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Marylegs (44 KP) rated The Walking Dead: v. 1: Days Gone Bye in Books
Aug 14, 2019
So I have finally got started on reading these graphic novels. I have been an avid fan of the TV remake and am fully aware that the series and graphic novels do not run exactly scene for scene. Some characters have had longer roles or shorter roles, other characters added or omitted. That is not what I am concerning myself with whilst reading this novel.
What I am concerned with is how the book felt as I read it. I thought the frames were well drawn, if you take the time to look over each picture you really feel the emotions of each of the characters. At no point does it feel lacking from the sole use of greyscale, colour is unnecessary in this story. Considering there is limited writing used, the conversations between characters have been orchestrated to portray all the information and emotions needed.
It always takes me a few pages to get into a graphic novel, the switch to reading pictures and not written descriptions takes some getting used to, but this story is so gripping that it isn’t hard to get lost in it. Nothing is too gruesome or overdone (not that I mind gruesome) but some people may be put off as it is a tale set in a zombie ridden world, but actually this is a story about the effect on the people left standing. How they cope in this new harsh existence, and how they decide to make a new future for themselves. This is a great start to a series and I will be carrying on gladly and with a great deal of enthusiasm.
What I am concerned with is how the book felt as I read it. I thought the frames were well drawn, if you take the time to look over each picture you really feel the emotions of each of the characters. At no point does it feel lacking from the sole use of greyscale, colour is unnecessary in this story. Considering there is limited writing used, the conversations between characters have been orchestrated to portray all the information and emotions needed.
It always takes me a few pages to get into a graphic novel, the switch to reading pictures and not written descriptions takes some getting used to, but this story is so gripping that it isn’t hard to get lost in it. Nothing is too gruesome or overdone (not that I mind gruesome) but some people may be put off as it is a tale set in a zombie ridden world, but actually this is a story about the effect on the people left standing. How they cope in this new harsh existence, and how they decide to make a new future for themselves. This is a great start to a series and I will be carrying on gladly and with a great deal of enthusiasm.
Tim McGuire (301 KP) rated 1922 (2017) in Movies
Nov 2, 2019
Old Movie Revisited: 1922. Another sweet Netflix made Stephen King movie, within less than a month of Gerald's Game, another awesome sauce flick. This one brings back Thomas Jane into the King fold for at least the third time, a trend I hope he continues, seems to fit in well... a roll in the Dark Tower perhaps, well, isn't he already... In this one, taking place sometime before WW2 ;) we have farmer Wilfred James and his wife, Arlette, and son Henry. Now Arlette wants out of the midwest farm crap fest and move to the big city, sell the farm, get a divorce... Wilfred, well doesnt really seem to care about the divorce part, but losing the farm and Henry, cause of course the boy will go off with mommy, isnt going to happen. So what is a dad to do, duh, convince your 14 year old son to help murder your wife, invent a tale she ran off and expect everything to go well. You may have guessed, it doesn't... Hell, even little Henry becomes a outlaw. Good flick, bringing in some old Stephen King landmarks to tie in his universe a little tighter, takes place near Hemingford Home, where a few well known King characters hail from, big one being Abagail Freemantle, of The Stand... But more recently in theatres... IT, one little fat boy named Ben Hanscom also once roved it roads! Thomas Jane was awesome, if a Shining remake was ever in the works to be more true to the book, I'd love to see Mr. Jane as Jack, i think he'd be insane :) Filmbufftim on FB
Matthew Krueger (10051 KP) rated The Predator (2018) in Movies
Feb 14, 2020
Halt and Catch Fire
The Predator- love the first one, hated the second one, liked the reboot/remake in 2010 and this one well could of been better. Let me explain the predator franchise is a intrest franchise, mixing togther horror, sci-fi, action and comedy all togther. Sometimes it works like in the oringal one and the 2010 verison, sometimes it doesnt like the sequel. So how does this one hold up. Well all i can say is that its a mix bag. Sometimes the comedy works and sometimes it doesnt. Mostly it doesnt. The sci-fi, action and horror work mostly, kind of, not really. This movie fails as a reboot and fails to live up to the oringal and the 2010 version.
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.
The plot: From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe's most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.
