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Lyndsey Gollogly (2893 KP) rated Secrets of the Tides in Books
May 18, 2022
87 of 230
Book
Secrets of the Tides
By Hannah Richell
⭐️⭐️⭐️⭐️
Every family has a secret: a dramatic family saga with a dark thread of suspense lurking at its heart.
The Tides are a family with dark secrets. Haunted by the events of one tragic day ten years ago, they are each, in their own way, struggling to move forwards with their lives.
Dora, the youngest daughter, lives in a ramshackle East End warehouse with her artist boyfriend Dan. Dora is doing a good job of skating across the surface of her life - but when she discovers she is pregnant the news leaves her shaken and staring back at the darkness of a long-held guilt.
Returning to Clifftops, the rambling family house perched high on the Dorset coastline, Dora must confront her past. Clifftops hasn't changed in years and moving through its rooms and gardens, Dora can still feel the echo of that terrible summer's day when life changed forever for the Tides.
As Dora begins her search for clues surrounding the events of that fateful day, she comes to realise that the path to redemption may rest with her troubled sister, Cassie. If Dora can unlock the secrets Cassie swore she would take to her grave, just maybe she will have a shot at salvation.
But can long-held secrets ever really be forgiven? And even if you do manage to forgive and forget, how do you ever allow yourself to truly love again?
This was one of those reads when you never know what to expect. It starts of with a young lady trying to take her life then as we read on we discover a family full of tragedy and secrets. It’s very well written and deals with some very sensitive and heartbreaking subjects. We see a family torn apart and the only hope is a new baby to hopefully bring them together finally. I really enjoyed this and once I settled in to the book I couldn’t put it down.
Book
Secrets of the Tides
By Hannah Richell
⭐️⭐️⭐️⭐️
Every family has a secret: a dramatic family saga with a dark thread of suspense lurking at its heart.
The Tides are a family with dark secrets. Haunted by the events of one tragic day ten years ago, they are each, in their own way, struggling to move forwards with their lives.
Dora, the youngest daughter, lives in a ramshackle East End warehouse with her artist boyfriend Dan. Dora is doing a good job of skating across the surface of her life - but when she discovers she is pregnant the news leaves her shaken and staring back at the darkness of a long-held guilt.
Returning to Clifftops, the rambling family house perched high on the Dorset coastline, Dora must confront her past. Clifftops hasn't changed in years and moving through its rooms and gardens, Dora can still feel the echo of that terrible summer's day when life changed forever for the Tides.
As Dora begins her search for clues surrounding the events of that fateful day, she comes to realise that the path to redemption may rest with her troubled sister, Cassie. If Dora can unlock the secrets Cassie swore she would take to her grave, just maybe she will have a shot at salvation.
But can long-held secrets ever really be forgiven? And even if you do manage to forgive and forget, how do you ever allow yourself to truly love again?
This was one of those reads when you never know what to expect. It starts of with a young lady trying to take her life then as we read on we discover a family full of tragedy and secrets. It’s very well written and deals with some very sensitive and heartbreaking subjects. We see a family torn apart and the only hope is a new baby to hopefully bring them together finally. I really enjoyed this and once I settled in to the book I couldn’t put it down.
Merissa (12698 KP) rated Color You In (EMS Station 1 #2) in Books
Feb 25, 2025 (Updated Feb 25, 2025)
COLOUR YOU IN is the second book in the EMS Station 1 series and it can be read as a standalone. This one features Gus and Madoc. Gus is an amputee with a prosthetic, working hard and studying to better himself and become a paramedic. Madoc is a single dad who has experience as an EMT but is also a 'rookie' under Gus' supervision.
Gus was such a brilliant character and I loved him. That simple. Madoc? Well, he was harder to love. He has good qualities, don't get me wrong, but he is also rather selfish. In the first instance, he sees things in a very black-and-white manner, usually with his mouth opening before he's taken the time to think it through. Their relationship moves quickly from co-workers, to friends, to FWB, and I didn't feel as though Madoc appreciated any of it in the way he should have.
It was good to see Connor and Judah again, even if they were only mentioned briefly. Tarek, nah, I'm good. I didn't feel for him AT ALL and, honestly, wanted to skip over the parts he was in. I'm sure his redemption will be in a future book, but I disliked him so much, I don't know if I could bring myself to read it!
