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This was a fun, quirky, and cute graphic novel that I absolutely adored.
The charm of it was split fifty-fifty between the writing and the drawings. I don't know why, but I am obsessed with the character drawings from this novel! They are so cute and amazing and I love them.
I love how it was so successful as a web comic that Harper decided to turn it into print. Things like that make me feel all warm and fuzzy inside.
This comic had me straight out laughing out loud (to the point where my roommates thought something had gone wrong with me). I loved how Nimona had so much spunk and actually *minor spoiler* was more villainous than the actual villain of the story.
Speaking of, the relationship between Nimona and Blackhart was awesome! It was cool to see the father-daughter relationship as well as the villain-sidekick and overall besties vibe from the pair.
Goldenlion was fun, too. Even though he was the :hero" of the story, he was still able to see the good in Blackhart and question the Institution and their motives and actions.
I liked how this isn't really just one genre. It has elements of fantasy, science/tech, and medieval genres but also had a very modern take on certain parts. I have always wanted to read something set in a distant time period that also has a lot of modern aspects.
The story line was cute, but it also got really deep at times. It allows readers to start questioning their own country's "heroes" and Institutions. It also calls into question how far testing and militarization should be allowed to go.
Overall, I really enjoyed this fun and very quick read.
If anyone is in a reading slump or just need to get into a better mood, I definitely recommend this to you.
The charm of it was split fifty-fifty between the writing and the drawings. I don't know why, but I am obsessed with the character drawings from this novel! They are so cute and amazing and I love them.
I love how it was so successful as a web comic that Harper decided to turn it into print. Things like that make me feel all warm and fuzzy inside.
This comic had me straight out laughing out loud (to the point where my roommates thought something had gone wrong with me). I loved how Nimona had so much spunk and actually *minor spoiler* was more villainous than the actual villain of the story.
Speaking of, the relationship between Nimona and Blackhart was awesome! It was cool to see the father-daughter relationship as well as the villain-sidekick and overall besties vibe from the pair.
Goldenlion was fun, too. Even though he was the :hero" of the story, he was still able to see the good in Blackhart and question the Institution and their motives and actions.
I liked how this isn't really just one genre. It has elements of fantasy, science/tech, and medieval genres but also had a very modern take on certain parts. I have always wanted to read something set in a distant time period that also has a lot of modern aspects.
The story line was cute, but it also got really deep at times. It allows readers to start questioning their own country's "heroes" and Institutions. It also calls into question how far testing and militarization should be allowed to go.
Overall, I really enjoyed this fun and very quick read.
If anyone is in a reading slump or just need to get into a better mood, I definitely recommend this to you.

Cyn Armistead (14 KP) rated Killbox (Sirantha Jax, #4) in Books
Mar 1, 2018
Killbox won't make any sense without reading the previous three books, and I honestly feel that I should have gone back and re-read them before starting it. I was impatient for more fresh Aguirre after finishing [b:Shady Lady|6767883|Shady Lady (Corine Solomon, #3)|Ann Aguirre|http://photo.goodreads.com/books/1302689192s/6767883.jpg|6913777], though, and [b:Killbox|7843135|Killbox (Sirantha Jax, #4)|Ann Aguirre|http://photo.goodreads.com/books/1282093259s/7843135.jpg|6913748] is what I had on the Nook.
I really love Sirantha Jax's strength and complexity. She has grown and changed a great deal over the four books of the series, and reflects on the changes in herself during this book. Her relationship with March has deepened, as well. The depiction of a mature relationship being tested, rather than one that is fresh and new, is a nice switch from most of the books I've read recently.
The friendship between Velith and Jax is also a treasure. It is rare to see a pure friendship between a male and a female in fiction, without any sexual tension entering the picture. We're reminded that while he is an alien, Velith has had a human lover in the past, so it isn't as if that is impossible between the two — it just doesn't occur.
