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Obsessed book reviews (49 KP) rated Shattered by Love in Books
May 7, 2019
this is a fantastic read, it is like reading two stories in one book. this is a very well written book with just the right amount of hot scenes and sweet scenes to keep you reading long into the night. there are a few surprises along the way which also keep you held in the story. the main characters have there own stories to tell which makes this a fab read. this book contains flash backs of the characters stories, this help to h=give you more of the history. i cant wait to read more from this author in the future.
highly recommended
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highly recommended
https://obsessedbookreviews.wordpress.com/dani-rene/
https://www.facebook.com/obsessedbookreviews
Matthew Krueger (10051 KP) rated Lethal Weapon 4 (1998) in Movies
Jul 15, 2020
End On A High Note
Lethal Weapon 4- is a great, fantasic and good send off for these charcters. Over the period of time you really got to invest/know the charcters, care about them, laugh with them, get really annoyed with them (cough) Joe Pesci and Chris Rock. The action, comedy, suspense, thrills and the chemistry were always good in this franchise. I will miss this franchise.
The plot: Detective Riggs (Mel Gibson) tries to settle down with his pregnant girlfriend, Lorna (Rene Russo), while his partner, Murtaugh (Danny Glover), comes to grips with the marriage of his pregnant daughter, Rianne (Traci Wolfe), to fellow cop Butters (Chris Rock). But they find themselves and their families targeted by Chinese mobsters, led by Wah Sing Ku (Jet Li). Riggs, Murtaugh, Butters and private eye Getz (Joe Pesci) decide to go on the offensive before the gangsters get to their loved ones.
Like i said before its a beautiful send off for this franchise.
The plot: Detective Riggs (Mel Gibson) tries to settle down with his pregnant girlfriend, Lorna (Rene Russo), while his partner, Murtaugh (Danny Glover), comes to grips with the marriage of his pregnant daughter, Rianne (Traci Wolfe), to fellow cop Butters (Chris Rock). But they find themselves and their families targeted by Chinese mobsters, led by Wah Sing Ku (Jet Li). Riggs, Murtaugh, Butters and private eye Getz (Joe Pesci) decide to go on the offensive before the gangsters get to their loved ones.
Like i said before its a beautiful send off for this franchise.
Lyndsey Gollogly (2893 KP) rated A Tainted Soul in Books
Sep 1, 2023
116 of 235
Kindle
A Tainted Soul
By A.W. Rene
⭐️⭐️⭐️⭐️
Sixteen-year-old Annaya Roth is fighting for her life to fit
in at yet another new school—and to escape the Dead.
Annaya and her mother, Samantha, just moved to the small
mountain town of Asherville. The people there are nice enough. They smile and
wave—but Annaya knows to not get too close.
Samantha is tired of running. She just wants to keep her
daughter safe. So, in one last desperate attempt to save Annaya—Samantha moves
them to the one place she never wanted to step foot in again.
This was certainly an interesting read and a little chaotic. It’s gruesome in parts and I really loved that the author wasn’t afraid to be graphic. A few time I felt down right sorry for this girl at 16 her life goes from one disaster to another. The dead really like her to know they are around.
I received an advance review copy for free, and I am leaving this review voluntarily.
Kindle
A Tainted Soul
By A.W. Rene
⭐️⭐️⭐️⭐️
Sixteen-year-old Annaya Roth is fighting for her life to fit
in at yet another new school—and to escape the Dead.
Annaya and her mother, Samantha, just moved to the small
mountain town of Asherville. The people there are nice enough. They smile and
wave—but Annaya knows to not get too close.
Samantha is tired of running. She just wants to keep her
daughter safe. So, in one last desperate attempt to save Annaya—Samantha moves
them to the one place she never wanted to step foot in again.
This was certainly an interesting read and a little chaotic. It’s gruesome in parts and I really loved that the author wasn’t afraid to be graphic. A few time I felt down right sorry for this girl at 16 her life goes from one disaster to another. The dead really like her to know they are around.
I received an advance review copy for free, and I am leaving this review voluntarily.
David McK (3248 KP) rated Ransom (1996) in Movies
Nov 7, 2021
Mid-90s thriller, starring Mel Gibson (back when he was still at the height of his career, before going completely loco IRL and getting himself into all sorts of trouble) as a wealthy airline owner whose son is kidnapped, and who must pay a ransom in order to get the kid back.
