"That’s probably my favorite film right now. Drinking Buddies was very inspired by this movie. I just love how it managed to be a real successful mainstream Hollywood comedy but it’s really complicated. The characters in this film are married, they have children, they’re still talking about open sexual relationships, and doing drugs, it just… it feels real to me, is how it feels. I’m very impressed by it, not only for its sense of humor which I think is spot on, but also for its sort of willingness to dip into dramatic elements and to have central characters who are not necessarily likeable all the time, who are, you know, sort of confused and behaving in very human realistic ways."

"This has to be up there. There are parts of this movie that I think are perfect — like when [Andrew Lincoln] is flipping the cards for Keira Knightley. I just died. I think I was in love with Keira too; when I would see her, I could get that heartbreak he felt. For some reason, there’s so many aspects of love in that movie — it all resonates with you one way or another, and there’s such humor and different stories, young and old. There’s all kinds of relationships — it’s family and taking care of them even if you have to sacrifice your own romantic love. I always watch it and am always overwhelmed with how good it is. It’s amazing."

"“​What I’ve really got to learn is to accept the mediocrity and the lies that surround me. The poor political responsibility of those around me​.” Valie Export is one of my favourite artists and celebrated her 80th birthday quite recently. The film follows an investigative female journalist trying to bring justice to the corrupt world she finds herself in through two oscillating relationships. The heroine is in pursuit for nothing but the truth. Video control and surveillance in striptease places, subway stations and street traffic are important for the structure of the film. At large, the experimental plot interrogates the body, identity, and dynamics of power, it questions the overwhelming social gazes placed on women. One day I would like to remake the film."

"Eric Rohmer may be underrated as a director. His films are rightly known for their endless talking, and for their intricate, ambiguity-filled exploration of contemporary romance and relationships. Yet he is also a precise and inventive director. His deceptively straightforward films are rich and cinematic: every cut, every decision to shoot in long shot or shot–reverse shot, and every object, costume, and piece of furniture reveals something about the emotional and intellectual subtext. Filmed in lush, crisp black and white, during a snowy Parisian winter, by the great Nestor Almendros, this is the most beautiful of Rohmer’s films. And the good news is that in order to obtain this film, you’ll have to get the astonishing box set Six Moral Tales."