Search
Search results
Gareth von Kallenbach (971 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jun 19, 2019
The eagerly anticipated next chapter in the Star Wars saga; “Star Wars: The Last Jedi” has arrived and it is by far one of the best films in the series and a significant upgrade over “Star Wars: The Force Awakens”. The film picks up where the last film concluded as Rey (Daisy Ridley), has located the long in hiding Luke Skywalker (Mark Hamill), and attempts to recruit him to return to fight the evil First Order and train her in the ways of the Force.
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
Lucy Buglass (45 KP) rated Bohemian Rhapsody (2018) in Movies
Jun 20, 2019
An honest, captivating and respectful biopic
Biopics are not easy to perfect and when you’re dealing with an iconic figure such as Freddie Mercury, it becomes even harder. When this film was announced it seemed natural to feel a little bit of apprehension, because could anyone really portray Freddie? Who could bring him to life on screen before thousands of fans? Thankfully, for me at least, my worries were soon quenched as soon as I began to watch it. I thought was a stunning film and I have no problem admitting that brought tears to my eyes on several occasions.
Rami Malek was an excellent choice to portray Freddie, to the point where I found myself believing I was watching the man himself. His stage presence especially was spot on and the live performances were simply stunning to watch, especially with surround sound. I felt transported, part of the crowd, and it was such a special moment to share with the rest of the cinema. We become part of different times and places in a matter of minutes, giving you an idea of just how globally successful and adored Queen were. Despite the film’s main focus being Freddie, the supporting roles of the rest of the band were fantastic too, and I have so much praise for Gwilym Lee, Ben Hardy and Joseph Mazzello for their performances.
Freddie dealt with a lot of discrimination during his career, particularly due to his race, sexuality and flamboyant personality. The film chose to portray these issues honestly, because pretending they didn’t exist would be an insult. When Freddie first starts performing with the rest of Queen, he’s greeted with questions such as “Who’s the P***?”, which for a modern audience is a terrible racial slur that I don’t even feel comfortable writing here. But for a Indian-British Parsi musician performing to a largely white audience in the ’70s, this word would have been used a lot. I feel it was important for the filmmakers to shed light on this as it provides context into Freddie’s upbringing and life that some may not have known about, including his real name: Farrokh Bulsara.
In terms of his sexuality, the film uses the role of the press to exploit and make a big deal about his personal relationships. The press conference scene was particularly uncomfortable as he’s bombarded with inappropriate questions instead of focusing on Queen and their music. He was constantly criticised in papers and magazines for simply being himself, and that’s a heartbreaking truth that Bohemian Rhapsody really hammers home. His long-term relationship with Mary Austin is also focused on throughout, and how that broke down but they still remained in touch. It’s a complex part of his life that the film does well to explore in just over 2 hours.
It’s not all bleak, and although these dark truths are explored, the film is fundamentally a celebration of Freddie’s life and extraordinary talent. Several Queen songs are present throughout the film and we even see the writing process behind some of them, my favourite being the creation of We Will Rock You in which they wanted the audience to play along with them through stomps and claps. The birth of Bohemian Rhapsody is comical in nature and received a lot of backlash at the time, but as we know, has since gone on to become an iconic song we all know the lyrics to.
Even in Freddie’s final days, after he was diagnosed with AIDS, the film encourages us to celebrate their music and make the most of the time Freddie has left, which is exactly what he himself wanted to do. I can’t think of a more respectful and considerate way to show it than that.
I could probably write an entire essay about just how much I thought Bohemian Rhapsody got right, but hopefully I’ve managed to condense my thoughts somewhat. This is a film you simply must experience for yourself, at least once.
https://lucygoestohollywood.com/2018/11/14/bohemian-rhapsody-an-honest-captivating-and-respectful-biopic/
Rami Malek was an excellent choice to portray Freddie, to the point where I found myself believing I was watching the man himself. His stage presence especially was spot on and the live performances were simply stunning to watch, especially with surround sound. I felt transported, part of the crowd, and it was such a special moment to share with the rest of the cinema. We become part of different times and places in a matter of minutes, giving you an idea of just how globally successful and adored Queen were. Despite the film’s main focus being Freddie, the supporting roles of the rest of the band were fantastic too, and I have so much praise for Gwilym Lee, Ben Hardy and Joseph Mazzello for their performances.
Freddie dealt with a lot of discrimination during his career, particularly due to his race, sexuality and flamboyant personality. The film chose to portray these issues honestly, because pretending they didn’t exist would be an insult. When Freddie first starts performing with the rest of Queen, he’s greeted with questions such as “Who’s the P***?”, which for a modern audience is a terrible racial slur that I don’t even feel comfortable writing here. But for a Indian-British Parsi musician performing to a largely white audience in the ’70s, this word would have been used a lot. I feel it was important for the filmmakers to shed light on this as it provides context into Freddie’s upbringing and life that some may not have known about, including his real name: Farrokh Bulsara.
In terms of his sexuality, the film uses the role of the press to exploit and make a big deal about his personal relationships. The press conference scene was particularly uncomfortable as he’s bombarded with inappropriate questions instead of focusing on Queen and their music. He was constantly criticised in papers and magazines for simply being himself, and that’s a heartbreaking truth that Bohemian Rhapsody really hammers home. His long-term relationship with Mary Austin is also focused on throughout, and how that broke down but they still remained in touch. It’s a complex part of his life that the film does well to explore in just over 2 hours.
It’s not all bleak, and although these dark truths are explored, the film is fundamentally a celebration of Freddie’s life and extraordinary talent. Several Queen songs are present throughout the film and we even see the writing process behind some of them, my favourite being the creation of We Will Rock You in which they wanted the audience to play along with them through stomps and claps. The birth of Bohemian Rhapsody is comical in nature and received a lot of backlash at the time, but as we know, has since gone on to become an iconic song we all know the lyrics to.
Even in Freddie’s final days, after he was diagnosed with AIDS, the film encourages us to celebrate their music and make the most of the time Freddie has left, which is exactly what he himself wanted to do. I can’t think of a more respectful and considerate way to show it than that.
