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Gareth von Kallenbach (971 KP) rated Hunter Killer (2018) in Movies
Jul 2, 2019
The Hunt for Red October. Crimson Tide. Das Boot. These are the some of the greatest submarine movies ever made. Hunter Killer is not on that list.
That’s not to say that this movie isn’t entertaining. Gerard Butler appears alongside a surprisingly well stocked cast including Academy award winner Gary Oldman, Emmy winner Michael Nyqvist, Common and Linda Cardellini to create a gripping experience that is high action and suspense throughout the entire film. But where it excels in action it falls short in story and character development.
The action begins right off the bat; and within 5 minutes of the opening credits two submarines are destroyed and the world is on the brink of World War 3. Commander Joe Glass (Butler), despite never having captained a submarine before, is field promoted into command of the USS Arkansas, considered a Hunter Killer submarine, and sent to investigate the missing subs. During the course of his investigation, he discovers that not all is what it seems. Meanwhile, Rear Admiral John Fisk (Common) and NSA Agent Jayne Norquist (Cardellini) are at the Pentagon with some issues of their own. Using a Navy Seal recon team, they’ve discovered that a Russian military coup is in progress and the only way to prevent a war is to rescue the captive Russian president. In the end, all three teams need to work together in order to steer the two countries away from being driven into a nuclear confrontation by a rogue Russian defense minister
To its credit, this movie is what it is. Pure, driven action with few breaks and absolutely no subplots or side stories. Despite there being three main teams within the film (the submarine, the recon team and the Pentagon team) all three are focused on the same objective and there is very little deviation from their respective missions. There’s no accompanying love story or unshown historical conflict between two characters. There’s not even much in terms of character development beyond the typical “old crew learns to trust new and unproven leader”. This is as close to a pure action movie as you’re going to get. Every single line, scene and character is used to further an explosion in some way or another.
This is the first big project for director Donovan Marsh who, prior to this, hasn’t had anything close to this quality of cast or this kind of budget. Hunter Killer has actually been tossed around the studios for a number of years with other notable directors including Tony Scott (Crimson Tide) and Antoine Fuqua (Training Day) previously attached to the script. While it would have been exciting to see what either of those two could have done with this film, Marsh does manage to keep things alive by maintaining that constant stream of action and suspense. Unfortunately, he doesn’t seem to be able to elevate the picture above that basic level. Despite an all-star cast who performed excellently, the movie remains essentially one-dimensional.
If you’re looking for a tense (Crimson Tide), intelligent (Hunt for Red October) submarine movie that looks a little more like a political thriller and a little less like an advertisement for the Navy, then this movie is not for you. However, if you’re in need of a bit more action and a lot less subtext, then Hunter Killer makes for a great night out full of explosions, amusing jokes and better acting than the dialogue really deserved.
That’s not to say that this movie isn’t entertaining. Gerard Butler appears alongside a surprisingly well stocked cast including Academy award winner Gary Oldman, Emmy winner Michael Nyqvist, Common and Linda Cardellini to create a gripping experience that is high action and suspense throughout the entire film. But where it excels in action it falls short in story and character development.
The action begins right off the bat; and within 5 minutes of the opening credits two submarines are destroyed and the world is on the brink of World War 3. Commander Joe Glass (Butler), despite never having captained a submarine before, is field promoted into command of the USS Arkansas, considered a Hunter Killer submarine, and sent to investigate the missing subs. During the course of his investigation, he discovers that not all is what it seems. Meanwhile, Rear Admiral John Fisk (Common) and NSA Agent Jayne Norquist (Cardellini) are at the Pentagon with some issues of their own. Using a Navy Seal recon team, they’ve discovered that a Russian military coup is in progress and the only way to prevent a war is to rescue the captive Russian president. In the end, all three teams need to work together in order to steer the two countries away from being driven into a nuclear confrontation by a rogue Russian defense minister
To its credit, this movie is what it is. Pure, driven action with few breaks and absolutely no subplots or side stories. Despite there being three main teams within the film (the submarine, the recon team and the Pentagon team) all three are focused on the same objective and there is very little deviation from their respective missions. There’s no accompanying love story or unshown historical conflict between two characters. There’s not even much in terms of character development beyond the typical “old crew learns to trust new and unproven leader”. This is as close to a pure action movie as you’re going to get. Every single line, scene and character is used to further an explosion in some way or another.
