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Kristy H (1252 KP) rated Girl Made of Stars in Books
Jun 5, 2018
Gorgeous, powerful, heartbreaking novel
Owen and his twin sister, Mara, have been close for their entire life--bonded by their twinhood, joint storytelling, and love of the stars--particularly their "own" constellation. But that all changes when Mara's good friend, Hannah, accuses Owen of rape. Suddenly Mara finds herself torn between her friendships and her family. Even worse, she has no one to talk to, after breaking up with her girlfriend/best friend, Charlie. Everything feels unknown and confusing. How will Mara navigate this new world--and what will she do about Owen and Hannah?
This novel. Oh my goodness. It will break your heart and yet leave you speechless with wonder. It's so beautiful. It started off with a quote from Virginia Woolf (The Waves), so I knew it was going to be good. And it certainly was.
The book is so achingly gorgeous and real, with its realistic look at high school. It portrays how both amazing and awful kids can be at this age. Mara is such a lovely character. The Owen/Hannah situation leaves her conflicted and forces her to face something terrible in her own past. By placing Mara in such a difficult situation, Herring Blake also does a good job of showing how hard it is being the female in this situation and how so few people believe the girl. It's such a timely commentary (albeit a sad one). It may not always be easy to read, as we see how hard things are for Hannah (and Mara), but it's so well-done.
I mean, really, this book is just heartbreaking at times. And yet I was riveted. These kids, with their big problems, so many of them living other people's dreams. It was so poignant, so true to so many of my own experiences. And the relationships here--well, wow. I mean, for one thing, we get a truly bisexual character in Mara, which is so refreshing. And then Charlie is genderqueer/nonbinary. It was so wonderful to have these characters in this novel, as a positive representation for teens--living real lives, with real problems, but in no way serving as the villain or maligned character. I was incredibly impressed. I wish this novel was on the shelf of every high school (well, on the shelves everywhere, honestly).
The girls in this book are in a group called Empower, which stands up for females--how they are portrayed, the double standards they face, and more. They are so strong, despite all the hurdles they face on a daily basis. Honestly, despite so much sadness in this novel, there is so much hope. So much strength. I adored Mara. She is wonderful -- such a strong, amazing, and lovely character. I found myself rooting for her as if she was my own kid.
I loved this one. I don't even remember how or why I stumbled across it and requested it, but I'm so glad I did. This is a beautiful, powerful book about the strength of human existence. The girls in this novel will make you cry, make you laugh, and make you both despair for and have faith in humanity. I will be tracking down the rest of Herring Blake's books for sure.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
This novel. Oh my goodness. It will break your heart and yet leave you speechless with wonder. It's so beautiful. It started off with a quote from Virginia Woolf (The Waves), so I knew it was going to be good. And it certainly was.
The book is so achingly gorgeous and real, with its realistic look at high school. It portrays how both amazing and awful kids can be at this age. Mara is such a lovely character. The Owen/Hannah situation leaves her conflicted and forces her to face something terrible in her own past. By placing Mara in such a difficult situation, Herring Blake also does a good job of showing how hard it is being the female in this situation and how so few people believe the girl. It's such a timely commentary (albeit a sad one). It may not always be easy to read, as we see how hard things are for Hannah (and Mara), but it's so well-done.
I mean, really, this book is just heartbreaking at times. And yet I was riveted. These kids, with their big problems, so many of them living other people's dreams. It was so poignant, so true to so many of my own experiences. And the relationships here--well, wow. I mean, for one thing, we get a truly bisexual character in Mara, which is so refreshing. And then Charlie is genderqueer/nonbinary. It was so wonderful to have these characters in this novel, as a positive representation for teens--living real lives, with real problems, but in no way serving as the villain or maligned character. I was incredibly impressed. I wish this novel was on the shelf of every high school (well, on the shelves everywhere, honestly).
The girls in this book are in a group called Empower, which stands up for females--how they are portrayed, the double standards they face, and more. They are so strong, despite all the hurdles they face on a daily basis. Honestly, despite so much sadness in this novel, there is so much hope. So much strength. I adored Mara. She is wonderful -- such a strong, amazing, and lovely character. I found myself rooting for her as if she was my own kid.
I loved this one. I don't even remember how or why I stumbled across it and requested it, but I'm so glad I did. This is a beautiful, powerful book about the strength of human existence. The girls in this novel will make you cry, make you laugh, and make you both despair for and have faith in humanity. I will be tracking down the rest of Herring Blake's books for sure.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
My rating 3.5
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
<i>I received this book for free through Goodreads First Reads.</i>
Written by the English Pen Award winner Laia Jufresa (and excellently translated by Sophie Hughes) <i>Umami</i> is a story of the troubled lives of a small community in Mexico as they go through various stages of grief. What this story reveals is that everyone deals with heartache in his or her own personal way, however the things they do can affect everyone around them.
Set in Belldrop Mews, Mexico City, five characters give an account of their own experiences over a five-year period, which when combined together produce an overview of life within the mews. Firstly there is Ana (2004), a preteen determined to plant her own garden in the depressing back yard of her family home. Despite her steps to do something positive, she and her family are still mourning the death of her little sister Luz who drowned a few years ago. The second perspective comes from Marina Mendoza (2003), a young adult artist suffering from an eating disorder whilst dealing with memories of her childhood.
