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Gareth von Kallenbach (980 KP) rated Broken City (2013) in Movies
Aug 7, 2019
In Broken City, Russell Crowe and Mark Wahlberg wade into the streets of a
fictional New York, portraying its mayor and a tormented cop, respectively. This film is very political, and it drives to the heart of an issue found all around our country: corruption at every level, especially the highest.
The story starts with a shooting. As one might imagine, officers are easily found innocent in shootings because of the nature of their job, and thus Billy Taggart(Wahlberg) is found innocent after facing accusations of murder. Unfortunately, Mayor Nicholas Hostetler (Crowe) has damning evidence that would cause considerable harm to the officer — who’s earned a reputation as a hero — as well
as the city leaders, if it were brought to light. He decides to let Taggart go, and allow everyone to save face, with a handshake and a promise of future remembrance.
Seven years later the tides turn, as Private Eye Taggart is asked by Mayor
Hostetler to investigate his wife (Catherine Zeta-Jones) for a hefty sum of money.
The cash-strapped Taggart takes the job, but finds himself diving headfirst into a political feeding frenzy two weeks prior to the election. Naturally, drama ensues.
Broken City is not a bad film. The problem is: it’s also not a great film. It has many of the elements of a good movie, but something is missing. It’s hard to blame the writing, as there was well-balanced humor and drama. It’s hard to blame
the cinematography, because the key shots are there. (But some awkward shots are there, too. For example, there’s an odd, segmented spinning shot of Crowe and Wahlberg in the mayor’s office.) It’s hard to blame the acting; everyone does a great job in that regard. But there was just something missing. I wasn’t drawn in.
The movie felt rushed in certain areas, and too long in others. It had major plot holes, like when (spoiler alert) Taggart’s girlfriend disappears, but never resurfaces. The main character never gets a true, deep, passionate call-to-action, which all heroes are supposed to have.
I enjoyed the role of Taggart’s assistant. Even the ending was a fresh take (though somewhat expected, because the main character wasn’t conflicted and chaotic enough to merit an unknown response).
All in all, Broken City is a good movie, but not a great one. You would be well-served to rent or stream it, and save your theater dollars.
fictional New York, portraying its mayor and a tormented cop, respectively. This film is very political, and it drives to the heart of an issue found all around our country: corruption at every level, especially the highest.
The story starts with a shooting. As one might imagine, officers are easily found innocent in shootings because of the nature of their job, and thus Billy Taggart(Wahlberg) is found innocent after facing accusations of murder. Unfortunately, Mayor Nicholas Hostetler (Crowe) has damning evidence that would cause considerable harm to the officer — who’s earned a reputation as a hero — as well
as the city leaders, if it were brought to light. He decides to let Taggart go, and allow everyone to save face, with a handshake and a promise of future remembrance.
Seven years later the tides turn, as Private Eye Taggart is asked by Mayor
Hostetler to investigate his wife (Catherine Zeta-Jones) for a hefty sum of money.
The cash-strapped Taggart takes the job, but finds himself diving headfirst into a political feeding frenzy two weeks prior to the election. Naturally, drama ensues.
Broken City is not a bad film. The problem is: it’s also not a great film. It has many of the elements of a good movie, but something is missing. It’s hard to blame the writing, as there was well-balanced humor and drama. It’s hard to blame
the cinematography, because the key shots are there. (But some awkward shots are there, too. For example, there’s an odd, segmented spinning shot of Crowe and Wahlberg in the mayor’s office.) It’s hard to blame the acting; everyone does a great job in that regard. But there was just something missing. I wasn’t drawn in.
The movie felt rushed in certain areas, and too long in others. It had major plot holes, like when (spoiler alert) Taggart’s girlfriend disappears, but never resurfaces. The main character never gets a true, deep, passionate call-to-action, which all heroes are supposed to have.
I enjoyed the role of Taggart’s assistant. Even the ending was a fresh take (though somewhat expected, because the main character wasn’t conflicted and chaotic enough to merit an unknown response).
All in all, Broken City is a good movie, but not a great one. You would be well-served to rent or stream it, and save your theater dollars.
Lonely Planet Outback Australia Road Trips
Lonely Planet, Anthony Ham, Carolyn Bain and Alan Murphy
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Lonely Planet: The world's leading travel guide publisher Discover the freedom of open roads with...
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An Amish Home: Four Novellas
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A Cup Half Full by Beth Wiseman-Sarah Lantz always dreamed of the perfect home, the perfect husband,...
