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Those Left Behind (Serenity #1)
Book
Joss Whedon, creator of Buffy the Vampire Slayer and scribe of Marvel's Astonishing X-Men, unveils a...
Recursion
Book
What if someone could rewrite your entire life? "My son has been erased." Those are the last...
David McK (3425 KP) rated Ghostbusters: Afterlife (2021) in Movies
Nov 28, 2021 (Updated Mar 30, 2024)
Who ya gonna call?
Ghostbusters 2 was released in 1989.
Ghostbusters: The video game in 2009.
At that stage, it was - unofficially - touted as Ghostbusters 3.
The (atrocious) remake was in 2006.
This was released in 2021 - so over 30 years since Ghostbusters 2 - and is now the 'official' third entry in the franchise.
Having said that, there is absolutely no mention of Ghostbusters 2 during it, so you could easily skip that if you wanted a rewatch before going to see this.
This follows a new family, who find they have ties to a Ghostbuster of yore, when they are evicted from their tenement and inherit a farmhouse out in the rural countryside: a farmhouse that has secrets of its own, as does the surrounding neighbourhood.
It's also no secret that this relies heavily on nostalgia for the original and that family is at the core of the movie, written - as it is - by the son of the late Ivan Reitman (Jason Reitman) - and paying an elegiac tribute to the late Harold Ramis (1 of the original 4 Ghostbusters - Egon Spengler - , who passed in 2014.
Oh, and the post (not mid) -credits scene? Goes some way to making up for how Ernie Hudson was treated in the original, when he saw his scenes drastically cut from what was intended.
Ghostbusters: The video game in 2009.
At that stage, it was - unofficially - touted as Ghostbusters 3.
The (atrocious) remake was in 2006.
This was released in 2021 - so over 30 years since Ghostbusters 2 - and is now the 'official' third entry in the franchise.
Having said that, there is absolutely no mention of Ghostbusters 2 during it, so you could easily skip that if you wanted a rewatch before going to see this.
This follows a new family, who find they have ties to a Ghostbuster of yore, when they are evicted from their tenement and inherit a farmhouse out in the rural countryside: a farmhouse that has secrets of its own, as does the surrounding neighbourhood.
It's also no secret that this relies heavily on nostalgia for the original and that family is at the core of the movie, written - as it is - by the son of the late Ivan Reitman (Jason Reitman) - and paying an elegiac tribute to the late Harold Ramis (1 of the original 4 Ghostbusters - Egon Spengler - , who passed in 2014.
Oh, and the post (not mid) -credits scene? Goes some way to making up for how Ernie Hudson was treated in the original, when he saw his scenes drastically cut from what was intended.
Ross (3284 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jan 8, 2018
Porgs not as annoying as expected (1 more)
Muppet Yoda is back (no CGI nonsense)
Contains spoilers, click to show
I enjoyed the film at the time, but something niggles afterwards that some of it was just sloppy.
Captain Phasma - a strong female villain - was barely present and did not add anywhere near as much to the story as hoped for.
There was the perfect opportunity to write Carrie Fisher out of the story in a particularly poignant moment, but that wasn't followed through (and now she will just have to be written out in the opening scenes of the following film "Oh isn't it a shame about General Morgana dying").
The most irritating part of the plot for me was how quickly Finn is supposed to have walked back, dragging Rose. It took them 10 minutes driving to their destination but he somehow manages to walk it in 2 minutes, dragging another person, past a fleet of AT-ATs! That took me right out of the moment.
Rey was not used anywhere near enough. As the strong female lead, having her spend the entire film trying to persuade Luke to help or train her was just a waste of time. They should have just used a montage.
Otherwise it was an acceptable film in the series, less of a remake of Empire than The Force Awakens was of A New Hope thankfully.
Captain Phasma - a strong female villain - was barely present and did not add anywhere near as much to the story as hoped for.
There was the perfect opportunity to write Carrie Fisher out of the story in a particularly poignant moment, but that wasn't followed through (and now she will just have to be written out in the opening scenes of the following film "Oh isn't it a shame about General Morgana dying").
The most irritating part of the plot for me was how quickly Finn is supposed to have walked back, dragging Rose. It took them 10 minutes driving to their destination but he somehow manages to walk it in 2 minutes, dragging another person, past a fleet of AT-ATs! That took me right out of the moment.
