Morpheus and Jeb still aren't the best of friends, either. They're almost constantly competing for her affections - despite being stuck alone together for who knows how long. I'm always routeing for Morpheus, even if he is a bit of a troublemaker.
The ending is quite a nice compromise, a clever and clean way to stitch everything together. And the epilogue is really good, in my opinion. I won't tell you what happens. But it's short and brief, leaving so many questions and opportunities at the end that makes me reeeally want to read the next book.
It is sometimes a little too perfect, if you know what I mean, but it's not sickeningly good or sweet. I think the solutions they conjure are really creative and clever, and when they're in trouble I'm always wondering what they'll come up with this time.
As for development, Jeb and Morpheus have a clear "epiphany" sort of moment toward the end. But I found that Alyssa also developed a lot, slowly - little realisations that shape her being over time, shape her as a queen.
I do love a good Wonderland story. This isn't, in my personal opinion, quite as the first novels, but I still really enjoyed it. 4 stars for Ensnared.
If you haven't read the first two novels then I don't want to spoil anything for you. But I will say what I can about the plot and character development (of which there is plenty).
Alyssa takes us on another crazy journey, from the human realm through AnyElsewhere and, of course, Wonderland. Again, she finds herself stuck between her two halves - and between her two loves.
Along with her parents, Morpheus and Jeb, Alyssa must banish Red's spirit forever, return Wonderland to its former glory, and find a way to balance the two halves of her heart. But the travel to this magical realm has changed Jeb, and he's found something he's not willing to leave behind anymore.
There's a lot of madness and magic in this, which is my favourite part. The pure craziness and mystery of Carroll's Wonderland is captured beautifully by Howard. There are weird and terrifying creatures - my favourite being the strange butterflies native to AnyElsewhere, even if they do endanger the life of one of our beloved characters - as well as beautiful landscapes and clever backstories. The whole origin of Carroll's story is put into question, Alyssa slowly uncovering how he discovered the magical land all those years ago.
The main part of this is about Alyssa trying to placate the two halves of her heart. After her previous run-in with Queen Red, there's something strange going on inside her heart - something that hurts when her human side and netherling side are fighting. What's wrong with her? How can she live like this?
And Morpheus and Jeb still aren't the best of friends, either. They're almost constantly competing for her affections - despite being stuck alone together for who knows how long. I'm always routeing for Morpheus, even if he is a bit of a troublemaker.
The ending is quite a nice compromise, a clever and clean way to stitch everything together. And the epilogue is really good, in my opinion. I won't tell you what happens. But it's short and brief, leaving so many questions and opportunities at the end that makes me reeeally want to read the next book.
It is sometimes a little too perfect, if you know what I mean, but it's not sickeningly good or sweet. I think the solutions they conjure are really creative and clever, and when they're in trouble I'm always wondering what they'll come up with this time.
As for development, Jeb and Morpheus have a clear "epiphany" sort of moment toward the end. But I found that Alyssa also developed a lot, slowly - little realisations that shape her being over time, shape her as a queen.
I do love a good Wonderland story. This isn't, in my personal opinion, quite as the first novels, but I still really enjoyed it. 4 stars for Ensnared.
Acanthea Grimscythe (300 KP) rated King's Cage in Books
May 16, 2018
The third installment in Victoria Aveyard’s Red Queen series, King’s Cage, is probably my favorite so far. Once again, Aveyard proves she is more focused on telling a story than describing a romance – something my readers know I really like. Especially when it comes to young adult fantasy. In fact, I feel labeling this series as “romance” is a stretch – especially given how little Aveyard focuses on actual material meant to draw in readers of that genre.
King’s Cage begins where Glass Sword left off: Mare’s deal with Maven. While she spends her time in prison, we finally get to learn more about other characters in the story – namely Cameron and (later) Evangeline. Though the latter takes place more toward when the action begins to kick up. Naturally, the story is more focused on Mare even from these perspectives, but it provides a refreshing look at the rebellion.
Surprisingly, there are several turns in King’s Cage that caught me entirely off guard. This is a good thing: I hate when books and stories become predictable. I won’t divulge more than that, for fear of spoilers, but I will say this: so far, this book is my favorite in the series and though I am so angry at the ending I could burn it, part of me wants to open it back up to page one and start again. I don’t imagine the library will like it much if I burn their book.