The book isn't solely about relationships, of course — I just appreciate how well Aguirre depicts relationships in and around the excellent plot. That's the part that you need background to understand.
The Morgut keep coming, a bigger threat than ever: they're colonizing instead of raiding. Jax secured a treaty with the Ithiss-Tor (Velith's people), but there's no help from them coming yet. Humanity's survival is on the line. Aguirre depicts battle believably, giving a sense of the horror without dwelling too much on gore.
Lovers are torn apart, established characters die, new ones come on stage. It's impossible to know at any given moment whether anyone, including Jax, will survive from scene to scene. That certainly kept me reading, and I think it will engage you, as well.
I really love Sirantha Jax's strength and complexity. She has grown and changed a great deal over the four books of the series, and reflects on the changes in herself during this book. Her relationship with March has deepened, as well. The depiction of a mature relationship being tested, rather than one that is fresh and new, is a nice switch from most of the books I've read recently.
The friendship between Velith and Jax is also a treasure. It is rare to see a pure friendship between a male and a female in fiction, without any sexual tension entering the picture. We're reminded that while he is an alien, Velith has had a human lover in the past, so it isn't as if that is impossible between the two — it just doesn't occur.
The book isn't solely about relationships, of course — I just appreciate how well Aguirre depicts relationships in and around the excellent plot. That's the part that you need background to understand.
The Morgut keep coming, a bigger threat than ever: they're colonizing instead of raiding. Jax secured a treaty with the Ithiss-Tor (Velith's people), but there's no help from them coming yet. Humanity's survival is on the line. Aguirre depicts battle believably, giving a sense of the horror without dwelling too much on gore.
Lovers are torn apart, established characters die, new ones come on stage. It's impossible to know at any given moment whether anyone, including Jax, will survive from scene to scene. That certainly kept me reading, and I think it will engage you, as well.

Isabel Smith (34 KP) rated Our Kind of Cruelty: A Novel in Books
Jun 22, 2018
Our Kind of Cruelty is an engrossing, in-depth case study of the weirdly obsessive and detrimental love story between Mike Hayes and Verity Walton. Author Araminta Hall only provides readers with Mike’s point of view, so there are some limitations into what we can glean about Verity’s thoughts, motivations, and behaviors. Nevertheless, seeds of doubt are sown from the beginning of the story about both characters’ integrity and reliability.
Mike and Verity have been inseparable since meeting at university and starting up their one-of-a-kind relationship. During their early years they established a disturbing game which they referred to as the Crave, in which they always benefited at the expense of others. It is unclear who started the game, as Verity will say Mike did and vice versa. Similarly, a number of other relevant events in their tumultuous relationship are clouded with duplicity, right down to the moment when one of their so-called Crave victims ends up dead. What ensues is a riveting trial in which a jury (and readers) must navigate through the he-said/she-said testimonies and decide who the guilty party is.
In the ever-growing mound of psychological thrillers that have skyrocketed since the release of Gillian Flynn’s Gone Girl, Araminta Hall’s latest work really stands out due to the fact that she’s changed up the ever popular unreliable narrator trope. In Our Kind of Cruelty, the central unreliable narrator is a male; typically readers have been treated to unpredictable and untrustworthy females. Needless to say, I really enjoyed this twist. I also really enjoyed the court procedural part of the book; reading the conflicting accounts between Mike and Verity was like watching a riveting tennis match where the ball is whacked mercilessly back and forth between both parties. Check this book out today if you’re in the mood for something dark yet intriguing, something that will leave you thinking and wondering long after you’ve finished the book.
Mike and Verity have been inseparable since meeting at university and starting up their one-of-a-kind relationship. During their early years they established a disturbing game which they referred to as the Crave, in which they always benefited at the expense of others. It is unclear who started the game, as Verity will say Mike did and vice versa. Similarly, a number of other relevant events in their tumultuous relationship are clouded with duplicity, right down to the moment when one of their so-called Crave victims ends up dead. What ensues is a riveting trial in which a jury (and readers) must navigate through the he-said/she-said testimonies and decide who the guilty party is.