Kristy H (1252 KP) rated Lola on Fire in Books
Feb 25, 2021
A dark, fast-paced thriller
Brody Ellis has lost his job: desperate for cash to pay rent and to help take care of his younger sister, he robs a gas station. On his way out, he bumps into a woman. It's only once he's home that the realizes he's lost his wallet. He's waiting for the cops to arrest him when he receives a call. A woman named Blair Mayo, the one whom he ran into, has the wallet. She'll return it if he'll do something in return: steal her late mother's diamonds from her father's hateful new wife. But when Brody executes Blair's plan, he finds something else: a murdered woman and a security camera watching his every move. After he flees, slipping in blood, Blair tells him someone has already taken care of the footage. The woman's husband, the notorious mobster Jimmy Latzo. But he wants his own special revenge on Brody (and his sister, Molly, by default). The two flee, with the mob hot on their tail, and get caught up in a tangled web that involves Jimmy, Blair, and a woman named Lola Bear who came up against Jimmy years ago.
This book was amazing: completely raw, emotional, and brutal. Reading it felt like watching a "shoot 'em up" movie (one with a little heart, though). It's gory and dark, so if you're not able to handle some blood and violence, this read isn't for you. However, I found it nearly impossible to put down. I was completely invested in Brody, Molly, and Lola. This book weaves a tangled web, and I was there for every little spin.
It was honestly great to read a book where there's a pretty clear delineation between "good versus bad." Still, the story is certainly complex, filled with deep emotions and complex familial tensions, but you always know who to root for. It takes your mind off things (aka real life) for a bit.
Overall, I really enjoyed this one. I love violent movies, where the good guys are good and the bad guys really bad. It was fun seeing that translated into a book. I also loved the rawness of this book and the underlying tenderness that accompanied it. It's a fast, dark read. 4.5 stars.
I received a copy of this book from Netgalley and William Morrow / Custom House in return for an unbiased review. It releases in the U.S. on 2/16/2021.
This book was amazing: completely raw, emotional, and brutal. Reading it felt like watching a "shoot 'em up" movie (one with a little heart, though). It's gory and dark, so if you're not able to handle some blood and violence, this read isn't for you. However, I found it nearly impossible to put down. I was completely invested in Brody, Molly, and Lola. This book weaves a tangled web, and I was there for every little spin.
It was honestly great to read a book where there's a pretty clear delineation between "good versus bad." Still, the story is certainly complex, filled with deep emotions and complex familial tensions, but you always know who to root for. It takes your mind off things (aka real life) for a bit.
Overall, I really enjoyed this one. I love violent movies, where the good guys are good and the bad guys really bad. It was fun seeing that translated into a book. I also loved the rawness of this book and the underlying tenderness that accompanied it. It's a fast, dark read. 4.5 stars.
I received a copy of this book from Netgalley and William Morrow / Custom House in return for an unbiased review. It releases in the U.S. on 2/16/2021.
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BankofMarquis (1832 KP) rated Violent night (2022) in Movies
Dec 27, 2023
A Ton of Fun
The 2022 “Christmas” movie VIOLENT NIGHT was mis-marketed a year ago as ads made it appear that this was just another “slasher” flick, when…in fact…it is a fun action flick that settles the DIE HARD Christmas movie debate once and for all.
Compared to VIOLENT NIGHT, DIE HARD is not a Christmas movie for VIOLENT NIGHT (which is a DIE HARD knock-off) is MOST DEFINITELY a Christmas Movie, but instead of former Cop John McClane thwarting bad guys, it is SANTA CLAUS.
Yes, you read that right, Santa Claus.
Director Tommy Wirkola got the idea for VIOLENT NIGHT when watching another Christmas Classic - HOME ALONE. He thought that the traps Kevin sets up for the crooks would really do some physical damage to people and decided to make a movie that did just that…add a dash of “Die Hard with Santa Claus” and…voila…you got yourself a fun action flick.
David Harbour (STRANGER THINGS) hits just the right notes as a burned out Santa Claus who just wants to get through the night, but when he is stranded in an isolated compound (when his reindeer are scared away by gunfire) he must decide to stay and help or stay out of the way.
Jon Leguizamo (MOULIN ROUGE) is the “Hans Gruber” of this piece - a mercenary named SCROOGE and he is a “good enough” villain. While Leah Brady is “charming enough” as the little girl that Santa decides to help. All the rest of the hostages and mercenaries (including CHRISTMAS VACATION’s Beverly D’Angelo) are underwritten “cannon fodder” for the action that takes place.
And…that is just fine as this is an action/comedy flick, so the enjoyment lies in the creativity that Santa (and others) use in dispatching the bad guys. Candy Canes, Christmas Stars, Ice Skates and…yes…SnowThrowers are all used to the advantage of the good guys (and the ultimate demise of the bad guys).