However, for 'reasons', and following a botched attempt to do so which the FBI crash, he decides instead to offer the ransom as a bounty on the kidnappers instead - kidnappers which the film has no qualms whatsoever about revealing from pretty much the get go.
That would have been a great twist (offering the ransom as a bounty, I mean) had the marketing for the movie not relied so heavily on it.
There's also surprisingly little made of it in the movie proper, save for one or two throwaway lines by interviewed citizens on the street.
As such, the film really relies on the 'star power' of Gibson himself and his co-star Rene Russo, alongside a strong turn by FBI agent Delroy Lindo and Gary Sinise.
The result is one of Gibson's more forgettable mid-90s thrillers, I feel.
However, for 'reasons', and following a botched attempt to do so which the FBI crash, he decides instead to offer the ransom as a bounty on the kidnappers instead - kidnappers which the film has no qualms whatsoever about revealing from pretty much the get go.
That would have been a great twist (offering the ransom as a bounty, I mean) had the marketing for the movie not relied so heavily on it.
There's also surprisingly little made of it in the movie proper, save for one or two throwaway lines by interviewed citizens on the street.
As such, the film really relies on the 'star power' of Gibson himself and his co-star Rene Russo, alongside a strong turn by FBI agent Delroy Lindo and Gary Sinise.
The result is one of Gibson's more forgettable mid-90s thrillers, I feel.
LeftSideCut (3778 KP) rated Thor: The Dark World (2013) in Movies
Oct 1, 2020
The second Thor movie is a visual representation of the word "meh". It has all the right ingredients, but somehow manages to fall flat.
The general plot is an issue. It's not a terrible narrative, but it's the kind of bloated fantasy stuff you would find in an early 2000s superhero movie, not a franchise that is eight films in and includes The Avengers.
The only purpose it serves in the grand scheme of things is the introduction of another Infinity Stone. Other than that it's just stuffed with exposition and kind of bland.
Another issue is, you guess it, the villain. Malekith isn't necessarily a bad choice for the movies antagonist, but his execution feels inconsequential and boring. Christopher Eccleston does the best with what he has but the stakes never feel high with this guy, although I do enjoy his comic- accurate appearance from the halfway mark.
Visually, The Dark World looks great. The CGI is pretty decent, the locations such as Asgard are just as well realised as the first film. Returning cast members include Tom Hiddleston, Anthony Hopkins, Stellan Skarsgård, Rene Russo, Kat Dennings, Idris Elba and Natalie Portman, as well as the always awesome Chris Hemsworth. Nothing wrong here, although I do feel that Lady Sif and The Warriors Three are wasted this time around.
The final set piece is pretty damn entertaining to be fair, and borders on suitable comic-book absurdity at points. The attack on Asgard by the Dark Elves is also pretty thrilling, but everything else is a little so so.
I still like Thor: The Dark World for what it's worth, it's just a little by the numbers and uninspired, and is probably my least favourite of the MCU movies to date.
The general plot is an issue. It's not a terrible narrative, but it's the kind of bloated fantasy stuff you would find in an early 2000s superhero movie, not a franchise that is eight films in and includes The Avengers.
The only purpose it serves in the grand scheme of things is the introduction of another Infinity Stone. Other than that it's just stuffed with exposition and kind of bland.
Another issue is, you guess it, the villain. Malekith isn't necessarily a bad choice for the movies antagonist, but his execution feels inconsequential and boring. Christopher Eccleston does the best with what he has but the stakes never feel high with this guy, although I do enjoy his comic- accurate appearance from the halfway mark.
Visually, The Dark World looks great. The CGI is pretty decent, the locations such as Asgard are just as well realised as the first film. Returning cast members include Tom Hiddleston, Anthony Hopkins, Stellan Skarsgård, Rene Russo, Kat Dennings, Idris Elba and Natalie Portman, as well as the always awesome Chris Hemsworth. Nothing wrong here, although I do feel that Lady Sif and The Warriors Three are wasted this time around.
The final set piece is pretty damn entertaining to be fair, and borders on suitable comic-book absurdity at points. The attack on Asgard by the Dark Elves is also pretty thrilling, but everything else is a little so so.
