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Sophia (Bookwyrming Thoughts) (530 KP) rated Awake in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Well, <i>Awake</i> is <b>completely different from <i>The Cellar</i>.</b>
(Once upon a time, I was bored at Walmart and <i>The Cellar</i> seemed interesting compared to all the "millions" of <i>Fifty Shades of Grey</i> and <i>Divergent</i> and the like. Oh, and there has to be something about Natasha Preston if a publisher swooped up her book from Wattpad, right?)
It's no brainer that Natasha Preston writes about the <b>dark parts of human nature that make you shiver and shudder in fear</b> – it's shown in the third I read in <i>The Cellar</i> (I did buy a copy on Amazon later) and the sick beliefs of Eternal Light in her newest novel. From reading <i>Awake</i>,<b> there's obviously something in Preston's writing that I liked, but <i>Awake</i> seems to be a bit of a downfall compared to <i>The Cellar</i>.</b>
In the process of trying to decide if <i>Awake</i> should get a good rating or not, I literally had to check my notes multiple times, reread a few passages to make sure I'm not making a whopping mistake by letting <i>Awake</i> fall in this ever-growing land called "The Grey Area" that books fall into more often than not.
But in the long run, <b><i>Awake</i>, unfortunately, falls in that ever-growing land that will probably be forgotten within the next year.</b> Let's get into whole detail shenanigans.
The romance. I have a <b>few choice words about Scarlett's relationship with Noah.
</b>
<ol>
<li>Noah makes his entrance in the book by staring unnervingly at Scarlett. <b>How in the world is Scarlett not disturbed?</b> She MAY be a little uncomfortable, but cheeks turning pinky pink is NOT exactly uncomfortable.</li>
<li><b>Noah's first day with Scarlett: yip, yip, yip – all about learning Scarlett. I'm a little perplexed as to how she's not a little creeped out</b> by the whole interrogation-like questions that I imagine Noah to be asking. Doesn't it raise a red flag?</li>
<li>How long were they together? I mean, it may seem a little longer than actuality, but in rereading some parts.... <b>they've probably been together for probably a month or two before they got close together. And I mean <i>really, really</i> close together.</b> I won't be surprised if it's just a few weeks.</li>
<li>Scarlett's kind of <b>obsessed with Noah from the get-go.</b> Over a hundred texts exchanged in the week they met, nonstop thinking about Noah, yada yada.</li>
</ol>
<blockquote>I slapped it, earning a glare from the guy I couldn't seem to get out of my head.</blockquote>
The romance doesn't overshadow the plot – I probably wouldn't have noticed how fast their relationship was going if I didn't make a really random note at a really random place that later raised a flag.
<i>Awake</i> is a little slow – <b>definitely slower than <i>The Cellar</i></b> – in the whole development. Preston <b>takes time to build up and uses Scarlett's and Noah's relationship as a filler,</b> among Scarlett questioning a four-year gap of memories missing and Noah beginning to question Eternal Light's values. <b>It's not a book that'll make me rage, but it's not a book I'll praise either.</b>
Hence, Gray Area Book.
<a href="https://bookwyrmingthoughts.com/arc-review-awake-by-natasha-preston/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Well, <i>Awake</i> is <b>completely different from <i>The Cellar</i>.</b>
(Once upon a time, I was bored at Walmart and <i>The Cellar</i> seemed interesting compared to all the "millions" of <i>Fifty Shades of Grey</i> and <i>Divergent</i> and the like. Oh, and there has to be something about Natasha Preston if a publisher swooped up her book from Wattpad, right?)
It's no brainer that Natasha Preston writes about the <b>dark parts of human nature that make you shiver and shudder in fear</b> – it's shown in the third I read in <i>The Cellar</i> (I did buy a copy on Amazon later) and the sick beliefs of Eternal Light in her newest novel. From reading <i>Awake</i>,<b> there's obviously something in Preston's writing that I liked, but <i>Awake</i> seems to be a bit of a downfall compared to <i>The Cellar</i>.</b>
In the process of trying to decide if <i>Awake</i> should get a good rating or not, I literally had to check my notes multiple times, reread a few passages to make sure I'm not making a whopping mistake by letting <i>Awake</i> fall in this ever-growing land called "The Grey Area" that books fall into more often than not.
But in the long run, <b><i>Awake</i>, unfortunately, falls in that ever-growing land that will probably be forgotten within the next year.</b> Let's get into whole detail shenanigans.
