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Charlie Cobra Reviews (1840 KP) rated Shaft (2019) in Movies
Jul 7, 2020
Shaft Gets The Shaft In This Newest Reboot/Update
Shaft is a 2019 action/comedy movie directed by Tim Story and written by Kenya Barris. This film was produced by New Line Cinema and distributed by Warner Bros. Pictures. It stars Samuel L. Jackson, Jessie Usher, Regina Hall, Alexandra Shipp, and Richard Roundtree.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
Charlie Cobra Reviews (1840 KP) rated Krypton in TV
Jul 7, 2020
Krypton Is No Kryptonite, Despite No Supes
Shaft is a 2019 action/comedy movie directed by Tim Story and written by Kenya Barris. This film was produced by New Line Cinema and distributed by Warner Bros. Pictures. It stars Samuel L. Jackson, Jessie Usher, Regina Hall, Alexandra Shipp, and Richard Roundtree.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
After a failed assassination attempt, Maya Babanikos (Regina Hall), his wife, leaves Shaft (Samuel L. Jackson) and takes their son, John "JJ." Shaft Jr., to raise on her own. 25 years later, Karim (Avan Jogia), a childhood friend of "JJ"'s, dies of a heroin overdose. JJ who is a cyber security expert and FBI Agent concludes he must have been murdered. After being violently ejected by drug dealers when investigating who sold the heroin that killed his friend; he is left with no other recourse but turn to his father, Shaft, for help.
This movie was a lot different from how I remember the last one which came out in 2000. I remember that one being more serious and more thriller, where they were trying to catch the bad guy. This one seemed to make too light of the action but did deliver on the laughs occasionally. Also I don't remember the last film being as "adult" when it came to language or nudity either, but I like how the movie acknowledged the main characters dialogue when his son tries to talk like him. Jessie Usher was very funny as JJ but I personally felt that he was trying to act like Nick Canon, which if that's what they were going for, they could have got him instead. It's an ok movie if your looking for something funny with action and don't care about things like story telling, plot, and the characters walking around with "plot armor". All in all, this movie was good but nothing special, I would just wait for it to go to dollar movies, red box or Netflix instead of wasting money at the movies. Of course if you need your fix of Samuel L. Jackson, then you might want to give this movie a shot. I remember the last one being a lot better. I give this movie a 5/10.
Phillip McSween (751 KP) rated Little (2019) in Movies
May 17, 2019
Just a Few Tweaks and I Would Have Loved it
When April’s (Issa Rae) boss gets turned into a child by a curse, April has to hold down the fort at work while trying to figure out a way to reverse the curse. It’s not a great movie that will leave a long impression, but I can definitely say that I liked it a whole lot more than I expected to.
Acting: 10
Beginning: 7
The movie begins with the audience getting a view into the lives of April and her boss Jordan Sanders (Regina Hall). It’s a little formulaic as you can tell it’s solely for the purpose of introducing the characters, but still manages to be enough to jumpstart the movie. It was enough to get me laughing and looking forward for more.
Characters: 10
Cinematography/Visuals: 6
Conflict: 6
Genre: 5
Memorability: 7
Pace: 8
While not the end of the world, I think the movie suffered from being longer than it needed to be. The pacing was scattered at times and could have been managed by tightening the story. The comedic moments were enough for the most to part to mask the pacing shortcomings.
Plot: 7
Twists? Turns? You won’t find any of that here. The story is as linear as they come. Still, the ride you are taken on just happens to be a fun one so it’s pretty forgivable. Just don’t expect to say, “Didn’t see that coming” at any point.
Resolution: 10
Overall: 76
You could do worse this year than checking out Little. Some won’t like it while others, like myself, will take its entertainment value for what it is. Had the story been a little more inventive, I might be singing a different tune.
Acting: 10
Beginning: 7
The movie begins with the audience getting a view into the lives of April and her boss Jordan Sanders (Regina Hall). It’s a little formulaic as you can tell it’s solely for the purpose of introducing the characters, but still manages to be enough to jumpstart the movie. It was enough to get me laughing and looking forward for more.
Characters: 10
Cinematography/Visuals: 6
Conflict: 6
Genre: 5
Memorability: 7
Pace: 8
While not the end of the world, I think the movie suffered from being longer than it needed to be. The pacing was scattered at times and could have been managed by tightening the story. The comedic moments were enough for the most to part to mask the pacing shortcomings.
