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Lucy Buglass (45 KP) rated Mad To Be Normal (2018) in Movies
Jun 20, 2019
Mental Health in the 60s
I’ll admit, whenever I see David Tennant’s name on a cast list I get excited. As a long time fan, I’ve watched him play a variety of roles brilliantly. So when I was given the opportunity to review Mad To Be Normal and I learned what the plot was, how could I refuse? Set in the 60s, the film follows Scottish psychiatrist R.D. Laing and his unconventional approach to mental health treatment, causing controversy within the psychiatry field.
Although I don’t know much about Laing, Tennant really shone in the central role and delivered a truly captivating character who was riddled with his own underlying issues. He’s a tricky one because sometimes you really sympathise and agree with him, but other times he’s so utterly frustrating. The film showed us many different sides to him, and created a well-rounded exploration of the man in question. He’s compassionate but also terribly naive, and that’s a dangerous combination indeed. Tennant is joined by Elisabeth Moss, Michael Gambon and Gabriel Byrne which is an excellent line up.
One of the best things about this film is the characters, because everyone does such an amazing job of portraying complex characters with equally as complex relationships. Moss plays student Angie who quickly becomes a love interest of Laing’s, and joins him in his work. Much like Laing, she is also well-rounded and has good traits and bad ones, the latter resulting in rather turbulent moments throughout the film.
I especially enjoyed the way mental health was portrayed by characters, as you could tell they were struggling and trying so hard to deal with their illnesses. It was dealt with respectfully and honestly, whilst still showing the risks of untreated mental health conditions. Gabriel Byrne in particular stands out in his portrayal of Jim, going from someone friendly and sentimental to someone violent and dangerous very quickly. It would have been good to learn more about each character and their individual backgrounds for context’s sake, replacing the unnecessary scenes with this. Nevertheless, the insight into mental health in this era was fascinating, particularly scenes involving the inhumane treatment known as electroshock therapy. It shows we have come a long way since then, but we still have a long way to go.
The stellar performances are accompanied with some great set design, which I imagine would provide some welcome nostalgia for those familiar with the era. I loved Laing’s quirky style both in his interior design, behaviour and clothing choices, making him stand out even more. He’s flamboyant in every sense of the word, but not always for the right reasons. For his time, Laing was clearly very open minded, caring and in favour of self-expression, further conflicting with the beliefs of wider society. Although open mindedness is a good thing, his goes too far which ultimately would lead to his eventual downfall.
Robert Mullan has done a great job bringing this important figure to life on screen, putting together a cast that perfectly delivered this story. Whilst I would have liked more context around both the patients and Laing himself, the film still delivered a powerful message in its 1 hour 45 minute run time. It’s definitely worth a watch.
https://lucygoestohollywood.com/2018/08/04/mental-health-in-the-60s-mad-to-be-normal-review/
Although I don’t know much about Laing, Tennant really shone in the central role and delivered a truly captivating character who was riddled with his own underlying issues. He’s a tricky one because sometimes you really sympathise and agree with him, but other times he’s so utterly frustrating. The film showed us many different sides to him, and created a well-rounded exploration of the man in question. He’s compassionate but also terribly naive, and that’s a dangerous combination indeed. Tennant is joined by Elisabeth Moss, Michael Gambon and Gabriel Byrne which is an excellent line up.
One of the best things about this film is the characters, because everyone does such an amazing job of portraying complex characters with equally as complex relationships. Moss plays student Angie who quickly becomes a love interest of Laing’s, and joins him in his work. Much like Laing, she is also well-rounded and has good traits and bad ones, the latter resulting in rather turbulent moments throughout the film.
I especially enjoyed the way mental health was portrayed by characters, as you could tell they were struggling and trying so hard to deal with their illnesses. It was dealt with respectfully and honestly, whilst still showing the risks of untreated mental health conditions. Gabriel Byrne in particular stands out in his portrayal of Jim, going from someone friendly and sentimental to someone violent and dangerous very quickly. It would have been good to learn more about each character and their individual backgrounds for context’s sake, replacing the unnecessary scenes with this. Nevertheless, the insight into mental health in this era was fascinating, particularly scenes involving the inhumane treatment known as electroshock therapy. It shows we have come a long way since then, but we still have a long way to go.
The stellar performances are accompanied with some great set design, which I imagine would provide some welcome nostalgia for those familiar with the era. I loved Laing’s quirky style both in his interior design, behaviour and clothing choices, making him stand out even more. He’s flamboyant in every sense of the word, but not always for the right reasons. For his time, Laing was clearly very open minded, caring and in favour of self-expression, further conflicting with the beliefs of wider society. Although open mindedness is a good thing, his goes too far which ultimately would lead to his eventual downfall.
Robert Mullan has done a great job bringing this important figure to life on screen, putting together a cast that perfectly delivered this story. Whilst I would have liked more context around both the patients and Laing himself, the film still delivered a powerful message in its 1 hour 45 minute run time. It’s definitely worth a watch.
https://lucygoestohollywood.com/2018/08/04/mental-health-in-the-60s-mad-to-be-normal-review/
Lucy Buglass (45 KP) rated Anchor & Hope (2018) in Movies
Jun 20, 2019
A heart-wrenching portrait of parenthood & sexuality
Deciding to have a baby is a big step in many couples’ lives, but sometimes, things don’t always go according to plan. Carlos Marques-Marcet’s Anchor and Hope follows two lesbian women who, one drunken night, decide to use their friend’s sperm in order to have a child of their own. It’s not a decision that should be taken lightly, but makes for an interesting story nonetheless. Insemination is a viable option that is often considered by those in same-sex relationships, or by those who struggle to conceive. This is the first film I’ve seen that deals with the subject so explicitly.