The romance. I have a <b>few choice words about Scarlett's relationship with Noah.
</b>
<ol>
<li>Noah makes his entrance in the book by staring unnervingly at Scarlett. <b>How in the world is Scarlett not disturbed?</b> She MAY be a little uncomfortable, but cheeks turning pinky pink is NOT exactly uncomfortable.</li>
<li><b>Noah's first day with Scarlett: yip, yip, yip – all about learning Scarlett. I'm a little perplexed as to how she's not a little creeped out</b> by the whole interrogation-like questions that I imagine Noah to be asking. Doesn't it raise a red flag?</li>
<li>How long were they together? I mean, it may seem a little longer than actuality, but in rereading some parts.... <b>they've probably been together for probably a month or two before they got close together. And I mean <i>really, really</i> close together.</b> I won't be surprised if it's just a few weeks.</li>
<li>Scarlett's kind of <b>obsessed with Noah from the get-go.</b> Over a hundred texts exchanged in the week they met, nonstop thinking about Noah, yada yada.</li>
</ol>
<blockquote>I slapped it, earning a glare from the guy I couldn't seem to get out of my head.</blockquote>
The romance doesn't overshadow the plot – I probably wouldn't have noticed how fast their relationship was going if I didn't make a really random note at a really random place that later raised a flag.
<i>Awake</i> is a little slow – <b>definitely slower than <i>The Cellar</i></b> – in the whole development. Preston <b>takes time to build up and uses Scarlett's and Noah's relationship as a filler,</b> among Scarlett questioning a four-year gap of memories missing and Noah beginning to question Eternal Light's values. <b>It's not a book that'll make me rage, but it's not a book I'll praise either.</b>
Hence, Gray Area Book.
<a href="https://bookwyrmingthoughts.com/arc-review-awake-by-natasha-preston/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kirk Bage (1775 KP) rated Stan & Ollie (2018) in Movies
Jan 28, 2021
My relationship with Laurel & Hardy is a tentative one. I do enjoy their short films, full of ingenuity and genuinely funny moments. But, they’d be down the list a bit for me on the greatest black and white comedy stars – Chaplin, Keaton, Lloyd, then the Marx Brothers maybe, then the slapstick duo next, maybe. It’s not that I don’t think they are great! They are, they definitely are. I just can’t sit down and take to much of them at once. Maybe because their schtick is very stagey, vaudevillian even, rather than cinematic. And that is because they were primary stage actors and clowns. Not necessarily in that order.
So, my anticipation of a movie about them in 2018 was not huge. I was happy to wait, and it was consigned deep down the watchlist for a while. Until one Sunday evening in October, when it suddenly felt like exactly what I wanted to see that day – a nice, calm biopic that probably had a few laughs and a soppy ending. And that is pretty much what this is. Except that it also has two very very impressive performances from the eponymous leads, the consumately talented John C. Reilly and Steve Coogan.
When I say impressive I mean that at times it feels like you are magically watching the real Oliver Hardy and Stan Laurel. So detailed and well observed are their characterisations that nothing whatsoever (other than maybe the makeup on Reilly’s double chin) strikes you as false. Which helps you invest in their story entirely; told in professional if unspectacular style by Jon S. Baird, who demonstrates an understanding of the people, if not a full understanding of how to make a scene truly fly.
The story here is not a full biopic, but rather a snapshot of the end of their careers, when, amazingly, they embarked on a tour of UK theatres in an attempt to keep working once their film career had lost its shine and popularity. What we see are two older men, once treated as superstars, who are now brought down to earth by all things fading, including their youth. They are bitter and argumentative with each other, and their long suffering wives (played satisfyingly by Shirley Henderson and Nina Arianda). Long stewed resentments come to the surface and the smiles of the clowns are seen at their lowest ebb as things begin to fall apart.
What rings true are the observations of a love / hate friendship that has lasted a full lifetime, and how that affects a working relationship and a public legacy. Jeff Pope, who also worked with Coogan on Philomena, gives us a stoic but often deeply meaningful screenplay here, that isn’t bothered by showing off, in favour of colouring the relationship accurately, which is commendably, and feels quite anti-Hollywood and a bit more British.
The physical gags and set-pieces are also beautifully staged, and look gorgeous, evoking the period superbly. My face was almost permanently smiling, although I can’t remember laughing out loud once. And that is what this film feels like, ultimately – a nice, gentle, Sunday afternoon drive into the past. Your grandparents will love it! Personally, I felt it was fine and dandy, but lacked a spark or two to make it properly come to life.