In the ever-growing mound of psychological thrillers that have skyrocketed since the release of Gillian Flynn’s Gone Girl, Araminta Hall’s latest work really stands out due to the fact that she’s changed up the ever popular unreliable narrator trope. In Our Kind of Cruelty, the central unreliable narrator is a male; typically readers have been treated to unpredictable and untrustworthy females. Needless to say, I really enjoyed this twist. I also really enjoyed the court procedural part of the book; reading the conflicting accounts between Mike and Verity was like watching a riveting tennis match where the ball is whacked mercilessly back and forth between both parties. Check this book out today if you’re in the mood for something dark yet intriguing, something that will leave you thinking and wondering long after you’ve finished the book.

Merissa (12950 KP) rated Lost and Found (Dave&Carter) in Books
Nov 22, 2018
REVIEW BY MERISSA - Lost and Found (Dave&Carter) by Quin Perin
Lost and Found is the first book by Quin and Perin I have read, but it definitely won't be the last.
Dave is the 'Daddy' in this relationship. He has feelings for Carter, and Carter needs him. For reasons I don't quite understand, he pulls back from Carter when Carter mentions feelings. Carter is the 'boy' and falls hard for Dave, but is mature enough to take a step back when he puts himself first.
This may only be classed as a novella, but there is one helluva story packed tightly between these pages. I was gripped from the very beginning, especially as Dave and Carter seemed to fall into their relationship so easily. Of course, it all had to go wrong somehow, and I'm not surprised with how it did. I understand that because of this, Dave might not be the most popular character, but I rather liked him. He is human, and makes mistakes. He has thoughts about what himself and what others might think, which for me, was completely understandable. I loved that once he got over being a jackass, he put Carter first, even though it broke his heart.
Did I get my happy ending? Well, I'll leave that for you to read and find out for yourself. What I will say is that I don't think I've had my fill of Dave and Carter, not at all. I loved this exceedingly well written story, that had no editing or grammatical errors to spoil my reading. With well-rounded out characters, and a storyline that intrigues, I have no hesitation in recommending this great story.
**same worded review will appear elsewhere**
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dave is the 'Daddy' in this relationship. He has feelings for Carter, and Carter needs him. For reasons I don't quite understand, he pulls back from Carter when Carter mentions feelings. Carter is the 'boy' and falls hard for Dave, but is mature enough to take a step back when he puts himself first.
This may only be classed as a novella, but there is one helluva story packed tightly between these pages. I was gripped from the very beginning, especially as Dave and Carter seemed to fall into their relationship so easily. Of course, it all had to go wrong somehow, and I'm not surprised with how it did. I understand that because of this, Dave might not be the most popular character, but I rather liked him. He is human, and makes mistakes. He has thoughts about what himself and what others might think, which for me, was completely understandable. I loved that once he got over being a jackass, he put Carter first, even though it broke his heart.
Did I get my happy ending? Well, I'll leave that for you to read and find out for yourself. What I will say is that I don't think I've had my fill of Dave and Carter, not at all. I loved this exceedingly well written story, that had no editing or grammatical errors to spoil my reading. With well-rounded out characters, and a storyline that intrigues, I have no hesitation in recommending this great story.
**same worded review will appear elsewhere**
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!

Hazel (1853 KP) rated Christmas in Marlow Center in Books
Nov 30, 2018
Christmas in Marlow Center is a short Christmas-themed romance and mystery story by Jordan Elizabeth. Set in present-day December, Natassia is on her Winter Break and has arrived on her family farm to spend the period with her grandmother. Unfortunately, the family are unable to maintain the farm and are going to have to sell in the new year, therefore, this is Natassia's final opportunity to visit the place she loves. Yet, family secrets threaten to put an end to the Christmas festivities.
