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KyleQ (267 KP) rated Halloween (2018) in Movies
Jul 20, 2020
I wanted to like it.
Ignoring every entry other than Carpenter's original, 2018's Halloween attempts to reboot the Franchise in anew direction.
Oddly enough, comedian Danny McBride was a writer, while director David Gordon Green (Pineapple Express) directed.
I blame much of my distaste on their overhyping it. They said this would be a slower movie focused on creating suspense ala the original.
In reality, this more than tripled the body count, even surpassing Rob Zombie's remake which was 10 minutes longer.
From the get-go, Michael just wanders about killing people, at one point we just follow him walking down a street randomly killing people. This has more senseless violence then Zombie's outings.
Another thing I didn't like was that, with this only following the original in which after escaping, he killed 4 people. It doesn't make sense that he would be this popular legend still talked about 40 years later.
Also, victims are idiots, it's no shock who gets killed. Honestly, Laurie (Jamie Lee Curtis) was the only likable character, and even she pushed it a bit.
For positives, Carpenter's score was great, I liked some of the camera work. Intro credits were cool, throwing back to the original. And Curtis was good returning as Laurie Strode.
I really wanted to like 2018's Halloween, but it lacked suspense, characters were dumb, it felt more like a senseless action/comedy than horror. This would've fit the Friday the 13th franchise better. I really hope that the sequels are better.
Oddly enough, comedian Danny McBride was a writer, while director David Gordon Green (Pineapple Express) directed.
I blame much of my distaste on their overhyping it. They said this would be a slower movie focused on creating suspense ala the original.
In reality, this more than tripled the body count, even surpassing Rob Zombie's remake which was 10 minutes longer.
From the get-go, Michael just wanders about killing people, at one point we just follow him walking down a street randomly killing people. This has more senseless violence then Zombie's outings.
Another thing I didn't like was that, with this only following the original in which after escaping, he killed 4 people. It doesn't make sense that he would be this popular legend still talked about 40 years later.
Also, victims are idiots, it's no shock who gets killed. Honestly, Laurie (Jamie Lee Curtis) was the only likable character, and even she pushed it a bit.
For positives, Carpenter's score was great, I liked some of the camera work. Intro credits were cool, throwing back to the original. And Curtis was good returning as Laurie Strode.
I really wanted to like 2018's Halloween, but it lacked suspense, characters were dumb, it felt more like a senseless action/comedy than horror. This would've fit the Friday the 13th franchise better. I really hope that the sequels are better.
Taco Cleanse
Wes Allison, Stephanie Bogdanich, Molly R. Frisinger and Jessica Morris
Book
Tired of the same old cleanse? Instead of feeling rejuvenated are you feeling depleted, anxious, and...
The Power of Habit: Why We Do What We Do, and How to Change
6.0
Rate It
Book
In "The Power of Habit", award-winning "New York Times" business reporter Charles Duhigg takes us to...
Chloe (778 KP) rated Enola Holmes (2020) in Movies
Nov 7, 2020 (Updated Nov 7, 2020)
Millie Bobby Brown (1 more)
Henry Cavill
Lacking mystery (5 more)
Lacking plot
Too much done badly
Disappointing
Boring
4th Wall
Disappointing
Contains spoilers, click to show
This is the first time that I have felt disappointed about a Holmes universe remake. Usually they are done well out of respect for Sir Arthur Conan Doyle. The plot could have been so much better, it seemed to get lost within itself.
There were some good ideas and potentials for much better plot e.g. the suffragettes rising and the bombing plot but this was only touched on. The only reason we kept watching was to see if the mother was going to be involved with a bombing plot. The feminist aspect was then reversed when she went chasing after a boy, although with a political meaning this was still heavily focused on their relationship.
All the clues were spoon fed to you and had no real significance. There was no audience immersion like other Holmes movies. I don't know if that was what the 4th wall stuff was supposed to do, this did not work for me and soon became boring as it added very little.
This could have been half an hour shorter and achieved the same story.
Considering this seemed to be aimed at teens, some of the fight scenes were brutal especially where Enola is nearly drowned!
The only redeeming features are the cast list. Bobby Brown was endearing and is an excellent young actress. With more Henry Cavill in it this may have improved the whole story.
