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9 1/2 Weeks (1986)
9 1/2 Weeks (1986)
1986 | Drama, Romance
Wild, magnetic, and hot as hell - nobody does these like Lyne, man. One of the things I love most about this is that it's one of the sacred few of these that don't demonize kink *nor* make it a symptom of some trauma/mental illness; this is simply two consenting adults participating in a kinky relationship. They were getting this shit right in 1986, people - there's no excuse to keep messing it up 35 years later. Of course Rourke and Basinger have smoldering chemistry here too, their performances are so daring for the time and hold up airtight even today. Asks the devastating question of whether it's worse when passion is lost altogether, or when it becomes too consuming for one's reasonable expectations to handle? Also features a montage of the two leads fucking on a rainy alley staircase to loud 1980s synth music after beating up a random group of thugs - so you really get the best of both worlds. The last 20/25 minutes is the best work of Lyne's entire career. 80s MTV version of 𝘍π˜ͺ𝘧𝘡𝘺 𝘚𝘩𝘒π˜₯𝘦𝘴 𝘰𝘧 𝘎𝘳𝘦𝘺 (still not quite as good as 𝘚𝘦𝘀𝘳𝘦𝘡𝘒𝘳𝘺, though).
  
Stillwater (2021)
Stillwater (2021)
2021 | Crime, Drama
6
5.5 (4 Ratings)
Movie Rating
On paper this has it all: Matt Damon's first great performance in *years*, an actually good sidekick child actor, a complex and consistently surprising father/daughter relationship, and though I initially dreaded the 2hr20min runtime it ended up being insanely economical with it against all odds. The only problem is it does all that without offering up a single piece of compelling imagery - framed into another one of these "white American solves problems in foreign country" things (to the point where a French woman asks Damon if he owns a gun while she's fucking him, like okay...) with a bargain-bin Lifetime Channel score. Not to mention the surreal way this rips off/takes inspiration from the Amanda Knox trial. Though you know what - they'd have their own separate sets of problems either way but - I'm glad this took the route of normie-fied mom & pop film as opposed to a tiring, self-serious prestige slog if it just had to be one or the other; that way it makes the unexpected shift in tone a little over halfway through so much more special. And that ending is a real gut punch.