Meanwhile, Jesse, the tenant who lives in one of the farm buildings, is being plagued by horrifying family memories that occurred at Christmas-time. Unable to leave the past in the past, Jesse is dreading the coming holiday. Yet, when he meets Natassia, he feels a sense of hope. Perhaps he can move on, develop a new friendship, a relationship and learn to trust that other people will not judge him for the actions of a past family member.
While things are looking up for Jesse and Natassia in terms of relationship, problems with the farm cause enormous worry and strain. Just as things are beginning to fall into place, the remains of a body are found on the premises, unearthing family secrets dating back to 1964; secrets that affect both Natassia and Jesse.
Christmas stories are available in abundance and it is difficult to write something new and fresh without falling into traps, such as overly gushing romance or fake happiness. Jordan Elizabeth has kept the romance to a minimum, concentrating on family relationships, secrets and mystery.
Christmas in Marlow Center is a quick book to read, suitable for young adults and older. It is not too Christmassy, therefore, can be read any time of year. Unfortunately, the manuscript (at least the version I read) has numerous grammar and typographical errors, which slightly ruins the reading experience, however, it does not detract from the well thought out story.
Meanwhile, Jesse, the tenant who lives in one of the farm buildings, is being plagued by horrifying family memories that occurred at Christmas-time. Unable to leave the past in the past, Jesse is dreading the coming holiday. Yet, when he meets Natassia, he feels a sense of hope. Perhaps he can move on, develop a new friendship, a relationship and learn to trust that other people will not judge him for the actions of a past family member.
While things are looking up for Jesse and Natassia in terms of relationship, problems with the farm cause enormous worry and strain. Just as things are beginning to fall into place, the remains of a body are found on the premises, unearthing family secrets dating back to 1964; secrets that affect both Natassia and Jesse.
Christmas stories are available in abundance and it is difficult to write something new and fresh without falling into traps, such as overly gushing romance or fake happiness. Jordan Elizabeth has kept the romance to a minimum, concentrating on family relationships, secrets and mystery.
Christmas in Marlow Center is a quick book to read, suitable for young adults and older. It is not too Christmassy, therefore, can be read any time of year. Unfortunately, the manuscript (at least the version I read) has numerous grammar and typographical errors, which slightly ruins the reading experience, however, it does not detract from the well thought out story.

Kelly (279 KP) rated Outlaw King (2018) in Movies
Dec 16, 2018
Clear passion to retell the story (1 more)
Excellent battle scene
Watchable
After seeing an advert for the Outlaw King, I was excited to watch the movie. Despite this I found that the film missed my expectations, and I found that it became almost boring in places.
The writers of the outlaw king had a clear passion to retell the story of Robert Bruce and his fight to regain the Scottish crown from the English in the early Plantagenet period. To the best of my knowledge, the story was told as accurately as possible, however this did mean that there were a lot of scenes centred around the politics of Roberts plight. The slower scenes were unbalanced with the battle scenes which meant that the pace of the story dipped many times during the film - I have to confess it took me three attempts to watch it in full as a result of this.
As the writers tried to cram too much into such a short film, I found that the movie had a bit of an identity crisis - was this an action, romance or political film? Had the writers focused on just one area, I believe the movie would have been a lot more watchable, instead the movie felt overloaded.
The acting in general was okay, and reasonably well cast, except for the relationship between Robert Bruce and his wife. I struggled to believe the romance between the two actors. Although this is ultimately my opinion, I struggled to believe that what was ultimately an arranged marriage between the two, could rest in the two characters falling for each other as quickly as the film portrayed.
In general, the film is watchable, although it is not one I would go to as a first choice. There are some good parts of the film, for example the relationship between Robert and his men, and the final battle scene. The film also teaches us about part of Scottish history that tends to be overlooked by many schools during history lessons.