Plot: 7
Twists? Turns? You won’t find any of that here. The story is as linear as they come. Still, the ride you are taken on just happens to be a fun one so it’s pretty forgivable. Just don’t expect to say, “Didn’t see that coming” at any point.
Resolution: 10
Overall: 76
You could do worse this year than checking out Little. Some won’t like it while others, like myself, will take its entertainment value for what it is. Had the story been a little more inventive, I might be singing a different tune.
Emma @ The Movies (1786 KP) rated The Hate U Give (2018) in Movies
Sep 25, 2019
Let me start by saying that this is an incredibly powerful film. There's not a single member of the cast that I didn't believe in their role, and at no point during the film did I stop to wonder why something happened or what was going on. The whole thing flowed perfectly.
There are stellar performances from everyone, but I was really pleased to see Amandla Stenberg in this role. It's a strong lead which was a great relief as I wasn't overly enthusiastic after seeing some of her previous roles. Regina Hall really hit home for me too, I'm used to her as a comedic actor so this break from that was surprising and very welcome. She did still get the chance for moments of humour, they're just not as over the top as we might be used to.
This is an adaptation of the young adult book of the same name by Angie Thomas. While the protagonist is indeed a teenage girl the film certainly doesn't limit itself to that audience. Many adaptations before this have made it difficult to see its success past the intended age group but I can see this being popular on so many levels. It's a tough subject handled in an excellent way. This really feels like something special.
If I have to quibble about something it's that the ending feels a little too "and they all lived happily ever after". I don't know if that's how it ends in the book or not, I'm going to find out. It's still a good ending though, regardless.
What should you do?
See it. No haggling about ticket prices, it's worth every penny.
Movie thing you wish you could take home
The film doesn't quite fall into the category for this part of my post, but I'd really want Starr's determination and courage.
There are stellar performances from everyone, but I was really pleased to see Amandla Stenberg in this role. It's a strong lead which was a great relief as I wasn't overly enthusiastic after seeing some of her previous roles. Regina Hall really hit home for me too, I'm used to her as a comedic actor so this break from that was surprising and very welcome. She did still get the chance for moments of humour, they're just not as over the top as we might be used to.
This is an adaptation of the young adult book of the same name by Angie Thomas. While the protagonist is indeed a teenage girl the film certainly doesn't limit itself to that audience. Many adaptations before this have made it difficult to see its success past the intended age group but I can see this being popular on so many levels. It's a tough subject handled in an excellent way. This really feels like something special.
If I have to quibble about something it's that the ending feels a little too "and they all lived happily ever after". I don't know if that's how it ends in the book or not, I'm going to find out. It's still a good ending though, regardless.
What should you do?
See it. No haggling about ticket prices, it's worth every penny.
Movie thing you wish you could take home
The film doesn't quite fall into the category for this part of my post, but I'd really want Starr's determination and courage.
Gareth von Kallenbach (962 KP) rated Girls Trip (2017) in Movies
Jul 11, 2019
The previews for “Girls Trip” are a bit deceiving. Like many comedies, the trailer only shows half jokes and makes the film look like it leans toward the slap stick side of comedy rather one filled with clever humor. The first few minutes feel a little forced in their attempt to make people laugh. But rather quickly that impression fades.
The audience rolled with laughter at the screening for “Girls Trip” for pretty much the entire length of the film. Perhaps the funniest comedy about a squad of misbehaving women since “Bridesmaid;” each moment comes at you fast and is funnier than the last.
Highschool friends Ryan (Regina Hall), Sasha (Queen Latifa), Lisa (Jada Pinkett Smith), and Dina (Tiffany Haddish) travel to New Orleans for a girls trip to reconnect and cut loose after years apart. Hot guys, loud music, and adults-only jokes, their trip is filled with mishaps. The comedic style is a little chaotic, but its so much fun to watch.
Also really enjoyable are the musical appearances by Ne-Yo, Mariah Carey, and Diddy. The plot is largely about the entertainment industry and its more human side.