I still like Thor: The Dark World for what it's worth, it's just a little by the numbers and uninspired, and is probably my least favourite of the MCU movies to date.
Lucy Buglass (45 KP) rated Velvet Buzzsaw (2019) in Movies
Jun 20, 2019
Ever since Netflix have proven themselves as a fantastic streaming platform, everyone gets hyped about their ‘Originals’. Velvet Buzzsaw was no exception, and when the first trailer dropped I was so excited to watch it. Everything about it seemed great; it was written and directed by Dan Gilroy (the guy who gave us the fantastic Nightcrawler), and the cast was incredible. Who could say no to Jake Gyllenhaal, Rene Russo AND Toni Collette? Not me. Unfortunately, this wonderful mix didn’t live up to my expectations at all and left me feeling very disappointed.
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
BankofMarquis (1832 KP) rated The Intern (2015) in Movies
Jun 6, 2018
In a word...charming
Like most of you, I did not make it to the movie theaters in September, 2015 to catch the Nancy Meyers "fish-out-of-water" comedy THE INTERN about a 70-ish man (Robert DeNiro) who goes to work at an Internet Start-up company headed by a a driven Millennial (Anne Hathaway). It seemed that this film was just going to be another Robert DeNiro phone-it-in "paycheck" comedy and not worth our time.
Boy, was I wrong.
In a word, I would call this film...charming. Hathaway is charming, the other workers and Interns at the start-up are charming and DeNiro (believe it or not) is the most charming of all.
Starring as Ben - a widower who is just withering away with inactivity and boredom who decides to go back to work - DeNiro shows he "still has it". His Ben is a strong character, as nuanced as one can be in this type of film and...yes...EXTREMELY charming. DeNiro most definitely is NOT phoning this one in - he gives it a very good effort (maybe not A+, but...) and it shows. He is on screen for almost every scene and holds our attention throughout.
Proving to be a worthy partner in this film is Anne Hathaway's driven Internet sensation, Jules. She spars with DeNiro throughout and the two make a fun pairing.
Also joining in on the fun is Rene Russo as a masseuse (and love interest for DeNiro and Andrew Rannels as Jules' ass't. But it is the trio of Adam Devine, Zack Pearlman and Jason Orley that almost steals this film as 3 knuckleheads that work with - and are mentored by - DeNiro's Yoda-like Intern. I almost would have preferred to see a film about these 4.
Nothing in this film is revolutionary or new and Director/Writer Meyers keeps it that way. It's like pulling on an old, comfortable sweater or a really well worn-in pair of shoes. It won't win any awards, but it is fun..and, yes...charming just the same.
THE INTERN is now streaming on NETFLIX and AMAZON PRIME, if you are looking for a...I'll say it one more time...charming...way to spend an evening - look no further than here.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Boy, was I wrong.
In a word, I would call this film...charming. Hathaway is charming, the other workers and Interns at the start-up are charming and DeNiro (believe it or not) is the most charming of all.
Starring as Ben - a widower who is just withering away with inactivity and boredom who decides to go back to work - DeNiro shows he "still has it". His Ben is a strong character, as nuanced as one can be in this type of film and...yes...EXTREMELY charming. DeNiro most definitely is NOT phoning this one in - he gives it a very good effort (maybe not A+, but...) and it shows. He is on screen for almost every scene and holds our attention throughout.
Proving to be a worthy partner in this film is Anne Hathaway's driven Internet sensation, Jules. She spars with DeNiro throughout and the two make a fun pairing.
Also joining in on the fun is Rene Russo as a masseuse (and love interest for DeNiro and Andrew Rannels as Jules' ass't. But it is the trio of Adam Devine, Zack Pearlman and Jason Orley that almost steals this film as 3 knuckleheads that work with - and are mentored by - DeNiro's Yoda-like Intern. I almost would have preferred to see a film about these 4.
Nothing in this film is revolutionary or new and Director/Writer Meyers keeps it that way. It's like pulling on an old, comfortable sweater or a really well worn-in pair of shoes. It won't win any awards, but it is fun..and, yes...charming just the same.