The writers of the outlaw king had a clear passion to retell the story of Robert Bruce and his fight to regain the Scottish crown from the English in the early Plantagenet period. To the best of my knowledge, the story was told as accurately as possible, however this did mean that there were a lot of scenes centred around the politics of Roberts plight. The slower scenes were unbalanced with the battle scenes which meant that the pace of the story dipped many times during the film - I have to confess it took me three attempts to watch it in full as a result of this.
As the writers tried to cram too much into such a short film, I found that the movie had a bit of an identity crisis - was this an action, romance or political film? Had the writers focused on just one area, I believe the movie would have been a lot more watchable, instead the movie felt overloaded.
The acting in general was okay, and reasonably well cast, except for the relationship between Robert Bruce and his wife. I struggled to believe the romance between the two actors. Although this is ultimately my opinion, I struggled to believe that what was ultimately an arranged marriage between the two, could rest in the two characters falling for each other as quickly as the film portrayed.
In general, the film is watchable, although it is not one I would go to as a first choice. There are some good parts of the film, for example the relationship between Robert and his men, and the final battle scene. The film also teaches us about part of Scottish history that tends to be overlooked by many schools during history lessons.

Sarah (7800 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 26, 2019
Great watch
I've always been a bit of a car person (or at least I like driving fast...) and it was watching Rush at the cinema back in 2013 that really got me into racing films, and is also probably to blame for my F1 interests. Le Mans '66 appealed to me exactly for these reasons and it really is a great film, and not just for the racing.
The main appeal of this film is the relationship between Bale and Damon's characters. These two work so well together and it really pays off on screen. They're funny, heartwarming and serious and you really want to spend the whole 2.5 hours watching them. This isn't just a racing film after all, it's about the relationship between Miles and Shelby. There's a great supporting cast too, although I did think Josh Lucas was a little too slimy and Jon Bernthal was hugely underused. But this is mainly the Bale and Damon show and rightly so.
The film itself looks great and fits in with the era it's set, and the racing scenes are so well done and considering you're just staring at Christian Bale's face most of the time, the races are still surprisingly exciting and thrilling. I do think the 2.5 hour run time is a little long, and there are a few (admittedly brief) occasions in the middle where this does drag just a little, mostly when Bale and Damon aren't on screen together. There's also Bale's questionable accent, which seems a little too put on and not quiet natural.
Despite these few niggles though, this is a very enjoyable, excellent film with some potentially Oscar worthy performances. I knew nothing about the true story behind this, so for me this was also hugely informative. The only problem is that it made me want to drive like a racing driver on my way home, which isn't good for either my car or my license...
The main appeal of this film is the relationship between Bale and Damon's characters. These two work so well together and it really pays off on screen. They're funny, heartwarming and serious and you really want to spend the whole 2.5 hours watching them. This isn't just a racing film after all, it's about the relationship between Miles and Shelby. There's a great supporting cast too, although I did think Josh Lucas was a little too slimy and Jon Bernthal was hugely underused. But this is mainly the Bale and Damon show and rightly so.
The film itself looks great and fits in with the era it's set, and the racing scenes are so well done and considering you're just staring at Christian Bale's face most of the time, the races are still surprisingly exciting and thrilling. I do think the 2.5 hour run time is a little long, and there are a few (admittedly brief) occasions in the middle where this does drag just a little, mostly when Bale and Damon aren't on screen together. There's also Bale's questionable accent, which seems a little too put on and not quiet natural.
Despite these few niggles though, this is a very enjoyable, excellent film with some potentially Oscar worthy performances. I knew nothing about the true story behind this, so for me this was also hugely informative. The only problem is that it made me want to drive like a racing driver on my way home, which isn't good for either my car or my license...

Matthew Krueger (10051 KP) rated Get Out (2017) in Movies
Feb 3, 2020
Psychologcally Disburing
Jordan Peele goes from comedy to horror, as his directorial debut, he does a excellent/fantasic/phenomenal job. Going from one genre to anethor is hard, but Jordan Peele did the impossible, and he successed, all expectations. This film is psycologically twisted, horrorfyng, suspenseful and thrilling till the very end.