Throughout the course of the film, we focus heavily on the lives of Eva, Kat and Roger. The quality of acting was very good and believable, meaning it was easy for me to stay invested in their lives as events transpired. They all have very different personality traits that inevitably clash, and it’s not long before jealousy starts to rear its ugly head and tensions rise. Kat and Roger are close and both fluent in Spanish, meaning they’re able to communicate and Eva hasn’t got a clue what they’re saying. She starts feeling left out, which may or may not have driven her to think about the insemination. It’s left up to the audience to figure that one out. It’s clear Eva wants the baby more than Kat does, which is already a huge red flag.
The baby becomes a central part of the narrative, and the character’s lives. Anchor and Hope presents us with different viewpoints, all centred around this new life. It’s incredibly emotional to watch as we witness how three very different characters respond to it. I respected the fact the film doesn’t position itself as for or against any argument, it simply presents them to the audience as valid responses to what’s happening. Had the film gotten too preachy one way or the other, I think I may have found that frustrating. This is a film that leaves a lot up to the audience, and one that can spark interesting discussions.
Despite my interest in the topic and praise for the acting, I didn’t particularly like any of the characters. They’re all frustrating in their own ways and sometimes it felt a little too far-fetched and melodramatic. This weakened the film for me as I didn’t find myself rooting for anyone, and just wished they’d never made that decision in the first place. There’s no warmth for any of the characters, which was a let down. I also felt the story could have been shorter and snappier, as it felt too drawn out in places.
However, it is a very interesting look into insemination and sperm donors, and the script is strong and considered. It would be easy to cause controversy if not dealt with respectfully, but I felt like appropriate research had been done and they remained impartial throughout. The visuals are clean, well shot, and I liked the use of small, intimate locations to tell the story. Eva and Kat live on a houseboat, so that sense of minimalism is present throughout.
I was mostly entertained and enjoyed watching it, so I would recommend this film if it’s a topic that interests you. Overall, it’s an emotionally charged and well-written LGBT+ film and we definitely need more of those.
https://lucygoestohollywood.com/2018/11/08/anchor-and-hope-a-heart-wrenching-portrait-of-parenthood-sexuality/
Throughout the course of the film, we focus heavily on the lives of Eva, Kat and Roger. The quality of acting was very good and believable, meaning it was easy for me to stay invested in their lives as events transpired. They all have very different personality traits that inevitably clash, and it’s not long before jealousy starts to rear its ugly head and tensions rise. Kat and Roger are close and both fluent in Spanish, meaning they’re able to communicate and Eva hasn’t got a clue what they’re saying. She starts feeling left out, which may or may not have driven her to think about the insemination. It’s left up to the audience to figure that one out. It’s clear Eva wants the baby more than Kat does, which is already a huge red flag.
The baby becomes a central part of the narrative, and the character’s lives. Anchor and Hope presents us with different viewpoints, all centred around this new life. It’s incredibly emotional to watch as we witness how three very different characters respond to it. I respected the fact the film doesn’t position itself as for or against any argument, it simply presents them to the audience as valid responses to what’s happening. Had the film gotten too preachy one way or the other, I think I may have found that frustrating. This is a film that leaves a lot up to the audience, and one that can spark interesting discussions.
Despite my interest in the topic and praise for the acting, I didn’t particularly like any of the characters. They’re all frustrating in their own ways and sometimes it felt a little too far-fetched and melodramatic. This weakened the film for me as I didn’t find myself rooting for anyone, and just wished they’d never made that decision in the first place. There’s no warmth for any of the characters, which was a let down. I also felt the story could have been shorter and snappier, as it felt too drawn out in places.
However, it is a very interesting look into insemination and sperm donors, and the script is strong and considered. It would be easy to cause controversy if not dealt with respectfully, but I felt like appropriate research had been done and they remained impartial throughout. The visuals are clean, well shot, and I liked the use of small, intimate locations to tell the story. Eva and Kat live on a houseboat, so that sense of minimalism is present throughout.
I was mostly entertained and enjoyed watching it, so I would recommend this film if it’s a topic that interests you. Overall, it’s an emotionally charged and well-written LGBT+ film and we definitely need more of those.
https://lucygoestohollywood.com/2018/11/08/anchor-and-hope-a-heart-wrenching-portrait-of-parenthood-sexuality/
Darren (1599 KP) rated A History of Violence (2005) in Movies
Jun 20, 2019
Story: A History of Violence starts as we meet mild-mannered Tom Stall (Mortensen) working in his local diner with his own family, wide Edie (Bello) and child Jack (Holmes) and Sarah. One evening two men arrive in his diner trying to rob and kill the people inside, Tom’s quick thinking kills the criminals making him a local hero.
The act of heroism brings gangster Carl Fogarty (Harris) to town who claims Tom is from the criminal underworld hiding out with his older brother Richie (Hurt) waiting for him to return back to the criminal world.
Thoughts on A History of Violence
Characters – Tom Stall is a quiet man, running a diner having a loving family, he steps up to protect his customers and friends makes him a local hero. Now he has drawn a target on his chest with his past coming back to haunt him. Edie is the wife of Tom, she works in law bring home the bigger pay checks, she supports Tom, until she learns the truth and must decide where she stands with him. Carl Fogarty is the mysterious stranger that arrives in town claiming to know Tom from a previous life, he brings the danger back into Tom’s life with the past he wanted to run away from. Richie is the crime boss and brother to Tom, he has been searching for his brother for years and now sees the chance for the connection.
Performances – Viggo Mortensen is outstanding in this leading role we see how he keeps his character perfectly calm in everyday life and how the switch can make him a deadly killer, this is an ability that not everyone can achieve. Maria Bello is strong in her role as a woman unsure who her husband really is. Ed Harris and William Hurt in the supporting role are fantastic both take over the screen with their presence adding much needed tension to everything.