I could probably write an entire essay about just how much I thought Bohemian Rhapsody got right, but hopefully I’ve managed to condense my thoughts somewhat. This is a film you simply must experience for yourself, at least once.
https://lucygoestohollywood.com/2018/11/14/bohemian-rhapsody-an-honest-captivating-and-respectful-biopic/
Darren (1599 KP) rated 40 Days and 40 Nights (2002) in Movies
Jun 20, 2019
Story: 40 Days and 40 Nights starts as we meet Matt (Hartnett) who has been struggling with his break up from Nicole (Shaw), this has led Matt to a string of one night stands that lead to him having visions of a black hole. Matt’s brother John (Tree) is in training to become a priest where Matt learns about lent and vows to give up all sexual activity for 40 days and 40 nights.
When his roommate Ryan (Costanzo) decides to spread the news about the vow a betting pool opens up and to make Matt’s life more difficult when he finally meets the perfect woman Erica (Sossamon). Matt has to learn to balance his vow while starting a new relationship where sex is out of the question.
40 Days and 40 Nights is a film I did enjoy watching even if I can see big flaws in the story, this mostly comes from the idea that it is written that every guy is obsessed with sex and couldn’t possible go 40 days without having it. The problems comes where everyone is against Matt rather than having even just one person supporting him through his self-improvement idea. I do however feel the story works for what it is trying to be even if it comes off unbelievable throughout.
Actor Review
Josh Hartnett: Matt Sullivan is a struggling man who can’t get over his ex-girlfriend Nicole. Running through a string of one night stands he wakes from these with a vision of the world coming to an end. Coming up with the idea to give up sexual activity for lent his life becomes a game for people around the world who has bet on when it will end and the perfect woman come into his life his whole life becomes difficult. Josh shows with this performance he can handle comedy.
Shannyn Sossamon: Erica has been struggling to find the right guy and her job doesn’t help. She meets Matt and see him as a different guy to the normal ones she meets but doesn’t fully understand the vow. Shannyn is good in this role being a strong leading lady.
Paulo Costanzo: Ryan is Matt’s roommate who is always looking to go out and meet girls for sex. He keeps watch over Matt after telling everyone about the vow. Paulo is solid as this supporting friend even if this generic.
Adam Tree: John Sullivan is the priest in training brother of Matt’s who doesn’t believe he can achieve his vow because he knows how difficult it is to go through. Adam is solid but in the end is just another supporting character.
Support Cast: 40 Days and 40 Nights has a supporting cast which includes plenty of different characters that are trying to make Matt break his vow with not a single person actually supporting him.
Director Review: Michael Lehmann – Michael gives us a fun comedy even if it is very one sided with the reactions and mind set people are meant to be in.
Comedy: 40 Days and 40 Nights has moments of comedy which mostly surround people trying to make Matt break the vow.
Romance: 40 Days and 40 Nights does try to tackle relationships by trying to make it more about how sex isn’t the most important part of the relationship.
Settings: 40 Days and 40 Nights keeps the settings around San Francisco which is always a great visual location for a film.
Suggestion: 40 Days and 40 Nights is one to try it does have good moments of good comedy but it also has a story which seems to be very much sex is all people think about. (Try It)
Best Part: Hartnett works for comedy.
Worst Part: Not everyone is sex obsessed.
Romantic Moment: No contact date.
Believability: The way things go I would say no.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $17 Million
Runtime: 1 Hour 36 Minutes
Tagline: It’s Easy to Say But Harder To Do!
Overall: Simple comedy that does work well for what it is trying to achieve.
https://moviesreview101.com/2017/07/25/40-days-and-40-nights-2002/
When his roommate Ryan (Costanzo) decides to spread the news about the vow a betting pool opens up and to make Matt’s life more difficult when he finally meets the perfect woman Erica (Sossamon). Matt has to learn to balance his vow while starting a new relationship where sex is out of the question.
40 Days and 40 Nights is a film I did enjoy watching even if I can see big flaws in the story, this mostly comes from the idea that it is written that every guy is obsessed with sex and couldn’t possible go 40 days without having it. The problems comes where everyone is against Matt rather than having even just one person supporting him through his self-improvement idea. I do however feel the story works for what it is trying to be even if it comes off unbelievable throughout.
Actor Review
Josh Hartnett: Matt Sullivan is a struggling man who can’t get over his ex-girlfriend Nicole. Running through a string of one night stands he wakes from these with a vision of the world coming to an end. Coming up with the idea to give up sexual activity for lent his life becomes a game for people around the world who has bet on when it will end and the perfect woman come into his life his whole life becomes difficult. Josh shows with this performance he can handle comedy.
Shannyn Sossamon: Erica has been struggling to find the right guy and her job doesn’t help. She meets Matt and see him as a different guy to the normal ones she meets but doesn’t fully understand the vow. Shannyn is good in this role being a strong leading lady.
Paulo Costanzo: Ryan is Matt’s roommate who is always looking to go out and meet girls for sex. He keeps watch over Matt after telling everyone about the vow. Paulo is solid as this supporting friend even if this generic.
Adam Tree: John Sullivan is the priest in training brother of Matt’s who doesn’t believe he can achieve his vow because he knows how difficult it is to go through. Adam is solid but in the end is just another supporting character.
Support Cast: 40 Days and 40 Nights has a supporting cast which includes plenty of different characters that are trying to make Matt break his vow with not a single person actually supporting him.
Director Review: Michael Lehmann – Michael gives us a fun comedy even if it is very one sided with the reactions and mind set people are meant to be in.
Comedy: 40 Days and 40 Nights has moments of comedy which mostly surround people trying to make Matt break the vow.
Romance: 40 Days and 40 Nights does try to tackle relationships by trying to make it more about how sex isn’t the most important part of the relationship.
Settings: 40 Days and 40 Nights keeps the settings around San Francisco which is always a great visual location for a film.
Suggestion: 40 Days and 40 Nights is one to try it does have good moments of good comedy but it also has a story which seems to be very much sex is all people think about. (Try It)
Best Part: Hartnett works for comedy.
Worst Part: Not everyone is sex obsessed.
Romantic Moment: No contact date.
Believability: The way things go I would say no.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $17 Million
Runtime: 1 Hour 36 Minutes
Tagline: It’s Easy to Say But Harder To Do!