So this movie does have a theme, This disturbing film ... is really about how white America has mastered its relationship with black America. Within all of the interracial tension is the white American’s strange envy of the grim determination, melancholy humor, and creative strength of the black race. ... But Peele’s irony is that white America will continue to do what it does despite these truths, and, sadly, so must black America remain hypnotized.
The film also depicts the lack of attention on missing black Americans compared to missing white females. Slate's Damon Young stated the film's premise was "depressingly plausible ... Although black people only comprise 13 percent of America's population, they are 34 percent of America's missing, a reality that exists as the result of a mélange of racial and socioeconomic factors rendering black lives demonstratively less valuable than the lives [of] our white counterparts.
Peele does a excellent of this theme, of the world that we live in today and his views on it.
The Plot: Now that Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy and Dean. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
This film is a must watch, if you havent seen it, than go and see it. Its psycologically twisted, horrorfying, thrilling, suspenseful and overall excellent.
So this movie does have a theme, This disturbing film ... is really about how white America has mastered its relationship with black America. Within all of the interracial tension is the white American’s strange envy of the grim determination, melancholy humor, and creative strength of the black race. ... But Peele’s irony is that white America will continue to do what it does despite these truths, and, sadly, so must black America remain hypnotized.
The film also depicts the lack of attention on missing black Americans compared to missing white females. Slate's Damon Young stated the film's premise was "depressingly plausible ... Although black people only comprise 13 percent of America's population, they are 34 percent of America's missing, a reality that exists as the result of a mélange of racial and socioeconomic factors rendering black lives demonstratively less valuable than the lives [of] our white counterparts.
Peele does a excellent of this theme, of the world that we live in today and his views on it.
The Plot: Now that Chris (Daniel Kaluuya) and his girlfriend, Rose (Allison Williams), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy and Dean. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
This film is a must watch, if you havent seen it, than go and see it. Its psycologically twisted, horrorfying, thrilling, suspenseful and overall excellent.

JT (287 KP) rated Dawn Of The Planet Of The Apes (2014) in Movies
Mar 3, 2020
Exciting action (1 more)
Tension and drama
Enjoyable summer blockbuster
No question that this sequel went straight into my top ten films for 2014. Exceptionally shot with astounding special effects in part thanks to performance capture king Andy Serkis this is a film that delivers.
Ten years on and with the epidemic wiping out most of the world’s population humans are very much becoming the minority species. A small band of immune survivors still hold out hope that there are others out there and look to make contact with anyone who might be listening.
The apes have now settled deep in the San Francisco forests building their own fully functioning civilisation led by chimpanzee Caesar. What makes this film rise above (sorry) the first is much of the attention focuses on the apes and deep-rooted character development.
Caser is supported by fellow performance-capture actor Toby Kebbell who plays Koba. An ape with a chip on his shoulder after years of being tested on. His dislike for the human race is made obvious to his best friend.
Their simmering relationship is one of the highlights of the film as they battle they decide whether to stay hidden in peace or go to war. With James Franco gone (albeit making a cameo via archived footage), the human-ape relationship is centred on Malcolm (Jason Clarke) and Caeser, who are bonded by a begrudging truce for peace.
It’s a film that soaks up tension extremely well. Grand battle sequences are cut between emotional and compelling moments interlocked by a very well written script.
The technical aspects of the film are simply stunning and the large set-pieces make for cataclysmic viewing. Caeser’s army arriving on horseback in a show of force to their human foes is captivating. As is the vertigo wincing finale and attack on the human stronghold.
This is was everything a summer blockbuster should be and is most certainly a template to follow.
Ten years on and with the epidemic wiping out most of the world’s population humans are very much becoming the minority species. A small band of immune survivors still hold out hope that there are others out there and look to make contact with anyone who might be listening.
