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My (Underground) American Dream: My True Story as an Undocumented Immigrant Who Became a Wall Street Executive
Book
What does an undocumented immigrant look like? What kind of family must she come from? How could she...
The Art and Adventure of Leadership: Understanding Failure, Resilience and Success
Warren Bennis, Steven B. Sample and Rob Asghar
Book
For the first time, a top leadership scholar and a top leadership practitioner explore the true...
A Visit from the Goon Squad
7.0
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Jennifer Egan's spellbinding novel circles the lives of Bennie Salazar, an ageing former punk rocker...
Mysteries of Paris
Book
The first new translation in over a century of the the brilliant epic novel that inspired Les...
Melanie Caldicott (6 KP) rated The Beauty of Your Face in Books
Apr 29, 2021
You can also read my review at my blog - roamingthroughbooks@wordpress.com" rel="nofollow noopener" target="_blank">https://roamingthroughbooks@wordpress.com
The Beauty of Your Face by Sahar Mustafah is a poignantly written story of a Muslim Palestinian family living in America which challenges stereotypes and prejudice through rich characterisation and a moving plotline.
The novel follows the life of Afaf Rahman, beginning at the nail-biting attack of a white extremist at the Muslim high-school of which Afaf is principal. The story then begins to intersperse these dramatic present day events with flashbacks of Afaf’s past, telling us of how an equally devastating event has destructive repercussions upon her family affecting profoundly the woman Afaf has become.
When Afaf was a girl her sister disappears. Each member of the family is impacted by this differently and we see how the different emotions they experience sadly divides the home, leading each of the characters to become more and more isolated in their private, emotional turmoil, unable to share this pain with anyone else.
The emotional level of this book is deep and Mustafah skillfully draws the reader to understand the emotions of each member of the Rahman family, and we become empathetic observers of their descent to a fragmented family torn apart by their grief.
Yet the present day Afaf we meet at the beginning of the book is a strong woman of faith, who appears to be far removed from the young girl of her past. As we journey alongside her we see how her tragic life experiences are not merely deeply painful, but formative and how her Muslim faith becomes the pillar to which she is able to cling and withstand the most horrific of circumstances.
The Beauty of Your Face explores what it means to be a Muslim living in a Western country developing a narrative pursuing themes of assimilation, xenophobia, racism, identity and forgiveness. It is harrowing and shocking at times and does not balk from describing the ugliness of prejudice and racial hatred. Yet, Mustafah ultimately tells a tale of redemption and hope, showing that we can transcend these attitudes and grow instead peace, forgiveness and love.
The Beauty of Your Face by Sahar Mustafah is a poignantly written story of a Muslim Palestinian family living in America which challenges stereotypes and prejudice through rich characterisation and a moving plotline.
The novel follows the life of Afaf Rahman, beginning at the nail-biting attack of a white extremist at the Muslim high-school of which Afaf is principal. The story then begins to intersperse these dramatic present day events with flashbacks of Afaf’s past, telling us of how an equally devastating event has destructive repercussions upon her family affecting profoundly the woman Afaf has become.
When Afaf was a girl her sister disappears. Each member of the family is impacted by this differently and we see how the different emotions they experience sadly divides the home, leading each of the characters to become more and more isolated in their private, emotional turmoil, unable to share this pain with anyone else.
The emotional level of this book is deep and Mustafah skillfully draws the reader to understand the emotions of each member of the Rahman family, and we become empathetic observers of their descent to a fragmented family torn apart by their grief.
Yet the present day Afaf we meet at the beginning of the book is a strong woman of faith, who appears to be far removed from the young girl of her past. As we journey alongside her we see how her tragic life experiences are not merely deeply painful, but formative and how her Muslim faith becomes the pillar to which she is able to cling and withstand the most horrific of circumstances.
The Beauty of Your Face explores what it means to be a Muslim living in a Western country developing a narrative pursuing themes of assimilation, xenophobia, racism, identity and forgiveness. It is harrowing and shocking at times and does not balk from describing the ugliness of prejudice and racial hatred. Yet, Mustafah ultimately tells a tale of redemption and hope, showing that we can transcend these attitudes and grow instead peace, forgiveness and love.
Emma @ The Movies (1786 KP) rated The Painter And The Thief (2020) in Movies
Oct 23, 2020
After seeing the trailer for this one I was intrigued to see how the subject was handled in this format.
Barbora Kysilkova's prized paintings have been stolen from a gallery, the culprits were not careful and are soon picked up by the police. But all investigations come back empty handed and the two paintings may never resurface. Barbora is interested to meet one of the men responsible for her loss and soon an unlikely friendship begins between the two of them. As their lives become even more entwined we follow their path through troubles and redemption.