There were some good ideas and potentials for much better plot e.g. the suffragettes rising and the bombing plot but this was only touched on. The only reason we kept watching was to see if the mother was going to be involved with a bombing plot. The feminist aspect was then reversed when she went chasing after a boy, although with a political meaning this was still heavily focused on their relationship.
All the clues were spoon fed to you and had no real significance. There was no audience immersion like other Holmes movies. I don't know if that was what the 4th wall stuff was supposed to do, this did not work for me and soon became boring as it added very little.
This could have been half an hour shorter and achieved the same story.
Considering this seemed to be aimed at teens, some of the fight scenes were brutal especially where Enola is nearly drowned!
The only redeeming features are the cast list. Bobby Brown was endearing and is an excellent young actress. With more Henry Cavill in it this may have improved the whole story.
Terry Crews recommended The Thing (1982) in Movies (curated)
LeftSideCut (3776 KP) rated Black Christmas (2019) in Movies
Dec 17, 2020
Fuck I really hated this.
Ignoring the politics side for a moment - it's a hugely poor horror film. It's devoid of any scares, it cuts away from any gore, and perhaps worst of all, it has the audacity to be called "Black Christmas" - which is quite simply one of the best slashers ever made.
Did this film even start as a Black Christmas remake? It basically goes: Men are shit - some people get killed offscreen - weird supernatural twist - oh shit, it's Black Christmas, better throw in a glass unicorn sculpture.
The supernatural part is something I'm not mad at actually - at least it tried something different rather than being a straight re tread.
Then of course, there's the aformentioned politics, which is what most people's issue is with this film. Feminist messages in horror movies can be hugely effective - the original Black Christmas does it well for example - but I can't help but feel that the message this version putting out there is severely mishandled. As a guy, I am willing to hear how I'm wrong in this instance, but it feels sooooo over the top with what it's trying to do. It's not too hard to be on board with for the most part, but the final scenes really go for it - I mean the lines "you're insane!" "No, we're just men" - really!? It just feels very in the nose to me.
Other than that, this film is turd. It gets a star for Imogen Poots and the creative snow angel death scene at the start. Watch the original instead.
Ignoring the politics side for a moment - it's a hugely poor horror film. It's devoid of any scares, it cuts away from any gore, and perhaps worst of all, it has the audacity to be called "Black Christmas" - which is quite simply one of the best slashers ever made.
Did this film even start as a Black Christmas remake? It basically goes: Men are shit - some people get killed offscreen - weird supernatural twist - oh shit, it's Black Christmas, better throw in a glass unicorn sculpture.
The supernatural part is something I'm not mad at actually - at least it tried something different rather than being a straight re tread.
Then of course, there's the aformentioned politics, which is what most people's issue is with this film. Feminist messages in horror movies can be hugely effective - the original Black Christmas does it well for example - but I can't help but feel that the message this version putting out there is severely mishandled. As a guy, I am willing to hear how I'm wrong in this instance, but it feels sooooo over the top with what it's trying to do. It's not too hard to be on board with for the most part, but the final scenes really go for it - I mean the lines "you're insane!" "No, we're just men" - really!? It just feels very in the nose to me.
Other than that, this film is turd. It gets a star for Imogen Poots and the creative snow angel death scene at the start. Watch the original instead.
Hades Miller (2 KP) rated Mulan (2020) in Movies
Dec 13, 2020
Acting (1 more)
Fight scenes
Plot (1 more)
Liu Yifei
More like...Meh-lan
I have to admit, I am one of those people who doesn't really get why they are remaking animated Disney movies and not just...animating them again. Live action is fine, but animation, especially American animation, is just much more expressive. Mulan falls victim to this problem. If they didn't try to follow the original somewhat, it wouldn't be true to the source material & if they didn't try something new, it would just be a rehash. Don't get me wrong, I enjoyed quite a bit of this movie, but the finished product didn't really feel like it had a purpose.
My biggest issue is that every new idea they added never felt like it went anywhere. "Here's another woman who is a powerful fighter like Mulan...oh wait she let's gone." "Mulan has a sister! She adds nothing to the plot." Nothing new is ever followed through in an interesting way and just seems half-heartedly thrown in. This basically just leaves the rehashed parts of Mulan which, outside of more serious fight scenes...isn't all that interesting
Is it worth watching once? Sure. Is it something worth watching over and over again like the original Mulan, or heck, even the straight to DVD sequel? Well, that's obviously up to you, but I likely won't be watching this again anytime soon.