Alfonso, the aging owner of the mews, begins his story in 2002 a couple of years after the death of his wife. Previously he was an anthropologist obsessed with the concept of <i>umami</i>, a Japanese word meaning <i>“a savory taste; one of the five basic tastes.”</i> He is an old soul that has fallen into depression, feeling, like Ana, a misfit. The final two narrators are young girls: Pina (2001) who is Ana’s best friend, and Luz (2000), Ana’s five year old sister shortly before she died. Both speak of loneliness as they look at the world through childishly naïve eyes. Pina is suffering the effects of her parents’ constant fighting, whereas Luz is crying out for attention from her family who will not let her join in the “big girl” activities.
<i>Umami</i> may not be a happy book but it has a very powerful voice. None of the characters have yet completely recovered from their experiences however they are all (barring Luz) making positive progress. Without knowing it, each member of the Belldrop Mews community is encouraging the rest as they drag themselves out from the depths of their despair – some by aspiring to be like another, and others listening to what their neighbours are telling them.
The message of this story is about the benefits of a community. Whether big or small, being within a group of people can prevent you from wallowing in your dark feelings and begin to continue with your life instead. This is something that the world at large would profit from.
The unconventional style of <i>Umami</i> may not be agreeable with some readers due to its lack of a clear beginning, middle and end. In fact it does not have a conclusion at all, leaving nothing fully resolved. Yet Jufresa did not intend it to end “happily ever after,” real life is not like that; but what is true is that with time and exposure to positive relationships things can get better.
The aspect preventing a higher rating is the occasional allusion to sexual content, especially from the mouths of girls too young to fully understand the concept. This was uncomfortable to read, however thankfully the majority of the novel was free of unpleasant imagery. <i>Umami</i> is down to earth, relatable and moving; Laia Jufresa is definitely an author to watch.
Carma (21 KP) rated The Christmas Sisters in Books
Jun 17, 2019
Once again I am transported straight into a family I want to seek out and join. Sarah Morgan has the uncanny ability to weave a story so real, so engaging that it leaves you wanting so much more when the storyline ends. I want to pack a bag, jump on a plane and head to the Highlands of Scotland to find this magnificent family and climb a mountain or 2.
Suzanne is the matriarch of the McBride family, 25 years ago her life changed, for the better, when she was blessed with 3 daughters. She was fulfilling a promise she made to their mother to care for them if anything happened to her or their dad. After that day on the mountain, 5 went up and only 1 came down, she knew what her new destiny would become. She is ecstatic that all 3 of her girls are coming home to Scotland for Christmas this year, it has to all be perfect.
Hannah doesnt want to remember, or talk about, anything that happened 25 years ago. She prides herself on being a hard worker, a good boss, firm but strict and doesnt have time for reminiscing or letting emotions get in the way. She knows this has strained her relationships with her sisters and adoptive parents Suzanne and Stewart. She just doesnt know any other way. Getting involved with a colleague was by far the wildest thing she has ever done. Now she may be pregnant with his baby and has no idea what to do. First step is getting herself on the plane to Scotland, after canceling last year can she do it?
Beth is a champion multi-tasking mom. She left the work force after her first daughter was born and now that her kids are older, she is ready to head back. She needs to feel important, smart, not just like someones mom. Her husband works hard to make sure they have what they need but what she needs is to have some help from him at home. When she receives an offer to rejoin her old boss she goes to Jason to discuss her reentering the work force. He wants her to have another baby instead. She grabs her stuff, changes her ticket and heads to Scotland leaving him to care for their daughters and to fend for himself.
Posy loves living in Scotland, though she hates that her village is so small that literally everyone knows her business. Enter handsome lodger renting part of their barn for months in the winter. Whats a girl to do but do a little flirting? When both her sisters arrive home early she knows something is up but cant get the real story from either of them. When their mother falls ill with the flu just before Christmas, Posy has to rally the troops to pull off the most perfect Christmas celebration yet.
But with a secret agenda, a demanding not quite boss, an arthritic pony, makeup malfunction, unexpected arrivals and locals that get the gossip all wrong, can anyone save this Christmas?
Once again a 5 star read from Ms Morgan, she grabs me at the first sentence and I just cant stop reading until I finish. I literally read while brushing my teeth for fear of missing something. I received an advance copy without expectation for review. This book is just another reason why Sarah Morgan is one of my go to authors. I absolutely cannot wait to see where her next adventure takes me.
Suzanne is the matriarch of the McBride family, 25 years ago her life changed, for the better, when she was blessed with 3 daughters. She was fulfilling a promise she made to their mother to care for them if anything happened to her or their dad. After that day on the mountain, 5 went up and only 1 came down, she knew what her new destiny would become. She is ecstatic that all 3 of her girls are coming home to Scotland for Christmas this year, it has to all be perfect.
Hannah doesnt want to remember, or talk about, anything that happened 25 years ago. She prides herself on being a hard worker, a good boss, firm but strict and doesnt have time for reminiscing or letting emotions get in the way. She knows this has strained her relationships with her sisters and adoptive parents Suzanne and Stewart. She just doesnt know any other way. Getting involved with a colleague was by far the wildest thing she has ever done. Now she may be pregnant with his baby and has no idea what to do. First step is getting herself on the plane to Scotland, after canceling last year can she do it?