Overall: Simple comedy that does work well for what it is trying to achieve.
https://moviesreview101.com/2017/07/25/40-days-and-40-nights-2002/
Darren (1599 KP) rated The Amazing Spider-Man 2 (2014) in Movies
Jun 20, 2019
Story: This follows up from the first one so we have to remember unlike the Avengers and Dark Knight we are dealing with a teenage superhero. He has different problems like whether he wants a girlfriend or whether to go to college, you know the serious stuff. We have him putting out all the cheesy lines against the person he fights not taking anything seriously. While Peter is trying to figure out what his life holds next, the people against him start their own stories. We have the generic loner scientist who ends up having an accident, gaining powers and using them for evil, been there seen that in every Spider-man film. We also have the Harry Osborn who wants Spider-Man’s blood to cure his sickness and when he can’t have it he goes on a rampage against Spider-Man. It would be fair this is a slow moving film and it really is building up for the next chapter. (7/10)
Actor Review
Andrew Garfield: Spider-Man/Peter Parker while trying to figure out what to do with his life he carries on fighting crime, he has to decide whether to keep with his girlfriend when her father’s dying wish was to leave her so she couldn’t get caught up in trouble. He does ends up having to face the biggest battle of his life after his battles with Electro and Green Goblin. Good performance in a character that develops as the film unfolds. (8/10)
spide
Emma Stone: Gwen Stacy ambitious girlfriend of Peter, who wants to excel in her studies and gets that chance to but with Peter in her life she will always be in danger. Good supporting performance, but I always find relationships for superheroes only get in the way and annoy. (7/10)
emma
Jamie Foxx: Electro lonely scientist who has helped the city design a better power source. He feels like everyone is against him but when Spider-Man saves him he gets a boost of confidence. Just when things look good for Max he ends up having an accident at work and turning into Electro, who starts off just wanting help but when he feels betrayed by Spider-Man he wants to take out the web-slinger and the city. Good performance playing a very difficult character that really looks the part. (8/10)
eletrco
Dane DeHaan: Green Goblin/Harry Osborn an old friend of Peter who wants him to find Spider-Man so he can use his blood to cure his terminal illness. After both Peter and Spider-Man refuse for safety reason he finds out his company secretly has some stored away and he uses it and becomes the Green Goblin out to stop Spider-Man. Good performance from the always solid Dane. (8/10)
harry
Director Review: Marc Webb – Great direction creating a story that really is building to something bigger, creating some very memorable fight scenes and a villain in Electro like nothing we have seen before. (8/10)
Action: When the action happens it is all very good, with some great camera spinning shots of Spider-Man in battle. (8/10)
Superhero: A solid entry in the superhero genre. (8/10)
Settings: New York makes a great setting because without all the building Spider-Man couldn’t swing as much. (9/10)
Special Effects: Great special effects used throughout the film. (10/10)
Suggestion: This must be watch by all the superhero fans out there, it is creating a big picture without having to use separate films to add to one of franchise. (Superhero Fans Watch)
Best Part: Spider-Man battles Electro round two.
Worst Part: It does start slow, nearly an hour before we meet Electro.
Action Scene Of The Film: The final battles
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one planned
Post Credits Scene: No
Oscar Chances: No
Box Office: $708 Million
Budget: $200 Million
Runtime: 2 Hours 22 Minutes
Tagline: His greatest battle begins
Overall: Solid Addition to Spider-Man Franchise
https://moviesreview101.com/2014/09/01/the-amazing-spider-man-2-2014/
Actor Review
Andrew Garfield: Spider-Man/Peter Parker while trying to figure out what to do with his life he carries on fighting crime, he has to decide whether to keep with his girlfriend when her father’s dying wish was to leave her so she couldn’t get caught up in trouble. He does ends up having to face the biggest battle of his life after his battles with Electro and Green Goblin. Good performance in a character that develops as the film unfolds. (8/10)
spide
Emma Stone: Gwen Stacy ambitious girlfriend of Peter, who wants to excel in her studies and gets that chance to but with Peter in her life she will always be in danger. Good supporting performance, but I always find relationships for superheroes only get in the way and annoy. (7/10)
emma
Jamie Foxx: Electro lonely scientist who has helped the city design a better power source. He feels like everyone is against him but when Spider-Man saves him he gets a boost of confidence. Just when things look good for Max he ends up having an accident at work and turning into Electro, who starts off just wanting help but when he feels betrayed by Spider-Man he wants to take out the web-slinger and the city. Good performance playing a very difficult character that really looks the part. (8/10)
eletrco
Dane DeHaan: Green Goblin/Harry Osborn an old friend of Peter who wants him to find Spider-Man so he can use his blood to cure his terminal illness. After both Peter and Spider-Man refuse for safety reason he finds out his company secretly has some stored away and he uses it and becomes the Green Goblin out to stop Spider-Man. Good performance from the always solid Dane. (8/10)
harry
Director Review: Marc Webb – Great direction creating a story that really is building to something bigger, creating some very memorable fight scenes and a villain in Electro like nothing we have seen before. (8/10)
Action: When the action happens it is all very good, with some great camera spinning shots of Spider-Man in battle. (8/10)
Superhero: A solid entry in the superhero genre. (8/10)
Settings: New York makes a great setting because without all the building Spider-Man couldn’t swing as much. (9/10)
Special Effects: Great special effects used throughout the film. (10/10)
Suggestion: This must be watch by all the superhero fans out there, it is creating a big picture without having to use separate films to add to one of franchise. (Superhero Fans Watch)
Best Part: Spider-Man battles Electro round two.
Worst Part: It does start slow, nearly an hour before we meet Electro.
Action Scene Of The Film: The final battles
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Has one planned
Post Credits Scene: No
Oscar Chances: No
Box Office: $708 Million
Budget: $200 Million
Runtime: 2 Hours 22 Minutes
Tagline: His greatest battle begins
Overall: Solid Addition to Spider-Man Franchise
https://moviesreview101.com/2014/09/01/the-amazing-spider-man-2-2014/
Sophia (Bookwyrming Thoughts) (530 KP) rated The Art of Escaping in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Hold on a second while I scream in my corner about how I am finally <em>on time</em> to write a review before a book actually releases. Just barely, but you know, it's still relatively on time. 😱
Maybe it's because I've decided to give up on the four books that have been there since 2016 and reset my priorities.