Watch this if you enjoy great acting that doesn’t need to wave its arms around to get attention. Both Reilly and Coogan are extraordinary! Interestingly, the American was nominated for a Golden Globe over there, and the Brit was nominated for a Bafta over here. Neither won, but they were never going to, as this production is almost embarrassed to announce itself as being good. It is good. Just not amazing. Give it a go when a nice cosy, sleepy mood takes you one day.
So, my anticipation of a movie about them in 2018 was not huge. I was happy to wait, and it was consigned deep down the watchlist for a while. Until one Sunday evening in October, when it suddenly felt like exactly what I wanted to see that day – a nice, calm biopic that probably had a few laughs and a soppy ending. And that is pretty much what this is. Except that it also has two very very impressive performances from the eponymous leads, the consumately talented John C. Reilly and Steve Coogan.
When I say impressive I mean that at times it feels like you are magically watching the real Oliver Hardy and Stan Laurel. So detailed and well observed are their characterisations that nothing whatsoever (other than maybe the makeup on Reilly’s double chin) strikes you as false. Which helps you invest in their story entirely; told in professional if unspectacular style by Jon S. Baird, who demonstrates an understanding of the people, if not a full understanding of how to make a scene truly fly.
The story here is not a full biopic, but rather a snapshot of the end of their careers, when, amazingly, they embarked on a tour of UK theatres in an attempt to keep working once their film career had lost its shine and popularity. What we see are two older men, once treated as superstars, who are now brought down to earth by all things fading, including their youth. They are bitter and argumentative with each other, and their long suffering wives (played satisfyingly by Shirley Henderson and Nina Arianda). Long stewed resentments come to the surface and the smiles of the clowns are seen at their lowest ebb as things begin to fall apart.
What rings true are the observations of a love / hate friendship that has lasted a full lifetime, and how that affects a working relationship and a public legacy. Jeff Pope, who also worked with Coogan on Philomena, gives us a stoic but often deeply meaningful screenplay here, that isn’t bothered by showing off, in favour of colouring the relationship accurately, which is commendably, and feels quite anti-Hollywood and a bit more British.
The physical gags and set-pieces are also beautifully staged, and look gorgeous, evoking the period superbly. My face was almost permanently smiling, although I can’t remember laughing out loud once. And that is what this film feels like, ultimately – a nice, gentle, Sunday afternoon drive into the past. Your grandparents will love it! Personally, I felt it was fine and dandy, but lacked a spark or two to make it properly come to life.
Watch this if you enjoy great acting that doesn’t need to wave its arms around to get attention. Both Reilly and Coogan are extraordinary! Interestingly, the American was nominated for a Golden Globe over there, and the Brit was nominated for a Bafta over here. Neither won, but they were never going to, as this production is almost embarrassed to announce itself as being good. It is good. Just not amazing. Give it a go when a nice cosy, sleepy mood takes you one day.
Her - LGBTQ Dating
Dating, Lifestyle and Social Networking
3.5
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Her is the biggest (and best!) app for lesbian, bisexual and queer people worldwide. Surround...
Millionaire Singles Match, Elite Online Dating App
Social Networking and Lifestyle
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MDate is the leading millionaire match online dating app which caters to the league, successful rich...
Bob Mann (459 KP) rated Shang-Chi and the Legend of the Ten Rings (2021) in Movies
Sep 16, 2021
Relationship between Shaun and Katy (1 more)
Great Shakespearean level of story
Ten rings to rule them all
Positives:
- This is Marvel at its best. A script (with Shakespearean undertones) that melds action with good character development and laugh-out-loud feel-good dialogue. The great thing is that you don't need to be a Marvel nerd to enjoy this one. Yes, there are some fabulous Easter Eggs for Marvel fans (and a wonderful return of a character from one of the early films). But it's almost a standalone feature in its own right.
- The action sequences are top-notch, particularly an early fight on a careering San Francisco "bendy-bus". Some great martial-arts reminiscent of "Crouching Tiger, Hidden Dragon", made more exciting by the fact that the impressive Simu Liu did all his own stunts.