Beth is a champion multi-tasking mom. She left the work force after her first daughter was born and now that her kids are older, she is ready to head back. She needs to feel important, smart, not just like someones mom. Her husband works hard to make sure they have what they need but what she needs is to have some help from him at home. When she receives an offer to rejoin her old boss she goes to Jason to discuss her reentering the work force. He wants her to have another baby instead. She grabs her stuff, changes her ticket and heads to Scotland leaving him to care for their daughters and to fend for himself.
Posy loves living in Scotland, though she hates that her village is so small that literally everyone knows her business. Enter handsome lodger renting part of their barn for months in the winter. Whats a girl to do but do a little flirting? When both her sisters arrive home early she knows something is up but cant get the real story from either of them. When their mother falls ill with the flu just before Christmas, Posy has to rally the troops to pull off the most perfect Christmas celebration yet.
But with a secret agenda, a demanding not quite boss, an arthritic pony, makeup malfunction, unexpected arrivals and locals that get the gossip all wrong, can anyone save this Christmas?
Once again a 5 star read from Ms Morgan, she grabs me at the first sentence and I just cant stop reading until I finish. I literally read while brushing my teeth for fear of missing something. I received an advance copy without expectation for review. This book is just another reason why Sarah Morgan is one of my go to authors. I absolutely cannot wait to see where her next adventure takes me.
Lucy Buglass (45 KP) rated Mad To Be Normal (2018) in Movies
Jun 20, 2019
Mental Health in the 60s
I’ll admit, whenever I see David Tennant’s name on a cast list I get excited. As a long time fan, I’ve watched him play a variety of roles brilliantly. So when I was given the opportunity to review Mad To Be Normal and I learned what the plot was, how could I refuse? Set in the 60s, the film follows Scottish psychiatrist R.D. Laing and his unconventional approach to mental health treatment, causing controversy within the psychiatry field.
Although I don’t know much about Laing, Tennant really shone in the central role and delivered a truly captivating character who was riddled with his own underlying issues. He’s a tricky one because sometimes you really sympathise and agree with him, but other times he’s so utterly frustrating. The film showed us many different sides to him, and created a well-rounded exploration of the man in question. He’s compassionate but also terribly naive, and that’s a dangerous combination indeed. Tennant is joined by Elisabeth Moss, Michael Gambon and Gabriel Byrne which is an excellent line up.
One of the best things about this film is the characters, because everyone does such an amazing job of portraying complex characters with equally as complex relationships. Moss plays student Angie who quickly becomes a love interest of Laing’s, and joins him in his work. Much like Laing, she is also well-rounded and has good traits and bad ones, the latter resulting in rather turbulent moments throughout the film.
I especially enjoyed the way mental health was portrayed by characters, as you could tell they were struggling and trying so hard to deal with their illnesses. It was dealt with respectfully and honestly, whilst still showing the risks of untreated mental health conditions. Gabriel Byrne in particular stands out in his portrayal of Jim, going from someone friendly and sentimental to someone violent and dangerous very quickly. It would have been good to learn more about each character and their individual backgrounds for context’s sake, replacing the unnecessary scenes with this. Nevertheless, the insight into mental health in this era was fascinating, particularly scenes involving the inhumane treatment known as electroshock therapy. It shows we have come a long way since then, but we still have a long way to go.
The stellar performances are accompanied with some great set design, which I imagine would provide some welcome nostalgia for those familiar with the era. I loved Laing’s quirky style both in his interior design, behaviour and clothing choices, making him stand out even more. He’s flamboyant in every sense of the word, but not always for the right reasons. For his time, Laing was clearly very open minded, caring and in favour of self-expression, further conflicting with the beliefs of wider society. Although open mindedness is a good thing, his goes too far which ultimately would lead to his eventual downfall.
Robert Mullan has done a great job bringing this important figure to life on screen, putting together a cast that perfectly delivered this story. Whilst I would have liked more context around both the patients and Laing himself, the film still delivered a powerful message in its 1 hour 45 minute run time. It’s definitely worth a watch.
https://lucygoestohollywood.com/2018/08/04/mental-health-in-the-60s-mad-to-be-normal-review/
Although I don’t know much about Laing, Tennant really shone in the central role and delivered a truly captivating character who was riddled with his own underlying issues. He’s a tricky one because sometimes you really sympathise and agree with him, but other times he’s so utterly frustrating. The film showed us many different sides to him, and created a well-rounded exploration of the man in question. He’s compassionate but also terribly naive, and that’s a dangerous combination indeed. Tennant is joined by Elisabeth Moss, Michael Gambon and Gabriel Byrne which is an excellent line up.
One of the best things about this film is the characters, because everyone does such an amazing job of portraying complex characters with equally as complex relationships. Moss plays student Angie who quickly becomes a love interest of Laing’s, and joins him in his work. Much like Laing, she is also well-rounded and has good traits and bad ones, the latter resulting in rather turbulent moments throughout the film.
