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Gareth von Kallenbach (980 KP) rated The King's Man (2021) in Movies
Dec 14, 2021
After being delayed multiple times from a planned November 2019 release; Writer/Director Matthew Vaughn has released the third film in the “Kingsman “film series with “The King’s Man”. This time around the movie looks back to the origins of the society dedicated to peace and solving global conflicts before they can escalate.
In pre-World War I Europe; wealthy pacifist Orlando Oxford (Ralph Finnes); looks to raise his son Conrad (Harris Dickinson); following the tragic loss of his wife some years earlier on a Red Cross mission.
When events kick off the war; Conrad wishes to enlist and fight and his father is able to keep this from happening as he wants his son to avoid the horrors of war. At the same time; a secret Cabal has been plotting to start the war and manipulate the outcome and one of the agents named Rasputin (Rhys Ifans); looms prominently due to his influence over the Czar of Russia.
As the years pass and the war unfolds; Conrad and Orlando soon find themselves at odds and being pulled into opposite directions which sets a chain of events into action and puts the fate of the world in the balance.
The film is at times more retrained than the prior two films but the action sequences when they arrive are entertaining and mix the humor and violence that the series is known for. The cast is solid and the way that historical events were used but given an alternate perspective really added to the enjoyment of the film.
The movie does have a decent amount of humor but does spend a great deal of time on character development and exposition which can lead to some long gaps between the action, but the engaging stories and characters hold your interest throughout.
The film sets up further adventures in the Prequel timeline well and it appears that this is the direction that future films may go which would be more than fine as the film delivered what fans have come to expect from the series.
4 stars out of 5
In pre-World War I Europe; wealthy pacifist Orlando Oxford (Ralph Finnes); looks to raise his son Conrad (Harris Dickinson); following the tragic loss of his wife some years earlier on a Red Cross mission.
When events kick off the war; Conrad wishes to enlist and fight and his father is able to keep this from happening as he wants his son to avoid the horrors of war. At the same time; a secret Cabal has been plotting to start the war and manipulate the outcome and one of the agents named Rasputin (Rhys Ifans); looms prominently due to his influence over the Czar of Russia.
As the years pass and the war unfolds; Conrad and Orlando soon find themselves at odds and being pulled into opposite directions which sets a chain of events into action and puts the fate of the world in the balance.
The film is at times more retrained than the prior two films but the action sequences when they arrive are entertaining and mix the humor and violence that the series is known for. The cast is solid and the way that historical events were used but given an alternate perspective really added to the enjoyment of the film.
The movie does have a decent amount of humor but does spend a great deal of time on character development and exposition which can lead to some long gaps between the action, but the engaging stories and characters hold your interest throughout.
The film sets up further adventures in the Prequel timeline well and it appears that this is the direction that future films may go which would be more than fine as the film delivered what fans have come to expect from the series.
4 stars out of 5
Dark Water
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A selection of deliciously spooky short stories from the Japanese master of suspense, the acclaimed...
Cry, the Beloved Country
4.7
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Cry, the Beloved Country, the most famous and important novel in South Africa’s history, was an...
Mark @ Carstairs Considers (2434 KP) rated A Matter of Life and Depths in Books
Nov 7, 2024
Charlotte Must Face Her Pain Head on
Charlotte and her sister, Jane, have settled into their new life as permanent residents on the luxury cruise ship. But as the ship heads to Japan, Charlotte is less than happy to discover that her late husband’s mistress, Kyrie Dawn, and her toddler son have joined the staff with Kyrie Dawn being the new yoga instructor. Charlotte hasn’t even wrapped her head around that when a murder happens. Charlotte finds herself investigating for the last reason she would have expected. Can she figure out what happened?
I’ve read books with similar initial setups before, and I appreciate that this book didn’t go for the predictable victim. It allowed for some great character growth in Charlotte and some of the other characters. It may not all be realistic, but I did like it overall. Like the first book, we met the suspects all at once, so it took me a while to get them all straight. The mystery was strong, with some good surprises and a couple red herrings on the way to a logical climax. A minor subplot involving a diary that Charlotte was reading from her great-grandmother seemed a bit confusing to me, although I do understand why it was there thematically. On the other hand, there were some delightfully funny moments, and the setting was great. Overall, I enjoyed this murderous cruise very much.
I’ve read books with similar initial setups before, and I appreciate that this book didn’t go for the predictable victim. It allowed for some great character growth in Charlotte and some of the other characters. It may not all be realistic, but I did like it overall. Like the first book, we met the suspects all at once, so it took me a while to get them all straight. The mystery was strong, with some good surprises and a couple red herrings on the way to a logical climax. A minor subplot involving a diary that Charlotte was reading from her great-grandmother seemed a bit confusing to me, although I do understand why it was there thematically. On the other hand, there were some delightfully funny moments, and the setting was great. Overall, I enjoyed this murderous cruise very much.