Story – The story here follows a mild-mannered man whose past comes back to haunt him after protect people he loves and cares about. This is almost like the story that follows up one of the gangster films where we see someone leave the life only to get drawn back years later against his will. The film like to use the idea of violence being the breaking point for relationships between husband & wife, father & son and two brothers which gets played out perfectly. There is an air of tension from start to finish in the film which leaves us only wanting to see where things would go next.
Thriller – The film uses the tension to keep us feeling uneasy through nearly each moment in the film never knowing what would happen next.
Settings – The film is set in a small town which Tom makes safe and happy, if would make sense for his character to be there too, it shows how media can expose anybody’s secret.
Scene of the Movie – The first crime rescue.
That Moment That Annoyed Me – The bullying side which isn’t the most important thing we see.
Final Thoughts – This is one of the best modern thrillers you will see, you have four stunning performances and shocks around each corner.
Overall: Stunning thriller
https://moviesreview101.com/2018/10/21/viggo-mortensen-weekend-a-history-of-violence-2005/
The act of heroism brings gangster Carl Fogarty (Harris) to town who claims Tom is from the criminal underworld hiding out with his older brother Richie (Hurt) waiting for him to return back to the criminal world.
Thoughts on A History of Violence
Characters – Tom Stall is a quiet man, running a diner having a loving family, he steps up to protect his customers and friends makes him a local hero. Now he has drawn a target on his chest with his past coming back to haunt him. Edie is the wife of Tom, she works in law bring home the bigger pay checks, she supports Tom, until she learns the truth and must decide where she stands with him. Carl Fogarty is the mysterious stranger that arrives in town claiming to know Tom from a previous life, he brings the danger back into Tom’s life with the past he wanted to run away from. Richie is the crime boss and brother to Tom, he has been searching for his brother for years and now sees the chance for the connection.
Performances – Viggo Mortensen is outstanding in this leading role we see how he keeps his character perfectly calm in everyday life and how the switch can make him a deadly killer, this is an ability that not everyone can achieve. Maria Bello is strong in her role as a woman unsure who her husband really is. Ed Harris and William Hurt in the supporting role are fantastic both take over the screen with their presence adding much needed tension to everything.
Story – The story here follows a mild-mannered man whose past comes back to haunt him after protect people he loves and cares about. This is almost like the story that follows up one of the gangster films where we see someone leave the life only to get drawn back years later against his will. The film like to use the idea of violence being the breaking point for relationships between husband & wife, father & son and two brothers which gets played out perfectly. There is an air of tension from start to finish in the film which leaves us only wanting to see where things would go next.
Thriller – The film uses the tension to keep us feeling uneasy through nearly each moment in the film never knowing what would happen next.
Settings – The film is set in a small town which Tom makes safe and happy, if would make sense for his character to be there too, it shows how media can expose anybody’s secret.
Scene of the Movie – The first crime rescue.
That Moment That Annoyed Me – The bullying side which isn’t the most important thing we see.
Final Thoughts – This is one of the best modern thrillers you will see, you have four stunning performances and shocks around each corner.
Overall: Stunning thriller
https://moviesreview101.com/2018/10/21/viggo-mortensen-weekend-a-history-of-violence-2005/
Hazel (1853 KP) rated Spilt Milk in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>Spilt Milk</i> is the second historical novel by Amanda Hodgkinson, award-winning British author of <i>22 Britannia Road</i>. Split into two parts it follows the lives of two sisters over several decades during the first half of the twentieth century. Set in Britain, this is a novel about relationships, family, secrets… and illegitimate pregnancies. Lots of illegitimate pregnancies.
The first part spans from 1913 until 1917 thus covering the First World War period. The second part picks up the storyline in 1939 and continues until the novel’s final pages set in 1965. So yet another world war is included, although it has little impact on the plot. The first chapter is almost like the calm before the storm. Everything appears peaceful and happy until everything spirals out of control. Vivian and Nellie Marsh (aged twenty three and twenty two) have been raised by their older sister Rose in a small farmhouse since the death of their parents when Nellie was a baby. We first meet Nellie rinsing chamber pots outside where she has a feeling that something is going to happen; something good, she hopes. Alas, it turns out it was a bad feeling after all as floodwaters rise and Rose dies. The only apparent good thing is the arrival of a hired farm hand, Joe Ferier. But no, that is also a bad occurrence that leaves one sister pregnant and the other temporarily homeless.
Over the years we see how the sisters deal with the way in which their lives have drastically changed up until Nellie has a child with her husbands brother. Luckily her husband is willing to pass the child off as his own, and so Nellie, unlike the other secret pregnancies in this story, actually gets to keep her love child.
At the start of part two, Nellie’s daughter Bertha (commonly known as Birdie) is eighteen years old and finds herself – can you guess? – pregnant after a one night stand. So that it can remain secret she goes to live with her Aunt Vivian until the baby is born and adopted. Vivian ends up housing many girls including a couple of minor characters who have got themselves in a similar way. I did say there were a lot of illegitimate pregnancies! It also comes to light that supposedly innocent, spinster Rose had not one but two babies during her teenage years.
The remainder of the novel shows us how the girls: Nellie, Vivian and Birdie; get on with their lives under the burden of their personal secrets and emotions. It is Birdie who struggles the most with the knowledge that her daughter is growing up without her but to talk to anyone about it would have deep consequences.
The size of the time period means that the reader can become attached to certain key characters and feel their pain as they struggle with their emotional afflictions, however each scene passes quickly as time goes on which means we do not really get to appreciate the minor characters.
Overall it is a good, reasonably quick read which many women would enjoy, particularly those who appreciate historical fiction and may have sisters of their own and therefore understand what the power of keeping secrets can result in.
<i>Spilt Milk</i> is the second historical novel by Amanda Hodgkinson, award-winning British author of <i>22 Britannia Road</i>. Split into two parts it follows the lives of two sisters over several decades during the first half of the twentieth century. Set in Britain, this is a novel about relationships, family, secrets… and illegitimate pregnancies. Lots of illegitimate pregnancies.