- The relationship built between Shaun and Katy is wonderful, and the actors deliver on it brilliantly: no wonder when you have the exceptional Awkwafina on the other end of it. Similarly, the relationship built between Shang-Chi and his father is powerful, thanks to some wonderful acting from Tony Chiu-Wai Leung. So good in the gripping (and erotic) 'Lust, Caution', I believe this is his first English-speaking film.
- With the odd exception (see below), the special effects are top-notch.
Negatives:
- I thought this was 5* all the way until the final reel, when we descended into a CGI-driven "Godzilla vs Kong" finale. I hate CGI that's just a blur of action across the screen where you're struggling to understand what's going on. Less would be more here for me.
- The movie makes extensive use of 'flashbacks' and, for me, there was a bit too much heavy-handedness in their use. I muttered "enough already" to a few of them, since they were taking us out of the movie's current narrative.
- There were a couple of effects that looked like the intern at the special effects company had put them together during a coffee break. An early plunge of a jeep into a forest and some rather obvious green-screen stuff in the finale. Surprised that these weren't caught and redone.
Timeline?: So, it took more of a Marvel nerd than I am (my wonderful daughter-in-law Bronwyn) to point out that although this film is set (largely) in the "Present Day", the events of "Avengers: Endgame" actually happen in 2023. So in the Marvel timeline, this is set in between Thanos's "blip" and "the return". This is the reason why Wong is present but not Doctor Strange, for example.
Summary Thoughts: Marvel goes East! This is a really entertaining addition to the franchise, mixing Marvel action with Eastern mysticism and martial arts. It's an impressive job by director and co-writer Destin Daniel Cretton, in only his second feature (he did "Just Mercy" in 2019).
As a Marvel film, there are of course end-credit scenes ("monkeys" in onemannsmovies speak). A mid-title one is the best, bringing some additional Marvel characters into the mix. And there's a post-credits one which sets up for further sequels but which I found rather irritating.
It's ironic that a Marvel movie so right for the Chinese market - the first to be headlined by an Asian actor and with substantial Mandarin dialogue - might not get a release in China. According to this report, this appears to be for two reasons: firstly that the actor Simu Liu made some derogatory remarks about China in the past, and secondly that in the comics Shang Chi's father is Fu Manchu - a Western-derived character with racial overtones.
This doesn't seem to have hurt it so far. After less than two weeks of opening, it has made $262 million on a budget estimated to be $150-200 million.
(For the full graphical review and video check out #onemannsmovies on the web, Facebook and Tiktok. Thanks).
- This is Marvel at its best. A script (with Shakespearean undertones) that melds action with good character development and laugh-out-loud feel-good dialogue. The great thing is that you don't need to be a Marvel nerd to enjoy this one. Yes, there are some fabulous Easter Eggs for Marvel fans (and a wonderful return of a character from one of the early films). But it's almost a standalone feature in its own right.
- The action sequences are top-notch, particularly an early fight on a careering San Francisco "bendy-bus". Some great martial-arts reminiscent of "Crouching Tiger, Hidden Dragon", made more exciting by the fact that the impressive Simu Liu did all his own stunts.
- The relationship built between Shaun and Katy is wonderful, and the actors deliver on it brilliantly: no wonder when you have the exceptional Awkwafina on the other end of it. Similarly, the relationship built between Shang-Chi and his father is powerful, thanks to some wonderful acting from Tony Chiu-Wai Leung. So good in the gripping (and erotic) 'Lust, Caution', I believe this is his first English-speaking film.
- With the odd exception (see below), the special effects are top-notch.
Negatives:
- I thought this was 5* all the way until the final reel, when we descended into a CGI-driven "Godzilla vs Kong" finale. I hate CGI that's just a blur of action across the screen where you're struggling to understand what's going on. Less would be more here for me.
- The movie makes extensive use of 'flashbacks' and, for me, there was a bit too much heavy-handedness in their use. I muttered "enough already" to a few of them, since they were taking us out of the movie's current narrative.
- There were a couple of effects that looked like the intern at the special effects company had put them together during a coffee break. An early plunge of a jeep into a forest and some rather obvious green-screen stuff in the finale. Surprised that these weren't caught and redone.
Timeline?: So, it took more of a Marvel nerd than I am (my wonderful daughter-in-law Bronwyn) to point out that although this film is set (largely) in the "Present Day", the events of "Avengers: Endgame" actually happen in 2023. So in the Marvel timeline, this is set in between Thanos's "blip" and "the return". This is the reason why Wong is present but not Doctor Strange, for example.