This is the first big project for director Donovan Marsh who, prior to this, hasn’t had anything close to this quality of cast or this kind of budget. Hunter Killer has actually been tossed around the studios for a number of years with other notable directors including Tony Scott (Crimson Tide) and Antoine Fuqua (Training Day) previously attached to the script. While it would have been exciting to see what either of those two could have done with this film, Marsh does manage to keep things alive by maintaining that constant stream of action and suspense. Unfortunately, he doesn’t seem to be able to elevate the picture above that basic level. Despite an all-star cast who performed excellently, the movie remains essentially one-dimensional.
If you’re looking for a tense (Crimson Tide), intelligent (Hunt for Red October) submarine movie that looks a little more like a political thriller and a little less like an advertisement for the Navy, then this movie is not for you. However, if you’re in need of a bit more action and a lot less subtext, then Hunter Killer makes for a great night out full of explosions, amusing jokes and better acting than the dialogue really deserved.
EmersonRose (320 KP) rated Knight of The Dead III: Fortress in Books
Nov 20, 2019
Knight of the Dead III: Fortress continues the adventures of Ronan and his family as they struggle to survive in the Zombie Apocalypse. The third book is a non-stop action-packed adventure as Ronan really starts to build up his fortress in a school building, slowly growing his kingdom. He has finally saved enough people that there really starts to be some interesting dynamics between the survivors and a look to the future can begin to happen. In this book, the stakes are raised as the zombies continue to change and seemingly become smarter and more dangerous. With the stakes raised, his family finally in a stable situation, Ronan sets out full force to save as many others as he can.
Without a doubt, my favorite part if this series is the unique take at apocalypse fiction by throwing in medieval fighting. This book does not disappoint as there are thrilling action scenes, plenty of training sequences, and the knight continuing to become a legend in the modern world. This unique touch simultaneously gives the story a fun and engaging layer while also somehow adding to the believability of the world that author Ron Smorynski has created. With the detailed fighting knowledge, and the time spent on gathering food, training, getting water, and fortifying the school, as a reader you can believe that they would have survived this long.518hheXuwoL._SY346_
This book focuses more on rescue then the previous books and as the cast of characters continues to grow there is less time spent one on one with people. This decreases the amount of individual tension between characters, but there is still tension as Ronan is the dictator and continues to push his Christian values on everyone within his fortress. This dynamic makes sense in the situation, but I like the moments when Ronan gets to be humanized more in small moments. A hug with his wife or children, a cute moment with him and the children, his appreciated a moment of laughter. These moments are very sweet in the otherwise horror-filled world they live in, and Ronan gets to relax the least as a leader.
Pet peeve of mine in apocalypse fiction is the idea that you are completely alone in the world. That although you survived no one else on the planet could have. Smorynski does not fall into this trap. He acknowledges the bigger world, although his characters have very little contact with it. And there is a good balance between the characters feeling alone and being alone. Many people have died in the month of the apocalypse, but they are still finding survivors. There are other people who are holding on. This makes the series more exciting for me and also keeps me excited for the books to come as I enjoy watching the growing community of survivors.
This series is exciting and gripping from beginning to end. Smorynski does a good job of justifying the risks that his characters take and ups the stakes and consequences as the book progresses, making the danger feel read from beginning to end. If you like zombie stories or apocalypse fiction, then I would highly recommend checking this series out. I cannot wait to see where the story goes from here!
Without a doubt, my favorite part if this series is the unique take at apocalypse fiction by throwing in medieval fighting. This book does not disappoint as there are thrilling action scenes, plenty of training sequences, and the knight continuing to become a legend in the modern world. This unique touch simultaneously gives the story a fun and engaging layer while also somehow adding to the believability of the world that author Ron Smorynski has created. With the detailed fighting knowledge, and the time spent on gathering food, training, getting water, and fortifying the school, as a reader you can believe that they would have survived this long.518hheXuwoL._SY346_
This book focuses more on rescue then the previous books and as the cast of characters continues to grow there is less time spent one on one with people. This decreases the amount of individual tension between characters, but there is still tension as Ronan is the dictator and continues to push his Christian values on everyone within his fortress. This dynamic makes sense in the situation, but I like the moments when Ronan gets to be humanized more in small moments. A hug with his wife or children, a cute moment with him and the children, his appreciated a moment of laughter. These moments are very sweet in the otherwise horror-filled world they live in, and Ronan gets to relax the least as a leader.