Okay, back on topic.
<em>The Art of Escaping</em> by Erin Callahan is a book that Roberta first introduced to me in sometime in a year far ago and honestly? Well, let's find out.
<h2 style="text-align: center;"><strong>A Few Things About <em>The Art of Escaping</em></strong></h2>
Erin Callahan's latest novel is about escapology, and maybe the title explains what escapology is, but there's probably multiple layers of meaning with the title aside from literally. (I approve of this approach.)
But here: I almost DNFed this one. But I wanted to know the end, so curiosity got better of me.
<h3><strong>Multiple POVs was meh but okay.</strong></h3>
<em>The Art of Escaping</em> is told in two views: Mattie and Will. Three, if you count diary entries as an intermission between chapters. I'm not against multiple views and maybe I was tired, but I struggled sometimes with this one.
There were times where it felt like the story was being told right now as it is happening, and then there were times where it felt the story was being told by a future version of the characters. And then there were times the story kind of repeated itself, then went onwards. 🤷🏻♀️
<h3><strong>Occasionally I liked a line or two. Or three.</strong></h3>
There are some great one-liners in here, but a lot of the writing I glossed over. To be honest, sometimes I was bored and maybe it was just me in a very bad time (I felt like doing nothing for the past few weeks if my lack of posts say anything).
But I was also reading another book, and it was more interesting? Lack of motivation did nothing there. So maybe I'm not the only one who felt meh about the writing.
<h3><strong>There is NO romance.</strong></h3>
Well, not exactly. There are snippets here and there, but it's not a part of the storyline, which is 11/10 okay with me because every book and its sequel has a romance somehow these days. (Am I complaining? Not really. I like books with no romance sometimes.) But the main point is, it's not a <i>huge</i> plot bunny.
<h3><strong>Friendship and sibling dynamics.</strong></h3>
Okay, so I can live for the friendship and sibling dynamics because they were developed quite well, or at least, in the few months timeframe. The brother/sister relationship isn't much, but the friendship is a huge part of the book for both new and old relationships. It was lovely seeing Will and Mattie grow a friendship over escapology and then bringing the other characters in.
<h3><strong>Miyu is a precious bean.</strong></h3>
Early on in <em>The Art of Escaping</em>, Callahan introduces readers to Miyu, who ends up being Mattie's mentor who is Crabby<sup>TM</sup>. Honestly though, I absolutely love Miyu - she's a crab, but deep down, she's a soft cookie filled with chocolate chips. Plus 95% of the best sentences in the book come from Miyu, so there is never a boring moment with her on the page.
<h2><strong>Honestly I was hoping <i>The Art of Escaping</i> would be good, but there were a few things missing to make it to that level. It wasn't a mess, but maybe a few sweeps needed.</strong></h2>
<a href="https://bookwyrmingthoughts.com/the-art-of-escaping-by-erin-callahan-thank-you-death-come-again/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Hold on a second while I scream in my corner about how I am finally <em>on time</em> to write a review before a book actually releases. Just barely, but you know, it's still relatively on time. 😱
Maybe it's because I've decided to give up on the four books that have been there since 2016 and reset my priorities.
Okay, back on topic.
<em>The Art of Escaping</em> by Erin Callahan is a book that Roberta first introduced to me in sometime in a year far ago and honestly? Well, let's find out.
<h2 style="text-align: center;"><strong>A Few Things About <em>The Art of Escaping</em></strong></h2>
Erin Callahan's latest novel is about escapology, and maybe the title explains what escapology is, but there's probably multiple layers of meaning with the title aside from literally. (I approve of this approach.)
But here: I almost DNFed this one. But I wanted to know the end, so curiosity got better of me.
<h3><strong>Multiple POVs was meh but okay.</strong></h3>
<em>The Art of Escaping</em> is told in two views: Mattie and Will. Three, if you count diary entries as an intermission between chapters. I'm not against multiple views and maybe I was tired, but I struggled sometimes with this one.
There were times where it felt like the story was being told right now as it is happening, and then there were times where it felt the story was being told by a future version of the characters. And then there were times the story kind of repeated itself, then went onwards. 🤷🏻♀️
<h3><strong>Occasionally I liked a line or two. Or three.</strong></h3>
There are some great one-liners in here, but a lot of the writing I glossed over. To be honest, sometimes I was bored and maybe it was just me in a very bad time (I felt like doing nothing for the past few weeks if my lack of posts say anything).
But I was also reading another book, and it was more interesting? Lack of motivation did nothing there. So maybe I'm not the only one who felt meh about the writing.
<h3><strong>There is NO romance.</strong></h3>
Well, not exactly. There are snippets here and there, but it's not a part of the storyline, which is 11/10 okay with me because every book and its sequel has a romance somehow these days. (Am I complaining? Not really. I like books with no romance sometimes.) But the main point is, it's not a <i>huge</i> plot bunny.
<h3><strong>Friendship and sibling dynamics.</strong></h3>
Okay, so I can live for the friendship and sibling dynamics because they were developed quite well, or at least, in the few months timeframe. The brother/sister relationship isn't much, but the friendship is a huge part of the book for both new and old relationships. It was lovely seeing Will and Mattie grow a friendship over escapology and then bringing the other characters in.
<h3><strong>Miyu is a precious bean.</strong></h3>
Early on in <em>The Art of Escaping</em>, Callahan introduces readers to Miyu, who ends up being Mattie's mentor who is Crabby<sup>TM</sup>. Honestly though, I absolutely love Miyu - she's a crab, but deep down, she's a soft cookie filled with chocolate chips. Plus 95% of the best sentences in the book come from Miyu, so there is never a boring moment with her on the page.