The documentary is split into two main parts, first we follow the painter as she uncovers whatever she can about the crime in an attempt to recover the pieces. The second follows out thief and the struggles of his life. Each side of the story shows very different ways of existing, but as it evolves you make surprising discoveries about them both that open your eyes to how reality is sometimes hidden underneath a persona we project.
We're treated to an enlightening journey with the way the narrative is laid out, and it's one that's almost impossible not to react to. Everything from the simple frustrations, to fear and worry, shows through as the connection between them grows, it feels more and more... uncomfortable. This is actually addressed by Barbora's boyfriend and it seems only evident to us and him that it's all a little nuts. At the end I was particularly shocked by the outcome.
Overall I had expected to see more about the crime itself, and in what I'd seen leading up to this it felt like it was bigger, but the crime actually comes across as quite unexceptional. That leaves us with a documentary that's much more focused on human fascination and curiosity, and in my opinion, how that can turn into an unhealthy obsession. While the second half feels more engaging, it was a bit of a slog getting to that. As a piece about human nature it's interesting, but when presented with something involving a crime I'm much more interested in seeing that than anything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/the-painter-thief-movie-review.html
Barbora Kysilkova's prized paintings have been stolen from a gallery, the culprits were not careful and are soon picked up by the police. But all investigations come back empty handed and the two paintings may never resurface. Barbora is interested to meet one of the men responsible for her loss and soon an unlikely friendship begins between the two of them. As their lives become even more entwined we follow their path through troubles and redemption.
The documentary is split into two main parts, first we follow the painter as she uncovers whatever she can about the crime in an attempt to recover the pieces. The second follows out thief and the struggles of his life. Each side of the story shows very different ways of existing, but as it evolves you make surprising discoveries about them both that open your eyes to how reality is sometimes hidden underneath a persona we project.
We're treated to an enlightening journey with the way the narrative is laid out, and it's one that's almost impossible not to react to. Everything from the simple frustrations, to fear and worry, shows through as the connection between them grows, it feels more and more... uncomfortable. This is actually addressed by Barbora's boyfriend and it seems only evident to us and him that it's all a little nuts. At the end I was particularly shocked by the outcome.
Overall I had expected to see more about the crime itself, and in what I'd seen leading up to this it felt like it was bigger, but the crime actually comes across as quite unexceptional. That leaves us with a documentary that's much more focused on human fascination and curiosity, and in my opinion, how that can turn into an unhealthy obsession. While the second half feels more engaging, it was a bit of a slog getting to that. As a piece about human nature it's interesting, but when presented with something involving a crime I'm much more interested in seeing that than anything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/the-painter-thief-movie-review.html
Phillip McSween (751 KP) rated Bad Lieutenant (1992) in Movies
Oct 25, 2020
Great Character, Bad Movie
A corrupt cop is forced by a mob boss to pay off his debt or be killed. Hailed as a cinematic classic, Bad Lieutenant truly failed to grab me for a number of different reasons. It misses the mark in a number of ways.
Acting: 10
Beginning: 5
Characters: 9
Love him or hate him The Lieutenant (Harvey Keitel) is one memorable character. Every scene he is in is unpredictable as you have no idea what he’s going to do next. While I was more on the hate side of things, I envied him at the same time. The Lieutenant does whatever he wants and gives zero shits about it.
Cinematography/Visuals: 6
A few scenes caught my eye here and there, but there was nothing overall that really stood as overly memorable or powerful. Visually I was unimpressed as it felt like a film just going through the motions. I wasn’t as immersed in the scenes or the world as I had hoped.
Conflict: 5
We know the conflict, we know what’s at stake, yet I can’t feel the true threat of it throughout the film. My other problem was The Lieutenant is such an awful guy that you don’t really care what happens to him. As a result, the conflict then becomes just mediocre.
Entertainment Value: 5
Memorability: 3
Pace: 5
You see a lot of casual day-to-day over the course of the movie which slows things down tremendously. Despite Lieutenant’s antics, the movie moves in a really boring fashion. You never get the sense that you are progressing towards anything.
Plot: 2
Resolution: 2
I was hoping for some kind of redemption here, but was extremely overwhelmed. When the credits roll, I was more depressed than anything. It solidified what was a crappy movie in my opinion.
Overall: 52
Don’t believe everything you read. All the critics said this movie was amazing, but it falls well short of today’s offerings. Then again, I’m willing to admit that I could be the one that’s wrong. Give it a shot at your own discretion.