Pet peeve of mine in apocalypse fiction is the idea that you are completely alone in the world. That although you survived no one else on the planet could have. Smorynski does not fall into this trap. He acknowledges the bigger world, although his characters have very little contact with it. And there is a good balance between the characters feeling alone and being alone. Many people have died in the month of the apocalypse, but they are still finding survivors. There are other people who are holding on. This makes the series more exciting for me and also keeps me excited for the books to come as I enjoy watching the growing community of survivors.
This series is exciting and gripping from beginning to end. Smorynski does a good job of justifying the risks that his characters take and ups the stakes and consequences as the book progresses, making the danger feel read from beginning to end. If you like zombie stories or apocalypse fiction, then I would highly recommend checking this series out. I cannot wait to see where the story goes from here!
Sophia (Bookwyrming Thoughts) (530 KP) rated Last of Her Name in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><em><strong>Last of Her Name</strong></em><strong> hits the ground running.</strong></h2>
Khoury's takes us on an adventure through the Belt of Jewels when the Direktor and the Union shows up on Stacia's planet and she is accused of being Princess Anya Leonova, a member of the royal family supposedly killed years ago by the Direktor. With the help of Pol, Stacia escapes from the home planet she's known throughout her life, leaving Clio behind with the others to be taken away.
<h2><strong>Friendships!</strong></h2>
I love the childhood friendship between Pol, Clio and Stacia told throughout the book with various memories as Stacia makes it her one mission to rescue Clio from the Direktor no matter what it takes among the chaos her life becomes. I enjoyed the backstory and learning more about them, and felt the memories were a great balance with the fast-paced action of the book in addition to being a driving force for Stacia.
While <em>Last of Her Name</em> primarily focuses on the strong friendship already developed in Stacia's childhood, Stacia and Pol create new friendships on the run as well. The two cross paths with Riyan shortly after escaping, a tensor from a distant planet who is also searching for someone he cares about. Although the three of them have a rough start, they develop a bond throughout the book.
<h2><strong>Identity!</strong></h2>
Stacia goes about her life normally until the Direktor shows up, forcing her to run away from all she knows. As she and Pol get chased across the galaxy, Stacia is trying to figure out who she <em>really</em> is as a person: is she Anya or is she Stacia? How can she accept a new part of herself without losing the self that she has always known about? In addition to figuring out who she is, Stacia is also battling her growing feelings for Pol, and those two are simply adorable as they circle around their feelings.
<s>This is why I have a soft spot for friends to lovers tropes I'm just saying.</s>
<h2><strong>Family and Community!</strong></h2>
There's not much I can say about family and community without giving spoilers away (can't have that!), but I really appreciated some of the gestures from Stacia's family and community. But there is so much different family drama, I would have had one too many popcorns if I could just watching the whole story unfold and come together. SO. MUCH. TEA. 🍵
<h2><b>Everything seemed a little too easy.</b></h2>
The only issue I had with this one is how everything seems a little too easy for Stacia and her companions. While there is a lot of tension throughout and much action, they get out of trouble with few hiccups. But overall, I enjoyed <em>Last of Her Name</em>. We've got royalty, family, friendship - all set in space with a rebellion.
<a href="http://bookwyrmingthoughts.com/last-of-her-name-by-jessica-khoury/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><em><strong>Last of Her Name</strong></em><strong> hits the ground running.</strong></h2>
Khoury's takes us on an adventure through the Belt of Jewels when the Direktor and the Union shows up on Stacia's planet and she is accused of being Princess Anya Leonova, a member of the royal family supposedly killed years ago by the Direktor. With the help of Pol, Stacia escapes from the home planet she's known throughout her life, leaving Clio behind with the others to be taken away.