The apes have now settled deep in the San Francisco forests building their own fully functioning civilisation led by chimpanzee Caesar. What makes this film rise above (sorry) the first is much of the attention focuses on the apes and deep-rooted character development.
Caser is supported by fellow performance-capture actor Toby Kebbell who plays Koba. An ape with a chip on his shoulder after years of being tested on. His dislike for the human race is made obvious to his best friend.
Their simmering relationship is one of the highlights of the film as they battle they decide whether to stay hidden in peace or go to war. With James Franco gone (albeit making a cameo via archived footage), the human-ape relationship is centred on Malcolm (Jason Clarke) and Caeser, who are bonded by a begrudging truce for peace.
It’s a film that soaks up tension extremely well. Grand battle sequences are cut between emotional and compelling moments interlocked by a very well written script.
The technical aspects of the film are simply stunning and the large set-pieces make for cataclysmic viewing. Caeser’s army arriving on horseback in a show of force to their human foes is captivating. As is the vertigo wincing finale and attack on the human stronghold.
This is was everything a summer blockbuster should be and is most certainly a template to follow.

Gareth von Kallenbach (980 KP) rated Focus (2015) in Movies
Aug 6, 2019
Focus, a new film starring Will Smith, Rodrigo Santoro, Margot Robbie, and Gerald McRaney seems like it ‘should be’ predictable, but I didn’t find it to be predictable at all.
I only caught one of the tricky story line twists at the last minute, at the very end, and the whole entire movie, I really thought that the leading lady Jess (Margot Robbie) was up to something other than what she was.
The movie overall, after watching it, reminds me a bit of Oceans 11, with twists and turns and surprises and things I just didn’t see coming.
I felt Will Smith as Nicky Spurgeon did a great job, and portrayed his relationship, or the fact that he was bothered by his lack of a relationship with Jess very believably.
The story moves along quickly, flowing well, for the most part. We watch Jess try to con Nicky, and watch him school her on ‘how it’s done’.
This sets the tone for the rest of the show which follows Nickys’ path as a con man and him working with his crew in one job after another.
He is supposed to be the best of the best and we watch him successfully carry off con after con in the first half.
The second half of the movie takes place after a number of years have passed, and more closely details Nicky’s feelings or apparent feelings for Jess.
Without revealing too much, I can only say everything is not as it appears, but the action of what is happening is fast enough that it distracted me from being able to concentrate too hard on what the deceptions might be.
I think this might be Will Smiths ‘comeback movie’ after a series of recent films over the past handful of years with him as a headliner have been really, really bad.
I have already encouraged a handful of friends to see the film when it comes to regular release, and I would gladly see it again.
I would give this movie 4 out of 5 stars.
I only caught one of the tricky story line twists at the last minute, at the very end, and the whole entire movie, I really thought that the leading lady Jess (Margot Robbie) was up to something other than what she was.
The movie overall, after watching it, reminds me a bit of Oceans 11, with twists and turns and surprises and things I just didn’t see coming.
I felt Will Smith as Nicky Spurgeon did a great job, and portrayed his relationship, or the fact that he was bothered by his lack of a relationship with Jess very believably.
The story moves along quickly, flowing well, for the most part. We watch Jess try to con Nicky, and watch him school her on ‘how it’s done’.
This sets the tone for the rest of the show which follows Nickys’ path as a con man and him working with his crew in one job after another.
He is supposed to be the best of the best and we watch him successfully carry off con after con in the first half.
The second half of the movie takes place after a number of years have passed, and more closely details Nicky’s feelings or apparent feelings for Jess.
Without revealing too much, I can only say everything is not as it appears, but the action of what is happening is fast enough that it distracted me from being able to concentrate too hard on what the deceptions might be.
I think this might be Will Smiths ‘comeback movie’ after a series of recent films over the past handful of years with him as a headliner have been really, really bad.
I have already encouraged a handful of friends to see the film when it comes to regular release, and I would gladly see it again.
I would give this movie 4 out of 5 stars.