Some of the cast is good like Boyd Holbrook, Jacob Tremblay and Oliva Munn. Some of the cast is just wasted like Thomas Jane, Jake Busey and Yvonne Strahovski. And than their is Keegan-Micheal Key who is both good and wasted at the same time.
All and all, this movie fails overall and should be skipped. But at the same time maybe watch it, if you like the predator franchise.
The Marketplace of Attention: How Audiences Take Shape in a Digital Age
Book
Feature films, television shows, homemade videos, tweets, blogs, and breaking news: digital media...
James P. Sumner (65 KP) rated What Men Want (2019) in Movies
Jul 10, 2019
What men want... but is it what moviegoers want?
In keeping with the growing trend of gender-swapping reboots, What Men Want is a re-envisioning of the classic rom-com, What Women Want, with Mel Gibson replaced with the charismatic Taraji P. Henson, and a toaster in the bathtub replaced by a drug-dealing psychic.
Yeah...
The premise remains the same: fate intervenes and gives a headstrong, intimidating woman who thinks she's doing a good job of making it in a man's world the power to hear men's thoughts... which quickly shows her she knows nothing at all.
This R-rated comedy has a few laughs, but falls into cringe territory more often than it needs to. It's predictable, which was to be expected, really, given the genre. However, I confess to being pleasantly surprised by it. Certainly not the best comedy I've seen by a long way, but on a par with the Baywatch remake in terms of the level of humour and the assumed target audience.
Taraji P. Henson is great in the lead role, with the supporting cast all doing a solid, if not a little routine job of backing her up. It's the kind of film you go into understanding what you're getting - a few laughs, a few cringes, a lot of inappropriate and suggestive themes and, ultimately, something that makes you forget the real world for a couple of hours. Nothing more, nothing less.
Overall, it's not bad, but it's far from great. This is something you watch on a Friday night when you've had a hard week and your brain needs a rest.
Yeah...
The premise remains the same: fate intervenes and gives a headstrong, intimidating woman who thinks she's doing a good job of making it in a man's world the power to hear men's thoughts... which quickly shows her she knows nothing at all.
This R-rated comedy has a few laughs, but falls into cringe territory more often than it needs to. It's predictable, which was to be expected, really, given the genre. However, I confess to being pleasantly surprised by it. Certainly not the best comedy I've seen by a long way, but on a par with the Baywatch remake in terms of the level of humour and the assumed target audience.
Taraji P. Henson is great in the lead role, with the supporting cast all doing a solid, if not a little routine job of backing her up. It's the kind of film you go into understanding what you're getting - a few laughs, a few cringes, a lot of inappropriate and suggestive themes and, ultimately, something that makes you forget the real world for a couple of hours. Nothing more, nothing less.
Overall, it's not bad, but it's far from great. This is something you watch on a Friday night when you've had a hard week and your brain needs a rest.
Matthew Krueger (10051 KP) rated The Texas Chain Saw Massacre (1974) in Movies
Oct 14, 2019
What Noise Does A Chainsaw Make?
The Texas Chainsaw Massacre- a classic horror film. Directed by a horror icon and legend- Tobe Hopper.
The Plot- When Sally (Marilyn Burns) hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin (Paul A. Partain), set out with their friends to investigate. After a detour to their family's old farmhouse, they discover a group of crazed, murderous outcasts living next door. As the group is attacked one by one by the chainsaw-wielding Leatherface (Gunnar Hansen), who wears a mask of human skin, the survivors must do everything they can to escape.
The film was marketed as being based on true events to attract a wider audience and to act as a subtle commentary on the era's political climate; although the character of Leatherface and minor story details were inspired by the crimes of murderer Ed Gein, its plot is largely fictional.
Hooper limited the quantity of onscreen gore in hopes of securing a PG rating, but the Motion Picture Association of America (MPAA) rated it R. The film faced similar difficulties internationally.
It has since gained a reputation as one of the best and most influential horror films. It is credited with originating several elements common in the slasher genre, including the use of power tools as murder weapons, the characterization of the killer as a large, hulking, faceless figure, and the killing of victims. It led to a franchise that continued the story of Leatherface and his family through sequels, prequels, a remake, comic books and video games.
I highly reccordmend this movie.