Until the fourth book hits shelves, I guess I’ll have to satisfy my hunger for more by reading the two novellas that Aveyard wrote for her post-apocalypse universe. Oh, and as a side note? This is the first one I read physically so I finally got to see a map of the lands. As I suspected, it takes place in the ruins of what was once the United States.
King’s Cage begins where Glass Sword left off: Mare’s deal with Maven. While she spends her time in prison, we finally get to learn more about other characters in the story – namely Cameron and (later) Evangeline. Though the latter takes place more toward when the action begins to kick up. Naturally, the story is more focused on Mare even from these perspectives, but it provides a refreshing look at the rebellion.
Surprisingly, there are several turns in King’s Cage that caught me entirely off guard. This is a good thing: I hate when books and stories become predictable. I won’t divulge more than that, for fear of spoilers, but I will say this: so far, this book is my favorite in the series and though I am so angry at the ending I could burn it, part of me wants to open it back up to page one and start again. I don’t imagine the library will like it much if I burn their book.
Until the fourth book hits shelves, I guess I’ll have to satisfy my hunger for more by reading the two novellas that Aveyard wrote for her post-apocalypse universe. Oh, and as a side note? This is the first one I read physically so I finally got to see a map of the lands. As I suspected, it takes place in the ruins of what was once the United States.
Kyera (8 KP) rated King's Cage in Books
Jan 31, 2018
King’s Cage is the third book in the Red Queen series, but not the final book in the installment. I highly suggest that you read the first two books before this one, otherwise you will be incredibly confused. The overall premise of the series is very intriguing and draws you in. Unfortunately, it is a little slow at times and can be difficult to get through. Glass Sword, in particular, took a while to get its stride and I kept putting it down. As a result of the cliffhanger at the end of Glass Sword, King’s Cage is able to start more quickly.
Originally, I didn’t have very strong feelings about any of the characters in the series. They were from various worlds, had different personalities, but I just didn’t truly connect with any of them. King’s Cage made a few of the characters slightly more likable to me, but it still wasn’t enough. Whether it was an important character or a side character, I wasn’t emotionally involved enough to deeply care if something happened to them. It was a simple, oh that’s sad or unfortunate, but it didn’t tear my heart out like some writing does.
Mare’s world is turned upside down and overall the plot of this novel is more engaging than Glass Sword. The fights were described very well and I felt like I was there watching them. I still wish that there was more world building in these novels. There are such varied lands, ruled by unique leaders that I wish we knew more about them.
Overall, I enjoy this series and would recommend giving it a shot. It’s difficult to categorize between fantasy and a form of dystopian. The series is not high fantasy so the world isn’t too difficult to dive into. I’d recommend to young adult/teen fans of fantasy books or books where the characters have powers.
Originally, I didn’t have very strong feelings about any of the characters in the series. They were from various worlds, had different personalities, but I just didn’t truly connect with any of them. King’s Cage made a few of the characters slightly more likable to me, but it still wasn’t enough. Whether it was an important character or a side character, I wasn’t emotionally involved enough to deeply care if something happened to them. It was a simple, oh that’s sad or unfortunate, but it didn’t tear my heart out like some writing does.
Mare’s world is turned upside down and overall the plot of this novel is more engaging than Glass Sword. The fights were described very well and I felt like I was there watching them. I still wish that there was more world building in these novels. There are such varied lands, ruled by unique leaders that I wish we knew more about them.
Overall, I enjoy this series and would recommend giving it a shot. It’s difficult to categorize between fantasy and a form of dystopian. The series is not high fantasy so the world isn’t too difficult to dive into. I’d recommend to young adult/teen fans of fantasy books or books where the characters have powers.
Gareth von Kallenbach (980 KP) rated Valentine's Day (2010) in Movies
Aug 8, 2019
Ashton Kutcher has put down his pranks and camera to return to the big screen leading in this star packed Los Angeles romantic comedy. This feature ties together stories of love, truth, and romance, all taking place within the span of a single Valentine’s Day. The film considers relationships from multiple angles and does a fantastic job intertwining individual stories into a single plotline. Yet before preparing for another “Love Actually” let it be know that the tone of “Valentine’s Day” is entirely its own.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.