One thing I would have liked to see was a description of the different codes used. I did a search just to confirm what I thought Code 4 actually meant.
Well-written and nicely paced, this was a good addition to the series. If you want a bi-awakening with angst, then this just might be the one for you.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 25, 2025
Gus was such a brilliant character and I loved him. That simple. Madoc? Well, he was harder to love. He has good qualities, don't get me wrong, but he is also rather selfish. In the first instance, he sees things in a very black-and-white manner, usually with his mouth opening before he's taken the time to think it through. Their relationship moves quickly from co-workers, to friends, to FWB, and I didn't feel as though Madoc appreciated any of it in the way he should have.
It was good to see Connor and Judah again, even if they were only mentioned briefly. Tarek, nah, I'm good. I didn't feel for him AT ALL and, honestly, wanted to skip over the parts he was in. I'm sure his redemption will be in a future book, but I disliked him so much, I don't know if I could bring myself to read it!
One thing I would have liked to see was a description of the different codes used. I did a search just to confirm what I thought Code 4 actually meant.
Well-written and nicely paced, this was a good addition to the series. If you want a bi-awakening with angst, then this just might be the one for you.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 25, 2025
<i>I received this book for free through Goodreads First Reads.
Is the Bible really gospel truth?</i> This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, <i>Gospels</i>. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore <i>Gospels</i> is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled <i>Gospels</i>, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, <i>Gospels</i> is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
Is the Bible really gospel truth?</i> This is the question the honourable, academic Robert Babcock aims to find out on his quest to find the earliest copies of the gospels in order to prove the reliability of the story of Jesus as recounted in the King James Bible. However, this is not the key focus of Stephen Taylor’s fictional novel, <i>Gospels</i>. The main character is the perfidious John Campbell-John, a rogue, imposter and swindler who flees 19th-century England in an attempt to escape from his debts.
John meets the magnanimous Robert in Venice and, despite being polar opposites, become firm friends. After being honest for the first time in his life, admitting to owing thousands of pounds in gambling debts, Robert offers John the opportunity to accompany him on his quest through the deserts of Egypt. John accepts and the pair finds themselves on an adventure of discovery and personal redemption.
John and Robert make an unlikely but excellent team. Robert’s knowledge of the Bible and ancient history is vital, however, John’s propensity for falsehoods and cunningness gets them out of a few scrapes and tricky situations. Nonetheless, it is difficult for John to give up his old ways and his insular behaviour threatens to get them in more trouble.
Fortunately, Robert’s humility begins to influence the young scoundrel, as does his penchant for historical artefacts. As the story progresses, John begins to leave his past behind and becomes interested in Robert’s work, learning new things about Egyptian culture and the origins of the Bible. However, when a new gospel comes to light that threatens the whole of Christianity, Robert does not know what to do; and only John can give him counsel.
John Campbell-John is a character that the author introduced in a previous book. However, the timelines are not sequential, therefore <i>Gospels</i> is a stand-alone novel. The time frame for this book needed to be set in 1835 to correspond with historical truths. Although Robert’s discovery of a Gospel of Thaddeus Jude is an invention of the author, the quest itself is based on the journeys of three 19th-century Bible hunters. Stephen Taylor has conducted an enormous amount of research, including the biographies of Robert Curzon, Constantin von Tischendorf and Émile Amélineau who, on separate occasions, sought the same knowledge as the fictional Robert Babcock.
Despite being titled <i>Gospels</i>, the novel, for the most part, focuses on John Campbell-John and his wicked ways. Through a first-person narrative, John explains his past, his betrayal of a friend, and his addiction to gambling. Initially, he has no qualms about his behaviour and acts only for himself and his selfish greed. Whilst Robert goes in search of knowledge, John goes on a journey of redemption, coming to terms with his previous wrongdoings. However, acknowledging these faults is not enough, he needs to turn away from these roguish ways.
It is disappointing that the narrative does not focus more on the gospels, both real and imagined. There was enormous scope for an in-depth look at the life of Jesus and the inconsistencies in the Bible. The fictitious Gospel of Thaddeus Jude evokes a similar reaction in Robert as the Non-Canonical Gospel of Thomas found in the 19th-century had on many devout Christians. There was so much potential with this direction of thought, however, the author passes over it in preference to the life of John Campbell-John.
