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Goddess in the Stacks (553 KP) rated Grace and Fury (Grace and Fury, #1) in Books
Dec 19, 2018
I didn't actually have high hopes for this book - the description hits a lot of standard YA tropes. Sisterhood, switched roles, Royal/pauper juxtaposition...but WOW. No, this book blew me away.
In Serina and Nomi's world, women are second-class citizens, forbidden to read, have romantic relationships with each other, or have careers of their own. Serina plans to be a Grace, effectively a concubine to the Prince, with her sister as her handmaiden. But it is Nomi who catches the Prince's eye when she stumbles into him in a hallway, and Nomi that he picks. In a moment of weakness, Nomi's secret is discovered and thought to be Serina's, and rather than jeopardize Nomi's new position, Serina capitulates and takes the fall. She's sent to a volcanic island prison while Nomi struggles to tame her own rebellious nature long enough to gain enough influence to free her sister.
The book is about oppression and sisterhood, whether it be with those that share your blood or not. Along the way, we discover a different history of the nation than what is normally taught, and find a few men who sympathize with the women's plight. (And eventually step up to take action alongside the women.)
It's a quick read - the action starts on page one and never stops. Chapters alternate between Nomi in the palace and Serina on her island prison fighting for food, and both girls learn that what they saw as weakness in each other can be strengths in different circumstances.
The only downside to this book is that it ends with things unfinished. Not a cliffhanger, exactly, but the story is most definitely not done, and the sequel doesn't come out until July of 2019! I will be snapping that up as soon as it releases because I NEED to know how these two sisters overcome their trials.
You can find all my reviews at http://goddessinthestacks.com
In Serina and Nomi's world, women are second-class citizens, forbidden to read, have romantic relationships with each other, or have careers of their own. Serina plans to be a Grace, effectively a concubine to the Prince, with her sister as her handmaiden. But it is Nomi who catches the Prince's eye when she stumbles into him in a hallway, and Nomi that he picks. In a moment of weakness, Nomi's secret is discovered and thought to be Serina's, and rather than jeopardize Nomi's new position, Serina capitulates and takes the fall. She's sent to a volcanic island prison while Nomi struggles to tame her own rebellious nature long enough to gain enough influence to free her sister.
The book is about oppression and sisterhood, whether it be with those that share your blood or not. Along the way, we discover a different history of the nation than what is normally taught, and find a few men who sympathize with the women's plight. (And eventually step up to take action alongside the women.)
It's a quick read - the action starts on page one and never stops. Chapters alternate between Nomi in the palace and Serina on her island prison fighting for food, and both girls learn that what they saw as weakness in each other can be strengths in different circumstances.
The only downside to this book is that it ends with things unfinished. Not a cliffhanger, exactly, but the story is most definitely not done, and the sequel doesn't come out until July of 2019! I will be snapping that up as soon as it releases because I NEED to know how these two sisters overcome their trials.
You can find all my reviews at http://goddessinthestacks.com
Lyndsey Gollogly (2893 KP) rated Bloodlust (The Rise Of Iliri #1) in Books
Nov 11, 2019
Contains spoilers, click to show
When you were once a slave, freed only to become a ruthless warrior, "belonging" seems a trite concept. A pipe dream, the stuff of naive fairy tales. But not for Salryc Luxx. Private Luxx—Sal for short—is iliri, a member of an untamable race surreptitiously dubbed "their kind" by humans and bred thousands of years ago to protect them. Humans consider them expendable, barely more than animals. Freaks. But in a karmic twist of fate, they’re also one of mankind’s most feared predators. Abused and enslaved, the only control Sal has over her life is what military unit she serves with – if she's good enough to be accepted – and the only one to consider her is the best in the land, the Black Blades.
Everyone has secrets, and the Blades are no different. But acceptance into the Blades gives Sal something she never expected—the family she’s never had, and with it, the undying protection of seven of the greatest warriors the world has ever seen. It also gifts her a devoted line of potential mates. Many of her fellow warriors will submit to the bloodlust that overtakes her in the heat of battle and can only be quenched by rough, passionate lovemaking (making way for the steamiest of love scenes). Though it’s not all war and sex. Sal very gradually cultivates deeply loving, evolving relationships with each of the Black Blades, which morphs as a unit into a reverse harem as sweet as it is fierce, and as protective as it is impassioned.
But belonging has its own price. Each of the Blades would die to protect Sal. And it’s only a matter of time before the enemy moves to use this against her.