“Girls Trip” also has a surprising amount of depth running through its storyline. The four ladies had grown apart and had their issues with each other here and there after high school. On the trip, years of misunderstandings surface to get hashed out. Strong themes of friendship, inner strength and honesty with oneself are a core part of the film.
Ryan herself has become a celebrity over the years alongside her famous football player husband, and Sasha has developed a tabloid website. The two women are diametrically opposed to each other at points. Their struggle for understanding gives viewers a glimpse of the effect the scorning public eye has on celebrities and their personal lives.
The audience rolled with laughter at the screening for “Girls Trip” for pretty much the entire length of the film. Perhaps the funniest comedy about a squad of misbehaving women since “Bridesmaid;” each moment comes at you fast and is funnier than the last.
Highschool friends Ryan (Regina Hall), Sasha (Queen Latifa), Lisa (Jada Pinkett Smith), and Dina (Tiffany Haddish) travel to New Orleans for a girls trip to reconnect and cut loose after years apart. Hot guys, loud music, and adults-only jokes, their trip is filled with mishaps. The comedic style is a little chaotic, but its so much fun to watch.
Also really enjoyable are the musical appearances by Ne-Yo, Mariah Carey, and Diddy. The plot is largely about the entertainment industry and its more human side.
“Girls Trip” also has a surprising amount of depth running through its storyline. The four ladies had grown apart and had their issues with each other here and there after high school. On the trip, years of misunderstandings surface to get hashed out. Strong themes of friendship, inner strength and honesty with oneself are a core part of the film.
Ryan herself has become a celebrity over the years alongside her famous football player husband, and Sasha has developed a tabloid website. The two women are diametrically opposed to each other at points. Their struggle for understanding gives viewers a glimpse of the effect the scorning public eye has on celebrities and their personal lives.
BankofMarquis (1832 KP) rated Shaft (2019) in Movies
Jun 18, 2019
Bland, boring and uninteresting
Were you the one clamoring for a sequel to the year 2000 Samuel L. Jackson SHAFT (the sequel to the original 1971 Richard Roundtree SHAFT)? Did you remember there WAS a 2000 version of SHAFT? Do you remember the 1971 SHAFT?
Doesn't matter.
The makers of this film certainly don't remember those films for - besides casting Jackson and Roundtree - there is no similarity to either of these films.
The first SHAFT was a Blacksploitation film starring Roundtree with mucho gunfire and bloodshed and SHAFT 2000 (as I'll call it) is a full on action flick with Jackson as Roundtree's nephew fighting crime. SHAFT 2019 is none of these - the Samuel L. Jackson Shaft is now the SON of Richard Roundtree and partners with his son JJ ,John Shaft, Jr. (played by Jessie T. Usher) to investigate the death of his friend.
Okay...fine. I can forgive the change in tone and the "tweak" (I'm being generous) to the timeline. What I can't forgive is the weak script (why write any good, or interesting, dialogue when we can have all of the characters say Samuel L. Jackson's signature motherf*^#er over and over) by 3 different writers (never a good sign) that were all, clearly, just in it for the paycheck.
Jessie T. Usher (he played Will Smith's son in the also ill-advised sequel to INDEPENDENCE DAY) is a bland lead with no gravitas and no swagger that starts out young and naive and is supposed to develop (under the tutelage of his father) street smarts but, really, just becomes annoying.
Regina Hall (GIRLS TRIP), Titus Welliver (BOSCH), Method Man (!) and Luna Lauren Velez (DEXTER) are all sleepwalking through underwritten roles just counting the minutes until they can take their paychecks to the bank.
At the heart of all of this "missed opportunities" is Director Tim Story (RIDE ALONG) he directs this film like he has someplace else to be, never missing an opportunity to be obvious (for example, JJ's friend - Karim - who's death sparks what passes for a plot in this film - might as well be walking around with a "Dead Man Walking" sign on him). Story's direction is lazy (and that's doing injustice to the word lazy) and obvious with no spark of ingenuity or imagination to be found.
And then there's Samuel L. Jackson as SHAFT. He defines the term "sleepwalking through the picture" looking bored and uninterested throughout and HE'S THE BEST THING IN THE FILM! Thank goodness his charisma and charm ooze out of him without really trying - for he didn't really try here.
Save 2 hours of your life - skip SHAFT - you'll be glad you did.