Rey was not used anywhere near enough. As the strong female lead, having her spend the entire film trying to persuade Luke to help or train her was just a waste of time. They should have just used a montage.
Otherwise it was an acceptable film in the series, less of a remake of Empire than The Force Awakens was of A New Hope thankfully.
Suswatibasu (1701 KP) rated It (2017) in Movies
Jan 16, 2018 (Updated Jan 16, 2018)
Bill Skarsgard as Pennywise (1 more)
Child actors
Unlike the original, scares a little overhyped
I had a lot of expectations going in to watch this remake of a classic. But I'm a little disappointed to be honest.
Unlike the original, this film solely concentrates on the cast as they were children, and there are no scenes of them as adults replaying their pasts. However, it is apparent that there will be a second part, as the kids mention their pact to reunite if the clown ever makes another appearance. In this way, they have changed Stephen King's book, but I'm not sure if it's for the better. One of the gifts of King horrors are the actual plots and storylines that run through them. Here, it actually felt like a slightly scarier version of @Stranger Things with even an actor from the series landing one of the main roles in this film.
On the upside, there were plenty of nods to the original movie, with Tim Curry's clown making a cameo in one of the scenes. Bill Skarsgard's version was just as good as Curry's but the downside was that there was too many scenes with him making an appearance losing the scare factor. Sometimes less is more. The child actors were fantastic, and the back stories were far darker, exposing abuse in its many forms. Overall, it was an interesting watch, but it may have been overhyped.
Unlike the original, this film solely concentrates on the cast as they were children, and there are no scenes of them as adults replaying their pasts. However, it is apparent that there will be a second part, as the kids mention their pact to reunite if the clown ever makes another appearance. In this way, they have changed Stephen King's book, but I'm not sure if it's for the better. One of the gifts of King horrors are the actual plots and storylines that run through them. Here, it actually felt like a slightly scarier version of @Stranger Things with even an actor from the series landing one of the main roles in this film.
On the upside, there were plenty of nods to the original movie, with Tim Curry's clown making a cameo in one of the scenes. Bill Skarsgard's version was just as good as Curry's but the downside was that there was too many scenes with him making an appearance losing the scare factor. Sometimes less is more. The child actors were fantastic, and the back stories were far darker, exposing abuse in its many forms. Overall, it was an interesting watch, but it may have been overhyped.
Awix (3310 KP) rated The Beast From 20,000 Fathoms (1953) in Movies
May 31, 2018 (Updated May 31, 2018)
American A-bomb test has unexpected consequences when the blast defrosts a frozen, wholly fictional dinosaur; the creature swims off to devastate the nearest city for no particularly well-explained reason. A decent monster movie with a surprisingly gritty tone (by the standards of the genre, anyway); in terms of cultural impact, utterly eclipsed by an unofficial Japanese remake which came out the following year and has had 31 sequels to date.
There are various quirky and tropey bits that will raise a smile for the seasoned viewer of this sort of thing (e.g. the moment when the sweet old supporting character postpones their first holiday in thirty years in order to look for the monster: they might as well have him followed around by a robed man with a scythe), but on the whole it passes the time well enough. There is a sense in which most of the film is just filling time until the climax, when the Rhedosaurus runs amok in the streets of New York, but it does so fairly engagingly; also manages to find a half-decent explanation as to why they don't just bomb the monster to death (Devlin and Emmerich, please take note). Wheeled on for monster-extermination duties is a young Lee van Cleef, who seems slightly annoyed to be appearing in this kind of film. Great fun to watch when you're about seven; stands up pretty well for older viewers, too.
There are various quirky and tropey bits that will raise a smile for the seasoned viewer of this sort of thing (e.g. the moment when the sweet old supporting character postpones their first holiday in thirty years in order to look for the monster: they might as well have him followed around by a robed man with a scythe), but on the whole it passes the time well enough. There is a sense in which most of the film is just filling time until the climax, when the Rhedosaurus runs amok in the streets of New York, but it does so fairly engagingly; also manages to find a half-decent explanation as to why they don't just bomb the monster to death (Devlin and Emmerich, please take note). Wheeled on for monster-extermination duties is a young Lee van Cleef, who seems slightly annoyed to be appearing in this kind of film. Great fun to watch when you're about seven; stands up pretty well for older viewers, too.