THE INTERN is now streaming on NETFLIX and AMAZON PRIME, if you are looking for a...I'll say it one more time...charming...way to spend an evening - look no further than here.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Matthew Krueger (10051 KP) rated Lethal Weapon 3 (1992) in Movies
Jul 10, 2020 (Updated Jul 10, 2020)
The Perfect Trio : Mel, Danny and Joe
Lethal Weapon 3- i love the chemistry between Mel, Danny and Joe. Its the perfect trio, their bounce off of each other. The comedy is excellent. The one liners are good. The action is good, the plot is good.
The plot: Veteran police detective Roger Murtaugh (Danny Glover) is only days away from retiring when he and his tough partner, Martin Riggs (Mel Gibson), are roped into an important internal affairs case. Working with the beautiful, no-nonsense Sergeant Lorna Cole (Rene Russo) and aided by the shifty informant Leo Getz (Joe Pesci), Murtaugh and Riggs begin to close in on a black-market weapons operation involving corrupt cop and arms dealer Jack Travis (Stuart Wilson).
Director Richard Donner is an animal-rights and pro-choice activist, and placed many posters and stickers for these causes in the film. Of note are the T-shirt worn by one of Murtaugh's daughters (the actress's idea), an 18-wheeler with an anti-fur slogan on the side, and a sticker on a locker in the police station.
Director Richard Donner demanded some big changes on the script which included changing the original character of Lorna (who had a different name in earlier drafts) into a woman and turning her into Riggs's girlfriend. He also re-worked the script to be less story-oriented and not focus on the main villains but instead on the relationship between Riggs and Murtaugh. He also toned down action scenes from the script and brought back Leo Getz into the story. All of his scenes were written in afterwards. In the original script Leo had left L.A. for New York. Boam had some disagreements with changes that Donner made but he was not against them. Boam was fired after he wrote his first two drafts of the script. One of the reasons for this was because Donner wasn't interested in the script and he disagreed with some parts of Boam's original draft.
Carrie Fisher was an uncredited script doctor on the film.
Several versions of a Lethal Weapon video game were released in conjunction with this sequel's release, appearing on the NES, SNES, Game Boy, Amiga, Atari ST, and Commodore 64 platforms. Also released was a Lethal Weapon 3 pinball game.
Its a funny entertaining movie, on to the last one in the franchise. I've loved the franchise so far and hopefully the 4th one is good.
The plot: Veteran police detective Roger Murtaugh (Danny Glover) is only days away from retiring when he and his tough partner, Martin Riggs (Mel Gibson), are roped into an important internal affairs case. Working with the beautiful, no-nonsense Sergeant Lorna Cole (Rene Russo) and aided by the shifty informant Leo Getz (Joe Pesci), Murtaugh and Riggs begin to close in on a black-market weapons operation involving corrupt cop and arms dealer Jack Travis (Stuart Wilson).
Director Richard Donner is an animal-rights and pro-choice activist, and placed many posters and stickers for these causes in the film. Of note are the T-shirt worn by one of Murtaugh's daughters (the actress's idea), an 18-wheeler with an anti-fur slogan on the side, and a sticker on a locker in the police station.
Director Richard Donner demanded some big changes on the script which included changing the original character of Lorna (who had a different name in earlier drafts) into a woman and turning her into Riggs's girlfriend. He also re-worked the script to be less story-oriented and not focus on the main villains but instead on the relationship between Riggs and Murtaugh. He also toned down action scenes from the script and brought back Leo Getz into the story. All of his scenes were written in afterwards. In the original script Leo had left L.A. for New York. Boam had some disagreements with changes that Donner made but he was not against them. Boam was fired after he wrote his first two drafts of the script. One of the reasons for this was because Donner wasn't interested in the script and he disagreed with some parts of Boam's original draft.
Carrie Fisher was an uncredited script doctor on the film.
Several versions of a Lethal Weapon video game were released in conjunction with this sequel's release, appearing on the NES, SNES, Game Boy, Amiga, Atari ST, and Commodore 64 platforms. Also released was a Lethal Weapon 3 pinball game.
Its a funny entertaining movie, on to the last one in the franchise. I've loved the franchise so far and hopefully the 4th one is good.