The first part spans from 1913 until 1917 thus covering the First World War period. The second part picks up the storyline in 1939 and continues until the novel’s final pages set in 1965. So yet another world war is included, although it has little impact on the plot. The first chapter is almost like the calm before the storm. Everything appears peaceful and happy until everything spirals out of control. Vivian and Nellie Marsh (aged twenty three and twenty two) have been raised by their older sister Rose in a small farmhouse since the death of their parents when Nellie was a baby. We first meet Nellie rinsing chamber pots outside where she has a feeling that something is going to happen; something good, she hopes. Alas, it turns out it was a bad feeling after all as floodwaters rise and Rose dies. The only apparent good thing is the arrival of a hired farm hand, Joe Ferier. But no, that is also a bad occurrence that leaves one sister pregnant and the other temporarily homeless.
Over the years we see how the sisters deal with the way in which their lives have drastically changed up until Nellie has a child with her husbands brother. Luckily her husband is willing to pass the child off as his own, and so Nellie, unlike the other secret pregnancies in this story, actually gets to keep her love child.
At the start of part two, Nellie’s daughter Bertha (commonly known as Birdie) is eighteen years old and finds herself – can you guess? – pregnant after a one night stand. So that it can remain secret she goes to live with her Aunt Vivian until the baby is born and adopted. Vivian ends up housing many girls including a couple of minor characters who have got themselves in a similar way. I did say there were a lot of illegitimate pregnancies! It also comes to light that supposedly innocent, spinster Rose had not one but two babies during her teenage years.
The remainder of the novel shows us how the girls: Nellie, Vivian and Birdie; get on with their lives under the burden of their personal secrets and emotions. It is Birdie who struggles the most with the knowledge that her daughter is growing up without her but to talk to anyone about it would have deep consequences.
The size of the time period means that the reader can become attached to certain key characters and feel their pain as they struggle with their emotional afflictions, however each scene passes quickly as time goes on which means we do not really get to appreciate the minor characters.
Overall it is a good, reasonably quick read which many women would enjoy, particularly those who appreciate historical fiction and may have sisters of their own and therefore understand what the power of keeping secrets can result in.
Phillip McSween (751 KP) rated Rocky Balboa (2006) in Movies
Jan 28, 2019
Surprisingly Good
I think I’ve stayed away from this movie for so long because I expected it to be garbage. I mean, let’s be adult about this, Rocky V was no picnic. I was done with Rocky. Until I saw the trailer for Creed. It was at that moment that I decided to give things another go. Yes, the boxer we all know and love Rocky (Sylvester Stallone) is back at it in Rocky Balboa facing off against his first (and hopefully last) opponent since Drago.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Acting: 10
Beginning: 9
Two things really grabbed me as the movie opens. I loved the beautiful shots of Philadelphia at the start. The city plays a huge role in Rocky’s character development and these shots helped get me in tune with the heart of what the city is all about. I also appreciated the first scene between Rocky and his son Rocky Jr. (Milo Ventimiglia) depicting their strained relationship since Adrian’s death. It’s an awkward scene that makes you sympathize with where Rocky is in his life.
How did he get to this point? It’s seem like he’s lost so much, yet he’s still that gentle character from the 70’s we fell in love with. Seeing this scene was enough to tell me this film would take a lot different approach than the previous movies.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
Rocky’s older and not at the top of his game like he was when he took on Clubber Lang (what a name!). Yet he still found a way to get me out of my chair as he did in previous movies. The main bout gets pretty intense in spots as you root for the Italian Stallion to knock some sense into the new kid on the block. The conflict extends beyond the ring as well as Rocky tries to help people from his neighborhood while maintaining close relationships with family members Paulie (Burt Young) and Rocky Jr. On the surface he’s a hero, but underneath his life is in shambles. As an audience, we find ourselves rallying behind Rocky as we’ve done in all the others movies past.
Genre: 10
Memorability: 7
Compared to other films, it doesn’t quite have the same memorability as classic ones I’ve seen, but succeeds in giving us a reason to cheer and a reason to feel. Rocky Balboa succeeds in being more than just a movie about trading punches. Rather than being hollow and fight-driven, it’s a movie with real heart.
Pace: 4
The “heart” portion, unfortunately, comes at a cost. When you watch the movie, you have to adjust your expectations as things move at a much slower pace. Rocky doesn’t even consider making a return until well into the movie. I kept watching waiting for a fight to finally happen and it was slow-going. However, even with a slower pace than the previous movies, Balboa still shines.
Plot: 8
Resolution: 9
Somewhat predictable but no less powerful. It ties up nicely what we see at the beginning. A fitting finale to Rocky’s in-the-ring saga.
Overall: 87
Heroes in movies come in many forms. What makes Rocky so special is his consistency of character throughout the decades. He swore in the beginning to never change who he was, but I think he lied to us. I think he became an even better man. Rocky Balboa. Hero for the generations.
Gareth von Kallenbach (980 KP) rated Adventureland (2009) in Movies
Aug 14, 2019
The summer of 1987 holds some special memories for me as that was the year that I graduated from high school and set about my college studies. In the summer before the start of classes, I had to learn to manage finances, become independent as much as I could and that relationships in the real world are much different than they were in school.
As nice as it would have been to spend that entire summer enjoying the sun and activities and enjoying the abundance of movies, music, and video games, the demands of work and school had to be factored in as I strove to find a balance.
In the new movie “Adventureland” Writer/Director Greg Mottola has given the audience a winning mix of romance and humor that was inspired by his adventures in a Long Island amusement park in 1987.
When recent college graduate James (Jesse Eisenberg), learns that his plans to spend his summer in Europe have fallen through, he is forced to look for work in order to help fund his pending year of graduate studies thanks to his father’s recent demotion.