I especially enjoyed the way mental health was portrayed by characters, as you could tell they were struggling and trying so hard to deal with their illnesses. It was dealt with respectfully and honestly, whilst still showing the risks of untreated mental health conditions. Gabriel Byrne in particular stands out in his portrayal of Jim, going from someone friendly and sentimental to someone violent and dangerous very quickly. It would have been good to learn more about each character and their individual backgrounds for context’s sake, replacing the unnecessary scenes with this. Nevertheless, the insight into mental health in this era was fascinating, particularly scenes involving the inhumane treatment known as electroshock therapy. It shows we have come a long way since then, but we still have a long way to go.
The stellar performances are accompanied with some great set design, which I imagine would provide some welcome nostalgia for those familiar with the era. I loved Laing’s quirky style both in his interior design, behaviour and clothing choices, making him stand out even more. He’s flamboyant in every sense of the word, but not always for the right reasons. For his time, Laing was clearly very open minded, caring and in favour of self-expression, further conflicting with the beliefs of wider society. Although open mindedness is a good thing, his goes too far which ultimately would lead to his eventual downfall.
Robert Mullan has done a great job bringing this important figure to life on screen, putting together a cast that perfectly delivered this story. Whilst I would have liked more context around both the patients and Laing himself, the film still delivered a powerful message in its 1 hour 45 minute run time. It’s definitely worth a watch.
https://lucygoestohollywood.com/2018/08/04/mental-health-in-the-60s-mad-to-be-normal-review/
Lucy Buglass (45 KP) rated Anchor & Hope (2018) in Movies
Jun 20, 2019
A heart-wrenching portrait of parenthood & sexuality
Deciding to have a baby is a big step in many couples’ lives, but sometimes, things don’t always go according to plan. Carlos Marques-Marcet’s Anchor and Hope follows two lesbian women who, one drunken night, decide to use their friend’s sperm in order to have a child of their own. It’s not a decision that should be taken lightly, but makes for an interesting story nonetheless. Insemination is a viable option that is often considered by those in same-sex relationships, or by those who struggle to conceive. This is the first film I’ve seen that deals with the subject so explicitly.
Throughout the course of the film, we focus heavily on the lives of Eva, Kat and Roger. The quality of acting was very good and believable, meaning it was easy for me to stay invested in their lives as events transpired. They all have very different personality traits that inevitably clash, and it’s not long before jealousy starts to rear its ugly head and tensions rise. Kat and Roger are close and both fluent in Spanish, meaning they’re able to communicate and Eva hasn’t got a clue what they’re saying. She starts feeling left out, which may or may not have driven her to think about the insemination. It’s left up to the audience to figure that one out. It’s clear Eva wants the baby more than Kat does, which is already a huge red flag.
The baby becomes a central part of the narrative, and the character’s lives. Anchor and Hope presents us with different viewpoints, all centred around this new life. It’s incredibly emotional to watch as we witness how three very different characters respond to it. I respected the fact the film doesn’t position itself as for or against any argument, it simply presents them to the audience as valid responses to what’s happening. Had the film gotten too preachy one way or the other, I think I may have found that frustrating. This is a film that leaves a lot up to the audience, and one that can spark interesting discussions.
Despite my interest in the topic and praise for the acting, I didn’t particularly like any of the characters. They’re all frustrating in their own ways and sometimes it felt a little too far-fetched and melodramatic. This weakened the film for me as I didn’t find myself rooting for anyone, and just wished they’d never made that decision in the first place. There’s no warmth for any of the characters, which was a let down. I also felt the story could have been shorter and snappier, as it felt too drawn out in places.
However, it is a very interesting look into insemination and sperm donors, and the script is strong and considered. It would be easy to cause controversy if not dealt with respectfully, but I felt like appropriate research had been done and they remained impartial throughout. The visuals are clean, well shot, and I liked the use of small, intimate locations to tell the story. Eva and Kat live on a houseboat, so that sense of minimalism is present throughout.
I was mostly entertained and enjoyed watching it, so I would recommend this film if it’s a topic that interests you. Overall, it’s an emotionally charged and well-written LGBT+ film and we definitely need more of those.
https://lucygoestohollywood.com/2018/11/08/anchor-and-hope-a-heart-wrenching-portrait-of-parenthood-sexuality/
Throughout the course of the film, we focus heavily on the lives of Eva, Kat and Roger. The quality of acting was very good and believable, meaning it was easy for me to stay invested in their lives as events transpired. They all have very different personality traits that inevitably clash, and it’s not long before jealousy starts to rear its ugly head and tensions rise. Kat and Roger are close and both fluent in Spanish, meaning they’re able to communicate and Eva hasn’t got a clue what they’re saying. She starts feeling left out, which may or may not have driven her to think about the insemination. It’s left up to the audience to figure that one out. It’s clear Eva wants the baby more than Kat does, which is already a huge red flag.
The baby becomes a central part of the narrative, and the character’s lives. Anchor and Hope presents us with different viewpoints, all centred around this new life. It’s incredibly emotional to watch as we witness how three very different characters respond to it. I respected the fact the film doesn’t position itself as for or against any argument, it simply presents them to the audience as valid responses to what’s happening. Had the film gotten too preachy one way or the other, I think I may have found that frustrating. This is a film that leaves a lot up to the audience, and one that can spark interesting discussions.
