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BankofMarquis (1832 KP) rated 65 (2023) in Movies
May 8, 2023
Driver is Heads and Shoulders above this material
Whoever decided to cast Adam Driver as an alien spaceperson (who looks and acts suspiciously like a 21st Century American) who crash-lands on prehistoric Earth and has to battle Dinosaurs equipped with only his alien technology (including his laser-blaster) is a GENIUS for Driver is EXTREMELY watchable in this film - the best thing (by far) in this so-so sci-fi/dinosaur mash-up.
The rest of the movie? Not so much.
Basically Jurassic Park with a spaceman twist, 65 (so named for the spaceman that crash lands on Earth at around 65 million years B.C. - just before the “dinosaur killing” asteroid hits the Earth) tells the tale of said Spaceman, MIlls (Driver) who crashes on Earth and (along with another survivor, Koa played by Ariana Greenblatt) must make their way across unfriendly, hungry Dinosaur territory to their escape ship and get off the planet before the asteroid hits.
You’ve seen the humans vs. dinosaur action before in all of the Jurassic Park films - so there’s nothing new here. Writer/Directors Scott Beck and Bryan Woods put together a fairly standard “man vs. beast” action flick. It felt like that these two were playing with their Jurassic Park and Astronaut toys in their bedroom and this was the adventure they came up with.
The differentiator in this film is the performance of Driver who puts his all into his portrayal of Mills as he (mostly) silently, but professionally, makes his way across hostile territory to gain access to rescue. Driver (who I don’t think has ever given a bad performance) is head and shoulders above the material here and he, alone, is worth spending an hour and a 1/2 of your time on this film.
Roll your eyes at the Dinosaur action, marvel at the Adam Driver performance.
Letter Grade: C+ (Driver “A”, the rest of the film “D”)
6 stars (out of 10) - and that’s being generous - and you can take that to the Bank (ofMarquis)
The rest of the movie? Not so much.
Basically Jurassic Park with a spaceman twist, 65 (so named for the spaceman that crash lands on Earth at around 65 million years B.C. - just before the “dinosaur killing” asteroid hits the Earth) tells the tale of said Spaceman, MIlls (Driver) who crashes on Earth and (along with another survivor, Koa played by Ariana Greenblatt) must make their way across unfriendly, hungry Dinosaur territory to their escape ship and get off the planet before the asteroid hits.
You’ve seen the humans vs. dinosaur action before in all of the Jurassic Park films - so there’s nothing new here. Writer/Directors Scott Beck and Bryan Woods put together a fairly standard “man vs. beast” action flick. It felt like that these two were playing with their Jurassic Park and Astronaut toys in their bedroom and this was the adventure they came up with.
The differentiator in this film is the performance of Driver who puts his all into his portrayal of Mills as he (mostly) silently, but professionally, makes his way across hostile territory to gain access to rescue. Driver (who I don’t think has ever given a bad performance) is head and shoulders above the material here and he, alone, is worth spending an hour and a 1/2 of your time on this film.
Roll your eyes at the Dinosaur action, marvel at the Adam Driver performance.
Letter Grade: C+ (Driver “A”, the rest of the film “D”)
6 stars (out of 10) - and that’s being generous - and you can take that to the Bank (ofMarquis)
Sing, Memory
8.0
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A Polish musician, a Jewish conductor, a secret choir, and the rescue of a trove of music from the...
Gareth von Kallenbach (980 KP) rated Arctic (2019) in Movies
Jul 2, 2019
This week has been one of the coldest on record across much of the United States. The “polar vortex” has brought with it sub-zero temps complete with snow and ice. It seems only fitting that Arctic a survival movie co-written and directed by YouTube star Joe Penna would be releasing the very same week. In his first feature film directorial debut Penna brings both the beauty and the dangers of the Arctic (Iceland in this case) to the big screen.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
A lone man identified only as Overgård (Mads Mikkelsen) has crashed his cargo plane somewhere in the arctic. We don’t know how long he has been stranded there, but long enough for him to have carved out a giant S.O.S in the snow. He has converted his downed plane into his new home and goes about the same routine every day. He sets his watch alarm to keep his schedule, which involves catching fish through the ice, and setting out in a different direction each day to manually wind his transponder in the hopes that a rescue will finally come.
