She Who Became The Sun
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Mulan meets The Song of Achilles in Shelley Parker-Chan's She Who Became the Sun, a bold, queer, and...
Movie Metropolis (309 KP) rated Cinderella (2015) in Movies
Jun 11, 2019
However, the studio has in recent times, taken to reimagining its classics as live-action adaptations with last year’s Maleficent starting a generation that will include Beauty & the Beast and a Tim Burton directed Dumbo. The latest offering is Cinderella, but does it hold a candle to its animated counterpart?
The plot of Cinderella needs no introduction, the classic tale of rags to riches and love conquering all doesn’t need an update and director Kenneth Branagh (Thor, Jack Ryan: Shadow Recruit) is just the man for the job.
Following the story of young Ella as she comes to terms with the loss of her parents and the arrival of her overbearing step-cinderella_poster_a_psisters and step-mother, Cinderella is a wonderfully acted and beautifully realised film that borders on a little syrupy at times.
Downton Abbey’s Lily James takes on the title role with a brilliant Cate Blanchett giving her all as Ella’s wicked step-mother. Helena Bonham Carter also stars as Ella’s fairy godmother and brings her usual brand of crazy to the character.
What sets this adaptation apart from Angelina Jolie’s Maleficent is its stunning visuals. Where Maleficent was beautiful in its own way and suited the film’s dark tone, here Kenneth Branagh throws every colour on the spectrum at the screen in breath-taking fashion.
The outfits are to die for and the locations are an explosion of bright colours and textures that are juxtaposed exceptionally with the dark, damp quarters our princess is confined to.
Elsewhere, the performances are, on the whole, sublime. James is good in the titular role but the plodding script lets her down. She comes across, as awful as this sounds, a little idiotic and lacks the charming spirit of her animated counterpart. The same can be said for her prince, played by Richard Madden – though this could be down to the story rushing their love somewhat.
By far the standout is Cate Blanchett, who is truly mesmerising as stepmother Lady Tremaine. Her brash and ridiculously over-the-top performance suits the pantomime feel of the production down to the ground. Unfortunately, her evil is heavily restrained by the film’s U certification, even more so when compared alongside the 1950 film.
Nevertheless, the visuals are simply stunning. Everything from the palace to Ella’s iconic ball gown and all of it in between is nearly flawless with only a few lapses in cartoonish CGI letting things down – though this can be forgiven with the film’s pantomime-esque nature.
Overall, this live-action reimagining of the 1950s classic musical does not in any way attempt to better its predecessor. Instead it wishes to sit alongside it as the studio tries to pave the way for a whole new generation of children to fall in love with Disney’s princesses once again.
Only a few lapses in CGI, a plodding script and a sickly sweet tone stop it from being enjoyable for everyone in the family, instead of just the kids.
https://moviemetropolis.net/2015/03/31/sickly-sweet-cinderella-review/
Lord of the Silver Bow (Troy #1)
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He is a man of many names. Some call him the Golden One; others, the Lord of the Silver Bow. To the...
Olivia Twist
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Olivia Brownlow is no damsel in distress. Born in a workhouse and raised as a boy among thieving...
Hazel (1853 KP) rated In the Shadow of David in Books
Dec 17, 2018
In the Shadow of David</i> is Martin Baggen’s attempt at reimagining “the greatest story ever told,” i.e. the life of Jesus Christ. Beginning on the banks of the river Jordan where John the Baptist is washing away the sins of his followers, the story continues before concluding with the resurrection. Told through the eyes of supporting characters, the details of Jesus’ life, or in this instance Yeshua’s, are reinvented in fairly accurate historical settings.
Unfortunately, Braggen’s attempt at originality is going to upset 2.2 billion people. Instead of telling the story of Jesus in the manner he is portrayed in the Bible, the author pens the character Yeshua and claims that there was no “Son of God.” The names, settings and historical facts all remain the same or similar in this version of events, however the miracles: Lazarus’ death, water into wine, the resurrection of Christ/Yeshua, were all shown to be a charade. According to<i> In the Shadow of David</i>, the “Son of God” was a charlatan attempting to reunite the Jews and overthrow the ruling Romans.
By mocking Christianity, Martin Braggen has wasted his writing talent with this blasphemous novel. Granted there are many people who try to prove the inexistence of a god, however in these instances there are always counter arguments. By containing this controversial opinion in a story, it prevents any other theories or beliefs from contributing.
Many may purchase this book with the mistaken idea that it will convey an in-depth narrative of the life of Jesus. What they will find instead is a disappointing atheist version instead. It is doubtful that readers will get to the end of the book, despite it not being overly long, after slamming it shut in anger and frustration.
Mastering the Art of Japanese Home Cooking
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The revered Iron Chef shows how to make flavorful, exciting traditional Japanese meals at home in...
Girls Made of Snow and Glass
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Frozen meets The Bloody Chamber in this feminist fantasy reimagining of the Snow White fairytale ...
Rebel Rose (The Queen's Council #1)
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Happily ever after is only the beginning as Belle takes on the responsibility of becoming queen and...
A Murder Most French
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The City of Light is surging back to life in the wake of war, and its citizens are seizing every...
Ravens and Ruin (Brodyr Alarch #5)
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In a land where gods still whisper through stone and stream, one man’s forbidden gift may be the...
Fantasy Romance Welsh Mythology Brothers Grimm Fairytale Retelling