Summary Thoughts: Marvel goes East! This is a really entertaining addition to the franchise, mixing Marvel action with Eastern mysticism and martial arts. It's an impressive job by director and co-writer Destin Daniel Cretton, in only his second feature (he did "Just Mercy" in 2019).
As a Marvel film, there are of course end-credit scenes ("monkeys" in onemannsmovies speak). A mid-title one is the best, bringing some additional Marvel characters into the mix. And there's a post-credits one which sets up for further sequels but which I found rather irritating.
It's ironic that a Marvel movie so right for the Chinese market - the first to be headlined by an Asian actor and with substantial Mandarin dialogue - might not get a release in China. According to this report, this appears to be for two reasons: firstly that the actor Simu Liu made some derogatory remarks about China in the past, and secondly that in the comics Shang Chi's father is Fu Manchu - a Western-derived character with racial overtones.
This doesn't seem to have hurt it so far. After less than two weeks of opening, it has made $262 million on a budget estimated to be $150-200 million.
(For the full graphical review and video check out #onemannsmovies on the web, Facebook and Tiktok. Thanks).
Haley Mathiot (9 KP) rated Wildwing in Books
Apr 27, 2018
Wildwing by Emily Whitman
Genre: YA, romance, time travel, historical fiction
ISBN: 9780061724527
Published: September 21st 2010 by Greenwillow Books
Rating: 5
Addy isn't satisfied in her world, with her life, with the mean girls from school always telling her that she's worthless. She wants to be free, be respected, not have to work for her food every night. She knows she's better than what she's been given… and she's determined to find it. So when she stumbles into a time machine that brings her back to the time of castles and lords and falconers, and she is mistaken for a rich lady betrothed to marry the king, she believes she has found exactly what she wants to do.
But she didn't count on falling in love with a falconer, a nobody. If only she hadn't gone along with the lie, she'd be herself, a nobody too, and Will could be hers.
Addy must decide what she wants, and what is more important, and then fight to get home. But in the process she might lose the people she loves.
Wildwing drew me in from the first line and held me captive until the last words. A poor sweet lovable main character who isn't being treated fairly, she makes every girl understand her pain. Her insecurities are ours. She is one of the more relatable female protagonists I've read this year.
One thing I really liked about the story was Addy and Will's relationship. It wasn't based on pure physical attraction—although I'm adding Will to my list of literary crushes—they spent time together, they learned, they talked, they argued. It wasn't a shallow empty relationship, which is why it hurt so much in the end, and why the resolution was so sweet.
The plot started off so simple, and got more complex with every page. Addy's little schemes and ideas didn't always go through, and she had to improvise. It kept my heart pounding and my mind curious. The writing was very good, though nothing extraordinary. The characters were quickly developed, some became my friends and some were despicable.
This was more than a love story with a time machine; it was a beautiful enchanting story about a young girl who finds out for herself what is important, how to sacrifice, and how to truly fight for what she loves.
All in all I adored this story and recommend it to anyone ages 12+. No sex or language.
This review is copyright Haley Mathiot and Night Owl Reviews. Do not copy without permission.
Original review here: http://haleymathiot.blogspot.com/2010/12/review-wildwing.html
Genre: YA, romance, time travel, historical fiction
ISBN: 9780061724527
Published: September 21st 2010 by Greenwillow Books
Rating: 5
Addy isn't satisfied in her world, with her life, with the mean girls from school always telling her that she's worthless. She wants to be free, be respected, not have to work for her food every night. She knows she's better than what she's been given… and she's determined to find it. So when she stumbles into a time machine that brings her back to the time of castles and lords and falconers, and she is mistaken for a rich lady betrothed to marry the king, she believes she has found exactly what she wants to do.
But she didn't count on falling in love with a falconer, a nobody. If only she hadn't gone along with the lie, she'd be herself, a nobody too, and Will could be hers.
Addy must decide what she wants, and what is more important, and then fight to get home. But in the process she might lose the people she loves.
Wildwing drew me in from the first line and held me captive until the last words. A poor sweet lovable main character who isn't being treated fairly, she makes every girl understand her pain. Her insecurities are ours. She is one of the more relatable female protagonists I've read this year.
One thing I really liked about the story was Addy and Will's relationship. It wasn't based on pure physical attraction—although I'm adding Will to my list of literary crushes—they spent time together, they learned, they talked, they argued. It wasn't a shallow empty relationship, which is why it hurt so much in the end, and why the resolution was so sweet.