LeftSideCut (3778 KP) rated Thor (2011) in Movies
Jul 21, 2020
The first Thor film gets a bad wrap, and I think it's due to a combination of people forgetting just how good it is, and it perhaps being tarnished by it's underwhelming sequel, when in reality, Thor marks Marvel Studios first steps into more cosmic territory, a realm that was once deemed a little too silly for the general public, and pulls it off in style.
Firstly, translating the many characters of the Thor comic series is no easy feat. They all talk in a Shakespearean dialect, and have ridiculous costumes. The script though is fantastic. The Asgardian characters are still very bombastic, but when mixed with humans from Earth, it's becomes naturally comical. It doesn't feel corny, and somehow, it works very well.
As for the costumes, everyone just looks badass truth be told so hats off to the costume department.
Chris Hemsworth is the embodiment of Thor, and it's truly difficult to see anyone else in the role. He's charming, funny, and has just the right amount of god-like angst, and it's easy to see why he's become a firm favourite as the MCU has continued to expand.
The same goes for Tom Hiddleston as Loki. His portrayal of the God of Mischief is equal parts sinister, slimy, and sympathetic. He's the villain that you can't help but love and it's a testament to his performance that Loki has remained a mainstay in the MCU, a franchise that is often guilty of the one-and-done method when it comes to villains.
The cast is rounded out by a stellar lineup, including Natalie Portman, Anthony Hopkins, Rene Russo, Jaime Alexander, Stellan Skaragård, Idris Elba and even includes a bigger role for the always excellent Clark Gregg. This film also serves as the introduction of Jeremy Renner as Hawkeye, another MCU staple. It's a strong cast list without a doubt.
The action set pieces are all pretty fun, and the effects still just about hold up. I'd argue that Thor looks better than the first two Iron Man films in that respect. Asgard looks great as well.
Another thing I absolutely LOVE about Thor is the music score by Patrick Doyle. In terms of original orchestral music, it's probably by favourite within the MCU (possibly on par with Infinity War and Endgame) but it's fantastic, and gives me goosebumps every damn time I watch this movie
Thor is action packed, with a fantastic script and score, and a great cast with well fleshed out characters. Bringing Kenneth Branagh on board as director was a great choice, and overall, the film deserves way more love than it gets.
Ignoring the first Avengers movie, Thor is the crown jewel of phase one!
Firstly, translating the many characters of the Thor comic series is no easy feat. They all talk in a Shakespearean dialect, and have ridiculous costumes. The script though is fantastic. The Asgardian characters are still very bombastic, but when mixed with humans from Earth, it's becomes naturally comical. It doesn't feel corny, and somehow, it works very well.
As for the costumes, everyone just looks badass truth be told so hats off to the costume department.
Chris Hemsworth is the embodiment of Thor, and it's truly difficult to see anyone else in the role. He's charming, funny, and has just the right amount of god-like angst, and it's easy to see why he's become a firm favourite as the MCU has continued to expand.
The same goes for Tom Hiddleston as Loki. His portrayal of the God of Mischief is equal parts sinister, slimy, and sympathetic. He's the villain that you can't help but love and it's a testament to his performance that Loki has remained a mainstay in the MCU, a franchise that is often guilty of the one-and-done method when it comes to villains.
The cast is rounded out by a stellar lineup, including Natalie Portman, Anthony Hopkins, Rene Russo, Jaime Alexander, Stellan Skaragård, Idris Elba and even includes a bigger role for the always excellent Clark Gregg. This film also serves as the introduction of Jeremy Renner as Hawkeye, another MCU staple. It's a strong cast list without a doubt.
The action set pieces are all pretty fun, and the effects still just about hold up. I'd argue that Thor looks better than the first two Iron Man films in that respect. Asgard looks great as well.
Another thing I absolutely LOVE about Thor is the music score by Patrick Doyle. In terms of original orchestral music, it's probably by favourite within the MCU (possibly on par with Infinity War and Endgame) but it's fantastic, and gives me goosebumps every damn time I watch this movie
Thor is action packed, with a fantastic script and score, and a great cast with well fleshed out characters. Bringing Kenneth Branagh on board as director was a great choice, and overall, the film deserves way more love than it gets.
Ignoring the first Avengers movie, Thor is the crown jewel of phase one!