Despite my interest in the topic and praise for the acting, I didn’t particularly like any of the characters. They’re all frustrating in their own ways and sometimes it felt a little too far-fetched and melodramatic. This weakened the film for me as I didn’t find myself rooting for anyone, and just wished they’d never made that decision in the first place. There’s no warmth for any of the characters, which was a let down. I also felt the story could have been shorter and snappier, as it felt too drawn out in places.
However, it is a very interesting look into insemination and sperm donors, and the script is strong and considered. It would be easy to cause controversy if not dealt with respectfully, but I felt like appropriate research had been done and they remained impartial throughout. The visuals are clean, well shot, and I liked the use of small, intimate locations to tell the story. Eva and Kat live on a houseboat, so that sense of minimalism is present throughout.
I was mostly entertained and enjoyed watching it, so I would recommend this film if it’s a topic that interests you. Overall, it’s an emotionally charged and well-written LGBT+ film and we definitely need more of those.
https://lucygoestohollywood.com/2018/11/08/anchor-and-hope-a-heart-wrenching-portrait-of-parenthood-sexuality/
Darren (1599 KP) rated A History of Violence (2005) in Movies
Jun 20, 2019
Story: A History of Violence starts as we meet mild-mannered Tom Stall (Mortensen) working in his local diner with his own family, wide Edie (Bello) and child Jack (Holmes) and Sarah. One evening two men arrive in his diner trying to rob and kill the people inside, Tom’s quick thinking kills the criminals making him a local hero.
The act of heroism brings gangster Carl Fogarty (Harris) to town who claims Tom is from the criminal underworld hiding out with his older brother Richie (Hurt) waiting for him to return back to the criminal world.
Thoughts on A History of Violence
Characters – Tom Stall is a quiet man, running a diner having a loving family, he steps up to protect his customers and friends makes him a local hero. Now he has drawn a target on his chest with his past coming back to haunt him. Edie is the wife of Tom, she works in law bring home the bigger pay checks, she supports Tom, until she learns the truth and must decide where she stands with him. Carl Fogarty is the mysterious stranger that arrives in town claiming to know Tom from a previous life, he brings the danger back into Tom’s life with the past he wanted to run away from. Richie is the crime boss and brother to Tom, he has been searching for his brother for years and now sees the chance for the connection.
Performances – Viggo Mortensen is outstanding in this leading role we see how he keeps his character perfectly calm in everyday life and how the switch can make him a deadly killer, this is an ability that not everyone can achieve. Maria Bello is strong in her role as a woman unsure who her husband really is. Ed Harris and William Hurt in the supporting role are fantastic both take over the screen with their presence adding much needed tension to everything.
Story – The story here follows a mild-mannered man whose past comes back to haunt him after protect people he loves and cares about. This is almost like the story that follows up one of the gangster films where we see someone leave the life only to get drawn back years later against his will. The film like to use the idea of violence being the breaking point for relationships between husband & wife, father & son and two brothers which gets played out perfectly. There is an air of tension from start to finish in the film which leaves us only wanting to see where things would go next.
Thriller – The film uses the tension to keep us feeling uneasy through nearly each moment in the film never knowing what would happen next.
Settings – The film is set in a small town which Tom makes safe and happy, if would make sense for his character to be there too, it shows how media can expose anybody’s secret.
Scene of the Movie – The first crime rescue.
That Moment That Annoyed Me – The bullying side which isn’t the most important thing we see.
Final Thoughts – This is one of the best modern thrillers you will see, you have four stunning performances and shocks around each corner.
Overall: Stunning thriller
https://moviesreview101.com/2018/10/21/viggo-mortensen-weekend-a-history-of-violence-2005/
The act of heroism brings gangster Carl Fogarty (Harris) to town who claims Tom is from the criminal underworld hiding out with his older brother Richie (Hurt) waiting for him to return back to the criminal world.
Thoughts on A History of Violence
Characters – Tom Stall is a quiet man, running a diner having a loving family, he steps up to protect his customers and friends makes him a local hero. Now he has drawn a target on his chest with his past coming back to haunt him. Edie is the wife of Tom, she works in law bring home the bigger pay checks, she supports Tom, until she learns the truth and must decide where she stands with him. Carl Fogarty is the mysterious stranger that arrives in town claiming to know Tom from a previous life, he brings the danger back into Tom’s life with the past he wanted to run away from. Richie is the crime boss and brother to Tom, he has been searching for his brother for years and now sees the chance for the connection.
Performances – Viggo Mortensen is outstanding in this leading role we see how he keeps his character perfectly calm in everyday life and how the switch can make him a deadly killer, this is an ability that not everyone can achieve. Maria Bello is strong in her role as a woman unsure who her husband really is. Ed Harris and William Hurt in the supporting role are fantastic both take over the screen with their presence adding much needed tension to everything.
Story – The story here follows a mild-mannered man whose past comes back to haunt him after protect people he loves and cares about. This is almost like the story that follows up one of the gangster films where we see someone leave the life only to get drawn back years later against his will. The film like to use the idea of violence being the breaking point for relationships between husband & wife, father & son and two brothers which gets played out perfectly. There is an air of tension from start to finish in the film which leaves us only wanting to see where things would go next.