<h2><strong>Friendships!</strong></h2>
I love the childhood friendship between Pol, Clio and Stacia told throughout the book with various memories as Stacia makes it her one mission to rescue Clio from the Direktor no matter what it takes among the chaos her life becomes. I enjoyed the backstory and learning more about them, and felt the memories were a great balance with the fast-paced action of the book in addition to being a driving force for Stacia.
While <em>Last of Her Name</em> primarily focuses on the strong friendship already developed in Stacia's childhood, Stacia and Pol create new friendships on the run as well. The two cross paths with Riyan shortly after escaping, a tensor from a distant planet who is also searching for someone he cares about. Although the three of them have a rough start, they develop a bond throughout the book.
<h2><strong>Identity!</strong></h2>
Stacia goes about her life normally until the Direktor shows up, forcing her to run away from all she knows. As she and Pol get chased across the galaxy, Stacia is trying to figure out who she <em>really</em> is as a person: is she Anya or is she Stacia? How can she accept a new part of herself without losing the self that she has always known about? In addition to figuring out who she is, Stacia is also battling her growing feelings for Pol, and those two are simply adorable as they circle around their feelings.
<s>This is why I have a soft spot for friends to lovers tropes I'm just saying.</s>
<h2><strong>Family and Community!</strong></h2>
There's not much I can say about family and community without giving spoilers away (can't have that!), but I really appreciated some of the gestures from Stacia's family and community. But there is so much different family drama, I would have had one too many popcorns if I could just watching the whole story unfold and come together. SO. MUCH. TEA. 🍵
<h2><b>Everything seemed a little too easy.</b></h2>
The only issue I had with this one is how everything seems a little too easy for Stacia and her companions. While there is a lot of tension throughout and much action, they get out of trouble with few hiccups. But overall, I enjoyed <em>Last of Her Name</em>. We've got royalty, family, friendship - all set in space with a rebellion.
<a href="http://bookwyrmingthoughts.com/last-of-her-name-by-jessica-khoury/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Phillip McSween (751 KP) rated The Lost World: Jurassic Park (1997) in Movies
Feb 5, 2020
Ian Malcolm Should Have Left Them On the Island
Thoughts before watching The Lost World: Jurassic Park as a twelve-year-old in 1997: “Oh man, I can’t wait to check out all this dino action! Raptors for life!” Thoughts before watching The Lost World: Jurassic Park as a thirty-five-year-old in 2019: “Why the hell are they going back to the island? These people clearly have a death wish!” Yes, the sequel to one of the greatest movies ever made sees a return to the dinosaur madness as a special team led by Jeff Goldblum’s Ian Malcolm goes on a mission for Jurassic Park’s creator John Hammond (Richard Attenborough).
Acting: 10
Jeff Goldblum has a way of captivating any screen he’s on. He has charm, wit, and an erratic nature that’s absolutely hilarious. He has a strong cast backing him up with guys like Vince Vaughn and Julianne Moore helping to run the show.
Beginning: 10
Strong start as we see there are still idiots out there that don’t know how to stay away from these islands. The movie is immediately entertaining while also letting you know it’s going to be a different kind of movie than the first. Definitely piqued my interest.
Characters: 6
One of my biggest issues with the entire movie. I’m honestly surprised I didn’t score it lower. For the most part, I hated these characters outside of Ian Malcolm. I almost wish he had left the rest of them to stew on the island by themselves. Julianne Moore’s character Sarah Harding was obnoxious and pretty annoying. Then again, I can say that for a lot of the characters including Malcolm’s daughter Kelly Curtis (Vanessa Lee Chester). At times, it really made it hard for me to enjoy the movie.
Cinematography/Visuals: 9
The dino special effects were taken to new heights in this one. I particularly love the extra work they put into the velociraptors showing off their incredible jumping ability and rogue-like stealth. I also appreciated the multitude of dinos you get in this one as well from the stegosaurus down to the tiny compies. I can’t remember their names, but my particular favorite dino was the one with the bone head. His hard skull could crash through just about anything. I enjoyed watching it wreak havoc on a number of doors and people.
What bothered me just a bit was the choice of a darker color tone throughout the movie. It was almost as if they were trying to purposefully differentiate from the first by doing this. It takes some getting used to, but ultimately didn’t kill the movie for me.