This series was recommended by a friend and I finally got round to starting it. So glad I did what a brilliant series full of action. The relationship dynamics are very well written and they don't have Sal casually sleeping around all of the men! I love how it's handled and written!
⭐⭐⭐⭐
Everyone has secrets, and the Blades are no different. But acceptance into the Blades gives Sal something she never expected—the family she’s never had, and with it, the undying protection of seven of the greatest warriors the world has ever seen. It also gifts her a devoted line of potential mates. Many of her fellow warriors will submit to the bloodlust that overtakes her in the heat of battle and can only be quenched by rough, passionate lovemaking (making way for the steamiest of love scenes). Though it’s not all war and sex. Sal very gradually cultivates deeply loving, evolving relationships with each of the Black Blades, which morphs as a unit into a reverse harem as sweet as it is fierce, and as protective as it is impassioned.
But belonging has its own price. Each of the Blades would die to protect Sal. And it’s only a matter of time before the enemy moves to use this against her.
This series was recommended by a friend and I finally got round to starting it. So glad I did what a brilliant series full of action. The relationship dynamics are very well written and they don't have Sal casually sleeping around all of the men! I love how it's handled and written!
⭐⭐⭐⭐
Mark @ Carstairs Considers (2336 KP) rated Buried to the Brim in Books
Jan 29, 2020
Brimming with Fun, Doggone It!
Cousins Scarlett and Viv have an unusual new client for their hat shop. Betty Wentworth, Scarlett’s fiancé Harrison’s aunt, is about to enter a dog show with her dog, Freddy, and she is hoping that a top hat will launch him from second place to first place this year. At first Viv, who designs the hats, is reluctant, but soon she is on board, and everyone is delighted with the results. However, the contest weekend gets off to a rocky start during the cocktail party that kicks things off when Betty gets into an argument with Gerry Swendson, the owner of the dog food company that sponsors the show. The next morning, Freddy is the one to find Gerry’s very dead body. With the police looking at Betty, Scarlett begins digging in, trying to figure out who else had motive. It quickly becomes apparent that this dog show is far from cute. But who committed murder?
It’s been a couple of years since the last book in this series came out, and it was wonderful to catch up with these old friends. Some time has passed for them as well, but the relationships were as great as ever. We saw plenty of the supporting characters and I loved every minute of it. The mystery was just as strong, with plenty of suspects and a fantastic ending. I did find one thing near the climax pushed me out of the book and I didn’t remember a few instances of very mild swearing in earlier books, but both are worth noting only in passing. The running gags involving puns were always one of my favorite things in the series, and it is as delightful as ever here. And the dogs! There are some very cute moments with the dogs here. Fans of the series will be delighted to get to revisit these characters.
It’s been a couple of years since the last book in this series came out, and it was wonderful to catch up with these old friends. Some time has passed for them as well, but the relationships were as great as ever. We saw plenty of the supporting characters and I loved every minute of it. The mystery was just as strong, with plenty of suspects and a fantastic ending. I did find one thing near the climax pushed me out of the book and I didn’t remember a few instances of very mild swearing in earlier books, but both are worth noting only in passing. The running gags involving puns were always one of my favorite things in the series, and it is as delightful as ever here. And the dogs! There are some very cute moments with the dogs here. Fans of the series will be delighted to get to revisit these characters.
Mark @ Carstairs Considers (2336 KP) rated A Simple Murder (Will Rees, #1) in Books
Feb 9, 2020
Simple Time but Complex Murder
It’s 1795, and Will Rees has spent the last few years as a traveling weaver while grieving his wife. He’s left his son and his Maine farm in the care of his sister and her husband, but his most recent trip home leads to the discovery that they’ve been abusing that trust, and his son, David, has run away to a Shaker community over a day’s travel away. Will goes to try to repair their relationship only to find himself involved in a murder. One of the Shaker women has been killed in their community, and the Elders have asked Will to find the killer. His problem, however, is that he is an outsider. Will anyone trust him enough to share the information he needs to solve the case?
I’m always on the lookout for a good historical mystery, so I was quite eager to pick this one up. I’m not familiar with the Shakers, so that was also an interesting aspect of the book. The plot is good with plenty of twists and a logical conclusion, however, I felt like the pacing could have been better. That might have just been me since Will could only talk to a couple of people at a time if he had to travel far to talk to them. This is a historical mystery, after all. That travel time may have helped lead me to feel like things were slow. The characters are strong. I really came to care for Will and several of the others. The characters were just as strong, and I had no trouble keeping them apart. However, as Will begins to find complex family relationships, I had a hard time keeping all of those straight. The everyday details of life in the time period were strong and helped make me feel like I was back in time when I was reading the book. I am definitely planning to visit Will again to find out what happens to him next.