Despite his degree, James is unable to find work due to his lack of experience and soon finds himself resorting to working as a games operator in the local theme park Adventureland in the Pittsburgh suburbs.
As demeaning as James finds his job, he does strike up friendships with many of his co-workers including an attractive girl named Em (Kristen Stewart) and the older ride mechanic named Mike (Ryan Reynolds).
James is popular at work for his easygoing manner and the fact that he has pot to share makes him go over well with his co-workers who look for an escape from the drudgery of their jobs and the array of park goers who help make their lives difficult.
As the summer unfolds, Em and James become closer which is further complicated by the issues in the lives which stem largely from unhappy home lives and uncertainty over their futures. When other factors come into play, love triangles form which causes James to step out from his comfort zone and take stock of his life, his future, and what truly is important to him.
“Adventureland” is not a comedy nor is it a romance, but rather it is a nostalgic look back at a summer long ago, and how the events that unfolded helped shaped the lives of one man and his friends. There are some funny moments in the film but they are secondary to the stories of growth, pain, and development that mark the final steps from youth into adulthood.
Stewart and Eisenberg have a good chemistry with one another and they portray James and Em with an earnest and honest frailty that makes them come across as real people. They are not the glamorous kids that are so often featured in films with front line wardrobe, plenty of cash, and few if any concerns. They are real people who have issues that they deal with and insecurities about themselves and their futures, and are slow to let their guards down.
The look and sounds of the era are dead on and include an abundance of late 80’s tunes, so much so that a character takes the time to joke about one song being played numerous times a day.
While some may want a bit more closure or humor in the film, it is an enjoyable look at a era gone by and is filled with many moments that viewers of any age will relate to.
As nice as it would have been to spend that entire summer enjoying the sun and activities and enjoying the abundance of movies, music, and video games, the demands of work and school had to be factored in as I strove to find a balance.
In the new movie “Adventureland” Writer/Director Greg Mottola has given the audience a winning mix of romance and humor that was inspired by his adventures in a Long Island amusement park in 1987.
When recent college graduate James (Jesse Eisenberg), learns that his plans to spend his summer in Europe have fallen through, he is forced to look for work in order to help fund his pending year of graduate studies thanks to his father’s recent demotion.
Despite his degree, James is unable to find work due to his lack of experience and soon finds himself resorting to working as a games operator in the local theme park Adventureland in the Pittsburgh suburbs.
As demeaning as James finds his job, he does strike up friendships with many of his co-workers including an attractive girl named Em (Kristen Stewart) and the older ride mechanic named Mike (Ryan Reynolds).
James is popular at work for his easygoing manner and the fact that he has pot to share makes him go over well with his co-workers who look for an escape from the drudgery of their jobs and the array of park goers who help make their lives difficult.
As the summer unfolds, Em and James become closer which is further complicated by the issues in the lives which stem largely from unhappy home lives and uncertainty over their futures. When other factors come into play, love triangles form which causes James to step out from his comfort zone and take stock of his life, his future, and what truly is important to him.
“Adventureland” is not a comedy nor is it a romance, but rather it is a nostalgic look back at a summer long ago, and how the events that unfolded helped shaped the lives of one man and his friends. There are some funny moments in the film but they are secondary to the stories of growth, pain, and development that mark the final steps from youth into adulthood.
Stewart and Eisenberg have a good chemistry with one another and they portray James and Em with an earnest and honest frailty that makes them come across as real people. They are not the glamorous kids that are so often featured in films with front line wardrobe, plenty of cash, and few if any concerns. They are real people who have issues that they deal with and insecurities about themselves and their futures, and are slow to let their guards down.
The look and sounds of the era are dead on and include an abundance of late 80’s tunes, so much so that a character takes the time to joke about one song being played numerous times a day.
While some may want a bit more closure or humor in the film, it is an enjoyable look at a era gone by and is filled with many moments that viewers of any age will relate to.
Emma @ The Movies (1786 KP) rated Everybody Knows (Todos Lo Saben) (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
I can guarantee that Everybody Knows was woefully under scheduled in cinemas across the country. I luckily got to see this while I was travelling for work, there's the occasional handy perk!
A certain amount of people find foreign language films a little daunting (I may have said this when I watched the Kobiety Mafii series, if I did, apologies). Everybody Knows certainly has its issues, mainly there are a lot of characters and when you couple this with the subtitles you miss a certain amount of introductions because they're so quick.
Initially the film doesn't really flow well and I was concerned that this might be consistent through the rest, however once we get into it thankfully that changes.
Spanish farmland always seems to offer the opportunity for fantastic scenic shots and they definitely took advantage of this in the early sequences. The drone shots at the wedding were particularly stunning to see from that vantage point.
Laura is an interesting character, she's got complicated relationships all over the place, her husband, Paco and then tensions rise within the family as we progress. Penélope Cruz is incredible in this role, she adapts to every situation as it arises and brings Laura to life with an emotional performance throughout. There's a stark change in her from before to after the wedding, everything adapts to support this, acting, wardrobe, make-up. In a movie full of good things this is probably the best.
Paco, played by Javier Bardem, is a great match for Laura. He's strong, loyal and he has a very clear sense of right and wrong. The connection between the two characters is incredible, which I'm sure is due in part to the fact that they're married in real life. Paco's journey is fraught, there's confusion and frustration through a lot of it. I can' say I was overly happy with how his story ended, but then I guess not everything ends the way you want it to.
I liked the idea behind the main story, it wasn't over complicated which allowed us to connect with the characters more. I was surprised when I came out that the film had been quite so long, at no point did it feel its length, it was incredibly well paced.
Suspicions were formed fairly early on (by me) about the twist. The film presents you with a few options, I'm glad that I didn't guess correctly.