<h2><strong>Honestly I was hoping <i>The Art of Escaping</i> would be good, but there were a few things missing to make it to that level. It wasn't a mess, but maybe a few sweeps needed.</strong></h2>
<a href="https://bookwyrmingthoughts.com/the-art-of-escaping-by-erin-callahan-thank-you-death-come-again/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Night Reader Reviews (683 KP) rated Four Years of Despair in Books
Jan 9, 2020
Honest Review for Free Copy of Book
WARNING: This book focuses on Bipolar Disorder, Depression, Suicide, Death, Domestic Violence, Physical Abuse, and Mental Abuse. Parts of this book are extremely hard to read because of the
content.
Four Years of Despair by Jalesa Morrison was a shocker to say the least. It is hard to find the words to accurately describe this book and do it justice. Normally I would complain about the repetitiveness of a book. In this case the repetition accurately portrays the events in the book. I can easily see this being extended into a larger novel if Jalesa Morrison feels confident enough in her ability to stay accurate and go deeper into each character. Parts of this book did make me cringe multiple times. At first I did not like this book at all but then I figured it out. This book is not meant to be liked. It is meant to infom, to show what sever meutal illuess laaks like behind closed doors. It shows what the individual and family members go through on a daily basis that most people do not see or understand.
Jalesa tells the story of thirteen year old Jaunell Morris, her sis ters Lois and Francis, and their mother Joan. Jaunell was your typical preteen up until around her thirteenth birthday. It was then that
Jaunell was diagnosed with a bipolar disorder that also causes her to become extremely depressed. Joan freqiently struggles to get Jaunell to take a shower or even go to school. This also makes it difficult for Joan to hold a job and she has to ask her own mother (Jamell's grandmother) for financial assistance.
Jaunell lashes out and physically attacks her family members miltiple times.
Between Jaunell's lack of bodily cleanliness and her physical outbursts, Joan's friends turn their back on Joan and many of their family members disown Jaunell. Joan's mother blames Joan for Jaunell's behavior and tells her that she is a bad mother. Jaunell's father leaves Joan because he can not handle Jaunell. Lois and Francis also turn their backs on their sister after being hurt by her multiple times. These are only a few of the relationships that are destroyed because of a lack of understanding. Joan becomes depressed as well and ends up abusing Jaunell because she believes everything to be Jaunell's fault even though she knows in her heart that it is not true. Jaunell spends four years in and out of hospitals countless times before her mother has the financial ability to send Jaunell to a long term care facility. But there is hope...
What I liked best was Jalesa's blunt honesty about what is going on. Jalesa tells the story of Jaunell and her family without the fear of offending anyone. Jaunell's story is one that needed to be told. What I liked least was the lack of depth to the characters. In fact, I found it to be mildly disappointing. Also, there were times where I did not agree with what was happening, but that is nothing against the book. That was my personal rejection of admitting that there are people suffering like this every day.
Target readers for this book were hard to determine because of the nature of the topic. It truly depends on the individual's mindset. I believe high school students and older could handle this book. At the same time, the message would be good for middle school students as well but might be hard for them to read. This book got a sold 3 out of 4 rating from me. The only reason it did not get a perfect rating was that I would like to see more depth.
https://www.facebook.com/nightreaderreviews
content.
Four Years of Despair by Jalesa Morrison was a shocker to say the least. It is hard to find the words to accurately describe this book and do it justice. Normally I would complain about the repetitiveness of a book. In this case the repetition accurately portrays the events in the book. I can easily see this being extended into a larger novel if Jalesa Morrison feels confident enough in her ability to stay accurate and go deeper into each character. Parts of this book did make me cringe multiple times. At first I did not like this book at all but then I figured it out. This book is not meant to be liked. It is meant to infom, to show what sever meutal illuess laaks like behind closed doors. It shows what the individual and family members go through on a daily basis that most people do not see or understand.
Jalesa tells the story of thirteen year old Jaunell Morris, her sis ters Lois and Francis, and their mother Joan. Jaunell was your typical preteen up until around her thirteenth birthday. It was then that
Jaunell was diagnosed with a bipolar disorder that also causes her to become extremely depressed. Joan freqiently struggles to get Jaunell to take a shower or even go to school. This also makes it difficult for Joan to hold a job and she has to ask her own mother (Jamell's grandmother) for financial assistance.
Jaunell lashes out and physically attacks her family members miltiple times.
Between Jaunell's lack of bodily cleanliness and her physical outbursts, Joan's friends turn their back on Joan and many of their family members disown Jaunell. Joan's mother blames Joan for Jaunell's behavior and tells her that she is a bad mother. Jaunell's father leaves Joan because he can not handle Jaunell. Lois and Francis also turn their backs on their sister after being hurt by her multiple times. These are only a few of the relationships that are destroyed because of a lack of understanding. Joan becomes depressed as well and ends up abusing Jaunell because she believes everything to be Jaunell's fault even though she knows in her heart that it is not true. Jaunell spends four years in and out of hospitals countless times before her mother has the financial ability to send Jaunell to a long term care facility. But there is hope...
What I liked best was Jalesa's blunt honesty about what is going on. Jalesa tells the story of Jaunell and her family without the fear of offending anyone. Jaunell's story is one that needed to be told. What I liked least was the lack of depth to the characters. In fact, I found it to be mildly disappointing. Also, there were times where I did not agree with what was happening, but that is nothing against the book. That was my personal rejection of admitting that there are people suffering like this every day.
Target readers for this book were hard to determine because of the nature of the topic. It truly depends on the individual's mindset. I believe high school students and older could handle this book. At the same time, the message would be good for middle school students as well but might be hard for them to read. This book got a sold 3 out of 4 rating from me. The only reason it did not get a perfect rating was that I would like to see more depth.
https://www.facebook.com/nightreaderreviews
Gareth von Kallenbach (971 KP) rated Fifty Shades of Grey (2015) in Movies
Aug 6, 2019
remember thinking, after reading the first couple of chapters of Fifty Shades of Grey two years ago, “Is this guy a vampire?” E.L. James’ description of Christian Grey brought to mind Edward of the Twilight series and the heroine, Anastasia Steele’s clumsy entrance into Grey’s office reminded me of Bella. I was so certain I would find out Grey was a vampire in the following chapters.