Letter Grade: C
4 Stars (out of 10) and you can take this to the Bank(ofMarquis)
Doesn't matter.
The makers of this film certainly don't remember those films for - besides casting Jackson and Roundtree - there is no similarity to either of these films.
The first SHAFT was a Blacksploitation film starring Roundtree with mucho gunfire and bloodshed and SHAFT 2000 (as I'll call it) is a full on action flick with Jackson as Roundtree's nephew fighting crime. SHAFT 2019 is none of these - the Samuel L. Jackson Shaft is now the SON of Richard Roundtree and partners with his son JJ ,John Shaft, Jr. (played by Jessie T. Usher) to investigate the death of his friend.
Okay...fine. I can forgive the change in tone and the "tweak" (I'm being generous) to the timeline. What I can't forgive is the weak script (why write any good, or interesting, dialogue when we can have all of the characters say Samuel L. Jackson's signature motherf*^#er over and over) by 3 different writers (never a good sign) that were all, clearly, just in it for the paycheck.
Jessie T. Usher (he played Will Smith's son in the also ill-advised sequel to INDEPENDENCE DAY) is a bland lead with no gravitas and no swagger that starts out young and naive and is supposed to develop (under the tutelage of his father) street smarts but, really, just becomes annoying.
Regina Hall (GIRLS TRIP), Titus Welliver (BOSCH), Method Man (!) and Luna Lauren Velez (DEXTER) are all sleepwalking through underwritten roles just counting the minutes until they can take their paychecks to the bank.
At the heart of all of this "missed opportunities" is Director Tim Story (RIDE ALONG) he directs this film like he has someplace else to be, never missing an opportunity to be obvious (for example, JJ's friend - Karim - who's death sparks what passes for a plot in this film - might as well be walking around with a "Dead Man Walking" sign on him). Story's direction is lazy (and that's doing injustice to the word lazy) and obvious with no spark of ingenuity or imagination to be found.
And then there's Samuel L. Jackson as SHAFT. He defines the term "sleepwalking through the picture" looking bored and uninterested throughout and HE'S THE BEST THING IN THE FILM! Thank goodness his charisma and charm ooze out of him without really trying - for he didn't really try here.
Save 2 hours of your life - skip SHAFT - you'll be glad you did.
Letter Grade: C
4 Stars (out of 10) and you can take this to the Bank(ofMarquis)
Phillip McSween (751 KP) rated The Hate U Give (2018) in Movies
Feb 11, 2019
Masterpiece, One of the Best of 2018
After witnessing a murder, black high school student Starr Carter (Amandla Stenberg) decides to stand up against racism while dealing with her own internal conflict of self-identity.
Acting: 10
Beginning: 8
The toughest part about critiquing is having to say something isn’t perfect, but not really having any ideas as to how to fix it. The beginning was…good. Characters are introduced as you meet the Carter family for the first time. It definitely could have been better, however. I felt it dragged on for slightly too long, but at the same time I understand director George Tillman Jr. was going for an emotional connection. While it could’ve been better, it is solid enough of a start to get you into the movie.
Characters: 10
The film revolves around Starr and her family. Each family member contributes to the overall dynamic of the story. You can see how Starr is shaped by her strong father Maverick (Russell Hornsby) who is all about standing up for what’s right and protecting the family at all costs. Her mother Lisa (Regina Hall) just wants Starr to have a better life than herself growing up. Starr recognizes that and tries to embrace it, but also feels guilty while doing so. It was therapeutic watching Starr evolve into a woman after feeling so powerless in the earlygoings of the film. All of these characters, even those outside of the Carter family, have depth and add value to the story.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
The Hate U Give is packed with twists and turns that you don’t expect or see coming. It really is a small world that we live in, too small to go around hating each other. The film succeeds by showing us just how small this world is. There are a number of memorable scenes that remain etched in my brain long after watching the movie. It’s one of those films that stays with you, leaving you with cause for much thought.
Pace: 9
There were a few spots where the build-up was a bit slow, but it’s not a major issue that impacts the movie as a whole. This goes back to what I was mentioning in the beginning. Not perfect, but I’m not sure how much I would have done differently than Tillman Jr. For the most part, the movie is highly entertaining and has a consistent flow.