Leigh J (71 KP) rated Pet Sematary (2019) in Movies
Nov 14, 2019
Dead on Arrival
Doctor and Family man Louis and his wife Rachel decide to move to Maine with their 2 kids Ellie and Gage, so that Louis can work at a University Hospital and Rachel can have more time with the kids. Whilst running around the large property, Ellie literally stumbles into a large wall of trees, which she unsuccessfully tries to climb and thus meets Judd, an elderly neighbour who tends to her injury and advises her not to play around the area. When Judd meets Louis, he advises that the Pet Sematary near their property where Ellie was playing is actually their land also. However when the family Cat, Church, is fatally injured; Judd shows Louis what is behind the wall of Trees, and advises him to bury Church there. The next morning, Church is miraculously back... and he's acting vicious and erratic. Is Church really the family cat? Or has something else altogether possessed Church? And when tragedy befalls this family yet again, what lengths will Louis go to to keep his family?
I've read the Pet Sematary Book (by Stephen King) and it's an absolute page turner so I was really excited to see this Remake. However, the whole thing fell flat for me. It wasn't remotely scary or interesting, even. It was just bland and made you feel a bit "meh" about the whole thing. Such a shame as the Book is excellent.
I've read the Pet Sematary Book (by Stephen King) and it's an absolute page turner so I was really excited to see this Remake. However, the whole thing fell flat for me. It wasn't remotely scary or interesting, even. It was just bland and made you feel a bit "meh" about the whole thing. Such a shame as the Book is excellent.
Kim Pook (101 KP) rated Child's Play (2019) in Movies
Apr 12, 2020
Very good remake
Contains spoilers, click to show
If you watch the movie with the intention to compare it to the original, chances are you won't like it. This is exactly what I did upon first putting the movie on, when it first showed the ibuddy doll I almost immediately turned it off, I mean come on that is NOT how a good guy doll should look. Instead I stopped trying to compare, took it for what it was and ended up enjoying it. The storyline is completely different to original child's play. instead of a murderers soul trapped in a doll trying to find another human to transfer into, it is essentially a smart doll which goes haywire trying to keep Andy for himself. However, for a doll I found it funny that Andy could have conversations with him like he really was human and he thought nothing of it. I don't know about you but if a toy started understanding and communicating with me I would freak out! Anyway, this aside I really enjoyed the movie, the humour was spot on (I laughed way too hard when chucky presented Andy with his mums boyfriends face as a present, including a bow 😂😂), the death scenes were good and gory and acting was great. OK so it wasn't Brad douriff but tear yourself away from the original and you've got a pretty decent slasher.
Awix (3310 KP) rated The A-Team (2010) in Movies
Feb 16, 2020
Leaden remake of the popular-in-the-80s-but-only-possible-to-enjoy-ironically-now TV action show. Unhinged special-forces unit the A-Team are framed for a crime they didn't commit, bust out of prison, try to clear their names by going to Germany. Where, you may be wondering, is the mom 'n' pop store being threatened by cheap gangsters the team are called in to protect? Where is Hannibal putting on a stupid disguise? Where is the bit where the bad guys lock them in a shed with a load of welding gear, allowing them to build an armoured car out of bits of old washing machine? Where is the scene where they spray 35,000 rounds of .223 ammunition at the bad guys, destroying everything in sight but leaving their targets miraculously unscathed? Friends, none of these things are here.
Instead it's almost as if the A-Team have wandered into a rather downbeat Mission: Impossible movie, or possibly one of the Bournes. You don't expect to have to wrestle with the plot of The A-Team but there's a confusing tangle of double-crosses and betrayals between military intelligence, the CIA and private security firms at the heart of this. Seems to fundamentally misunderstand the essential cheesy disposability of The A-Team by trying to make it feel like a serious drama. I wouldn't have thought it was possible: this manages to be both inauthentic to the original series and also bad.
Instead it's almost as if the A-Team have wandered into a rather downbeat Mission: Impossible movie, or possibly one of the Bournes. You don't expect to have to wrestle with the plot of The A-Team but there's a confusing tangle of double-crosses and betrayals between military intelligence, the CIA and private security firms at the heart of this. Seems to fundamentally misunderstand the essential cheesy disposability of The A-Team by trying to make it feel like a serious drama. I wouldn't have thought it was possible: this manages to be both inauthentic to the original series and also bad.
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How to Turn Down a Billion Dollars: The Snapchat Story
Book
Snapchat is the tech startup that got ahead by breaking all the rules. Its CEO, Evan Spiegel, and...