One day, a day like countless days before it, Overgård’s transponder turns from red to green and in the distance a helicopter appears. His lucky day soon turns into tragedy as the harsh winds of the Arctic toss the helicopter around like a kite in a hurricane, crashing it to the ground. Overgård quickly runs to the crash site only to find that one of the pilots has died in the crash, and the other (Maria Thelma Smáradôttir) is barely conscious and has a gaping wound in her side. In a scene that could almost be described as humorous (if it wasn’t for the dire situation itself), Overgård crafts a sled out of the helicopter’s sliding door to carry the woman back to the safety of his plane, only to find out the next day that inside the helicopter was an actual rescue sled.
Sadly, it isn’t long before the young pilot’s wound begins to fester that Overgård must make a choice. Stay in the little slice of heaven that he has carved up for himself or risk the forces of nature in an effort to save the woman’s life. With a map he recovered from the downed helicopter, Overgård is able to identify an outpost and carefully plots out the journey that will take them there. The journey he plans for will take several days and has numerous obstacles to overcome. Yet, with a heart that clearly is as large as the vastness of the arctic itself, he realizes he has no choice.
Arctic is a movie with very little dialog, other than an occasional comment to himself or an attempt to rouse his unconscious guest. For a movie that says so little it’s the atmosphere that says so much. The film attempts to capture the harsh conditions that Overgård faces along his journey and does it so brilliantly that you can almost feel the icy weight as it bears down. The audience struggles with every wintery step as if they are not only spectators, but active participants in the journey. The scenery is as awe inspiring as it is deadly. The music seamlessly blends into the environment to a point where you are aware it’s there but doesn’t break the immersion.
Arctic could almost be mistaken as a documentary, a film about one mans survival in one of the most inhospitable places on the planet. Its pacing is deliberate, even if it is a bit slow at times. There is little need to add extra flair or danger into the mix, because nature alone provides it in spades. Arctic is not a movie that will appeal to those looking for non-stop action. At its heart it is really a movie about man vs nature, and nature can be a beast all its own. Arctic is certainly a movie for those looking for something a bit different. For those who are looking for a survival movie that doesn’t take place on a deserted isle, then this is right up your alley. Arctic shows that sometimes realism is far more interesting than fiction.
Merissa (12066 KP) rated The Botanist (The Sin Bin #2.5) in Books
Sep 16, 2017
The Botanist: Short Story (The Sin Bin #2.5) by Dahlia Donovan
The Botanist is part of The Sin Bin series, and let me tell you, this may be classed as a short story, but it is full of everything you could wish for... apart from one thing, which I'll get to later!
Wyatt (Earp) Hardy is a Navy Seal, on a combined exercise with the UK. They come across a boat that shouldn't be there, and their scans reveal four bodies on-board, when there should only be one. It turns into a rescue mission, and Wyatt lays eyes on Aled for the first time. Aled has been tortured, and is in a state of shock. However, he is returned home, and Hamish and Wyatt hope that he will be okay.
He's not.
I am a long-term fan of Ms. Donovan's; she has never disappointed me with any of her stories - and trust me when I say this one is right up there! Wyatt is a giant of a man, with a heart to match. He wants to push Aled in some ways, but never bad ways. He goes above and beyond to do what he thinks will help. Aled, what a brave and courageous guy, even when he thinks he isn't. The rapport that these two have is off the charts, and I loved the pair of them.
With no editing or grammatical errors to disrupt my reading flow, this was one helluva story that packs a mighty punch for being short. And that, right there, is the only problem I have with it! I NEEDED MORE!!!! I seriously wasn't ready for this book to be over. I loved every single word. There just weren't enough of them to please me ?
Do I recommend this book? Absolutely!
Do I recommend any of Dahlia Donovan's work? You betcha!
Do I want more from Aled and Wyatt? YES!!!!!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comment here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Wyatt (Earp) Hardy is a Navy Seal, on a combined exercise with the UK. They come across a boat that shouldn't be there, and their scans reveal four bodies on-board, when there should only be one. It turns into a rescue mission, and Wyatt lays eyes on Aled for the first time. Aled has been tortured, and is in a state of shock. However, he is returned home, and Hamish and Wyatt hope that he will be okay.
He's not.
I am a long-term fan of Ms. Donovan's; she has never disappointed me with any of her stories - and trust me when I say this one is right up there! Wyatt is a giant of a man, with a heart to match. He wants to push Aled in some ways, but never bad ways. He goes above and beyond to do what he thinks will help. Aled, what a brave and courageous guy, even when he thinks he isn't. The rapport that these two have is off the charts, and I loved the pair of them.