So it wasn’t too much of a surprise for me when I learned the book started out as Twilight fan fiction. The hero and heroine were clearly patterned after Bella and Edward. So whenever someone asked me what the book was about, I would tell them, “It’s an awfully written Twilight with a lot of sex and some bondage and spanking. “ That being said, I’m hardly a book snob. I’ll read just about anything, and while I may complain the whole time, I’ll finish the series if one exists. But even casual readers should be able to recognize badly written fiction when it smacks them in the face like Fifty Shades of Grey.
When I heard they were making a movie, I figured it would be a Rated R or NC-17 version Twilight. I played the game along with other millions of women on who should be the leads. I picked Anna Kendrick and Ian Somerhalder. I wasn’t too disappointed with the actual picks (I think that required actually caring), but the trailers did not endear Dakota Johnson to me at all. On the way to the screener, I joked with my husband, Gareth, that I expected to see Dakota Johnson and Jamie Dornan doing a lot of gasping or scowling with mouth agape since that seemed to be their go-to reactions in the book. (James is fond of writing about jaw-drops and sharp intakes of breath in her books).
I had to make him promise to refrain from making Mystery Science Theater 3000 commentary during the movie, but within the first 5 minutes he recognized some landmarks and leaned over to ask “Wait. She went to WSU?” When I nodded, Gareth, a proud UW Husky, leaned back, shook his head and muttered, “Already disappointed.” We both actually enjoyed seeing the Seattle backdrop, all shiny and urbane, at least in Grey’s world. I thought Gareth was talking about the ridiculousness of Christian Grey’s wealth when he whispered, “This movie is so full of it.” I raised my eyebrows at him and he said, “You know you can’t find parking that easily in Seattle.”
Being familiar with the books, I knew what to expect and for the most part, director Sam Taylor-Johnson, greatly improved on weak source material. Dakota Johnson was a pleasant surprise, making Anastasia smart, witty and much more relatable than the book Ana. Jamie Dornan was very easy to look at. Listening to? Not so much. It’s been reported that E. L. James’ insisted the dialogue from her books remain unchanged. One wonders if she also insisted Dornan deliver his parts as if he were reading her book. Reluctantly and under great duress.
Fans of the books will notice a few changes, and of course it won’t be as graphic as the book, but there are at least 25 minutes of steamy scenes. All in all, this may be one of those rare times the movie is better than the book. Like the books, now that I’m invested, I will watch the next two in the trilogy. Mainly thanks to Dakota Johnson. If nothing else, I have to give Fifty Shades of Grey credit for inspiring passion – in debates about abusive relationships, true BDSM and the age-old bad boy vs. good men attraction. I don’t think I’ve engaged in this many debates with friends and coworkers about a non-sci-fi movie before. It could very well inspire all kinds of other passion for those who give in and escort their significant other to this movie this weekend. But hopefully, unlike the leads in the movie, those inspired will reach a satisfying finish rather than a stylized fade-out to the morning after.
So it wasn’t too much of a surprise for me when I learned the book started out as Twilight fan fiction. The hero and heroine were clearly patterned after Bella and Edward. So whenever someone asked me what the book was about, I would tell them, “It’s an awfully written Twilight with a lot of sex and some bondage and spanking. “ That being said, I’m hardly a book snob. I’ll read just about anything, and while I may complain the whole time, I’ll finish the series if one exists. But even casual readers should be able to recognize badly written fiction when it smacks them in the face like Fifty Shades of Grey.
When I heard they were making a movie, I figured it would be a Rated R or NC-17 version Twilight. I played the game along with other millions of women on who should be the leads. I picked Anna Kendrick and Ian Somerhalder. I wasn’t too disappointed with the actual picks (I think that required actually caring), but the trailers did not endear Dakota Johnson to me at all. On the way to the screener, I joked with my husband, Gareth, that I expected to see Dakota Johnson and Jamie Dornan doing a lot of gasping or scowling with mouth agape since that seemed to be their go-to reactions in the book. (James is fond of writing about jaw-drops and sharp intakes of breath in her books).
I had to make him promise to refrain from making Mystery Science Theater 3000 commentary during the movie, but within the first 5 minutes he recognized some landmarks and leaned over to ask “Wait. She went to WSU?” When I nodded, Gareth, a proud UW Husky, leaned back, shook his head and muttered, “Already disappointed.” We both actually enjoyed seeing the Seattle backdrop, all shiny and urbane, at least in Grey’s world. I thought Gareth was talking about the ridiculousness of Christian Grey’s wealth when he whispered, “This movie is so full of it.” I raised my eyebrows at him and he said, “You know you can’t find parking that easily in Seattle.”
Being familiar with the books, I knew what to expect and for the most part, director Sam Taylor-Johnson, greatly improved on weak source material. Dakota Johnson was a pleasant surprise, making Anastasia smart, witty and much more relatable than the book Ana. Jamie Dornan was very easy to look at. Listening to? Not so much. It’s been reported that E. L. James’ insisted the dialogue from her books remain unchanged. One wonders if she also insisted Dornan deliver his parts as if he were reading her book. Reluctantly and under great duress.
Fans of the books will notice a few changes, and of course it won’t be as graphic as the book, but there are at least 25 minutes of steamy scenes. All in all, this may be one of those rare times the movie is better than the book. Like the books, now that I’m invested, I will watch the next two in the trilogy. Mainly thanks to Dakota Johnson. If nothing else, I have to give Fifty Shades of Grey credit for inspiring passion – in debates about abusive relationships, true BDSM and the age-old bad boy vs. good men attraction. I don’t think I’ve engaged in this many debates with friends and coworkers about a non-sci-fi movie before. It could very well inspire all kinds of other passion for those who give in and escort their significant other to this movie this weekend. But hopefully, unlike the leads in the movie, those inspired will reach a satisfying finish rather than a stylized fade-out to the morning after.
Emma @ The Movies (1786 KP) rated Dark Waters (2019) in Movies
Feb 23, 2020
There were so many trailers for this that, as many of us predicted, there was an Unlimited Screening in our futures.
Rob Bilott is climbing the ladder as a corporate attorney and just as he gets a promotion a troubling case drops into his hands. Wilbur Tennant arrives with a box of evidence they've collected from their town. DuPont Chemicals have been good to the town... in the past, but some of the residents believe that they've slowly poisoning every living thing in its shadow.