Thriller – The film uses the tension to keep us feeling uneasy through nearly each moment in the film never knowing what would happen next.
Settings – The film is set in a small town which Tom makes safe and happy, if would make sense for his character to be there too, it shows how media can expose anybody’s secret.
Scene of the Movie – The first crime rescue.
That Moment That Annoyed Me – The bullying side which isn’t the most important thing we see.
Final Thoughts – This is one of the best modern thrillers you will see, you have four stunning performances and shocks around each corner.
Overall: Stunning thriller
https://moviesreview101.com/2018/10/21/viggo-mortensen-weekend-a-history-of-violence-2005/
Hazel (1853 KP) rated Spilt Milk in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>Spilt Milk</i> is the second historical novel by Amanda Hodgkinson, award-winning British author of <i>22 Britannia Road</i>. Split into two parts it follows the lives of two sisters over several decades during the first half of the twentieth century. Set in Britain, this is a novel about relationships, family, secrets… and illegitimate pregnancies. Lots of illegitimate pregnancies.
The first part spans from 1913 until 1917 thus covering the First World War period. The second part picks up the storyline in 1939 and continues until the novel’s final pages set in 1965. So yet another world war is included, although it has little impact on the plot. The first chapter is almost like the calm before the storm. Everything appears peaceful and happy until everything spirals out of control. Vivian and Nellie Marsh (aged twenty three and twenty two) have been raised by their older sister Rose in a small farmhouse since the death of their parents when Nellie was a baby. We first meet Nellie rinsing chamber pots outside where she has a feeling that something is going to happen; something good, she hopes. Alas, it turns out it was a bad feeling after all as floodwaters rise and Rose dies. The only apparent good thing is the arrival of a hired farm hand, Joe Ferier. But no, that is also a bad occurrence that leaves one sister pregnant and the other temporarily homeless.
Over the years we see how the sisters deal with the way in which their lives have drastically changed up until Nellie has a child with her husbands brother. Luckily her husband is willing to pass the child off as his own, and so Nellie, unlike the other secret pregnancies in this story, actually gets to keep her love child.
At the start of part two, Nellie’s daughter Bertha (commonly known as Birdie) is eighteen years old and finds herself – can you guess? – pregnant after a one night stand. So that it can remain secret she goes to live with her Aunt Vivian until the baby is born and adopted. Vivian ends up housing many girls including a couple of minor characters who have got themselves in a similar way. I did say there were a lot of illegitimate pregnancies! It also comes to light that supposedly innocent, spinster Rose had not one but two babies during her teenage years.
The remainder of the novel shows us how the girls: Nellie, Vivian and Birdie; get on with their lives under the burden of their personal secrets and emotions. It is Birdie who struggles the most with the knowledge that her daughter is growing up without her but to talk to anyone about it would have deep consequences.
The size of the time period means that the reader can become attached to certain key characters and feel their pain as they struggle with their emotional afflictions, however each scene passes quickly as time goes on which means we do not really get to appreciate the minor characters.
Overall it is a good, reasonably quick read which many women would enjoy, particularly those who appreciate historical fiction and may have sisters of their own and therefore understand what the power of keeping secrets can result in.
<i>Spilt Milk</i> is the second historical novel by Amanda Hodgkinson, award-winning British author of <i>22 Britannia Road</i>. Split into two parts it follows the lives of two sisters over several decades during the first half of the twentieth century. Set in Britain, this is a novel about relationships, family, secrets… and illegitimate pregnancies. Lots of illegitimate pregnancies.
The first part spans from 1913 until 1917 thus covering the First World War period. The second part picks up the storyline in 1939 and continues until the novel’s final pages set in 1965. So yet another world war is included, although it has little impact on the plot. The first chapter is almost like the calm before the storm. Everything appears peaceful and happy until everything spirals out of control. Vivian and Nellie Marsh (aged twenty three and twenty two) have been raised by their older sister Rose in a small farmhouse since the death of their parents when Nellie was a baby. We first meet Nellie rinsing chamber pots outside where she has a feeling that something is going to happen; something good, she hopes. Alas, it turns out it was a bad feeling after all as floodwaters rise and Rose dies. The only apparent good thing is the arrival of a hired farm hand, Joe Ferier. But no, that is also a bad occurrence that leaves one sister pregnant and the other temporarily homeless.
Over the years we see how the sisters deal with the way in which their lives have drastically changed up until Nellie has a child with her husbands brother. Luckily her husband is willing to pass the child off as his own, and so Nellie, unlike the other secret pregnancies in this story, actually gets to keep her love child.
At the start of part two, Nellie’s daughter Bertha (commonly known as Birdie) is eighteen years old and finds herself – can you guess? – pregnant after a one night stand. So that it can remain secret she goes to live with her Aunt Vivian until the baby is born and adopted. Vivian ends up housing many girls including a couple of minor characters who have got themselves in a similar way. I did say there were a lot of illegitimate pregnancies! It also comes to light that supposedly innocent, spinster Rose had not one but two babies during her teenage years.
The remainder of the novel shows us how the girls: Nellie, Vivian and Birdie; get on with their lives under the burden of their personal secrets and emotions. It is Birdie who struggles the most with the knowledge that her daughter is growing up without her but to talk to anyone about it would have deep consequences.