Plot: 10
Resolution: 10
Ended just the way it should, not with some fairytale conclusion, but reality. Thank God for justice, but the movie leaves us with the full understanding that there is still work yet to be done. Very strong messaging.
Overall: 95
The Hate U Give is not your typical race war movie as it pushes for peace in coexistence and challenges the ideas of self-identification. The dynamics involved here are truly interesting as you see a black vs. white vs. hood life going on and what happens when lines cross. With a solid cast and story, it is not a surprise that this is one of my favorite films of 2018.
Acting: 10
Beginning: 8
The toughest part about critiquing is having to say something isn’t perfect, but not really having any ideas as to how to fix it. The beginning was…good. Characters are introduced as you meet the Carter family for the first time. It definitely could have been better, however. I felt it dragged on for slightly too long, but at the same time I understand director George Tillman Jr. was going for an emotional connection. While it could’ve been better, it is solid enough of a start to get you into the movie.
Characters: 10
The film revolves around Starr and her family. Each family member contributes to the overall dynamic of the story. You can see how Starr is shaped by her strong father Maverick (Russell Hornsby) who is all about standing up for what’s right and protecting the family at all costs. Her mother Lisa (Regina Hall) just wants Starr to have a better life than herself growing up. Starr recognizes that and tries to embrace it, but also feels guilty while doing so. It was therapeutic watching Starr evolve into a woman after feeling so powerless in the earlygoings of the film. All of these characters, even those outside of the Carter family, have depth and add value to the story.
Cinematography/Visuals: 10
Conflict: 10
Genre: 8
Memorability: 10
The Hate U Give is packed with twists and turns that you don’t expect or see coming. It really is a small world that we live in, too small to go around hating each other. The film succeeds by showing us just how small this world is. There are a number of memorable scenes that remain etched in my brain long after watching the movie. It’s one of those films that stays with you, leaving you with cause for much thought.
Pace: 9
There were a few spots where the build-up was a bit slow, but it’s not a major issue that impacts the movie as a whole. This goes back to what I was mentioning in the beginning. Not perfect, but I’m not sure how much I would have done differently than Tillman Jr. For the most part, the movie is highly entertaining and has a consistent flow.
Plot: 10
Resolution: 10
Ended just the way it should, not with some fairytale conclusion, but reality. Thank God for justice, but the movie leaves us with the full understanding that there is still work yet to be done. Very strong messaging.
Overall: 95
The Hate U Give is not your typical race war movie as it pushes for peace in coexistence and challenges the ideas of self-identification. The dynamics involved here are truly interesting as you see a black vs. white vs. hood life going on and what happens when lines cross. With a solid cast and story, it is not a surprise that this is one of my favorite films of 2018.
Gareth von Kallenbach (962 KP) rated Scary Movie 4 (2006) in Movies
Aug 14, 2019
Anna Faris returns as Cindy Campbell in the fourth installment of the popular “Scary Movie” franchise and your favorite horror films will never be the same.
Continuing the tradition of lampooning the horror genre that was established in the three previous segments, Scary Movie 4 takes aim at SAW, War of the Worlds, The Grudge and The Village while countless other pop culture shows and events are lambasted.
The film is pretty much a collection of scenes that are designed to mimic other films for comedic results so as such, only a very minimal plot is in place. In this case, the story follows War of the Worlds where a down and out father named Tom Ryan (Craig Bierko), must stay one step ahead of an alien invasion and protect his two estranged children from the devastation unleashed by the invaders.
Without the concerns of a plot to follow, the movie jumps from one locale to another in order to parody the various genre films. One segment has Cindy escaping the aliens by leaving her “Grudge” inspired house to reunite with her friend Brenda (Regina Hall), only to be thrust into an extended parody of The Village while Tom and company continue their parody of War of the Worlds”. While this may seem hectic to some, the film pulls it off very well as there are other subplots to follow such as Leslie Nielsen’s hilarious take as the President who is more concerned over the outcome of a children’s book then the fact that aliens are destroying the country.
Once again directed by David Zucker who took over the franchise after Scary Movie 2, the film uses the same style that made Zucker’s Airplane and Naked Gun series such box office favorites. Jokes ranging from the crude to the absurd fly at record pace inundating the audience with a torrent of jokes. As before, some jokes are truly inspired such as the Shaq and Dr. Phil parody of SAW and others take the crude road such as a sponge bath from hell and a Viagra overdose. While there is nothing that is truly fresh or original to the film, some of the jokes work very well, and make up for the jokes that bomb.