Slow to begin but increasingly interesting as it progresses, <i>Gospels</i> is a book of many themes. History, both 19th-century and ancient; religion, although not a Christian story; and achievement and absolution combine together to produce a unique tale that takes the reader from the back alleys of London to the River Nile and the deserts of Sinai. A subtle clue in the prologue keeps readers alert as they await the conclusion of the adventure – an ending that ambiguously reveals whether John moves on from the follies of his past.
Gareth von Kallenbach (980 KP) rated Real Steel (2011) in Movies
Aug 7, 2019
Boxing movies have been a staple of Hollywood for decades. Some of the earliest celluloid offerings documented pugilistic bouts in films such as Raging Bull, The Fighter, and the iconic Rocky series and helped boxing cement itself in both popular and cinematic culture.
In the film “Real Steel”, Hugh Jackman plays Charlie Kenton, a down-on-his-luck promoter whose best days are definitely behind him. In the near-future setting of the film, robots have replaced humans in the boxing ring and Charlie is constantly and desperately looking for the next big thing to help him claim a little fame and a lot of fortune.
Following the loss of his fighting robot, Charlie is summoned to Texas after the passing of his ex-girlfriend, the mother of his son. Charlie is eager to sign over the guardianship of his son, Max, to Max’s aunt, but after noticing her wealthy husband, decides to take advantage of the situation. Charlie makes a deal to sign over the guardianship of his son Max, (Dakota Goyo) in exchange for a large sum of money which he plans to use to get back into the robot fighting game. The catch for Charlie is that he must watch Max for the summer so Max’s future parents can take a planned trip to Italy.
Max is quickly thrown into the robot-fighting world when he forces his dad to take him along to a bout. Unfortunately, it’s yet another painful loss for Charlie and their first father-son trip ends with them scouring a junkyard for robot replacement parts. It’s Max who literally stumbles across an old robot and becomes convinced that the discarded machine could become a champion given the right conditions. Despite his misgivings, Charlie agrees to train the robot and in doing so gets to reconnect with his estranged son. Charlie is given a shot at redemption when Max’s robot becomes a fighting success and starts to advance through the rankings.
Naturally with increased success comes increased expectations and risks for Charlie and Max’s robot. There are numerous people looking for them to fail, as there is no way that a washed up boxer with a kid and an outdated machine can take on the machines of the professional circuit. Predictably, but still grippingly so, the outdated robot, named Atom, makes his way from seedy fighting pits to upscale arenas. Eventually the Atom team is given a shot at the big time which, as fans of sports films know, is destined to end with a climactic bout with the larger-than-life champion.
What sets “Real Steel” apart from other CGI laden action films is the human element and emotional connections you make with the characters, and even the blue-eyed junkyard robot itself. Although Atom is a CGI construct of a machine, you find yourself pulling for this unlikely underdog just as much its flesh and blood costars. The action sequences are intense and amazing to look at but never overshadow the underlying storyline of love and redemption.
Jackman gives a believable performance as a seemingly callous individual with no redeeming qualities. (Remember, he essentially sold his son). Evangaline Lily, is solid and likeable in a supporting role as Charlie’s old friend and former love interest. Goyo, fresh off his work playing the younger Thor in this past summer’s blockbuster, does a remarkable job in what is likely his breakout role. He has the spunky innocence of youth with a maturity that I had not seen in any young actor since Haley Joel Osment in the Sixth Sense.
“Real Steel” may not be the most original film, as aside from the robots this is a boxing tale that is been told many times before. I definitely saw lots of elements of the original Rocky but still found the film extremely enjoyable and entertaining as well as one of the most pleasant surprises of the year. It is rumored that a sequel is already in production and I actually hope that this is the case. This is one story I certainly wouldn’t mind going a few extra rounds with.
In the film “Real Steel”, Hugh Jackman plays Charlie Kenton, a down-on-his-luck promoter whose best days are definitely behind him. In the near-future setting of the film, robots have replaced humans in the boxing ring and Charlie is constantly and desperately looking for the next big thing to help him claim a little fame and a lot of fortune.
Following the loss of his fighting robot, Charlie is summoned to Texas after the passing of his ex-girlfriend, the mother of his son. Charlie is eager to sign over the guardianship of his son, Max, to Max’s aunt, but after noticing her wealthy husband, decides to take advantage of the situation. Charlie makes a deal to sign over the guardianship of his son Max, (Dakota Goyo) in exchange for a large sum of money which he plans to use to get back into the robot fighting game. The catch for Charlie is that he must watch Max for the summer so Max’s future parents can take a planned trip to Italy.