The size of the time period means that the reader can become attached to certain key characters and feel their pain as they struggle with their emotional afflictions, however each scene passes quickly as time goes on which means we do not really get to appreciate the minor characters.
Overall it is a good, reasonably quick read which many women would enjoy, particularly those who appreciate historical fiction and may have sisters of their own and therefore understand what the power of keeping secrets can result in.
Phillip McSween (751 KP) rated Rocky Balboa (2006) in Movies
Jan 28, 2019
Surprisingly Good
I think I’ve stayed away from this movie for so long because I expected it to be garbage. I mean, let’s be adult about this, Rocky V was no picnic. I was done with Rocky. Until I saw the trailer for Creed. It was at that moment that I decided to give things another go. Yes, the boxer we all know and love Rocky (Sylvester Stallone) is back at it in Rocky Balboa facing off against his first (and hopefully last) opponent since Drago.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Gareth von Kallenbach (977 KP) rated Adventureland (2009) in Movies
Aug 14, 2019
The summer of 1987 holds some special memories for me as that was the year that I graduated from high school and set about my college studies. In the summer before the start of classes, I had to learn to manage finances, become independent as much as I could and that relationships in the real world are much different than they were in school.
As nice as it would have been to spend that entire summer enjoying the sun and activities and enjoying the abundance of movies, music, and video games, the demands of work and school had to be factored in as I strove to find a balance.
In the new movie “Adventureland” Writer/Director Greg Mottola has given the audience a winning mix of romance and humor that was inspired by his adventures in a Long Island amusement park in 1987.
When recent college graduate James (Jesse Eisenberg), learns that his plans to spend his summer in Europe have fallen through, he is forced to look for work in order to help fund his pending year of graduate studies thanks to his father’s recent demotion.
Despite his degree, James is unable to find work due to his lack of experience and soon finds himself resorting to working as a games operator in the local theme park Adventureland in the Pittsburgh suburbs.
As demeaning as James finds his job, he does strike up friendships with many of his co-workers including an attractive girl named Em (Kristen Stewart) and the older ride mechanic named Mike (Ryan Reynolds).
James is popular at work for his easygoing manner and the fact that he has pot to share makes him go over well with his co-workers who look for an escape from the drudgery of their jobs and the array of park goers who help make their lives difficult.
As the summer unfolds, Em and James become closer which is further complicated by the issues in the lives which stem largely from unhappy home lives and uncertainty over their futures. When other factors come into play, love triangles form which causes James to step out from his comfort zone and take stock of his life, his future, and what truly is important to him.
“Adventureland” is not a comedy nor is it a romance, but rather it is a nostalgic look back at a summer long ago, and how the events that unfolded helped shaped the lives of one man and his friends. There are some funny moments in the film but they are secondary to the stories of growth, pain, and development that mark the final steps from youth into adulthood.
Stewart and Eisenberg have a good chemistry with one another and they portray James and Em with an earnest and honest frailty that makes them come across as real people. They are not the glamorous kids that are so often featured in films with front line wardrobe, plenty of cash, and few if any concerns. They are real people who have issues that they deal with and insecurities about themselves and their futures, and are slow to let their guards down.
The look and sounds of the era are dead on and include an abundance of late 80’s tunes, so much so that a character takes the time to joke about one song being played numerous times a day.
While some may want a bit more closure or humor in the film, it is an enjoyable look at a era gone by and is filled with many moments that viewers of any age will relate to.
As nice as it would have been to spend that entire summer enjoying the sun and activities and enjoying the abundance of movies, music, and video games, the demands of work and school had to be factored in as I strove to find a balance.
In the new movie “Adventureland” Writer/Director Greg Mottola has given the audience a winning mix of romance and humor that was inspired by his adventures in a Long Island amusement park in 1987.
When recent college graduate James (Jesse Eisenberg), learns that his plans to spend his summer in Europe have fallen through, he is forced to look for work in order to help fund his pending year of graduate studies thanks to his father’s recent demotion.
Despite his degree, James is unable to find work due to his lack of experience and soon finds himself resorting to working as a games operator in the local theme park Adventureland in the Pittsburgh suburbs.
As demeaning as James finds his job, he does strike up friendships with many of his co-workers including an attractive girl named Em (Kristen Stewart) and the older ride mechanic named Mike (Ryan Reynolds).
James is popular at work for his easygoing manner and the fact that he has pot to share makes him go over well with his co-workers who look for an escape from the drudgery of their jobs and the array of park goers who help make their lives difficult.
As the summer unfolds, Em and James become closer which is further complicated by the issues in the lives which stem largely from unhappy home lives and uncertainty over their futures. When other factors come into play, love triangles form which causes James to step out from his comfort zone and take stock of his life, his future, and what truly is important to him.
“Adventureland” is not a comedy nor is it a romance, but rather it is a nostalgic look back at a summer long ago, and how the events that unfolded helped shaped the lives of one man and his friends. There are some funny moments in the film but they are secondary to the stories of growth, pain, and development that mark the final steps from youth into adulthood.