The Plot- When Sally (Marilyn Burns) hears that her grandfather's grave may have been vandalized, she and her paraplegic brother, Franklin (Paul A. Partain), set out with their friends to investigate. After a detour to their family's old farmhouse, they discover a group of crazed, murderous outcasts living next door. As the group is attacked one by one by the chainsaw-wielding Leatherface (Gunnar Hansen), who wears a mask of human skin, the survivors must do everything they can to escape.
The film was marketed as being based on true events to attract a wider audience and to act as a subtle commentary on the era's political climate; although the character of Leatherface and minor story details were inspired by the crimes of murderer Ed Gein, its plot is largely fictional.
Hooper limited the quantity of onscreen gore in hopes of securing a PG rating, but the Motion Picture Association of America (MPAA) rated it R. The film faced similar difficulties internationally.
It has since gained a reputation as one of the best and most influential horror films. It is credited with originating several elements common in the slasher genre, including the use of power tools as murder weapons, the characterization of the killer as a large, hulking, faceless figure, and the killing of victims. It led to a franchise that continued the story of Leatherface and his family through sequels, prequels, a remake, comic books and video games.
I highly reccordmend this movie.
Retro Winter Sports 1986
Games
App
"Retro Winter Sports 1986 is a surprisingly enjoyable title that not only brings six classic winter...
Chris Sawin (602 KP) rated Halloween II (2009) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Contains spoilers, click to show
That fateful night in Haddonfield, Laurie Strode shot and killed Michael Myers or so she thought. As the ambulance that pulled what was thought to be the corpse of the world's most notorious serial killer, Michael Myers made sure everyone knew he was still alive the best way he could; by slaughtering whoever got in his way. Now, two years later, Laurie lives with Sheriff Brackett and his daughter Annie. Laurie struggles with hallucinations and panic attacks while believing the therapy she's receiving is only making her worse. As Laurie struggles with her newfound issues, Michael tries to reunite his family. Michael has visions of his mother with a white horse accompanied by his younger self. Michael is returning to Haddonfield to finish the job.
This film has to set the record for dream sequences, which makes you wonder if the entire film is nothing more than a dream. I wasn't exactly a big fan of the remake from 2007 and expectations for this film were incredibly low, nobody can really be prepared for how terrible this film really is. Since there's so much wrong with this film, we'll try and start with what was actually was enjoyable.
Brad Dourif as Sheriff Brackett is really the highlight of the film as far as acting goes. While that probably isn't saying much and his role isn't as big as you may expect, he does a good job with the screen time he gets. His character is intense right from the start, but as things take a turn for the worse for his character his downward spiral is the most enthralling aspect of the film. A few of the deaths were also really satisfying. Mainly Buddy the Secuirty Guard. There's a night scene where an officer is out on Sheriff Brackett's lawn and we're looking at the silhouette of a tree while the officer searches the premises. Before you know it, we see Michael emerge from that tree silhouette and kill the officer.
Everything else in the film was just horrendous. The flaws are almost so overwhelming that it's nearly impossible to know where to begin. The whole white horse thing is ridiculous. So if Deborah Myers tells young Michael that he can think of her whenever he looks at the white horse figurine she gave him, wouldn't that make her a horse by default? The inconsistencies in the film are incredibly glaring, as well. Laurie and Annie's injuries from the previous film seem more severe at the start of this one, Laurie being able to put weight on an injured leg by walking on it but it causing her extreme pain when she's lifted from a stretcher to a bed at the hospital, Michael chopping off a guy's head with a shard of glass, etc. The "Nights in White Satin" thing was literally beaten into your skull by the time the film ended. If you sit through the film, it's like Rob is sitting next to you each time the song comes on nudging you with his elbow going, "Eh? Do you get it? You get it?"
Michael was way too vocal for my liking. Heavy breathing is one thing, but when we're hearing him grunt loudly every time he stabs somebody then it takes a lot of it. When he actually talked at the end of the film, I was done. He also seemed to spend more time stabbing women than men in the film. Guys get their head chopped off or an axe to the back while women get stabbed a dozen times or have their face smashed against a mirror nine times. The choreography didn't seem as good as the remake either. There's a scene where water gets on the camera and it's on there the entire scene. It's interesting at first, but after a few minutes you just want someone to get a towel to wipe it down.