Gareth von Kallenbach (971 KP) rated Bridget Jones's Baby (2016) in Movies
Jul 15, 2019
Fifteen years after she charmed the world with the Diary of Bridget Jones, Rene Zellweger is back and her love life is just as complicated as usual, making the audience to laugh nonstop.
At the beginning I didn’t know what to expect from this film because the first movie was great, the second not so much; but it has been 12 years since then, fortunately it was a very pleasant surprise.
In this third film British singleton Bridget has broken up with Mark Darcy (Colin Firth) and turned her focus on advancing her career, she is now a top news producer who can’t help but worrying because she is a 43 yrs. old single woman, whose friends are in committed relationships and having kids.
In an attempt to cheer her up one of these fun friends Miranda (Sarah Solemani) take her to a music festival as a getaway weekend, where Bridget meets Jack (Patrick Dempsey), an American love guru with whom she has a one-night stand.
That encounter is followed by a Baptism a week later, where Mr. Darcy is the godparent, whom she shagged but then realized that He hasn’t change and still a workaholic, the reason why they broke up in the first place, so she decided to leave him in bed and try to move on.
But something happened and, like you can probably tell from the title, Bridget is pregnant. But she is not sure who the father is. It could be the confident and gorgeous Jack or the always elegant and perfect gentleman Mark.
Like in the first 2 films we have two very attractive men fighting for her love. But Bridget is less interested in whom she’ll end up with and instead is more concerned with who she’s hurting by giving them the news that one is the father and the other one isn’t. She decides to wait until after giving birth to get a DNA test for the baby, in the meantime both men decide to assist during the stages of her pregnancy creating some delightful charming old-fashioned comedy set ups.
Jones’s Baby really works and I can say with confidence it is one of the best sequels of the year, I think the big difference is that Jones is no longer the butt of jokes, and matter of fact there is not a single chubby joke, and yes Zellweger doesn’t look like the same Bridget (even my husband who loves chick flicks, thought it was a different actress) but hey! She shouldn’t look the same. It’s been 15 years; In fact, neither does Firth as Mr. Darcy or Dr. McDreammy. As a franchise, this Jones has done more than update from a pen to paper diary to an iPad, it’s embraced its characters to allow them to get involved in very funny situations and laid less emphasis on crying to the song “All By Myself”.
At the beginning I didn’t know what to expect from this film because the first movie was great, the second not so much; but it has been 12 years since then, fortunately it was a very pleasant surprise.
In this third film British singleton Bridget has broken up with Mark Darcy (Colin Firth) and turned her focus on advancing her career, she is now a top news producer who can’t help but worrying because she is a 43 yrs. old single woman, whose friends are in committed relationships and having kids.
In an attempt to cheer her up one of these fun friends Miranda (Sarah Solemani) take her to a music festival as a getaway weekend, where Bridget meets Jack (Patrick Dempsey), an American love guru with whom she has a one-night stand.
That encounter is followed by a Baptism a week later, where Mr. Darcy is the godparent, whom she shagged but then realized that He hasn’t change and still a workaholic, the reason why they broke up in the first place, so she decided to leave him in bed and try to move on.
But something happened and, like you can probably tell from the title, Bridget is pregnant. But she is not sure who the father is. It could be the confident and gorgeous Jack or the always elegant and perfect gentleman Mark.
Like in the first 2 films we have two very attractive men fighting for her love. But Bridget is less interested in whom she’ll end up with and instead is more concerned with who she’s hurting by giving them the news that one is the father and the other one isn’t. She decides to wait until after giving birth to get a DNA test for the baby, in the meantime both men decide to assist during the stages of her pregnancy creating some delightful charming old-fashioned comedy set ups.
Jones’s Baby really works and I can say with confidence it is one of the best sequels of the year, I think the big difference is that Jones is no longer the butt of jokes, and matter of fact there is not a single chubby joke, and yes Zellweger doesn’t look like the same Bridget (even my husband who loves chick flicks, thought it was a different actress) but hey! She shouldn’t look the same. It’s been 15 years; In fact, neither does Firth as Mr. Darcy or Dr. McDreammy. As a franchise, this Jones has done more than update from a pen to paper diary to an iPad, it’s embraced its characters to allow them to get involved in very funny situations and laid less emphasis on crying to the song “All By Myself”.