I’m always on the lookout for a good historical mystery, so I was quite eager to pick this one up. I’m not familiar with the Shakers, so that was also an interesting aspect of the book. The plot is good with plenty of twists and a logical conclusion, however, I felt like the pacing could have been better. That might have just been me since Will could only talk to a couple of people at a time if he had to travel far to talk to them. This is a historical mystery, after all. That travel time may have helped lead me to feel like things were slow. The characters are strong. I really came to care for Will and several of the others. The characters were just as strong, and I had no trouble keeping them apart. However, as Will begins to find complex family relationships, I had a hard time keeping all of those straight. The everyday details of life in the time period were strong and helped make me feel like I was back in time when I was reading the book. I am definitely planning to visit Will again to find out what happens to him next.
Mark @ Carstairs Considers (2336 KP) rated Death with a Dark Red Rose in Books
Feb 29, 2020
Mysterious Disappearance
Life is going well for Lena London. Her latest collaboration with bestselling novelist Camilla Graham is doing well, she and her fiance, Sam West, are just starting to plan their wedding, and she enjoys spending time with her new friends in Blue Lake. The only shadow is the new factory that is being built just outside of town. It looks like the building is going to be an eye sore, and Lena is not happy about it and other ways it might change this area she considers home. However, a cold wind blows in when someone vanishes. Soon, Lena and her friends are caught up in another race to figure out what is happening before things turn deadly. Will they solve things in time?
I thought this novel’s beginning was weak, but it was the weakest part of the story. Even then, that is a minor complaint since I was hooked from the very first page and could hardly put the book down until I reached the end. If real life didn’t interfere, I could have easily finished it in one sitting. I did see one or two twists coming, but there were plenty others I didn’t suspect, but they made perfect sense by the time we reached the end of the story. I love Lena and her friends, and we got plenty of time with them in these pages. Their relationships are fantastic. Each chapter starts with a quote from the projects that Lena and Camilla are currently working on, and I found they helped me better understand just how this series works Gothic elements into each book. Honestly, I’d love to read their books if they were real. It is best to read this series in order since some events of previous books are spoiled by necessity. That’s not an issue since all the books in this series are great. Set aside plenty of time when you pick up this book because you won’t want to put it down until you’ve read every thrilling page.
I thought this novel’s beginning was weak, but it was the weakest part of the story. Even then, that is a minor complaint since I was hooked from the very first page and could hardly put the book down until I reached the end. If real life didn’t interfere, I could have easily finished it in one sitting. I did see one or two twists coming, but there were plenty others I didn’t suspect, but they made perfect sense by the time we reached the end of the story. I love Lena and her friends, and we got plenty of time with them in these pages. Their relationships are fantastic. Each chapter starts with a quote from the projects that Lena and Camilla are currently working on, and I found they helped me better understand just how this series works Gothic elements into each book. Honestly, I’d love to read their books if they were real. It is best to read this series in order since some events of previous books are spoiled by necessity. That’s not an issue since all the books in this series are great. Set aside plenty of time when you pick up this book because you won’t want to put it down until you’ve read every thrilling page.
JT (287 KP) rated Pet Sematary (2019) in Movies
Mar 10, 2020
I've always said that the vast majority of horror remakes just don’t better the original, and this one can also join that list. Stephen King adaptations are a bit hit and miss and this new incarnation is no different.
Providing a few decent scares throughout it never quite lives up to the highs of King’s terrifying novel. The film follows the Creed family as they relocate to the outskirts of a quiet town in Maine, called Ludlow. Head of the family Louis (Jason Clarke), is starting a new job at the university hospital and their new home feels like the perfect place to settle.
But it doesn’t take long for things to go pear-shaped when daughter Ellie (Jeté Laurence) stumbles across a Pet Sematary (misspelt). There she meets neighbour Jud Crandall (John Lithgow) who warns her that it is not the place for a young girl to play – despite a procession of creepy children in masks walking through the woods. However, a family tragedy sparks Jud to reach out to Louis and offer him a way to resurrect the past.
Providing a few decent scares throughout it never quite lives up to the highs of King’s terrifying novel
Co-directed by Kevin Kölsch and Dennis Widmyer Pet Sematary skims over family relationships and races right to the tragedy (which was blatantly given away in the trailer) to satisfy the audience by giving them what they want. However, there is not enough time for Kölsch and Widmyer to delve deeper into the pages of King’s novel to extract parts that could have enhanced the narrative even further.