Collectively this film is wonderful, Cruz had me crying like a baby, there were surprising moments of suspense and it had a laid back Spanish attitude to it, nothing was rushed but it still manages to keep you jogging along at a quick pace.
Apart from that initial issue with the flow there is little to quibble about. It's a very enjoyable (I'm not sure that enjoyable is the right word) film. I'm not sure that I could watch it again and get the same fire out of it that I did the first time now that I know what happens.
What you should do
You should absolutely try this one, good story and good acting come together for a tear-filled journey. Cruz will make you feel so many things.
Movie thing you wish you could take home
A vineyard, summer sun, wine made by my own fair hands... *sigh*
A certain amount of people find foreign language films a little daunting (I may have said this when I watched the Kobiety Mafii series, if I did, apologies). Everybody Knows certainly has its issues, mainly there are a lot of characters and when you couple this with the subtitles you miss a certain amount of introductions because they're so quick.
Initially the film doesn't really flow well and I was concerned that this might be consistent through the rest, however once we get into it thankfully that changes.
Spanish farmland always seems to offer the opportunity for fantastic scenic shots and they definitely took advantage of this in the early sequences. The drone shots at the wedding were particularly stunning to see from that vantage point.
Laura is an interesting character, she's got complicated relationships all over the place, her husband, Paco and then tensions rise within the family as we progress. Penélope Cruz is incredible in this role, she adapts to every situation as it arises and brings Laura to life with an emotional performance throughout. There's a stark change in her from before to after the wedding, everything adapts to support this, acting, wardrobe, make-up. In a movie full of good things this is probably the best.
Paco, played by Javier Bardem, is a great match for Laura. He's strong, loyal and he has a very clear sense of right and wrong. The connection between the two characters is incredible, which I'm sure is due in part to the fact that they're married in real life. Paco's journey is fraught, there's confusion and frustration through a lot of it. I can' say I was overly happy with how his story ended, but then I guess not everything ends the way you want it to.
I liked the idea behind the main story, it wasn't over complicated which allowed us to connect with the characters more. I was surprised when I came out that the film had been quite so long, at no point did it feel its length, it was incredibly well paced.
Suspicions were formed fairly early on (by me) about the twist. The film presents you with a few options, I'm glad that I didn't guess correctly.
Collectively this film is wonderful, Cruz had me crying like a baby, there were surprising moments of suspense and it had a laid back Spanish attitude to it, nothing was rushed but it still manages to keep you jogging along at a quick pace.
Apart from that initial issue with the flow there is little to quibble about. It's a very enjoyable (I'm not sure that enjoyable is the right word) film. I'm not sure that I could watch it again and get the same fire out of it that I did the first time now that I know what happens.
What you should do
You should absolutely try this one, good story and good acting come together for a tear-filled journey. Cruz will make you feel so many things.
Movie thing you wish you could take home
A vineyard, summer sun, wine made by my own fair hands... *sigh*
Darren (1599 KP) rated Always Be My Maybe (2019) in Movies
Dec 26, 2019
Verdict: Rom Com 101
Story: Always Be My Maybe starts when we get to meet two friends Sasha and Marcus who have grown up as best friends into their high school era where they almost become a couple, only their friendship falls apart. 15 years later Sasha (Wong) has become a major celebrity chef, heading back home for the latest restaurant opening. Marcus (Park) has followed his father Harry (Saito) into the family business, getting high on the side.
When the two reunite they see the changes they have both been through and start looking at what could once have been between the two despite having their own relationships on the side.
Thoughts on Always Be My Maybe
Characters – Sasha was once Marcus best friend before becoming one of the biggest celebrity chefs in America, she has restaurants across America and now looks to return home for the latest one. She starts to see her relationship crumble and with her old best friend walking back into her life, she is left to wonder what if. Marcus was Sasha best friend too, he never made too much of his life, working with his father, getting high and being part of his small band, never leave San Francisco. With Sasha back in his life, he must decide if it is finally time to take a chance on life. Harry is Marcus father that has always let him do his own thing, they both lost his wife and mother to Marcus. Veronica is Sasha best friend who is always there for business and personal issues, she knows about the previous friendship.
Performances – Randall Park and Ali Wong are both fine in the leading roles, they do struggle with balancing the ideas of their stand-up routines, with realistic conversations, which shows through the film. The supporting performers do get the better laughs, with more realistic nature to everything happening.
Story – The story follows two childhood friends that almost became more that have gone onto live very different lives until they get a chance to meet up again 15-years-later to put forward the question once more about what could have been. We do have deeper side to the story, which explores the ideas of not taking chances in life, when you meet somebody who will go everywhere. The idea that the two get a second chance does make most of the story feel like a straight to TV level of storytelling and while it doesn’t completely fall into relying on stand-up jokes, we do get more than we need to. The story does have a proper heart which is the important factor needed, only it just doesn’t do much more outside of this.
Comedy/Romance – The comedy is mostly miss until Keanu Reeves arrives on the scene, where he will give laughs through the scenes with ease, while the romance elements are everything we have seen before.
Settings – The film is mostly set in San Francisco which is always a nice backdrop, it does show the different lifestyles the two are living with where they feel more comfortable.
Scene of the Movie – Double date.
That Moment That Annoyed Me – It offers nothing new to the rom com.
Final Thoughts – This is a by the book rom com that does get saved by an outrageous cameo, which is the clear highlight of the film.
Overall: Simple and Fun.
Story: Always Be My Maybe starts when we get to meet two friends Sasha and Marcus who have grown up as best friends into their high school era where they almost become a couple, only their friendship falls apart. 15 years later Sasha (Wong) has become a major celebrity chef, heading back home for the latest restaurant opening. Marcus (Park) has followed his father Harry (Saito) into the family business, getting high on the side.
When the two reunite they see the changes they have both been through and start looking at what could once have been between the two despite having their own relationships on the side.