With no editing or grammatical errors to disrupt my reading flow, this was one helluva story that packs a mighty punch for being short. And that, right there, is the only problem I have with it! I NEEDED MORE!!!! I seriously wasn't ready for this book to be over. I loved every single word. There just weren't enough of them to please me ?
Do I recommend this book? Absolutely!
Do I recommend any of Dahlia Donovan's work? You betcha!
Do I want more from Aled and Wyatt? YES!!!!!!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comment here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
RavenclawPrincess913 (253 KP) rated Eclipse (Twilight, #3) in Books
Feb 12, 2019
Contains spoilers, click to show
Title: Eclipse
Author: Stephenie Meyer
Summary: In Eclipse by Stephenie Meyer Bella and Jacob make-up and fight again. Edward also wants her no where near the pack because he thinks it’s dangerous so he has Alice “kidnap” Bella for a sleepover while he is out of town so she doesn’t run off to La Push again, but Jacob comes to the rescue and gets her from school. They hang out for a bit until he says he rather she be dead than a vampire. Rosalie goes on to explain to Bella why she doesn’t want her to become a vampire and Jasper tells Bella later on about his first years as a vampire with Maria and the newborn army. Than Victoria’s and Riley’s newborn army comes to fight the Cullens and the Pack. After they are defeated the Voultri show up to clean up the mess.
Review: In the book when Edward had Alice ‘kidnap’ Bella so she wouldn’t run off to La Push to see Jacob was very controlling, just because he’s her boyfriend that doesn’t give him the right to tell her who she can and can’t be friends with. Than when Jacob told her he rather she be dead than a vampire was not right of him either and very messed up. I also understand why Rosalie feels the way she does about Bella becoming a vampire. I also feel for Jasper during what he went through in his newborn years with Maria. Than when Jacob was being pushy and kissed her it pissed me off so much I would have punched him too. Also I knew it was Victoria the whole time it was very obvious and she’s not really good at it. It was also mean of her to use Riley and the newborn vampires for her own selfish games. I was very glad when they defeated her. In my opinion the Voultri should have let Bree live since she surrendered that part was very sad. But I’m glad Bella agreed to marry Edward the old fashioned way like Alice and Him wanted instead of just being to Vegas even though Seth is better than both Edward and Jacob. Both of them are very controlling.
Would I recommend? Yes
Author: Stephenie Meyer
Summary: In Eclipse by Stephenie Meyer Bella and Jacob make-up and fight again. Edward also wants her no where near the pack because he thinks it’s dangerous so he has Alice “kidnap” Bella for a sleepover while he is out of town so she doesn’t run off to La Push again, but Jacob comes to the rescue and gets her from school. They hang out for a bit until he says he rather she be dead than a vampire. Rosalie goes on to explain to Bella why she doesn’t want her to become a vampire and Jasper tells Bella later on about his first years as a vampire with Maria and the newborn army. Than Victoria’s and Riley’s newborn army comes to fight the Cullens and the Pack. After they are defeated the Voultri show up to clean up the mess.
Review: In the book when Edward had Alice ‘kidnap’ Bella so she wouldn’t run off to La Push to see Jacob was very controlling, just because he’s her boyfriend that doesn’t give him the right to tell her who she can and can’t be friends with. Than when Jacob told her he rather she be dead than a vampire was not right of him either and very messed up. I also understand why Rosalie feels the way she does about Bella becoming a vampire. I also feel for Jasper during what he went through in his newborn years with Maria. Than when Jacob was being pushy and kissed her it pissed me off so much I would have punched him too. Also I knew it was Victoria the whole time it was very obvious and she’s not really good at it. It was also mean of her to use Riley and the newborn vampires for her own selfish games. I was very glad when they defeated her. In my opinion the Voultri should have let Bree live since she surrendered that part was very sad. But I’m glad Bella agreed to marry Edward the old fashioned way like Alice and Him wanted instead of just being to Vegas even though Seth is better than both Edward and Jacob. Both of them are very controlling.
Would I recommend? Yes
Dianne Robbins (1738 KP) rated Still Alice (2015) in Movies
Mar 21, 2019
Kristin Stewart's character (3 more)
Alec Baldwin's character
Not true to the book
Watered-down Chen I read the book, I was immersed
Very disappointing
Contains spoilers, click to show
When I read the book, I was immersed with what it was like to have early onset Alzheimer's disease. It was horrifying and painful and I could understand the painful decisions Alice made and the complexity and beauty of the betrayal of her husband. None of this was portrayed in the movie. One of the most terrifying scenes in the book is when Alice mistakes a brown throw rug as a hole in the floor and is too frightened to get near it to answer her door or walk to her bathroom. She could not understand the texture of the rug and that she could simply walk across it. Instead, she curled up in fear and urinating on herself while waiting hours or days for someone to rescue her. Early onset Alzheimer's and the physical and psychological symptoms were not described as well as they were in the book so the film lacked real drama. Also, the relationships between Alice and her husband, Alice and her children, especially Kristin Stewart's character were extremely vague, so they didn't really make sense in the movie.