It’s not going to win any Oscars, but Violent Night is a fun “anti-Holiday” action film that the older folks in the crowd will enjoy later at night after the kiddo-s go to bed.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
P.S.: Violent Night is streaming for free (with your Amazon Prime subscription) or you can rent or own it in many of the usual ways.
Compared to VIOLENT NIGHT, DIE HARD is not a Christmas movie for VIOLENT NIGHT (which is a DIE HARD knock-off) is MOST DEFINITELY a Christmas Movie, but instead of former Cop John McClane thwarting bad guys, it is SANTA CLAUS.
Yes, you read that right, Santa Claus.
Director Tommy Wirkola got the idea for VIOLENT NIGHT when watching another Christmas Classic - HOME ALONE. He thought that the traps Kevin sets up for the crooks would really do some physical damage to people and decided to make a movie that did just that…add a dash of “Die Hard with Santa Claus” and…voila…you got yourself a fun action flick.
David Harbour (STRANGER THINGS) hits just the right notes as a burned out Santa Claus who just wants to get through the night, but when he is stranded in an isolated compound (when his reindeer are scared away by gunfire) he must decide to stay and help or stay out of the way.
Jon Leguizamo (MOULIN ROUGE) is the “Hans Gruber” of this piece - a mercenary named SCROOGE and he is a “good enough” villain. While Leah Brady is “charming enough” as the little girl that Santa decides to help. All the rest of the hostages and mercenaries (including CHRISTMAS VACATION’s Beverly D’Angelo) are underwritten “cannon fodder” for the action that takes place.
And…that is just fine as this is an action/comedy flick, so the enjoyment lies in the creativity that Santa (and others) use in dispatching the bad guys. Candy Canes, Christmas Stars, Ice Skates and…yes…SnowThrowers are all used to the advantage of the good guys (and the ultimate demise of the bad guys).
It’s not going to win any Oscars, but Violent Night is a fun “anti-Holiday” action film that the older folks in the crowd will enjoy later at night after the kiddo-s go to bed.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
P.S.: Violent Night is streaming for free (with your Amazon Prime subscription) or you can rent or own it in many of the usual ways.
Lilyn G - Sci-Fi & Scary (91 KP) rated Winchester: The House That Ghosts Built (2018) in Movies
Feb 2, 2018
It was okay. Nothing more, nothing less.
So, when I saw the trailer for Winchester, I was a little intrigued. Not a lot, but a little. A bit more so when I realized that Helen Mirren was in it. Though I can’t say I could name anything else she’s been in off-hand, I did recognize that she had a bit of weight behind her name. Her presence, combined with Jason Clarke (who I recognize more as a “Hey, it’s that guy” than actually recognize) gave me some hope for the movie. Hence stealing away on a Friday afternoon, paying entirely too much money for a ticket and popcorn to get the big-screen experience.
Winchester could have been good, if it didn’t feel like they were scared to go outside the realm of jump-scares. (Though, I will give the directors credit for surprising me and putting a different spin on the typical mirror scare.) Most of the acting was decent-to-solid, but the actors were sorely limited by a distinctly yawn-worthy script.
In regards to the Winchester cast: Clarke has an undeniable charisma. The way Mirren portrayed Sara Winchester, she had that haughty, truth-speaking old lady thing going on that I appreciated and thought I was in for a treat. I was wrong, unfortunately. I felt very much like Mirren’s heart wasn’t in her role at all, and hiding her behind a veil was sometimes the only way to disguise the blue cardboard of her eyes. Sarah Snook reminded me a bit of Maggie Smith, and she had a way of keeping your attention on her. However, Henry, played by Finn Scicluna-O’Prey was barely worth noticing. Scicluna-O’Prey’s ability to command attention on the screen was pretty much solely limited to the well-light scenes featuring his brilliant red hair. (I feel really mean saying that about a younger actor, but it’s the truth.)
The pacing was middling. I definitely got the fidgets a few times during the movie. The dialogue had it’s moments. (There’s a scene between Mirren and Clarke that’ll have you snickering.) The action, such as it was, was bland and cliched. The ending scene had me rolling my eyes.
Overall, Winchester wasn’t god-awful, but it wasn’t something your average horror-movie watcher hasn’t seen 999 times before. It’s one to rent at your local Redbox, or when it his Amazon, but not worth paying movie theatre prices for right now.
Winchester could have been good, if it didn’t feel like they were scared to go outside the realm of jump-scares. (Though, I will give the directors credit for surprising me and putting a different spin on the typical mirror scare.) Most of the acting was decent-to-solid, but the actors were sorely limited by a distinctly yawn-worthy script.