The ending is unsatisfactory and the directors, looking to impart their take on the story, change and leave out significant parts of King’s book. This is both annoying and surprising. That said, the film is not without the odd positive, despite falling just short of being a decent horror remake.
Providing a few decent scares throughout it never quite lives up to the highs of King’s terrifying novel. The film follows the Creed family as they relocate to the outskirts of a quiet town in Maine, called Ludlow. Head of the family Louis (Jason Clarke), is starting a new job at the university hospital and their new home feels like the perfect place to settle.
But it doesn’t take long for things to go pear-shaped when daughter Ellie (Jeté Laurence) stumbles across a Pet Sematary (misspelt). There she meets neighbour Jud Crandall (John Lithgow) who warns her that it is not the place for a young girl to play – despite a procession of creepy children in masks walking through the woods. However, a family tragedy sparks Jud to reach out to Louis and offer him a way to resurrect the past.
Providing a few decent scares throughout it never quite lives up to the highs of King’s terrifying novel
Co-directed by Kevin Kölsch and Dennis Widmyer Pet Sematary skims over family relationships and races right to the tragedy (which was blatantly given away in the trailer) to satisfy the audience by giving them what they want. However, there is not enough time for Kölsch and Widmyer to delve deeper into the pages of King’s novel to extract parts that could have enhanced the narrative even further.
The ending is unsatisfactory and the directors, looking to impart their take on the story, change and leave out significant parts of King’s book. This is both annoying and surprising. That said, the film is not without the odd positive, despite falling just short of being a decent horror remake.
I have to admit, when I first started reading this book I did stop several times, look at the cover and the blurb and think “What the heck am I reading?”
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!
Gareth von Kallenbach (980 KP) rated The Hateful Eight (2015) in Movies
Aug 6, 2019
Tarantino has accomplished something I have always thought impossible, created a bad Samuel L. Jackson film. It’s unfortunate, but despite all of the hype and build up for the release of Tarantino’s latest film, I was unable to enjoy the experience no matter how hard I tried.
Film is supposed to transport the audience to another place and time. The fact that the plot of “The Hateful Eight” mostly unfolds during a blizzard in a small cabin makes it a film which relies heavily on the development of its characters and the relationships between them. If this is done well, the audience can become entranced by the story.
But it is a very disappointing lack of character depth that makes the story fall flat. Many people will sit back completely prepared to let Tarantino take them on yet another adventure filled with gore, creativity, and depth. Yet, for many, that moment will never come.
The film starts out with an artistic introduction and some beautiful scenery, but then continues along at a slugs pace. The underdeveloped characters’ recite choppy and unconvincing lines. Samuel L. Jackson delivers his classic sharp tongued speech in the fashion which usually builds up to one of his great freak out moments. But this time, the buildup leads to nothing.
The plot, while attempting to catch the audience by surprise, waits too long and fails at this task as well. Sure, there is some gore of course. However, nothing like the infamous cringe-worthy scenes of Tarantino’s past work.
Personally, I was never fully consumed, and was left trying to enjoy the film out of a feeling of necessity. But no matter how much of a cinematic master Tarantino has proven to be over the years, it is undeniable that this just isn’t his best work.
I give “The Hateful Eight” 2.75 stars. But I really, really did, want to give it five.
Film is supposed to transport the audience to another place and time. The fact that the plot of “The Hateful Eight” mostly unfolds during a blizzard in a small cabin makes it a film which relies heavily on the development of its characters and the relationships between them. If this is done well, the audience can become entranced by the story.
But it is a very disappointing lack of character depth that makes the story fall flat. Many people will sit back completely prepared to let Tarantino take them on yet another adventure filled with gore, creativity, and depth. Yet, for many, that moment will never come.
The film starts out with an artistic introduction and some beautiful scenery, but then continues along at a slugs pace. The underdeveloped characters’ recite choppy and unconvincing lines. Samuel L. Jackson delivers his classic sharp tongued speech in the fashion which usually builds up to one of his great freak out moments. But this time, the buildup leads to nothing.
The plot, while attempting to catch the audience by surprise, waits too long and fails at this task as well. Sure, there is some gore of course. However, nothing like the infamous cringe-worthy scenes of Tarantino’s past work.
Personally, I was never fully consumed, and was left trying to enjoy the film out of a feeling of necessity. But no matter how much of a cinematic master Tarantino has proven to be over the years, it is undeniable that this just isn’t his best work.
I give “The Hateful Eight” 2.75 stars. But I really, really did, want to give it five.
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Village Life: Love & Babies
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