Thoughts on Always Be My Maybe
Characters – Sasha was once Marcus best friend before becoming one of the biggest celebrity chefs in America, she has restaurants across America and now looks to return home for the latest one. She starts to see her relationship crumble and with her old best friend walking back into her life, she is left to wonder what if. Marcus was Sasha best friend too, he never made too much of his life, working with his father, getting high and being part of his small band, never leave San Francisco. With Sasha back in his life, he must decide if it is finally time to take a chance on life. Harry is Marcus father that has always let him do his own thing, they both lost his wife and mother to Marcus. Veronica is Sasha best friend who is always there for business and personal issues, she knows about the previous friendship.
Performances – Randall Park and Ali Wong are both fine in the leading roles, they do struggle with balancing the ideas of their stand-up routines, with realistic conversations, which shows through the film. The supporting performers do get the better laughs, with more realistic nature to everything happening.
Story – The story follows two childhood friends that almost became more that have gone onto live very different lives until they get a chance to meet up again 15-years-later to put forward the question once more about what could have been. We do have deeper side to the story, which explores the ideas of not taking chances in life, when you meet somebody who will go everywhere. The idea that the two get a second chance does make most of the story feel like a straight to TV level of storytelling and while it doesn’t completely fall into relying on stand-up jokes, we do get more than we need to. The story does have a proper heart which is the important factor needed, only it just doesn’t do much more outside of this.
Comedy/Romance – The comedy is mostly miss until Keanu Reeves arrives on the scene, where he will give laughs through the scenes with ease, while the romance elements are everything we have seen before.
Settings – The film is mostly set in San Francisco which is always a nice backdrop, it does show the different lifestyles the two are living with where they feel more comfortable.
Scene of the Movie – Double date.
That Moment That Annoyed Me – It offers nothing new to the rom com.
Final Thoughts – This is a by the book rom com that does get saved by an outrageous cameo, which is the clear highlight of the film.
Overall: Simple and Fun.
Natari (73 KP) rated Christmas At The Palace in Books
Jul 19, 2019
This book takes a very ordinary romance between two people and places it in an extraordinary circumstance. Boy meets girl, girl and boy fall in love. Ordinary. But boy is a prince of England and girl is a doctor in love with her career and charity work. But that isn't the only conflicts in this romance. They don't fall out over "PUTTING THE DISHES IN THE VICINITY OF THE DISHWASHER IS NOT DOING THE DISHES" like ordinary couples, but there are many ups and downs in their whirlwind romance. That is what makes the story fun to read. Stories need conflict, and human relationships provide such novelties aplenty in various guises.
But what makes this a great book is the sheer genuine interactions. It makes it pleasant, because you can believe the story. The couple are a little older, they aren't the rush of youth stumbling into a relationship, but wizened 30 year olds who are looking for more meaning in each other. It is very fast paced, and definitely a whirlwind romance spanning major milestones in the novel. However, the plot backs up the reasoning for this. You don't feel rushed. It's like a Sunday afternoon drive in bumper cars. Thrilling but relaxing.
The book is very obviously, and at times heavily, inspired by the Duke and Duchess of Sussex, Prince Harry and Meghan, with telling traits of other family members and situations. But it isn't a fictionalised version of their story. It is definitely Kumari's story, it is just set in our modern world.
Characters are well rounded and deep. I like the Goofball prince. He isn't your typical prince charming, he's quite blokey but loveable. Kumari is fantastic. I love her character and her rebellious resolve. She's mature and can be quite reserved, which helps her cope better with the extreme situation the book demands. I liked how her cultural attributes were used in the book. Not in the sense of the "scandal" that that led the plot, but in the natural fit of words like amma and thatha (Sri Lankan words for mother and father). Never explained, just in use. These things are so easily taken for granted in 'white person' literature. As the white girl dating a British guy whose parents migrated from abroad, I'm fortunate to understand the story from Prince Ben's point of view. Or rather, unfortunate, as the toxicity of Brexit campaigns are polluting the UK right now and we have to watch our loved ones bear the force of idiots. I hope more books with British heros of non-white backgrounds litter our library shelves and top reads at supermarkets more quickly. I very much want people to understand that people are people. And Christmas at the Palace makes this point so beautifully. It isn't being preached, it's just telling it like it is, for better or for worse.
My favourite character is Ophelia, whose story has been set up for a sequel. She's loud but polite and acts as if she is brash, but is terrifyingly calculating. She's wonderful.
All in all, the book was an easy, enjoyable read. Normally I read non-stop but life and work happened and I had to take frequent breaks. It was easy to do with Christmas at the Palace because there are sections that separate the major points of the story. If you don't always have a lot of time to read, this is a good recommendation as you can pick it up and continue and not be missing out or having to re-read passages.
But what makes this a great book is the sheer genuine interactions. It makes it pleasant, because you can believe the story. The couple are a little older, they aren't the rush of youth stumbling into a relationship, but wizened 30 year olds who are looking for more meaning in each other. It is very fast paced, and definitely a whirlwind romance spanning major milestones in the novel. However, the plot backs up the reasoning for this. You don't feel rushed. It's like a Sunday afternoon drive in bumper cars. Thrilling but relaxing.
The book is very obviously, and at times heavily, inspired by the Duke and Duchess of Sussex, Prince Harry and Meghan, with telling traits of other family members and situations. But it isn't a fictionalised version of their story. It is definitely Kumari's story, it is just set in our modern world.