Max is quickly thrown into the robot-fighting world when he forces his dad to take him along to a bout. Unfortunately, it’s yet another painful loss for Charlie and their first father-son trip ends with them scouring a junkyard for robot replacement parts. It’s Max who literally stumbles across an old robot and becomes convinced that the discarded machine could become a champion given the right conditions. Despite his misgivings, Charlie agrees to train the robot and in doing so gets to reconnect with his estranged son. Charlie is given a shot at redemption when Max’s robot becomes a fighting success and starts to advance through the rankings.
Naturally with increased success comes increased expectations and risks for Charlie and Max’s robot. There are numerous people looking for them to fail, as there is no way that a washed up boxer with a kid and an outdated machine can take on the machines of the professional circuit. Predictably, but still grippingly so, the outdated robot, named Atom, makes his way from seedy fighting pits to upscale arenas. Eventually the Atom team is given a shot at the big time which, as fans of sports films know, is destined to end with a climactic bout with the larger-than-life champion.
What sets “Real Steel” apart from other CGI laden action films is the human element and emotional connections you make with the characters, and even the blue-eyed junkyard robot itself. Although Atom is a CGI construct of a machine, you find yourself pulling for this unlikely underdog just as much its flesh and blood costars. The action sequences are intense and amazing to look at but never overshadow the underlying storyline of love and redemption.
Jackman gives a believable performance as a seemingly callous individual with no redeeming qualities. (Remember, he essentially sold his son). Evangaline Lily, is solid and likeable in a supporting role as Charlie’s old friend and former love interest. Goyo, fresh off his work playing the younger Thor in this past summer’s blockbuster, does a remarkable job in what is likely his breakout role. He has the spunky innocence of youth with a maturity that I had not seen in any young actor since Haley Joel Osment in the Sixth Sense.
“Real Steel” may not be the most original film, as aside from the robots this is a boxing tale that is been told many times before. I definitely saw lots of elements of the original Rocky but still found the film extremely enjoyable and entertaining as well as one of the most pleasant surprises of the year. It is rumored that a sequel is already in production and I actually hope that this is the case. This is one story I certainly wouldn’t mind going a few extra rounds with.
Bob Mann (459 KP) rated The Mule (2018) in Movies
Sep 28, 2021
Eastwood is back, but is he hero or anti-hero?
It’s delightful to see Clint Eastwood back in front of the camera on the big screen. His last starring film was “Trouble with the Curve” in 2012 – a baseball-themed film that I don’t remember coming out in the UK, let alone remember seeing. Before that was 2008’s excellent “Gran Torino”.
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
Based on a true story.
“The Mule” is based on a true New York Times story about Leo Sharp, a veteren recruited by a cartel to ship drugs from the southern border to Chicago.
Eastwood couldn’t cast Sharp in the movie as himself because he died back in 2016, so had to personally take the role. (This is #satire…. Eastwood’s last film was the terrible “The 15:17 to Paris” where his ‘actors’ were the real-life participants themselves: you won’t find a review on this site as I only review films I’ve managed to sit through…. and with this one I failed!).
The plot.
Eastwood plays Earl Stone, a self-centred horticulturist of award-winning daylily’s (whatever they are) who is estranged from wife Mary (Dianne Wiest) and especially from his daughter Iris (Alison Eastwood, Clint’s own daughter), who now refuses to speak to him. This is because Earl has let his family down at every turn. The only person willing to give him a chance is his grand-daughter Ginny (Taissa Farmiga, younger sister of Vera). With his affairs in financial freefall, a chance meeting at a wedding leads Earl into a money-making driving job for the cartel operated by Laton (Andy Garcia). (Laton doesn’t seem to have a first name….. Fernando perhaps?).
With has beat-up truck and aged manner, he is invisible to the cops and so highly effective in the role. Even when – as the money keeps rolling in – he upgrades his truck to a souped-up monster!
Loose Morals.
It’s difficult to know whether Eastwood is playing a hero or an anti-hero. You feel tense when Earl is at risk of being caught, but then again the law officers would be preventing hundreds of kilos of cocaine from reaching the streets of Chicago and through their actions saving the lives of probably hundreds of people. I felt utterly conflicted: the blood of those people, and the destruction of the families that addiction causes, was on Earl’s hands as much as his employer’s. But you can’t quite equate that to the affable old-man that Eastwood portrays, who uses much of the money for charitable good-works in his community.