This is not the type of film where there is anything you can say about acting, plot, character development, and chemistry as those aspects are all non-existent as the focus is on parody. In that regard Scary Movie 4 works as despite the fact that much of the film is silly and dumb, it is by and large funny. If you do not mind wading through the jokes that fail to get to the ones that work, you will be rewarded as there are some very good bits in the film.
If you are a fan of the series then you know what you are in for and are likely to get some laughs, but if you are new to the franchise, then you might want to wait for the DVD release.
Continuing the tradition of lampooning the horror genre that was established in the three previous segments, Scary Movie 4 takes aim at SAW, War of the Worlds, The Grudge and The Village while countless other pop culture shows and events are lambasted.
The film is pretty much a collection of scenes that are designed to mimic other films for comedic results so as such, only a very minimal plot is in place. In this case, the story follows War of the Worlds where a down and out father named Tom Ryan (Craig Bierko), must stay one step ahead of an alien invasion and protect his two estranged children from the devastation unleashed by the invaders.
Without the concerns of a plot to follow, the movie jumps from one locale to another in order to parody the various genre films. One segment has Cindy escaping the aliens by leaving her “Grudge” inspired house to reunite with her friend Brenda (Regina Hall), only to be thrust into an extended parody of The Village while Tom and company continue their parody of War of the Worlds”. While this may seem hectic to some, the film pulls it off very well as there are other subplots to follow such as Leslie Nielsen’s hilarious take as the President who is more concerned over the outcome of a children’s book then the fact that aliens are destroying the country.
Once again directed by David Zucker who took over the franchise after Scary Movie 2, the film uses the same style that made Zucker’s Airplane and Naked Gun series such box office favorites. Jokes ranging from the crude to the absurd fly at record pace inundating the audience with a torrent of jokes. As before, some jokes are truly inspired such as the Shaq and Dr. Phil parody of SAW and others take the crude road such as a sponge bath from hell and a Viagra overdose. While there is nothing that is truly fresh or original to the film, some of the jokes work very well, and make up for the jokes that bomb.
This is not the type of film where there is anything you can say about acting, plot, character development, and chemistry as those aspects are all non-existent as the focus is on parody. In that regard Scary Movie 4 works as despite the fact that much of the film is silly and dumb, it is by and large funny. If you do not mind wading through the jokes that fail to get to the ones that work, you will be rewarded as there are some very good bits in the film.
If you are a fan of the series then you know what you are in for and are likely to get some laughs, but if you are new to the franchise, then you might want to wait for the DVD release.
Emma @ The Movies (1786 KP) rated Little (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
an we just acknowledge the fact that Marsai Martin actually pitched this movie? She also has a credit as executive producer. She's 14... 14!!
Yet another film where we know what's going to happen, in this instance it's not a problem.
Jordan has made her way up to being the boss and she's made it her mission not to be pushed around anymore. But that attitude means that she's universally despised in the office. When she encounters a young girl in the office she lays out some hard truths for her about life, and when Stevie takes out her magic wand and wishes Jordan was little again I don't think anyone could see what was coming. (Apart from us movie folk.)
We follow little Jordan and her assistant, April, as they try to navigate life, school, the office and men. The ride is a bit crazy.
Marsai Martin steals the show, she has a knack for the adult characteristics and takes to the comedy so naturally.
Issa Rae was a bit of an unknown entity to me despite having seen her in The Hate U Give. Her character of April seemed to be just the right level of down to earth and crazy to be able to deal with such a bizarre situation and overall I thought she came across well in all aspects apart from one which I'll come to in a bit.
Regina Hall is a favourite of mine and I could see why she was right for this part and she nailed pre-little Jordan. Post-little Jordan though was not to my liking. She seemed to be very badly written. Somehow her epiphany moment didn't stick, all it seemed to do was make her awkward in a whole new way.
Let's talk about the rom in this rom-com... why did they put it in? Firstly we have Justin Hartley, I'll give you a moment to remember Ty Swindel... you'd be forgiven for thinking he had a big part in this film, the trailer makes it look like he's a love interest for April but in the end his role was nothing more than trying to "liven up" the portions of the film that were based at the school.