Acting: 10
Beginning: 5
Characters: 9
Love him or hate him The Lieutenant (Harvey Keitel) is one memorable character. Every scene he is in is unpredictable as you have no idea what he’s going to do next. While I was more on the hate side of things, I envied him at the same time. The Lieutenant does whatever he wants and gives zero shits about it.
Cinematography/Visuals: 6
A few scenes caught my eye here and there, but there was nothing overall that really stood as overly memorable or powerful. Visually I was unimpressed as it felt like a film just going through the motions. I wasn’t as immersed in the scenes or the world as I had hoped.
Conflict: 5
We know the conflict, we know what’s at stake, yet I can’t feel the true threat of it throughout the film. My other problem was The Lieutenant is such an awful guy that you don’t really care what happens to him. As a result, the conflict then becomes just mediocre.
Entertainment Value: 5
Memorability: 3
Pace: 5
You see a lot of casual day-to-day over the course of the movie which slows things down tremendously. Despite Lieutenant’s antics, the movie moves in a really boring fashion. You never get the sense that you are progressing towards anything.
Plot: 2
Resolution: 2
I was hoping for some kind of redemption here, but was extremely overwhelmed. When the credits roll, I was more depressed than anything. It solidified what was a crappy movie in my opinion.
Overall: 52
Don’t believe everything you read. All the critics said this movie was amazing, but it falls well short of today’s offerings. Then again, I’m willing to admit that I could be the one that’s wrong. Give it a shot at your own discretion.
Kristy H (1252 KP) rated Our Little Cruelties in Books
Dec 17, 2020
William, Brian, and Luke Drumm--three boys each born a year apart. William becomes a successful movie producer. Luke, a famous singer. And Brian, the steady middle brother, watches over careers, money, and their mother. But none of the brothers are as successful and happy as they appear--scarred by their traumatic childhood and their constant attempts to gain the attention of their mother. Now, the brothers are gathered together again: but only two are alive.
"All three of the Drumm brothers were at the funeral. But only one of them was in the coffin."
I made a lot of mistakes with this book. First, I thought I loved Liz Nugent, but then I realized I had her confused with another writer, and that I've never read any of her books. Next, I thought this would be more of a true, suspenseful mystery. It is not.
I feel bad, but this book was not for me. It started out slowly and just never got better. The plot drags on and on. While it is somewhat a mystery about a dead brother (which Drumm has died?), it's mostly a character-driven tale about three awful brothers. Because these three men are terrible and despicable, and I found it nearly impossible to become interested in them or their stories.
The book is told in chunks--from the perspective of each brother. Within their parts, their stories go back and forth in time. It's hard to keep track of the passing of time, especially as the book progresses.
This novel could provide in-depth perspective on mental illness and the impact our parents can have on our lives, but so much of that nuance gets lost in our characters and their abject hatefulness. There is little redemption to be had here. I had twinges of sympathies for the brothers, but, at times, I wasn't sure I would care if they were dead. They are truly evil sometimes.
Overall, this book just didn't work for me. I wasn't interested in the characters, and I wanted this to be a different type of story. Many others found this much more captivating and enjoyed the character driven style, so it may work better for you. 2 stars.
"All three of the Drumm brothers were at the funeral. But only one of them was in the coffin."
I made a lot of mistakes with this book. First, I thought I loved Liz Nugent, but then I realized I had her confused with another writer, and that I've never read any of her books. Next, I thought this would be more of a true, suspenseful mystery. It is not.
I feel bad, but this book was not for me. It started out slowly and just never got better. The plot drags on and on. While it is somewhat a mystery about a dead brother (which Drumm has died?), it's mostly a character-driven tale about three awful brothers. Because these three men are terrible and despicable, and I found it nearly impossible to become interested in them or their stories.
The book is told in chunks--from the perspective of each brother. Within their parts, their stories go back and forth in time. It's hard to keep track of the passing of time, especially as the book progresses.
This novel could provide in-depth perspective on mental illness and the impact our parents can have on our lives, but so much of that nuance gets lost in our characters and their abject hatefulness. There is little redemption to be had here. I had twinges of sympathies for the brothers, but, at times, I wasn't sure I would care if they were dead. They are truly evil sometimes.
Overall, this book just didn't work for me. I wasn't interested in the characters, and I wanted this to be a different type of story. Many others found this much more captivating and enjoyed the character driven style, so it may work better for you. 2 stars.
Carnival by Kanneh-Masons
Album
Decca Classics announces the release of Carnival, a very special collaboration between Academy...