Also, replacing hard-work, dedication, and a good old fashioned dose of pig-headedness with chi is a lazy way to try and separate a remake from it's source.
My biggest issue is that every new idea they added never felt like it went anywhere. "Here's another woman who is a powerful fighter like Mulan...oh wait she let's gone." "Mulan has a sister! She adds nothing to the plot." Nothing new is ever followed through in an interesting way and just seems half-heartedly thrown in. This basically just leaves the rehashed parts of Mulan which, outside of more serious fight scenes...isn't all that interesting
Is it worth watching once? Sure. Is it something worth watching over and over again like the original Mulan, or heck, even the straight to DVD sequel? Well, that's obviously up to you, but I likely won't be watching this again anytime soon.
Also, replacing hard-work, dedication, and a good old fashioned dose of pig-headedness with chi is a lazy way to try and separate a remake from it's source.
All That Has Flown Beyond (Natural Magic #2)
8.0
Rate It
Book
Kaiyo’s bloodline has been part of the Garrow pack for generations. He has been destined to be...
Paranormal M_M Romance
Darren (1599 KP) rated Black Christmas (2019) in Movies
Dec 13, 2019
Verdict: All Over the Place
Story: Black Christmas starts as we meet our sorority sisters Riley (Poots), Kris (Shannon), Marty (Donoghue), Jesse (O’Grady), Helena (Adams) and Fran (Morris) who are preparing for the Christmas break, with Riley having history with the alpha sorority, which never got dealt with by the authorities.
They decide to get revenge through song and soon find themselves getting picked of by a masked killer, where they need to find themselves fighting to survive.
Thoughts on Black Christmas
Characters – Riley is previously a victim of sexual assault by one of the rich college students, 3-years-later she is still dealing with the effects, being the big sister to the rest of the sisters and is one of the few that worries about the locations of the other girls. Kris has been on a crusade to get equality, she spends most of the time preaching about how men have it easy and mostly gets annoying. Marty is another member of the sorority and like Jesse, we don’t learn much more about any of the other girls.
Performances – Imogen Poots is a talent actress when she is given something to work with, she is the strongest of a weak story, where nobody comes off like they are giving a good acting performance.
Story – The story is meant to be following a group of sorority sisters that get picked off and attacked by a masked killer over the Christmas break. Well, where do we start to break this story down, first thing, this isn’t any sort of remake or sequel to either movie seen before, it uses the location of the house and one look at a death, don’t think this is a remake. Secondly, we spend more time trying to get the message over about men thinking they can walk all over women and the only good men in life are nervous wrecks around the women. Thirdly, this is meant to be a horror and doesn’t even know what tone to stick to. Finally, the trailer gives away everything. This is a social message that uses an existing horror franchise to try and get a point over, without using any sort of subtitle approach.
Horror/Mystery – The horror in this film is almost non-excitant, it tries to use the slow slasher traits early on, which show glimpses, only to go, ‘you know what, we want to do an action horror now’ by the end. The mystery is also poor, because we get zero potential suspects and the only person it could be is revealed in the trailer.
Settings – The college location is fine, though it is the weird college I have ever seen.
Special Effects – When it comes to the effects, we get basic horror ones, sadly, the film decides to hide away from showing any actual gore, even though the injuries are designed to show it.
Scene of the Movie – Nate grabs an axe.
That Moment That Annoyed Me – The girls leave a party at what they say is midnight, we cut to one that left early and it is suddenly 10.45, seriously can people not tell the time?
Final Thoughts – This is a very bad social message horror that spends more time banging you over the head with the message, than actually giving us a coherent story or any scare.
Overall: Social Message, without a scare.
Story: Black Christmas starts as we meet our sorority sisters Riley (Poots), Kris (Shannon), Marty (Donoghue), Jesse (O’Grady), Helena (Adams) and Fran (Morris) who are preparing for the Christmas break, with Riley having history with the alpha sorority, which never got dealt with by the authorities.
They decide to get revenge through song and soon find themselves getting picked of by a masked killer, where they need to find themselves fighting to survive.
Thoughts on Black Christmas
Characters – Riley is previously a victim of sexual assault by one of the rich college students, 3-years-later she is still dealing with the effects, being the big sister to the rest of the sisters and is one of the few that worries about the locations of the other girls. Kris has been on a crusade to get equality, she spends most of the time preaching about how men have it easy and mostly gets annoying. Marty is another member of the sorority and like Jesse, we don’t learn much more about any of the other girls.