Family values.
In parallel with the drug-running main plot is a tale of Earl’s attempted redemption: “family should always come first”. When the two storylines come together around a critical event then it feels like a sufficient trigger for Earl to turn his back on his life of selfishness. This also gives room for some splendid acting scenes between Eastwood and Wiest. It’s also interesting that Earl tries to teach the younger DEA enforcement agent not to follow in the sins of his past. Bradley Cooper, back in pretty-boy mode, plays the agent, but seemed to me to be coasting; to me he wasn’t convincing in the role. Michael Peña is better as his unnamed DEA-buddy.
Final thoughts.
The showing at my cinema was surprisingly well-attended for a Wednesday night, showing that Eastwood is still a star-draw for box-office even in his old age. And it’s the reason to see the film for sure. His gristled driving turn to camera (most fully seen in the trailer rather than the final cut) is extraordinary.
He even manages to turn in an “eyes in rearview-mirror” shot that is surely a tribute to his Dirty Harry days!
If you can park your moral compass for a few hours then its an enjoyable film of drug-running and redemption. I’d like to suggest it also illustrates that crime really doesn’t pay, but from the end titles scene I’m not even sure at that age if that even applies!
Sensitivemuse (246 KP) rated The Supernaturals in Books
Apr 10, 2018
Great horror story with creep factor
The beauty of reading horror books is this: even though you’ve probably read this same thing or read the same horror book with similar plots, cookie cutter characters, etc, what really matters at the end of the day is; does it provide you with enough chills and creep factor to get you reading?
Thankfully, this one delivers!
The plot is pretty standard; haunted house that is on the market but nobody buys it. It needs a super cleansing and a group of people are gathered and led by a Professor who’s looking out for redemption. It seems pretty much like a typical horror plot out there but it’s well written and the flow is consistent. That being said, the real action starts about the last third of the book. Think of this book as an introduction to a cast of characters, and what their ‘gifts’ are like. Their background stories are provided, and everything leading up to the night at the house is well done. It prepares to reader as to what to look forward to (with some creep factor in between)
So let’s get to the creep factor. It’s definitely there. The descriptions and events happening is enough to give the reader chills and leaves it to their imagination. There’s plenty of loud noise moments, evil laughter, and things going bump in the night to contribute to the enjoyment of reading this book.
The characters could have been better now, perhaps because it’s an introduction to the group but there’s not much substance to them (at least to some) I was a bit disappointed in George and Leonard because they had a lot to contribute but it seemed to have fizzled out when it really counts. For the most part it’s mostly John, Jenny and Gabriel in the spotlight. They’re all pretty much likable and their own storylines are good to read to provide more ‘fleshing out’ of the character.
It’s a solid horror story with a good ending. Of course it looks like there’s a second book coming out and I’m going to go and read it. I enjoyed this one immensely.
Thankfully, this one delivers!
The plot is pretty standard; haunted house that is on the market but nobody buys it. It needs a super cleansing and a group of people are gathered and led by a Professor who’s looking out for redemption. It seems pretty much like a typical horror plot out there but it’s well written and the flow is consistent. That being said, the real action starts about the last third of the book. Think of this book as an introduction to a cast of characters, and what their ‘gifts’ are like. Their background stories are provided, and everything leading up to the night at the house is well done. It prepares to reader as to what to look forward to (with some creep factor in between)
So let’s get to the creep factor. It’s definitely there. The descriptions and events happening is enough to give the reader chills and leaves it to their imagination. There’s plenty of loud noise moments, evil laughter, and things going bump in the night to contribute to the enjoyment of reading this book.
The characters could have been better now, perhaps because it’s an introduction to the group but there’s not much substance to them (at least to some) I was a bit disappointed in George and Leonard because they had a lot to contribute but it seemed to have fizzled out when it really counts. For the most part it’s mostly John, Jenny and Gabriel in the spotlight. They’re all pretty much likable and their own storylines are good to read to provide more ‘fleshing out’ of the character.
It’s a solid horror story with a good ending. Of course it looks like there’s a second book coming out and I’m going to go and read it. I enjoyed this one immensely.