Next there's the lovely Preston, April's co-worker, who is just the sweetest thing. You know that they're meant to be together but the script has other ideas. It drags out and at no point do they properly develop that part of the story. We get to the end and it's there suddenly, I seriously wondered if there was a scene cut out in editing that made it connect or if they'd just forgotten about it. Either way it ruined an otherwise good run for April in the film.
Lastly there's Trevor, Jordan's love interest... he is dumb as a box of rocks but they've given him a sweet side. He assumes that Jordan has been hiding the fact that she's got a daughter and that's why she's guarded, cue some sweet, if weird, overcompensation... but here's the thing, once Jordan gets big again why is he still there? How does she explain away the whole child thing? We're not going to talk about it? Oh, cool, cool, cool, cool, cool.
Little doesn't hit all the comedy spots, and there are certainly scenes that don't seem to have any relevance (karaoke at the restaurant I'm looking at you) but it's still funny. I didn't find it as funny as the woman across the aisle from me who on several occasions let out a very loud and extended "HAAAAAAA!", but it was entertaining.
What you should do
Watch this one when it streams, it's mindless fun and you really don't have to think a lot. I'm sure it'd be good for a girls night in.
Movie thing you wish you could take home
Homegirl seems like a great idea, especially if she knows when I need a musical pick me up.
Yet another film where we know what's going to happen, in this instance it's not a problem.
Jordan has made her way up to being the boss and she's made it her mission not to be pushed around anymore. But that attitude means that she's universally despised in the office. When she encounters a young girl in the office she lays out some hard truths for her about life, and when Stevie takes out her magic wand and wishes Jordan was little again I don't think anyone could see what was coming. (Apart from us movie folk.)
We follow little Jordan and her assistant, April, as they try to navigate life, school, the office and men. The ride is a bit crazy.
Marsai Martin steals the show, she has a knack for the adult characteristics and takes to the comedy so naturally.
Issa Rae was a bit of an unknown entity to me despite having seen her in The Hate U Give. Her character of April seemed to be just the right level of down to earth and crazy to be able to deal with such a bizarre situation and overall I thought she came across well in all aspects apart from one which I'll come to in a bit.
Regina Hall is a favourite of mine and I could see why she was right for this part and she nailed pre-little Jordan. Post-little Jordan though was not to my liking. She seemed to be very badly written. Somehow her epiphany moment didn't stick, all it seemed to do was make her awkward in a whole new way.
Let's talk about the rom in this rom-com... why did they put it in? Firstly we have Justin Hartley, I'll give you a moment to remember Ty Swindel... you'd be forgiven for thinking he had a big part in this film, the trailer makes it look like he's a love interest for April but in the end his role was nothing more than trying to "liven up" the portions of the film that were based at the school.
Next there's the lovely Preston, April's co-worker, who is just the sweetest thing. You know that they're meant to be together but the script has other ideas. It drags out and at no point do they properly develop that part of the story. We get to the end and it's there suddenly, I seriously wondered if there was a scene cut out in editing that made it connect or if they'd just forgotten about it. Either way it ruined an otherwise good run for April in the film.
Lastly there's Trevor, Jordan's love interest... he is dumb as a box of rocks but they've given him a sweet side. He assumes that Jordan has been hiding the fact that she's got a daughter and that's why she's guarded, cue some sweet, if weird, overcompensation... but here's the thing, once Jordan gets big again why is he still there? How does she explain away the whole child thing? We're not going to talk about it? Oh, cool, cool, cool, cool, cool.
Little doesn't hit all the comedy spots, and there are certainly scenes that don't seem to have any relevance (karaoke at the restaurant I'm looking at you) but it's still funny. I didn't find it as funny as the woman across the aisle from me who on several occasions let out a very loud and extended "HAAAAAAA!", but it was entertaining.
What you should do
Watch this one when it streams, it's mindless fun and you really don't have to think a lot. I'm sure it'd be good for a girls night in.
Movie thing you wish you could take home
Homegirl seems like a great idea, especially if she knows when I need a musical pick me up.
Bob Mann (459 KP) rated The Hate U Give (2018) in Movies
Sep 28, 2021
It’s a turf war on a global scale.