The plot started off so simple, and got more complex with every page. Addy's little schemes and ideas didn't always go through, and she had to improvise. It kept my heart pounding and my mind curious. The writing was very good, though nothing extraordinary. The characters were quickly developed, some became my friends and some were despicable.
This was more than a love story with a time machine; it was a beautiful enchanting story about a young girl who finds out for herself what is important, how to sacrifice, and how to truly fight for what she loves.
All in all I adored this story and recommend it to anyone ages 12+. No sex or language.
This review is copyright Haley Mathiot and Night Owl Reviews. Do not copy without permission.
Original review here: http://haleymathiot.blogspot.com/2010/12/review-wildwing.html
Haley Mathiot (9 KP) rated 101 Family Meal-Time Devotions in Books
Apr 27, 2018
This book is such a great idea. The idea of spending meal-time talking about important things resonates with me, because that’s what my family did. They didn’t do it from a book, or from a list of questions. But I think on the days when our conversations didn’t happen organically, it would have been very useful to have this sort of book.
The stories are (I feel) mainly for younger children who are still feeling their way around in their personality and relationship with God, and still trying to apply basic truths like speaking with love, not getting frustrated, not being afraid to be friends with someone who is a little different.
There are some devotionals that kids read to adults, which I think awesome! Some of the most important moments for me as a kid (and even now) was when my parents were honest with me about their struggles. Some things I’ve heard from my parents that have impacted my life:
-“I wanted so badly to be mean to that person, and it was really hard not to.”
-“Your father frustrated me today but God told me to love him and respect him, and sometimes that means forgiving him even when he makes me upset.”
-“Your mother and I are very different people. But we don’t fight or argue. We love each other and that means sometimes we sit down and have to talk out our problems. Because it’s not about being right, it’s about keeping our relationship healthy and God-glorifying.”
-“Haley, I snapped at you this evening and that was wrong. Forgive me?”
And the thing about devotionals like this is, you don’t use them by themselves: they are a diving board you use to get to the good stuff. For instance, a devotional about wanting to snap at someone could remind you of a time you did snap at someone, and how you should have handled the situation, and then a story of a victory in a similar situation.
The text itself wasn’t edited very well, and I’m assuming it’s because I was reading an ARC. and even if those typos don’t get fixed, it won’t take away from the content.
I think this book is an awesome tool for young kids (ages 4-12) and their parents to get into the habit of having God-glorifying conversations that build each other up and prepare them for life, and empower them to make worshipful decisions.
The stories are (I feel) mainly for younger children who are still feeling their way around in their personality and relationship with God, and still trying to apply basic truths like speaking with love, not getting frustrated, not being afraid to be friends with someone who is a little different.
There are some devotionals that kids read to adults, which I think awesome! Some of the most important moments for me as a kid (and even now) was when my parents were honest with me about their struggles. Some things I’ve heard from my parents that have impacted my life:
-“I wanted so badly to be mean to that person, and it was really hard not to.”
-“Your father frustrated me today but God told me to love him and respect him, and sometimes that means forgiving him even when he makes me upset.”
-“Your mother and I are very different people. But we don’t fight or argue. We love each other and that means sometimes we sit down and have to talk out our problems. Because it’s not about being right, it’s about keeping our relationship healthy and God-glorifying.”
-“Haley, I snapped at you this evening and that was wrong. Forgive me?”
And the thing about devotionals like this is, you don’t use them by themselves: they are a diving board you use to get to the good stuff. For instance, a devotional about wanting to snap at someone could remind you of a time you did snap at someone, and how you should have handled the situation, and then a story of a victory in a similar situation.
The text itself wasn’t edited very well, and I’m assuming it’s because I was reading an ARC. and even if those typos don’t get fixed, it won’t take away from the content.
I think this book is an awesome tool for young kids (ages 4-12) and their parents to get into the habit of having God-glorifying conversations that build each other up and prepare them for life, and empower them to make worshipful decisions.
Whatchareadin (174 KP) rated As She Fades in Books
Apr 9, 2019
Vale McKinley and her boyfriend Crawford have been together since they were six years old. On the night of their high school graduation they are in a terrible car accident that leaves one of them in a coma. The other does their best to visit everyday, but college is just around the corner and they have to make the decision to either move on together or apart. Vale comes from a large family and their support is very important to her. People come in and out Vale and Crawford's lives as they try to deal with the circumstances they are under. The most notable is Slate Allan, a friend to Vale's brother, Knox, whose reputation is not the most desirable. He reads sports magazines and has a heart of gold. Will Vale and Crawford be able to move forward together or is their life better apart?