The only good thing in the film was Julienne Moore's performance. Even though the script was extremely watered down, Moore did the best she could with the material. If they had included more of what was in the book, Moore would have shined. She's an amazing actress and this role was meant for her. It's a shame the script didn't allow her to perform her heart out, which she would have done given the chance.
I'm disgusted by either the screenwriter or director who chose to leave out the most poignant aspects of the book and in their, and all filmmakers, choice to dumb down movies to appeal to the American public by always finishing with a happy ending. There is beauty in pain. There is beauty in death. There is beauty is release. Filmmakers should know that.
The only good thing in the film was Julienne Moore's performance. Even though the script was extremely watered down, Moore did the best she could with the material. If they had included more of what was in the book, Moore would have shined. She's an amazing actress and this role was meant for her. It's a shame the script didn't allow her to perform her heart out, which she would have done given the chance.
I'm disgusted by either the screenwriter or director who chose to leave out the most poignant aspects of the book and in their, and all filmmakers, choice to dumb down movies to appeal to the American public by always finishing with a happy ending. There is beauty in pain. There is beauty in death. There is beauty is release. Filmmakers should know that.
Cyn Armistead (14 KP) rated Dragon Ship (Theo Waitley, #4; Liaden Universe, #17) in Books
Mar 1, 2018
[a:Sharon Lee|57980|Sharon Lee|http://photo.goodreads.com/authors/1249574929p2/57980.jpg] and [a:Steve Miller|5829|Steve Miller|http://photo.goodreads.com/authors/1249575165p2/5829.jpg] continue to please with this latest installment in the Liaden Universe series. Theo Waitley, now First Pilot on the sentient ship Bechimo, is in the process of deciding whether she's going to bond with the ship permanently as its Captain. She and the Bechimo are being pursued, together and separately, by the Department of the Interior. Despite that fact, she goes out to establish a new trade route for Clan Korval, with former Juntavas Boss Clarence O'Berin sitting as Co-pilot.
Theo's former lover Win Ton is confined in Bechimo's restructuring facility, something a step beyond the autodoc, where he is being rebuilt cell by cell after being tortured by the Department of the Interior in its pursuit of the Bechimo. There's no guarantee that Win Ton will survive the process, or what shape he'll be in when it is completed.
They aren't far into the route when they receive a distress signal from space station Codrescu, in orbit around Eylot, the planet where Theo began training as a Pilot. The political situation on Eylot has come to a head, and all Pilots there are in danger. Codrescu has put out an emergency call for help, so Theo takes Bechimo to the rescue — despite the fact that she has good reason to never want to see that system again.
Theo is a very young woman, but growing by leaps and bounds. She makes any decision that doesn't rely on social intelligence very well, guided by good basic instincts and other types of intelligence. Her social skills still leave much to be desired, but she's slowly improving those and she knows she has a weakness in that area.
It is always a joy to read a Liaden novel, but watching Theo grow up adds a new dimension of pleasure to the reading. While I've paused to read and re-read some of the chapbooks in order to put off the time before I ran out of new material, the time is here now. I'm back to the same old complaint: I want more, now! Please?
Theo's former lover Win Ton is confined in Bechimo's restructuring facility, something a step beyond the autodoc, where he is being rebuilt cell by cell after being tortured by the Department of the Interior in its pursuit of the Bechimo. There's no guarantee that Win Ton will survive the process, or what shape he'll be in when it is completed.
They aren't far into the route when they receive a distress signal from space station Codrescu, in orbit around Eylot, the planet where Theo began training as a Pilot. The political situation on Eylot has come to a head, and all Pilots there are in danger. Codrescu has put out an emergency call for help, so Theo takes Bechimo to the rescue — despite the fact that she has good reason to never want to see that system again.
Theo is a very young woman, but growing by leaps and bounds. She makes any decision that doesn't rely on social intelligence very well, guided by good basic instincts and other types of intelligence. Her social skills still leave much to be desired, but she's slowly improving those and she knows she has a weakness in that area.