Characters are well rounded and deep. I like the Goofball prince. He isn't your typical prince charming, he's quite blokey but loveable. Kumari is fantastic. I love her character and her rebellious resolve. She's mature and can be quite reserved, which helps her cope better with the extreme situation the book demands. I liked how her cultural attributes were used in the book. Not in the sense of the "scandal" that that led the plot, but in the natural fit of words like amma and thatha (Sri Lankan words for mother and father). Never explained, just in use. These things are so easily taken for granted in 'white person' literature. As the white girl dating a British guy whose parents migrated from abroad, I'm fortunate to understand the story from Prince Ben's point of view. Or rather, unfortunate, as the toxicity of Brexit campaigns are polluting the UK right now and we have to watch our loved ones bear the force of idiots. I hope more books with British heros of non-white backgrounds litter our library shelves and top reads at supermarkets more quickly. I very much want people to understand that people are people. And Christmas at the Palace makes this point so beautifully. It isn't being preached, it's just telling it like it is, for better or for worse.
My favourite character is Ophelia, whose story has been set up for a sequel. She's loud but polite and acts as if she is brash, but is terrifyingly calculating. She's wonderful.
All in all, the book was an easy, enjoyable read. Normally I read non-stop but life and work happened and I had to take frequent breaks. It was easy to do with Christmas at the Palace because there are sections that separate the major points of the story. If you don't always have a lot of time to read, this is a good recommendation as you can pick it up and continue and not be missing out or having to re-read passages.
Andy K (10823 KP) rated What We Left Behind: Looking Back at Deep Space Nine (2018) in Movies
Jul 23, 2019
Where would we be without DS9?
Maybe the best Trek of all time?
Sisko, Odo, Kira, O'Brien, Dax, Quark, Bashir and the rest of the massive cast brought Star Trek to life as never before in this vastly different "station"ary style of Trek.
At the time, syndication was where it was at for reruns and additional revenue for a TV program. DS9 bucked the trend of wrapping up everything within one episode and began a TV serial which pretty much ran almost the entire run, much to the dismay of studio executives. Nowadays, shows like The Walking Dead, Lost, or Game of Thrones do this every week, but in the mid 90s this was not common.
Sandwiched in between The Next Generation and Voyager, DS9 did not get a lot of respect during its initial run at all. Also at that time, Trek TNG movies were in full swing so the show had to compete with that as well. Television stations would often preempt the show, skip a week or run the show in the early morning hours which made it even harder for its audience to keep track of the action.
DS9 certainly got a 2nd life with the current popularity of "binge watching" on your favorite streaming service. Having the ability to watch multi-part episodes or entire seasons within a few weeks brought back to life the en genius writing, acting and production quality of the series.
For this documentary, former showrunner Ira Steven Behr took several years worth of cast, crew and fan interviews, clips, behind the scenes footage and compiled a wonderful interesting film for any Trek fan. Many cast members major and minor as well as producers, writers and tech workers told tales of working on the show and how they very much enjoyed their time.
Throughout the many iterations of Trek, original creator Gene Roddenberry felt the show should entertain as well as provide social commentary on the issues of the time and DS9 was no exception. Throughout the show's 7 year run they dealt with issues such as racism, homelessness, same sex relationships and even genetic engineering.
One of the most fun subplots of the film was gathering the show's original writers in a room to formulate the first episode for the fictitious "Season 8" which will never actually happen (although I wish it would). The ideas, plot points and arcs they went through and came up with were extremely interesting, keep with the high level of writing the show originally produced, but also through us a few curveballs with some fun surprises.
Through the cast interviews we got to hear how the crew got along, some of their favorite and least favorite episodes and even the friendships they have maintained with one another.
The DVD set I received also had included a vast assortment of additional footage featuring even more nuggets and stories of what made the show great.
Overall, this film was one of the best documentaries I have ever seen about one of my favorite television programs in my lifetime. I might have to start binge watching the show again very soon.
Did I mention my name appears in the end credits?!? 😊
Sisko, Odo, Kira, O'Brien, Dax, Quark, Bashir and the rest of the massive cast brought Star Trek to life as never before in this vastly different "station"ary style of Trek.
At the time, syndication was where it was at for reruns and additional revenue for a TV program. DS9 bucked the trend of wrapping up everything within one episode and began a TV serial which pretty much ran almost the entire run, much to the dismay of studio executives. Nowadays, shows like The Walking Dead, Lost, or Game of Thrones do this every week, but in the mid 90s this was not common.
Sandwiched in between The Next Generation and Voyager, DS9 did not get a lot of respect during its initial run at all. Also at that time, Trek TNG movies were in full swing so the show had to compete with that as well. Television stations would often preempt the show, skip a week or run the show in the early morning hours which made it even harder for its audience to keep track of the action.
DS9 certainly got a 2nd life with the current popularity of "binge watching" on your favorite streaming service. Having the ability to watch multi-part episodes or entire seasons within a few weeks brought back to life the en genius writing, acting and production quality of the series.
For this documentary, former showrunner Ira Steven Behr took several years worth of cast, crew and fan interviews, clips, behind the scenes footage and compiled a wonderful interesting film for any Trek fan. Many cast members major and minor as well as producers, writers and tech workers told tales of working on the show and how they very much enjoyed their time.
Throughout the many iterations of Trek, original creator Gene Roddenberry felt the show should entertain as well as provide social commentary on the issues of the time and DS9 was no exception. Throughout the show's 7 year run they dealt with issues such as racism, homelessness, same sex relationships and even genetic engineering.
One of the most fun subplots of the film was gathering the show's original writers in a room to formulate the first episode for the fictitious "Season 8" which will never actually happen (although I wish it would). The ideas, plot points and arcs they went through and came up with were extremely interesting, keep with the high level of writing the show originally produced, but also through us a few curveballs with some fun surprises.
Through the cast interviews we got to hear how the crew got along, some of their favorite and least favorite episodes and even the friendships they have maintained with one another.
The DVD set I received also had included a vast assortment of additional footage featuring even more nuggets and stories of what made the show great.
Overall, this film was one of the best documentaries I have ever seen about one of my favorite television programs in my lifetime. I might have to start binge watching the show again very soon.
Did I mention my name appears in the end credits?!? 😊