In regards to the Winchester cast: Clarke has an undeniable charisma. The way Mirren portrayed Sara Winchester, she had that haughty, truth-speaking old lady thing going on that I appreciated and thought I was in for a treat. I was wrong, unfortunately. I felt very much like Mirren’s heart wasn’t in her role at all, and hiding her behind a veil was sometimes the only way to disguise the blue cardboard of her eyes. Sarah Snook reminded me a bit of Maggie Smith, and she had a way of keeping your attention on her. However, Henry, played by Finn Scicluna-O’Prey was barely worth noticing. Scicluna-O’Prey’s ability to command attention on the screen was pretty much solely limited to the well-light scenes featuring his brilliant red hair. (I feel really mean saying that about a younger actor, but it’s the truth.)
The pacing was middling. I definitely got the fidgets a few times during the movie. The dialogue had it’s moments. (There’s a scene between Mirren and Clarke that’ll have you snickering.) The action, such as it was, was bland and cliched. The ending scene had me rolling my eyes.
Overall, Winchester wasn’t god-awful, but it wasn’t something your average horror-movie watcher hasn’t seen 999 times before. It’s one to rent at your local Redbox, or when it his Amazon, but not worth paying movie theatre prices for right now.
Gareth von Kallenbach (980 KP) rated Killing Gunther (2017) in Movies
Jun 19, 2019
Action Superstar Arnold Schwarzenegger returns to action in the new film “Killing Gunther”. The film is a documentary style fusion of comedy and action and involves a collection of assassins gathering to kill an elite assassin named Gunther (Arnold Schwarzenegger). The group’s motives are varied but many simply want to make a name for themselves by taking out the top name in their profession.
The leader of the team is Blake (Taran Killam), and he has a range of reasons for wanting Gunther dead and has hired a documentary film crew to capture every moment of his mission.
Unfortunately Blake and his crew are highly dysfunctional and they have to supplement their crew with some unstable and unproven recruits as the more established members of their profession know better than to cross Gunther.
The team learns quickly that there plans are already known to Gunther and he starts toying with them in a series of well-timed hit and run missions. Every time the team thinks they have the drop on Gunther, he seems to turn the tables on them and slip away, reducing their ranks in the process.
Blake soon finds his life falling apart as his actions have drawn the attention of the authorities and he finds himself unable to return to his home and forced to take up residence with his tech guy.
As Blake goes all in on his mission life and other complications arise for the team which makes for an all-out finale to accomplish his goal.
While the premise of the film is entertaining it does tend to drag on at many points and labors to get to Schwarzenegger. Part of this is due to Taran Killam being the Writer and Director for the film as well. He has a background that includes Saturday Night Live and short sitcoms and sketch comedies. He has crafted a very interesting premise but one that would have been better in a series of short sketches or in a shorter film.
Schwarzenegger seems to be enjoying himself and the campy nature of his role and he at times parodies himself with some lines lifted from “Predator”, yet seems to do so with a wink and a smile to the audience.
Schwarzenegger fans may find the film interesting enough to watch in the theaters but my advice would be to watch this on demand or wait to rent or stream it.
http://sknr.net/2017/10/18/killing-gunther/
The leader of the team is Blake (Taran Killam), and he has a range of reasons for wanting Gunther dead and has hired a documentary film crew to capture every moment of his mission.
Unfortunately Blake and his crew are highly dysfunctional and they have to supplement their crew with some unstable and unproven recruits as the more established members of their profession know better than to cross Gunther.
The team learns quickly that there plans are already known to Gunther and he starts toying with them in a series of well-timed hit and run missions. Every time the team thinks they have the drop on Gunther, he seems to turn the tables on them and slip away, reducing their ranks in the process.
Blake soon finds his life falling apart as his actions have drawn the attention of the authorities and he finds himself unable to return to his home and forced to take up residence with his tech guy.
As Blake goes all in on his mission life and other complications arise for the team which makes for an all-out finale to accomplish his goal.
While the premise of the film is entertaining it does tend to drag on at many points and labors to get to Schwarzenegger. Part of this is due to Taran Killam being the Writer and Director for the film as well. He has a background that includes Saturday Night Live and short sitcoms and sketch comedies. He has crafted a very interesting premise but one that would have been better in a series of short sketches or in a shorter film.
Schwarzenegger seems to be enjoying himself and the campy nature of his role and he at times parodies himself with some lines lifted from “Predator”, yet seems to do so with a wink and a smile to the audience.
Schwarzenegger fans may find the film interesting enough to watch in the theaters but my advice would be to watch this on demand or wait to rent or stream it.
http://sknr.net/2017/10/18/killing-gunther/