It is always a joy to read a Liaden novel, but watching Theo grow up adds a new dimension of pleasure to the reading. While I've paused to read and re-read some of the chapbooks in order to put off the time before I ran out of new material, the time is here now. I'm back to the same old complaint: I want more, now! Please?
Lindsay (1717 KP) rated The Fakersville Power Station (Edgar Font's Hunt for a House to Haunt, #2) in Books
Feb 15, 2018
Well to start you off, When I was finish reading the Adventure One of this series "The Castle Tower Lighthouse". So I went in to my library and checked this one out and with the third installment. Well my thoughts on the book itself.
Combine Doyle's unparalleled storytelling with a little guidance from the spirit world and the result is this ingenious literary concoction second in sequence only. In the forward readers are greeted with a letter from the author, which explains the origin of the story and includes a special note of thanks to his ghostly housemate, thus setting the stage for a magical reading experience.
Audrey and Garrett Font thought for sure this would have been a most boring summer, but was before their week long lighthouse adventure. Now they are as excited as their grandpa to explore the beautiful, colonial style house tuck way by towering waterfall. Following great grandpa and Leo drawings, the three of them start on their way into the vast forests of Northern California in search of Fakersville. But after sixty years, Grandpa's memories of this picturesque area seem to be the only thing left of this once vibrant mining town. How could they find the house grandpa was so anxious to explore if they couldn't even find the town?
They meet a new characters to be introduced is the cantankerous, president of the Inventor's Club, Mr. Howard August. Listening to his stories the Font's learn a great deal about the history of Fakersville, from thriving quartz mining area to a deserted ghost town of sorts, where curiosity seekers simply disappear. Following a series of clues and solving puzzles, with the assistance of a new friend, the Font's begin to uncover the towns long buried secrets. But is it too late? Can they rescue their beloved grandpa and prevent the Mayor from writing another chapter in the mysterious story of Fakersville.
You learn lots of educational and moral lessons though out the books. There a lot going on but is a wonderful book to read. It has you guessing along with the characters. I love this book along with the first and i would recommend it.
Combine Doyle's unparalleled storytelling with a little guidance from the spirit world and the result is this ingenious literary concoction second in sequence only. In the forward readers are greeted with a letter from the author, which explains the origin of the story and includes a special note of thanks to his ghostly housemate, thus setting the stage for a magical reading experience.
Audrey and Garrett Font thought for sure this would have been a most boring summer, but was before their week long lighthouse adventure. Now they are as excited as their grandpa to explore the beautiful, colonial style house tuck way by towering waterfall. Following great grandpa and Leo drawings, the three of them start on their way into the vast forests of Northern California in search of Fakersville. But after sixty years, Grandpa's memories of this picturesque area seem to be the only thing left of this once vibrant mining town. How could they find the house grandpa was so anxious to explore if they couldn't even find the town?
They meet a new characters to be introduced is the cantankerous, president of the Inventor's Club, Mr. Howard August. Listening to his stories the Font's learn a great deal about the history of Fakersville, from thriving quartz mining area to a deserted ghost town of sorts, where curiosity seekers simply disappear. Following a series of clues and solving puzzles, with the assistance of a new friend, the Font's begin to uncover the towns long buried secrets. But is it too late? Can they rescue their beloved grandpa and prevent the Mayor from writing another chapter in the mysterious story of Fakersville.
You learn lots of educational and moral lessons though out the books. There a lot going on but is a wonderful book to read. It has you guessing along with the characters. I love this book along with the first and i would recommend it.
postapocalypticplayground (27 KP) rated Scarlet (The Lunar Chronicles, #2) in Books
Mar 15, 2018
Awesome continuation of the series
I’m so happy to be back in the world of the Lunar Chronicles! Scarlet, is Marissa Meyer’s take on Red Riding Hood, big bad wolf and grandma included. As with Cinder, Scarlet is a whirlwind of a story, straight into the good stuff and the story blends seamlessly with the continuation of Cinder’s overarching story line. Scarlet is a girl on a mission to rescue her Grandmother with Wolf (the big bad fighter) on her side. Outside of New Beijing, Scarlet’s story is set in a future France, which seems very undamaged by the wars, it has a very rustic feel, with Scarlet and her Grandmother enjoying a simple farming life. But Grandma, what big secrets you have! The collision of her grandmothers disappearance and the entrance of Wolf is played to perfection and their journey to Paris is both exciting and full of anxious moments. Scarlet is a fantastic character and you can completely understand, through the brief glimpses of her father, why she gives up everthing to take the journey to Paris. Whilst she wants to appear worldly, she is also wonderfully niaive at times, very much wearing her heart on her sleeve. I also loved the nuggets of information about hers and Cinder’s past and how the lines become blurred at times as the secrets and lies unfurl.