As previously mentioned the cast is comprised of film and television stars including but not limited to Julia Roberts, Anne Hathaway, Hector Elizondo, Queen Latifah and not one but two Jessicas (Biel and Alba). As if that were not enough to drawn in big numbers at the box office, “Valentine’s Day” also stars Jennifer Garner, Jamie Foxx, as well as the Mc-actors from Grey’s Anatomy (Patrick Dempsey and Eric Dane). Still not convinced? Then add in Shirley MacLaine, George Lopez and both Taylors (Swift and Lautner) and you’ve got yourself a guaranteed hit, but does the film actually utilize this outstandingly one of a kind cast? Actually it does.
The film is unexpectedly scattered with all the ups and downs of Valentine’s Day from pink and red color schemes to an anti-Valentine’s piñata beat down. All of the scenes are either engaging and honest or delightful and light covering romantic scenarios that truly run the gauntlet. Seriously where else are you going to see Julia Roberts in fatigues and Anne Hathaway as an adult phone entertainer?
I honestly wish there was more to gripe about considering that this film is just a fun romantic comedy, but “Valentine’s Day” is fresh and enjoyable for every minute of the film. Much funnier than I ‘d expected and not insultingly mushy, Valentine’s Day is a perfect date movie which will be a surprise hit even for those romance cynics.
Sophia (Bookwyrming Thoughts) (530 KP) rated Dare to Dream in Books
Jan 23, 2020
<i>Dare to Dream</i> isn't so much as horrifying as to a novel aimed at a younger audience rather than the upper teens running amok from book to book behind Bookwyrming Thoughts (and of course, their own blogs). Simply put: Ella will butcher this, Lupe will make this sprout unicorns, Rundus will dissect this in a manner as seriously as possible, and Sophia might do a combination of blandly blunt dissection while trying to sprout at least one unicorn so no one (hopefully) will get a headache in the process.
But of course, the very last reviewer might be exaggerating a little. She may also be hitting the truth button at the exact same time she decided to press the "write a review in the third person" button.
In this ever so "blandly blunt dissection" of a mini-review, <i>Dare to Dream</i> is essentially divided into two parts: the first part is before the apocalypse, and the second part is the aftermath. It is really just a book that has a main character with a broken family, cries often (well, she is fourteen), and finding her place in the world all while receiving dreams of the end of the world in the same way nightly and finding out it's in connection to the demise of Stonehenge. Oh, and it is also a day by day play of events that feels more proper in a sleeptastic documentary.
Basically, it's just tales of family drama from a fourteen-year-old British schoolgirl. The whole apocalypse thing? It might as well be a subplot until you get to the second part, where the primary purpose is surviving it day by day. But the point is, middle school Sophia might like this better than high school senior Sophia, who actually likes the whole Stonehenge aspect.
<a href="https://bookwyrmingthoughts.com/chibi-views-dare-to-dream-by-carys-jones-and-red-queen-by-victoria-aveyard/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
But of course, the very last reviewer might be exaggerating a little. She may also be hitting the truth button at the exact same time she decided to press the "write a review in the third person" button.
In this ever so "blandly blunt dissection" of a mini-review, <i>Dare to Dream</i> is essentially divided into two parts: the first part is before the apocalypse, and the second part is the aftermath. It is really just a book that has a main character with a broken family, cries often (well, she is fourteen), and finding her place in the world all while receiving dreams of the end of the world in the same way nightly and finding out it's in connection to the demise of Stonehenge. Oh, and it is also a day by day play of events that feels more proper in a sleeptastic documentary.
Basically, it's just tales of family drama from a fourteen-year-old British schoolgirl. The whole apocalypse thing? It might as well be a subplot until you get to the second part, where the primary purpose is surviving it day by day. But the point is, middle school Sophia might like this better than high school senior Sophia, who actually likes the whole Stonehenge aspect.
<a href="https://bookwyrmingthoughts.com/chibi-views-dare-to-dream-by-carys-jones-and-red-queen-by-victoria-aveyard/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>