Trying to find the evidence to what seems like a clear cut case is difficult when the company's influence is so far reaching, at every turn they're ready to do what it takes to protect themselves and their bottom line no matter the cost to everyone else.
I wasn't on the edge of my seat watching Dark Waters but I was wowed by what I saw. The negative comments in my notes were few and far between, and those that I did make were mainly personal preferences.
It's very unusual for me to come out without an acting or character flaw, perhaps there's someone who felt neglected or given a bad hand by the script. In Dark Waters I felt impressed with everyone, there wasn't a single bit of acting that made me furrow my brow or audibly scoff at the screen.
Mark Ruffalo as Rob Bilott may have been understated but that felt accurate for the real life side of things and I was fine with that. He conveyed the stress of his position and the anxiety and fear so well that you could feel it too. His relationships were all very different and each one stuck to the things that they needed to highlight within the story, the fraught relationship with his wife Sarah was particularly sharp.
If you look at Anne Hathaway's acting credits there are quite a few roles that don't exactly scream breathtaking, sure there are some fun roles in there but nothing has felt like they really took her to the next level... until now. Her portrayal of Sarah Bilott felt so incredibly real. The emotions were all on display from anger to fear, it was so strong. In one scene where Rob is trying to explain to her just how bad the fallout from DuPont's Teflon scandal is you can see Sarah's mind at work, she looks around the room at everything as he's talking and the panic is evident on her face. This coupled with the rollercoaster she has to go through with Rob when they visit the town finally showed me just how well Hathaway can handle these serious roles.
Everything you see on screen brings across a sense of the era we're looking at, from flashback to the more present day we're given points to focus on. You see phone technology changing and styles, companies and attitudes. One of my notes was that while you do see that happening it doesn't feel like it filters through consistently. It may just be a case that the jumps in time mean that it will be a striking difference, but it seemed to really hit you in the face with product placement.
With a lot of video evidence and news footage being used there's a consistent grainy effect on it all... this is one of those personal preference comments... while I understand it and it makes sense I didn't like it. I know, super picky aren't I? So while I'm at it, there's also a random artsy shot in there that made me queasy and confused.
It's difficult to really comprehend the magnitude of this topic and the fact that someone/something was more interested in profit than the lives of those that helped them become who they were. It's horrific and paranoia-inducing. Somehow they managed to show that story without it getting out of hand and I think that's a real credit to everyone involved. I might not ever need to see this film again but I would absolutely recommend it to everyone.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/dark-waters-movie-review.html
Rob Bilott is climbing the ladder as a corporate attorney and just as he gets a promotion a troubling case drops into his hands. Wilbur Tennant arrives with a box of evidence they've collected from their town. DuPont Chemicals have been good to the town... in the past, but some of the residents believe that they've slowly poisoning every living thing in its shadow.
Trying to find the evidence to what seems like a clear cut case is difficult when the company's influence is so far reaching, at every turn they're ready to do what it takes to protect themselves and their bottom line no matter the cost to everyone else.
I wasn't on the edge of my seat watching Dark Waters but I was wowed by what I saw. The negative comments in my notes were few and far between, and those that I did make were mainly personal preferences.
It's very unusual for me to come out without an acting or character flaw, perhaps there's someone who felt neglected or given a bad hand by the script. In Dark Waters I felt impressed with everyone, there wasn't a single bit of acting that made me furrow my brow or audibly scoff at the screen.
Mark Ruffalo as Rob Bilott may have been understated but that felt accurate for the real life side of things and I was fine with that. He conveyed the stress of his position and the anxiety and fear so well that you could feel it too. His relationships were all very different and each one stuck to the things that they needed to highlight within the story, the fraught relationship with his wife Sarah was particularly sharp.
If you look at Anne Hathaway's acting credits there are quite a few roles that don't exactly scream breathtaking, sure there are some fun roles in there but nothing has felt like they really took her to the next level... until now. Her portrayal of Sarah Bilott felt so incredibly real. The emotions were all on display from anger to fear, it was so strong. In one scene where Rob is trying to explain to her just how bad the fallout from DuPont's Teflon scandal is you can see Sarah's mind at work, she looks around the room at everything as he's talking and the panic is evident on her face. This coupled with the rollercoaster she has to go through with Rob when they visit the town finally showed me just how well Hathaway can handle these serious roles.
Everything you see on screen brings across a sense of the era we're looking at, from flashback to the more present day we're given points to focus on. You see phone technology changing and styles, companies and attitudes. One of my notes was that while you do see that happening it doesn't feel like it filters through consistently. It may just be a case that the jumps in time mean that it will be a striking difference, but it seemed to really hit you in the face with product placement.
With a lot of video evidence and news footage being used there's a consistent grainy effect on it all... this is one of those personal preference comments... while I understand it and it makes sense I didn't like it. I know, super picky aren't I? So while I'm at it, there's also a random artsy shot in there that made me queasy and confused.
It's difficult to really comprehend the magnitude of this topic and the fact that someone/something was more interested in profit than the lives of those that helped them become who they were. It's horrific and paranoia-inducing. Somehow they managed to show that story without it getting out of hand and I think that's a real credit to everyone involved. I might not ever need to see this film again but I would absolutely recommend it to everyone.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/dark-waters-movie-review.html
BankofMarquis (1832 KP) rated Mank (2020) in Movies
Jan 7, 2021
Good companion piece to CITIZEN KANE
Orson Welles’ 1941 masterpiece CITIZEN KANE is truly a remarkable work of art (especially for the time it was created) and it regularly lands in either the #1 or #2 spot on my list of all-time favorite films (battling back and forth with THE GODFATHER - the one that ends up at #1 is usually the one I have watched most recently), so I am a sucker for films that are about (or around) the making of this classic.
And…the Netflix film MANK does not disappoint in this regard.
Starring Oscar winning actor Gary Oldman (he won the Oscar for portraying Sir Winston Churchill in DARKEST HOUR), Mank tells the tale of the writing of the screenplay of CITIZEN KANE by screenwriter Herman Mankiewicz. It is an intriguing story of a self-destructive, alcoholic artist (is there any other kind in this kind of film) that (ultimately) produces one of the best scripts in Hollywood history, despite (or maybe because of) his condition and the people he interacts with along the way.