Performances – Imogen Poots is a talent actress when she is given something to work with, she is the strongest of a weak story, where nobody comes off like they are giving a good acting performance.
Story – The story is meant to be following a group of sorority sisters that get picked off and attacked by a masked killer over the Christmas break. Well, where do we start to break this story down, first thing, this isn’t any sort of remake or sequel to either movie seen before, it uses the location of the house and one look at a death, don’t think this is a remake. Secondly, we spend more time trying to get the message over about men thinking they can walk all over women and the only good men in life are nervous wrecks around the women. Thirdly, this is meant to be a horror and doesn’t even know what tone to stick to. Finally, the trailer gives away everything. This is a social message that uses an existing horror franchise to try and get a point over, without using any sort of subtitle approach.
Horror/Mystery – The horror in this film is almost non-excitant, it tries to use the slow slasher traits early on, which show glimpses, only to go, ‘you know what, we want to do an action horror now’ by the end. The mystery is also poor, because we get zero potential suspects and the only person it could be is revealed in the trailer.
Settings – The college location is fine, though it is the weird college I have ever seen.
Special Effects – When it comes to the effects, we get basic horror ones, sadly, the film decides to hide away from showing any actual gore, even though the injuries are designed to show it.
Scene of the Movie – Nate grabs an axe.
That Moment That Annoyed Me – The girls leave a party at what they say is midnight, we cut to one that left early and it is suddenly 10.45, seriously can people not tell the time?
Final Thoughts – This is a very bad social message horror that spends more time banging you over the head with the message, than actually giving us a coherent story or any scare.
Overall: Social Message, without a scare.
JT (287 KP) rated RoboCop (2014) in Movies
Mar 17, 2020
Reboot taints the original's good name
If you’re going to remake one of the 80s most iconic action films you’ve got to do it with some balls. Sadly José Padilha dropped this particular ball, pretty spectacularly in fact, to give us a sorry remake and leave fans of the original baying for blood (something which was missing in this).
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
It’s a story that was disjointed, rushed and ill-conceived in every possible way, with a leading actor who was miscast and non-believable in the role he was trusted to uphold. Kinnaman is Alex Murphy a Detroit Detective whose ill-fated sting operation ends badly after his cover is blown leaving him high on the villains most wanted list.
In the background is OmniCorp a leading company in robot technology priding itself on making the world a safer place with drones and the all too familiar ED-209 looking to serve and protect. Lead by CEO Raymond Sellars (Michael Keaton) the initiative has not reached American soil due to Government legislation and a bill that prohibits the use of robots on the streets.
Needing a new way to reach the public, Sellars turns to Murphy as a part-man part machine creation to reach out and grab justice by the throat and give America the hope it longs for, and a hero to put their faith in. The PG-13 rating and lack of graphic violence is stark contrast to the original, while the action scenes might be slick and bolstered with nifty CGI it does little to hide the fact that there isn’t a drop of claret anywhere to be seen.
While not completely adhering to the original it nods in its direction a few times, but only because it has to appease the die-hard fan. Once Robocop is up and about after being resurrected under the watchful eye of Dr Dennett Norton (Gary Oldman) he goes on a quick hunt to bring the perpetrators who tried to have him killed to justice.
Unlike Clarence J. Boddicker, Antoine Vallon (Patrick Garrow) is only a bit part villain, hopelessly moving illegal guns around the city he’s duly finished off in one of the film’s more colourful action shoot outs. The film is comical but not in a good way when Murphy demands to see what is behind the suit you almost laugh and then hang your head that Padilha could have included and thought up such a ridiculous scene.
Supporting cast do little to add much either, Samuel L. Jackson waves his arms and shouts a lot like a current affairs news anchor that in some way pays homage to the cut to’s of the Casey Wong era. Abbie Cornish is shockingly bad, and Jackie Earle Haley as much so, all in all, a pity. Only Oldman provides any shinning light in something that was slumping before it had even made it halfway through.
Robocop continues his quest back into the Detroit Police department, where corruption is rife and all trailing back to OmniCorps big cheese in charge, culminating in a finale that does little to finish on a high note. Paul Verhoeven will be able to rest easy at night knowing that his 1987 classic will continue to live long in the memory of true Robocop fans, while its 2014 compatriot should be cast aside into the recycle bin.