As powerful as Michael seems to be, it at least made a bit more sense in the original film by John Carpenter. Michael was pure evil. That was the explanation, so him not being able to die at least sort of made sense. Now that he's been given this white trash upbringing in the remake, his super strength and inability to die just seems even more farfetched than it originally did. So when Michael is busting through walls and lifting cars with his bare hands all Incredible Hulk style in this film, it's laughable. Not to mention what happened to the Dr. Loomis character. There are just way too many things wrong with this sequel to list here.
Rob Zombie has certainly made Halloween his own with Halloween II. It's just a shame that it's really not worth watching seriously. Let's put it this way, the highlight of the film is Weird Al's cameo. After five films of dealing with white trash families, it's time for Zombie to move on to something different. It's safe to say he's bled that idea bone dry. I wouldn't seriously recommend this film to anyone, but if you're looking for a film to watch with some friends to laugh at and make fun of while it's going then this is the perfect film.
This film has to set the record for dream sequences, which makes you wonder if the entire film is nothing more than a dream. I wasn't exactly a big fan of the remake from 2007 and expectations for this film were incredibly low, nobody can really be prepared for how terrible this film really is. Since there's so much wrong with this film, we'll try and start with what was actually was enjoyable.
Brad Dourif as Sheriff Brackett is really the highlight of the film as far as acting goes. While that probably isn't saying much and his role isn't as big as you may expect, he does a good job with the screen time he gets. His character is intense right from the start, but as things take a turn for the worse for his character his downward spiral is the most enthralling aspect of the film. A few of the deaths were also really satisfying. Mainly Buddy the Secuirty Guard. There's a night scene where an officer is out on Sheriff Brackett's lawn and we're looking at the silhouette of a tree while the officer searches the premises. Before you know it, we see Michael emerge from that tree silhouette and kill the officer.
Everything else in the film was just horrendous. The flaws are almost so overwhelming that it's nearly impossible to know where to begin. The whole white horse thing is ridiculous. So if Deborah Myers tells young Michael that he can think of her whenever he looks at the white horse figurine she gave him, wouldn't that make her a horse by default? The inconsistencies in the film are incredibly glaring, as well. Laurie and Annie's injuries from the previous film seem more severe at the start of this one, Laurie being able to put weight on an injured leg by walking on it but it causing her extreme pain when she's lifted from a stretcher to a bed at the hospital, Michael chopping off a guy's head with a shard of glass, etc. The "Nights in White Satin" thing was literally beaten into your skull by the time the film ended. If you sit through the film, it's like Rob is sitting next to you each time the song comes on nudging you with his elbow going, "Eh? Do you get it? You get it?"
Michael was way too vocal for my liking. Heavy breathing is one thing, but when we're hearing him grunt loudly every time he stabs somebody then it takes a lot of it. When he actually talked at the end of the film, I was done. He also seemed to spend more time stabbing women than men in the film. Guys get their head chopped off or an axe to the back while women get stabbed a dozen times or have their face smashed against a mirror nine times. The choreography didn't seem as good as the remake either. There's a scene where water gets on the camera and it's on there the entire scene. It's interesting at first, but after a few minutes you just want someone to get a towel to wipe it down.
As powerful as Michael seems to be, it at least made a bit more sense in the original film by John Carpenter. Michael was pure evil. That was the explanation, so him not being able to die at least sort of made sense. Now that he's been given this white trash upbringing in the remake, his super strength and inability to die just seems even more farfetched than it originally did. So when Michael is busting through walls and lifting cars with his bare hands all Incredible Hulk style in this film, it's laughable. Not to mention what happened to the Dr. Loomis character. There are just way too many things wrong with this sequel to list here.
Rob Zombie has certainly made Halloween his own with Halloween II. It's just a shame that it's really not worth watching seriously. Let's put it this way, the highlight of the film is Weird Al's cameo. After five films of dealing with white trash families, it's time for Zombie to move on to something different. It's safe to say he's bled that idea bone dry. I wouldn't seriously recommend this film to anyone, but if you're looking for a film to watch with some friends to laugh at and make fun of while it's going then this is the perfect film.
Fred (860 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Mar 6, 2018
The best of the new 3 films
Contains spoilers, click to show
Episode 8 of the Star Wars saga is full of great characters, great moments & a great finale for Carrie Fisher. The film moves along Rey's story. Where did Rey come from? Who are her parents? Some people were disappointed with the reveal that her parents were nobodys. Well, nobody. I think we're going to find out Rey was born of the force. That's why she's so strong with the Force.