Gareth von Kallenbach (980 KP) rated Playing for Keeps (2012) in Movies
Aug 7, 2019
Gerard Butler has stepped out of his 300 uniform and into some soccer
cleats. As a former international soccer star, George (Butler) is down on
his luck. He has no job, and he’s living in Virginia, attempting to
reconnect with his estranged son.
The story opens with some backstory about George’s past before quickly
tumbling into his present situation. George’s ex-wife (Jessica Biel) is
getting remarried, and his son Lewis (Noah Lomax) is having a hard time
learning to trust his real father after being separated for so long.
The plot quickly unfolds into a predictable “chick-flick” scenario, where
the main character is floundering and wants to get back what he once had.
His path to redemption comes in the form of coaching his son’s youth
soccer team, while fending off hordes of attractive soccer *moms* who want
to place hands on the well-sculpted Coach Dryer!
This film is incredibly formulaic, and it’s predictable every step of the
way. That said, Butler, Biel, and the rest of t*he cast* do an exceptional
job given what they had to work with. I even have to give some props to
the young actor, Noah Lomax, for giving a noteworthy performance as the
son.
While there were some great chuckles and all-out laughs mixed with a few
touching moments, it’s hard to look past the poor production values of this
film. Many of the scenes were filmed in a free-hand format. The shaking is
not just noticeable, but rampant throughout the film. It’s very
distracting, and downright shoddy film-making.
The directing wasn’t bad, in general, but I think a more seasoned director
would have at least chosen better angles. Case-in-point: many of the
scenes involving the red Ferrari were obviously lit with bright, white
lights reflecting off the surface of the car, giving us a view of grips and
other personnel behind the camera.
Dennis Quaid starts the film with a great role, and delivers a fantastic
performance. Unfortunately, after the jail scene, he’s oddly absent until
the end of the film. His absence was so awkward that it distracted me from
the people who were on the screen. I even asked myself: where did Dennis
Quaid’s character go?
Uma Thurman, playing Quaid’s character’s wife, and Catherine-Zeta Jones,
playing a soccer mom, did a marvelous job (again, despite not having much
to work with).
The Hollywood stars saved this film from rating lower, due to their vast
acting experience and talent, but I can’t recommend the movie as a whole.
Even their performances weren’t enough to keep Playing For Keeps in the
same ballpark as a well-produced film. It’s shoddy movie-making at best.
I recommend you wait to watch this one at home and save your movie theater
budget for another flick, *but if you are into chick-flicks, Playing for
Keeps will not disappoint.*
cleats. As a former international soccer star, George (Butler) is down on
his luck. He has no job, and he’s living in Virginia, attempting to
reconnect with his estranged son.
The story opens with some backstory about George’s past before quickly
tumbling into his present situation. George’s ex-wife (Jessica Biel) is
getting remarried, and his son Lewis (Noah Lomax) is having a hard time
learning to trust his real father after being separated for so long.
The plot quickly unfolds into a predictable “chick-flick” scenario, where
the main character is floundering and wants to get back what he once had.
His path to redemption comes in the form of coaching his son’s youth
soccer team, while fending off hordes of attractive soccer *moms* who want
to place hands on the well-sculpted Coach Dryer!
This film is incredibly formulaic, and it’s predictable every step of the
way. That said, Butler, Biel, and the rest of t*he cast* do an exceptional
job given what they had to work with. I even have to give some props to
the young actor, Noah Lomax, for giving a noteworthy performance as the
son.
While there were some great chuckles and all-out laughs mixed with a few
touching moments, it’s hard to look past the poor production values of this
film. Many of the scenes were filmed in a free-hand format. The shaking is
not just noticeable, but rampant throughout the film. It’s very
distracting, and downright shoddy film-making.
The directing wasn’t bad, in general, but I think a more seasoned director
would have at least chosen better angles. Case-in-point: many of the
scenes involving the red Ferrari were obviously lit with bright, white
lights reflecting off the surface of the car, giving us a view of grips and
other personnel behind the camera.
Dennis Quaid starts the film with a great role, and delivers a fantastic
performance. Unfortunately, after the jail scene, he’s oddly absent until
the end of the film. His absence was so awkward that it distracted me from
the people who were on the screen. I even asked myself: where did Dennis
Quaid’s character go?
Uma Thurman, playing Quaid’s character’s wife, and Catherine-Zeta Jones,
playing a soccer mom, did a marvelous job (again, despite not having much
to work with).
The Hollywood stars saved this film from rating lower, due to their vast
acting experience and talent, but I can’t recommend the movie as a whole.
Even their performances weren’t enough to keep Playing For Keeps in the
same ballpark as a well-produced film. It’s shoddy movie-making at best.
I recommend you wait to watch this one at home and save your movie theater
budget for another flick, *but if you are into chick-flicks, Playing for
Keeps will not disappoint.*
ClareR (5996 KP) rated The Scarlet Letter in Books
Sep 29, 2018
Not a book I'd normally choose to read...