Thank you to NetGalley and Feiwel & Friends for the opportunity to read and review this book.
Let me say, this book held my attention from the very beginning. Vale is a very interesting character and you immediately want to be her friend and a part of her family. I read this book in 2 days. Wherever I went, I was reading it. There was a huge twist a little more than half way through the book, that made me yell and curse!!
This is a YA Romance book. The characters are all 21 or under and it made me feel a bit nostalgic. Took my back to my college days with roommates and friends all over campus. How much life changes when you get to college.
Vale and Crawford have a lot on their plates. The accident has changed them and made Vale, especially think about her life with and without Crawford. Everything has always been the way he wanted, even the college they both decided to go to was his idea. It's not too bad, though because her brother is there too.
Will this relationship last? Will the past 12 years of their life come to an end after this accident? Will they be able to push through and continue the relationship through college? Will Slate Allan be able to prove to the world what a great guy he is or will his reputation as a playboy be all that anyone will see?
This is the first book I have read by Abbi Glines, but it will not be my last. This book held and kept my attention from the very start until THE END!!
Thank you to NetGalley and Feiwel & Friends for the opportunity to read and review this book.
Let me say, this book held my attention from the very beginning. Vale is a very interesting character and you immediately want to be her friend and a part of her family. I read this book in 2 days. Wherever I went, I was reading it. There was a huge twist a little more than half way through the book, that made me yell and curse!!
This is a YA Romance book. The characters are all 21 or under and it made me feel a bit nostalgic. Took my back to my college days with roommates and friends all over campus. How much life changes when you get to college.
Vale and Crawford have a lot on their plates. The accident has changed them and made Vale, especially think about her life with and without Crawford. Everything has always been the way he wanted, even the college they both decided to go to was his idea. It's not too bad, though because her brother is there too.
Will this relationship last? Will the past 12 years of their life come to an end after this accident? Will they be able to push through and continue the relationship through college? Will Slate Allan be able to prove to the world what a great guy he is or will his reputation as a playboy be all that anyone will see?
This is the first book I have read by Abbi Glines, but it will not be my last. This book held and kept my attention from the very start until THE END!!
Kristy H (1252 KP) rated The Mother-in-Law in Books
May 21, 2019
Lucy was so excited to meet Diana, the mother of her boyfriend, Ollie. Lucy's mother died when she was a teen and she hoped for a good relationship with her hopeful mother-in-law. But Lucy and Diana don't get off to an easy start--Diana has a rigid set of views formed by her own life experiences. From simply co-existing to arguing about parenting to eventual fisticuffs, their relationship is volatile. Then, one night, Lucy and Ollie hear a knock on their door. The police arrive and tell them that Diana is dead in an apparent suicide. But as the investigation progresses, it looks as if there is more to the story. Everyone in the family has history with Diana; but did someone actually kill her?
"'Then I'm very sorry to inform you,' the policewoman starts, and I close my eyes because I already know what she is going to say. My mother-in-law is dead."
This was my first Sally Hepworth novel, and I have heard good things, so I was excited to read some of her work. I found it to be a fast read, with a set of engaging characters. The book alternates between Lucy and Diana's point of view, with much of the story being told in the past. I found the format to be very effective; it worked very well at drawing you into the story and keeping you guessing at what was going on. Many parts of the story were told twice, in some ways, as both women told their side of the story, yet it never felt repetitive.
The main characters in this one are Lucy and Diana, but we have strong appearances from Ollie, his sister Antoinette "Nettie, " and Tom, Diana's husband. I can see why people enjoy Hepworth's novels--I felt very much a part of the story, and I was certainly stumped along the way. Sometimes there was a little too much rumination about mother-in-laws and the meaning of families for my taste, but oh well. I was too eager to find out what had happened to Diana.
"More importantly, you don't choose your mother-in-law. The cackling mercenaries of fate determine it all."
Overall, I really enjoyed my first Hepworth book. It was a quick, engaging, and interesting read that kept my interest.
I received a copy of this novel from St. Martin's Press and Netgalley in return for an unbiased review (thank you!).