Directed by David Fincher (FIGHT CLUB) - who is one of my favorite Directors working today - MANK starts slow but brews to a satisfying conclusion as Fincher focuses on the man and the relationships he has with the people around him, rather than the circumstances, which then draws to a forceful conclusion.
Gary Oldman is, of course, stellar as Herman “Mank” Mankiewicz, the writer at the center of the story. This film hinges on this performance as the titular Mank is in almost every scene of this film - and at the beginning I was worried that Fincher was going to let Oldman revert to his “hammy” ways (a very real possibility with Oldman if he is left unchecked by a Director), but Fincher reels Oldman in just enough for him to bring a portrait of a troubled man, who has sold his soul to work and alcohol. This character needs to find that soul if he is to succeed. Since Mank won the Oscar for his screenplay - and I’ve already stated that I think the CITIZEN KANE screenplay is one of the best written of all time - you know how it will turn out, but it is fascinating (and satisfying) to watch Oldman on this journey.
Fincher, of course, is smart enough to surround Oldman with some very good Supporting Actors, most notably the always evil Charles Dance (Tywin Lannister on GAME OF THRONES) as William Randolph Hearst (the inspiration for Charles Foster Kane). Dance spends most of the film observing Mank but in the final “confrontation” scene between the two, the screen sparkles as two wonderful thespians throw down.
Others in the Supporting cast - like Lilly Collins, Tom Burke (as Orson Welles), Jamie McShane and, especially Arliss Howard (as Louis B. Mayer) bring heft and the ability to go “toe to toe” with Oldman, not a small task.
Special notice has to be made of the work of Amanda Seyfried as Marion Davies - Hearst’s mistress and a character that is used as a “throw away toy” in Citizen Kane. Davis and Mank form an interesting bond and the platonic chemistry between Seyfried and Oldman is strong. I gotta admit that when Seyfried first burst on the scene in such films as MAMA MIA and MEAN GIRLS, I figured she was just the “pretty young Rom-Com girl of the time” and would come and go quickly, but she has rounded into a very impressive actress and I can unequivocally state that I was wrong about her. She can act with the best of them.
The Cinematography by Erik Messerschmidt is also a very important part of this film - as he (and Fincher) attempt to recreate in this film the look/feel of CITIZEN KANE and they pull this off very, very well.
If you can get through the slow start of the film - and if you can stomach a protagonist that is not a very nice person in most of this film, than you’ll be rewarded by a rich film experience.
Letter Grade: A-
8 stars (out of10) and you can take that to the Bank(ofMarquis)
And…the Netflix film MANK does not disappoint in this regard.
Starring Oscar winning actor Gary Oldman (he won the Oscar for portraying Sir Winston Churchill in DARKEST HOUR), Mank tells the tale of the writing of the screenplay of CITIZEN KANE by screenwriter Herman Mankiewicz. It is an intriguing story of a self-destructive, alcoholic artist (is there any other kind in this kind of film) that (ultimately) produces one of the best scripts in Hollywood history, despite (or maybe because of) his condition and the people he interacts with along the way.
Directed by David Fincher (FIGHT CLUB) - who is one of my favorite Directors working today - MANK starts slow but brews to a satisfying conclusion as Fincher focuses on the man and the relationships he has with the people around him, rather than the circumstances, which then draws to a forceful conclusion.
Gary Oldman is, of course, stellar as Herman “Mank” Mankiewicz, the writer at the center of the story. This film hinges on this performance as the titular Mank is in almost every scene of this film - and at the beginning I was worried that Fincher was going to let Oldman revert to his “hammy” ways (a very real possibility with Oldman if he is left unchecked by a Director), but Fincher reels Oldman in just enough for him to bring a portrait of a troubled man, who has sold his soul to work and alcohol. This character needs to find that soul if he is to succeed. Since Mank won the Oscar for his screenplay - and I’ve already stated that I think the CITIZEN KANE screenplay is one of the best written of all time - you know how it will turn out, but it is fascinating (and satisfying) to watch Oldman on this journey.
Fincher, of course, is smart enough to surround Oldman with some very good Supporting Actors, most notably the always evil Charles Dance (Tywin Lannister on GAME OF THRONES) as William Randolph Hearst (the inspiration for Charles Foster Kane). Dance spends most of the film observing Mank but in the final “confrontation” scene between the two, the screen sparkles as two wonderful thespians throw down.
Others in the Supporting cast - like Lilly Collins, Tom Burke (as Orson Welles), Jamie McShane and, especially Arliss Howard (as Louis B. Mayer) bring heft and the ability to go “toe to toe” with Oldman, not a small task.
Special notice has to be made of the work of Amanda Seyfried as Marion Davies - Hearst’s mistress and a character that is used as a “throw away toy” in Citizen Kane. Davis and Mank form an interesting bond and the platonic chemistry between Seyfried and Oldman is strong. I gotta admit that when Seyfried first burst on the scene in such films as MAMA MIA and MEAN GIRLS, I figured she was just the “pretty young Rom-Com girl of the time” and would come and go quickly, but she has rounded into a very impressive actress and I can unequivocally state that I was wrong about her. She can act with the best of them.
The Cinematography by Erik Messerschmidt is also a very important part of this film - as he (and Fincher) attempt to recreate in this film the look/feel of CITIZEN KANE and they pull this off very, very well.
If you can get through the slow start of the film - and if you can stomach a protagonist that is not a very nice person in most of this film, than you’ll be rewarded by a rich film experience.
Letter Grade: A-
8 stars (out of10) and you can take that to the Bank(ofMarquis)
Eleanor Luhar (47 KP) rated Nothing Tastes as Good in Books
Jun 24, 2019
I happened to see this book by chance, in my local library. I was drawn to it because it's cover, it's title - I'm anorexic, and I happen to be drawn to things relating to mental health. It doesn't expressly say on it that it's about anorexia, but the cover made it pretty obvious to me. A warning to anyone that wants to read it: it's hard. If you suffer from something like this, like me, then you will probably have difficulty reading something so close to home. Especially if you're recovering. But it gets better. (I mean the book; I'm not using that "life gets better" crap.)
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.