I saw this as part of a “Secret Cinema” event by Cineworld cinemas in the UK. That’s where you go to see a pre-release movie without knowing what it is going to be. It’s an interesting litmus test for a) a movie’s upfront marketing appeal (how many people get up and walk out when the BBFC title appears) and b) the “grab ’em early” appeal of the movie itself (how many people get up and walk out during the first 20 minutes of so).
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.
I’m afraid this movie didn’t do very well on either a) or b) at my showing: about 20 people left immediately, and more tellingly about another 20 people left in the first half hour. There’s a reason for that: the first half hour of this film is goddamn awful!
Starr Carter (Amandla Stenberg) is a sixteen year-old resident of Garden Heights, a black neighbourhood in a US city, where she lives with her younger brother and step-brother. Their parents Maverick (Russell Hornsby, “Fences“) and Lisa (Regina Hall) are devoting all of their energies to “break the cycle” and get their kids out of the neighbourhood and off to college and better futures. As such, the kids attend not the rough-house local school but a much more upper-class establishment: there Starr has to play a different role, with links to her origins being kept hidden even from her white boyfriend Chris (K.J. Apa).
But all that changes when her boyhood friend Khalil (Algee Smith) is shot and killed in a police stop-and-search. As the only witness, and with Khalil linked to local gang lord King (Anthony Mackie), Starr’s anonymous world is about to get a national focus shone onto it.
Man… I hate voiceovers in films and always have. So I really hated the start of this film which has Starr narrating ABSOLUTELY EVERYTHING (“Blah, blah, blah..”): no audience discovery is required. It also starts with a sort of highschool romance vibe, but not one that’s well done with kissing (“Blah, blah, blah..”) while the local Mean Girls look on (“Blah, blah”) then with Starr’s friends trying to act street (“blah, blah”) while Starr tries not to be street, all to the constant droning of Starr’s voiceover (“Blah, blah, blah..”). (I never walk out of movies…. but I can kind of understand the rationale of those who did).
Fortunately the voiceover then largely recedes (it only pops up with occasional staccato “thoughts”, before storming back for a “blah, blah” finale). And with the shooting, the film takes on a much more interesting slant, giving Amandla Stenberg a chance to really shine.
I have commented on Ms Stenberg before: she was the only really good thing in the recent “The Darkest Minds“. Here she exhibits a tremendous range from the delighted (her smile is radiant and seems astonishingly unforced) to the heartbroken and furious. There’s also a really strong supporting cast with great turns from Hornsby, Hall, Mackie and Smith. Hornsby in particular I found great as the Dad desperately tutoring his kids in military (but loving) fashion to avoid his mistakes.
For me, this seemed to be a surprisingly atypical view of a black ghetto-living family. A scene set in a diner is genuinely touching at emphasising the loving and close-knit nature of the Carter family.
Where I will struggle here is in trying to interpret my overall feelings about the film. As a white, older male person I have three degrees of separation from Starr’s perspective. And these are undoubtedly difficult issues to juggle with. The riots that happened recently in towns like Ferguson ape the activities on screen uncomfortably. Your sympathies might lie to some degree with the unfortunate white police officer (Drew Starkey); sympathies supported by the views of Starr’s police officer uncle Carlos (Common): until Starr points out via a punchy question that you REALLY shouldn’t feel like that… and your views are brought up with a jolt.
Aside from the rights and wrongs of the incident, there’s a frustrating dichotomy at play in the film with black and white communities wanting to be treated equally but never wanting to be treated the same. “You don’t SEE me” wails Starr. “I see you” replies Chris (as if James Cameron was directing!) But does he really? Without colour, I do not consider myself to be remotely capable of fully understanding Starr’s perspective on life. It made me want to read the source novel by Angie Thomas to try to get better insight.
Directed by George Tillman Jr., it’s undoubtedly a mixed bag, but I came down in the end on the side of it being good rather than bad… it has certainly had me thinking for a couple of days. The clumsy voiceovers and story elements in the opening and closing scenes mask a number of parallel and interesting story strands that generate conflicting thoughts about the state of race relations in today’s America. Jackson sang “It doesn’t matter if you’re black or white”: and it really shouldn’t, but actually in some quarters, it clearly still does.