Stewart and Eisenberg have a good chemistry with one another and they portray James and Em with an earnest and honest frailty that makes them come across as real people. They are not the glamorous kids that are so often featured in films with front line wardrobe, plenty of cash, and few if any concerns. They are real people who have issues that they deal with and insecurities about themselves and their futures, and are slow to let their guards down.
The look and sounds of the era are dead on and include an abundance of late 80’s tunes, so much so that a character takes the time to joke about one song being played numerous times a day.
While some may want a bit more closure or humor in the film, it is an enjoyable look at a era gone by and is filled with many moments that viewers of any age will relate to.
Emma @ The Movies (1786 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I can guarantee that Everybody Knows was woefully under scheduled in cinemas across the country. I luckily got to see this while I was travelling for work, there's the occasional handy perk!
A certain amount of people find foreign language films a little daunting (I may have said this when I watched the Kobiety Mafii series, if I did, apologies). Everybody Knows certainly has its issues, mainly there are a lot of characters and when you couple this with the subtitles you miss a certain amount of introductions because they're so quick.
Initially the film doesn't really flow well and I was concerned that this might be consistent through the rest, however once we get into it thankfully that changes.
Spanish farmland always seems to offer the opportunity for fantastic scenic shots and they definitely took advantage of this in the early sequences. The drone shots at the wedding were particularly stunning to see from that vantage point.
Laura is an interesting character, she's got complicated relationships all over the place, her husband, Paco and then tensions rise within the family as we progress. Penélope Cruz is incredible in this role, she adapts to every situation as it arises and brings Laura to life with an emotional performance throughout. There's a stark change in her from before to after the wedding, everything adapts to support this, acting, wardrobe, make-up. In a movie full of good things this is probably the best.
Paco, played by Javier Bardem, is a great match for Laura. He's strong, loyal and he has a very clear sense of right and wrong. The connection between the two characters is incredible, which I'm sure is due in part to the fact that they're married in real life. Paco's journey is fraught, there's confusion and frustration through a lot of it. I can' say I was overly happy with how his story ended, but then I guess not everything ends the way you want it to.
I liked the idea behind the main story, it wasn't over complicated which allowed us to connect with the characters more. I was surprised when I came out that the film had been quite so long, at no point did it feel its length, it was incredibly well paced.
Suspicions were formed fairly early on (by me) about the twist. The film presents you with a few options, I'm glad that I didn't guess correctly.
Collectively this film is wonderful, Cruz had me crying like a baby, there were surprising moments of suspense and it had a laid back Spanish attitude to it, nothing was rushed but it still manages to keep you jogging along at a quick pace.
Apart from that initial issue with the flow there is little to quibble about. It's a very enjoyable (I'm not sure that enjoyable is the right word) film. I'm not sure that I could watch it again and get the same fire out of it that I did the first time now that I know what happens.
What you should do
You should absolutely try this one, good story and good acting come together for a tear-filled journey. Cruz will make you feel so many things.
Movie thing you wish you could take home
A vineyard, summer sun, wine made by my own fair hands... *sigh*
A certain amount of people find foreign language films a little daunting (I may have said this when I watched the Kobiety Mafii series, if I did, apologies). Everybody Knows certainly has its issues, mainly there are a lot of characters and when you couple this with the subtitles you miss a certain amount of introductions because they're so quick.
Initially the film doesn't really flow well and I was concerned that this might be consistent through the rest, however once we get into it thankfully that changes.
Spanish farmland always seems to offer the opportunity for fantastic scenic shots and they definitely took advantage of this in the early sequences. The drone shots at the wedding were particularly stunning to see from that vantage point.
Laura is an interesting character, she's got complicated relationships all over the place, her husband, Paco and then tensions rise within the family as we progress. Penélope Cruz is incredible in this role, she adapts to every situation as it arises and brings Laura to life with an emotional performance throughout. There's a stark change in her from before to after the wedding, everything adapts to support this, acting, wardrobe, make-up. In a movie full of good things this is probably the best.
Paco, played by Javier Bardem, is a great match for Laura. He's strong, loyal and he has a very clear sense of right and wrong. The connection between the two characters is incredible, which I'm sure is due in part to the fact that they're married in real life. Paco's journey is fraught, there's confusion and frustration through a lot of it. I can' say I was overly happy with how his story ended, but then I guess not everything ends the way you want it to.
I liked the idea behind the main story, it wasn't over complicated which allowed us to connect with the characters more. I was surprised when I came out that the film had been quite so long, at no point did it feel its length, it was incredibly well paced.
Suspicions were formed fairly early on (by me) about the twist. The film presents you with a few options, I'm glad that I didn't guess correctly.
Collectively this film is wonderful, Cruz had me crying like a baby, there were surprising moments of suspense and it had a laid back Spanish attitude to it, nothing was rushed but it still manages to keep you jogging along at a quick pace.
Apart from that initial issue with the flow there is little to quibble about. It's a very enjoyable (I'm not sure that enjoyable is the right word) film. I'm not sure that I could watch it again and get the same fire out of it that I did the first time now that I know what happens.
What you should do
You should absolutely try this one, good story and good acting come together for a tear-filled journey. Cruz will make you feel so many things.
Movie thing you wish you could take home
A vineyard, summer sun, wine made by my own fair hands... *sigh*