This book came up on the list of recommended reading for my 14 year old son in preparation for his GCSE English course. What a way to make a child hate reading - I was in danger of it myself! It's long-winded, convoluted (same thing, I know), dreary and the language is so complicate! How can anyone actually read this with even an ounce of enjoyment?!
It's interesting to see how times have changed: Hester Prynne (rhymes with 'sin' - you'll see what I mean in a minute) is forced to wear a bright red 'A' for 'Adulterer' on her dress for the rest of her life, for the crime that is/ was sex out of marriage. And she had the cheek to have a baby. But where I though her life would be made unbearable, she is ignored and eventually, even accepted. Not very '17th century Puritan' I feel. Not that I wanted blood and gore, you understand, but a bit of accuracy wouldn't have gone amiss. It would've been a much shorter book though - and that's not a bad thing. I got caught up with reading the authors introduction, which was interminable, and time that I'll never get back.
So, in conclusion, I won't be forcing the 14 year old boy to read this. I'm not that cruel. I have however noticed that Good Omens is on the list. Now that IS a book he'll probably like when he gets over the fact that it's a book recommended by a teacher!
It's interesting to see how times have changed: Hester Prynne (rhymes with 'sin' - you'll see what I mean in a minute) is forced to wear a bright red 'A' for 'Adulterer' on her dress for the rest of her life, for the crime that is/ was sex out of marriage. And she had the cheek to have a baby. But where I though her life would be made unbearable, she is ignored and eventually, even accepted. Not very '17th century Puritan' I feel. Not that I wanted blood and gore, you understand, but a bit of accuracy wouldn't have gone amiss. It would've been a much shorter book though - and that's not a bad thing. I got caught up with reading the authors introduction, which was interminable, and time that I'll never get back.
So, in conclusion, I won't be forcing the 14 year old boy to read this. I'm not that cruel. I have however noticed that Good Omens is on the list. Now that IS a book he'll probably like when he gets over the fact that it's a book recommended by a teacher!
We Dared to Live: A Tale of Courage & Survival
Book
An engrossing saga that adds significantly to the body of Holocaust literature. Abraham H Foxman,...
LeftSideCut (3776 KP) rated Rare Exports: A Christmas Tale (2010) in Movies
Dec 18, 2020
Rare Exports is a proper gem of an alternative Christmas film.
It revolves around a British company drilling into the mountain Korvatunturi in Lapland, hoping to find a legendary gravesite. A local child Pietari spies on proceedings, and is convinced that this company have found the grave of the original Santa Claus, not the jolly red and white icon that everyone is familiar with, but the proper monstrous version spoken about in fairtytales in Piertari's books. This being a child centric horror, of course no one believes him, until all the other children in the village start to go missing, and shit starts going sideways.
Rare Exports strengths lies in its strong cast. Greta performances from Onni Tommila and Jorma Tommila (father and son in both the film, and real life, just for that extra layer of believability!) The pair, alongside the supporting cast keep everything pretty grounded, despite the absurdity going on around them.
The film's dialogue is largely in Finnish, and this coupled with it's sparse and snowy setting, lend the narrative a truly otherworldly but authentic feeling.
It's also effectively creepy, especially the skinny old man "Santa" that the group capture and cage up. The need to figure out what is really going on never lets up either, even as the plot flies towards it's increasingly WTF climax (there's a silly amount of dong by the way, just FYI).
Rare Exports is certainly worth a watch. It's delightfully barmy, and is a great tonic if you become weary of "traditional" Christmas movies. 🎅
It revolves around a British company drilling into the mountain Korvatunturi in Lapland, hoping to find a legendary gravesite. A local child Pietari spies on proceedings, and is convinced that this company have found the grave of the original Santa Claus, not the jolly red and white icon that everyone is familiar with, but the proper monstrous version spoken about in fairtytales in Piertari's books. This being a child centric horror, of course no one believes him, until all the other children in the village start to go missing, and shit starts going sideways.
Rare Exports strengths lies in its strong cast. Greta performances from Onni Tommila and Jorma Tommila (father and son in both the film, and real life, just for that extra layer of believability!) The pair, alongside the supporting cast keep everything pretty grounded, despite the absurdity going on around them.
The film's dialogue is largely in Finnish, and this coupled with it's sparse and snowy setting, lend the narrative a truly otherworldly but authentic feeling.
It's also effectively creepy, especially the skinny old man "Santa" that the group capture and cage up. The need to figure out what is really going on never lets up either, even as the plot flies towards it's increasingly WTF climax (there's a silly amount of dong by the way, just FYI).
Rare Exports is certainly worth a watch. It's delightfully barmy, and is a great tonic if you become weary of "traditional" Christmas movies. 🎅
Mexican Gothic
6.7
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An isolated mansion. A chillingly charismatic artistocrat. And a brave socialite drawn to expose...
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Al igual que en las más importantes ciudades del mundo, el Municipio del Distrito Metropolitano de...