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The Passion of Joan of Arc (1928)
The Passion of Joan of Arc (1928)
1928 | Biography, Drama, History
8.4 (5 Ratings)
Movie Favorite

"It is the most vexing challenge because I just find that, depending… I’m not so psychotic that my mind changes constantly on that subject, but it really depends on where you are in your life. You sort of have a rolling list of a few dozen that you cherish for different reasons. All you try to do is avoid interviews like this so you don’t get pinned down. [laughs] No, I always have trouble pinning anything to a fixed list. Why is it hard? Is it easy for you? You start thinking about the directors you leave off the list and your heart starts breaking. In chronological order, The Passion of Joan of Arc. The last time I saw that film, it struck as me as if it was an artifact from the period itself that it’s depicting. It was like a medium unto itself, and [Maria] Falconetti’s performance, it really cannot be compared to anything else. It’s beyond naturalism, it’s beyond melodrama, it’s beyond everything. It’s just coming straight out of her soul. But mainly, the last time I saw it I just had this weird time slip kind of experience where I felt like I was really seeing a mad visionary from the time who somehow invented the movie camera. [laughs] Putting on this intense pageant on this subject of intense religious devotion. I find that film a knockout. You can’t watch it lightly, but that’s all right."

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The Rules of Attraction (2002)
The Rules of Attraction (2002)
2002 | Comedy, Drama
Bracingly twisted, disturbing 110 minutes of sex-crazed, sleazebag college sociopaths and the unenviably depressing lives they lead. A more quintessential Bret Easton Ellis film than even 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯 𝘗𝘴𝘺𝘤𝘩𝘰 in showcasing his deliriously warped sense of the world. A university 'romance' drama soaked in booze, coke, apathy, sex, and a seething disdain for living well - naturally I loved it in all its parasitic debauchery. One of the most quietly experimental films of the early 2000s and also one of the fewer ones from that era that actually has a righteous soundtrack and tolerable sense of style. James Van Der Beek is a beast - existing on some other religious, primordial plane of existence that we can't comprehend in our current timeline just yet - and every other performance isn't too far behind. We should probably check up on the people who view this as some sort of misunderstood Truth Serum though, I just love it because it's fucked up tbh and I unashamedly dig me some rich slime. Loathes its characters but never superficially, like it *really* does - revels in the glee of inflicting cruelty on these horrid people but backs it up with tangible emotion to create this hypnotic clash of feelings. Couldn't take my eyes off it. I shudder to even use this now meaningless saying but... I'd be hard pressed to say you could have gotten away with making this today.