The action is frequent with huge set pieces which played out cinematically in my mind as I was reading. It’s quite an emotional one at times too, Kai’s dispair, Cinder’s desperation, Wolf’s inner turmoil and a bit of an insight into Levana left me quite breathless by the end.
My favourite thing at this stage, is how there is still so many secrets to be revealed. With 2 more books in the series to go it’s clear that each of the next characters will have some connection to what happened to Cinder as a child and how we reach present day, in story terms, I can’t wait to pick up Cress and see where the story goes next!
The action is frequent with huge set pieces which played out cinematically in my mind as I was reading. It’s quite an emotional one at times too, Kai’s dispair, Cinder’s desperation, Wolf’s inner turmoil and a bit of an insight into Levana left me quite breathless by the end.
My favourite thing at this stage, is how there is still so many secrets to be revealed. With 2 more books in the series to go it’s clear that each of the next characters will have some connection to what happened to Cinder as a child and how we reach present day, in story terms, I can’t wait to pick up Cress and see where the story goes next!
Adam Colclough (3 KP) rated Slow Horses in Books
Mar 12, 2018
The awkward squad to the rescue
Slough House is the place where the secret service dumps those operatives who don’t’ make the grade. A bureaucratic limbo as far away from the glamourous world inhabited by James Bond as Biarritz is from the outer moons of Saturn.
The crew of misfits incarcerated there under the command of the objectionable Jackson Lamb are called back to active service when a terrorist gang kidnap a teenager and threaten to behead him live online. Suddenly the awkward squad are players in a deadly game with only one possible winner.
In this book, first published in 2010 and part of an award-winning quartet, Mick Herron delivers all the thrills you would expect as he pits his cast of oddballs against a chillingly plausible enemy.
Spy novels often describe hidden worlds as a way of talking about the one with which we are all familiar. In the Sixties Le Carre wrote about a secret service that resembled nothing so much as minor Oxbridge college down on its luck but clinging tightly to past glories. Any similarity to a Britain that for all the promises of wonders delivered by the ‘white heat of technology’ was starting to look decidedly seedy was entirely intentional.
Mick Herron writes about a service that has been capture by bean counters and career obsessed middle managers. Drowning in paperwork, stymied by procedure and inclined to try and be a little too clever for its own good.
He also creates delightfully complex characters, the ‘slow horses’ of the title may all be difficult individuals, but that gives them fears and failings that make them infinitely more interesting than monochrome supermen like Bond or Bourne. By the book’s end he even manages to provide them with if not redemption than the unexpected feeling they may have a purpose after all.
The best spy novels are always about more than just chasing after a McGuffin. This book is unafraid to look at troubling ideas and to present characters who don’t tick the boxes of traditional heroism. That puts it in the running to become a classic of the genre.
The crew of misfits incarcerated there under the command of the objectionable Jackson Lamb are called back to active service when a terrorist gang kidnap a teenager and threaten to behead him live online. Suddenly the awkward squad are players in a deadly game with only one possible winner.
In this book, first published in 2010 and part of an award-winning quartet, Mick Herron delivers all the thrills you would expect as he pits his cast of oddballs against a chillingly plausible enemy.
Spy novels often describe hidden worlds as a way of talking about the one with which we are all familiar. In the Sixties Le Carre wrote about a secret service that resembled nothing so much as minor Oxbridge college down on its luck but clinging tightly to past glories. Any similarity to a Britain that for all the promises of wonders delivered by the ‘white heat of technology’ was starting to look decidedly seedy was entirely intentional.
Mick Herron writes about a service that has been capture by bean counters and career obsessed middle managers. Drowning in paperwork, stymied by procedure and inclined to try and be a little too clever for its own good.
He also creates delightfully complex characters, the ‘slow horses’ of the title may all be difficult individuals, but that gives them fears and failings that make them infinitely more interesting than monochrome supermen like Bond or Bourne. By the book’s end he even manages to provide them with if not redemption than the unexpected feeling they may have a purpose after all.
The best spy novels are always about more than just chasing after a McGuffin. This book is unafraid to look at troubling ideas and to present characters who don’t tick the boxes of traditional heroism. That puts it in the running to become a classic of the genre.