The scene with Leia & Luke is truly moving. Knowing this will be Hammil & Fisher's last scene acting together can bring tears to your eyes. And Luke's end sends chills down my spine. The sacrifice he makes to save what little of the Rebellion is left is a perfect ending for him. I'm sure he'll be back as a Jedi "ghost" in the future.
If you really pay attention, this film is a remake of Return of the Jedi, which is fine. There could be worse movies to copy & luckily, this film is so much fun, just like RotJ. The Porgs replace the Ewoks as the kid friendly merch for the film & although the Porgs don't do anything really, they're adorable. If I were a kid, I'd probably buy a whole bunch of Porg toys.
People did have problems with Finn & Rose's side story, with the excuse that their mission was useless & didn't accomplish anything. But it did. It spread the word of the rebellion to that part of the galaxy. We even see a young boy with force powers, who may be a future Jedi.
Everyone was wondering who was the last Jedi. Was it Luke? Was it Rey? Remember, Jedi can also be plural. It can be many people.
I feel this was a great addition to the saga & can't wait for Solo & then episode 9.
The scene with Leia & Luke is truly moving. Knowing this will be Hammil & Fisher's last scene acting together can bring tears to your eyes. And Luke's end sends chills down my spine. The sacrifice he makes to save what little of the Rebellion is left is a perfect ending for him. I'm sure he'll be back as a Jedi "ghost" in the future.
If you really pay attention, this film is a remake of Return of the Jedi, which is fine. There could be worse movies to copy & luckily, this film is so much fun, just like RotJ. The Porgs replace the Ewoks as the kid friendly merch for the film & although the Porgs don't do anything really, they're adorable. If I were a kid, I'd probably buy a whole bunch of Porg toys.
People did have problems with Finn & Rose's side story, with the excuse that their mission was useless & didn't accomplish anything. But it did. It spread the word of the rebellion to that part of the galaxy. We even see a young boy with force powers, who may be a future Jedi.
Everyone was wondering who was the last Jedi. Was it Luke? Was it Rey? Remember, Jedi can also be plural. It can be many people.
I feel this was a great addition to the saga & can't wait for Solo & then episode 9.
Steve Fearon (84 KP) rated Thir13en Ghosts (2001) in Movies
Sep 5, 2018
The ghosts aren't the only thing that we can see through...
Contains spoilers, click to show
As part of a 'rewatching films from the 90's and 2000's' theme that me and the missus are going through at the moment, we came to a film i remembered fairly fondly, the remake of Thirteen Ghosts!
Unlike a lot of films from this period, this wasn't as terrible to rewatch as some, though it still reeks of some of the tropes of that period, including the casting of Shannon Elizabeth, the evil uncle and the corporate Lawyer baddie as well as the kids that can't help but run towards trouble at every opportunity.
Lets be honest, this film isn't really a scary one, it has some nice creepy elements, but it is largely a safe horror entry for people that shy away from the more intense/gory side of the genre.
Matthew Lillard chews all the scenery he can, and is largely very entertaining as a psychic with powers that they touch on without really explaining, but thats ok, its not the sort of film where it matters all that much.
Better than some, worse than others, this is a film for a rainy sunday evening, where it doesn't matter too much if you talk over the miles and miles of exposition, and where you can happily pull apart the plot holes and confusing character motives to your hearts content.
Unlike a lot of films from this period, this wasn't as terrible to rewatch as some, though it still reeks of some of the tropes of that period, including the casting of Shannon Elizabeth, the evil uncle and the corporate Lawyer baddie as well as the kids that can't help but run towards trouble at every opportunity.
Lets be honest, this film isn't really a scary one, it has some nice creepy elements, but it is largely a safe horror entry for people that shy away from the more intense/gory side of the genre.
Matthew Lillard chews all the scenery he can, and is largely very entertaining as a psychic with powers that they touch on without really explaining, but thats ok, its not the sort of film where it matters all that much.
Better than some, worse than others, this is a film for a rainy sunday evening, where it doesn't matter too much if you talk over the miles and miles of exposition, and where you can happily pull apart the plot holes and confusing character motives to your hearts content.