"'Then I'm very sorry to inform you,' the policewoman starts, and I close my eyes because I already know what she is going to say. My mother-in-law is dead."
This was my first Sally Hepworth novel, and I have heard good things, so I was excited to read some of her work. I found it to be a fast read, with a set of engaging characters. The book alternates between Lucy and Diana's point of view, with much of the story being told in the past. I found the format to be very effective; it worked very well at drawing you into the story and keeping you guessing at what was going on. Many parts of the story were told twice, in some ways, as both women told their side of the story, yet it never felt repetitive.
The main characters in this one are Lucy and Diana, but we have strong appearances from Ollie, his sister Antoinette "Nettie, " and Tom, Diana's husband. I can see why people enjoy Hepworth's novels--I felt very much a part of the story, and I was certainly stumped along the way. Sometimes there was a little too much rumination about mother-in-laws and the meaning of families for my taste, but oh well. I was too eager to find out what had happened to Diana.
"More importantly, you don't choose your mother-in-law. The cackling mercenaries of fate determine it all."
Overall, I really enjoyed my first Hepworth book. It was a quick, engaging, and interesting read that kept my interest.
I received a copy of this novel from St. Martin's Press and Netgalley in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated Defending Taylor in Books
Feb 13, 2018
Taylor has always grown up expecting the most of herself. After all, her father is a State Senator, and he and her mother have high expectations for their youngest daughter. At her private school, Taylor excels at school and is now captain of her soccer team. She has a close group of friends and a boyfriend, Ben. But all of that changes when Taylor makes a mistake--and gets kicked out of school. Now she's forced to start over at the local public school, which puts her dreams of Ivy League college in jeopardy. She joins the school's soccer team and tries to make things right with her family, but she can't deal with the secrets she's keeping, or the crushing disappointment of her entire family.
I can't help it: Kenneally's books are just enjoyable. This one leaves you in the dark in the beginning as to exactly what happened to Taylor--while frustrating, it builds suspense effectively and keeps you turning pages. Taylor's under so much pressure, but Kenneally easily captures the teen experience and the dramatic "life and death" sensation of being a teenager. Sometimes you roll your eyes at Taylor's actions, but you have to remember what it's like to be a teenager: you really do feel bad for the kid. Her parents put a crazy amount of pressure on Taylor, as do her perfect older twin siblings, and the book offers a good commentary about the burden and anxiety teens face these days regarding school and the college process. Plus, Taylor has the extra stress of her behavior being under the microscope of her father's senate campaign.
I was a little frustrated about how Taylor couldn't handle talking to her parents about her life, but could fall quickly and easily into a mature romantic relationship, but that seems to be par for the course for many YA novels these days. Besides, you can't help rooting for her relationship (and the cute guy). I enjoyed the message in this novel about taking a step back, finding yourself, and doing things your own way. I think it's a message that could benefit many teens. I also couldn't help but fall for Taylor, even if she was frustrating at times, and overall, I enjoyed this one. Kenneally has a way with words and writing teens--her books are worth the read.
I received a copy of this book from the publisher and Netgalley (thank you!); it is available everywhere as of 7/5.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
I can't help it: Kenneally's books are just enjoyable. This one leaves you in the dark in the beginning as to exactly what happened to Taylor--while frustrating, it builds suspense effectively and keeps you turning pages. Taylor's under so much pressure, but Kenneally easily captures the teen experience and the dramatic "life and death" sensation of being a teenager. Sometimes you roll your eyes at Taylor's actions, but you have to remember what it's like to be a teenager: you really do feel bad for the kid. Her parents put a crazy amount of pressure on Taylor, as do her perfect older twin siblings, and the book offers a good commentary about the burden and anxiety teens face these days regarding school and the college process. Plus, Taylor has the extra stress of her behavior being under the microscope of her father's senate campaign.
I was a little frustrated about how Taylor couldn't handle talking to her parents about her life, but could fall quickly and easily into a mature romantic relationship, but that seems to be par for the course for many YA novels these days. Besides, you can't help rooting for her relationship (and the cute guy). I enjoyed the message in this novel about taking a step back, finding yourself, and doing things your own way. I think it's a message that could benefit many teens. I also couldn't help but fall for Taylor, even if she was frustrating at times, and overall, I enjoyed this one. Kenneally has a way with words and writing teens--her books are worth the read.
I received a copy of this book from the publisher and Netgalley (thank you!); it is available everywhere as of 7/5.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;