Conflict: 10
Entertainment Value: 10
Memorability: 4
Pace: 8
Plot: 4
What a stupid story. Who in their right mind after hearing all the craziness that went down at the original park would ever go back to face off against these dinos? Rescue mission my ass, not this guy! Had they followed the book, I feel it would have been a lot more believable.
Resolution: 9
Overall: 77
Let’s be honest, no way this movie was going to match the first in any way. Jurassic Park set an amazing standard that is just hard to follow. However, I will say that, while not perfect, The Lost World: Jurassic Park does have its moments that make it a decent enough watch.
Acting: 10
Jeff Goldblum has a way of captivating any screen he’s on. He has charm, wit, and an erratic nature that’s absolutely hilarious. He has a strong cast backing him up with guys like Vince Vaughn and Julianne Moore helping to run the show.
Beginning: 10
Strong start as we see there are still idiots out there that don’t know how to stay away from these islands. The movie is immediately entertaining while also letting you know it’s going to be a different kind of movie than the first. Definitely piqued my interest.
Characters: 6
One of my biggest issues with the entire movie. I’m honestly surprised I didn’t score it lower. For the most part, I hated these characters outside of Ian Malcolm. I almost wish he had left the rest of them to stew on the island by themselves. Julianne Moore’s character Sarah Harding was obnoxious and pretty annoying. Then again, I can say that for a lot of the characters including Malcolm’s daughter Kelly Curtis (Vanessa Lee Chester). At times, it really made it hard for me to enjoy the movie.
Cinematography/Visuals: 9
The dino special effects were taken to new heights in this one. I particularly love the extra work they put into the velociraptors showing off their incredible jumping ability and rogue-like stealth. I also appreciated the multitude of dinos you get in this one as well from the stegosaurus down to the tiny compies. I can’t remember their names, but my particular favorite dino was the one with the bone head. His hard skull could crash through just about anything. I enjoyed watching it wreak havoc on a number of doors and people.
What bothered me just a bit was the choice of a darker color tone throughout the movie. It was almost as if they were trying to purposefully differentiate from the first by doing this. It takes some getting used to, but ultimately didn’t kill the movie for me.
Conflict: 10
Entertainment Value: 10
Memorability: 4
Pace: 8
Plot: 4
What a stupid story. Who in their right mind after hearing all the craziness that went down at the original park would ever go back to face off against these dinos? Rescue mission my ass, not this guy! Had they followed the book, I feel it would have been a lot more believable.
Resolution: 9
Overall: 77
Let’s be honest, no way this movie was going to match the first in any way. Jurassic Park set an amazing standard that is just hard to follow. However, I will say that, while not perfect, The Lost World: Jurassic Park does have its moments that make it a decent enough watch.
Night Reader Reviews (683 KP) rated Dragon Wing in Books
Jan 9, 2020
Dragon Wing by Rebecca Bush was one of the books I was more looking forward to reading here recently. Sadly I was disappointed by this book. The back of the book talks about how the village Sigrun lives in wanted her killed even as a baby. This is not reflected in the book very well because for the most part Sigrun is treated fairly good by most of the other village faeries. This book turned out to be more of a teen romance than I expected, so be prepared.
Sigrun is a fairy that lives in a small village with her brother and father. One evening while on the beach with her friends Sigrun falls asleep and dreams her father and brother are in trouble. She rushes home to find her father dead, the family sword is stolen, and her brother (who went missing earlier) still gone. The council creates a search party for her brother but quickly gives up. Frustrated Sigrun tries to find her brother herself but ends up attacked by a lizard due to being unprepared for the dangers of the wild.
It is then that Khalon finds her and is able to rescue her. After he helps Sigrun heal she convinces him to go back to the village with her. Sadly Khalon is originally from a tribe that attacks villages and it is with reluctance that the council agrees to let Khalon stay since he warned them of a coming attack. Khalon trains Sigrun and her friends to fight but one of Sigrun’s friends, Jae, is not happy about Khalon’s presence. It is during the training that Sigrun learns that she was a child born of a prophecy and that is why she is so different from everyone else and what she must do to protect her village. Jae and Khalon are going to have to learn to get along because Sigrun is going to need all the support she can get.
What I liked best about this book was Sigrun’s transformation. She has to learn about who she is as a person and how to trust herself, a valuable lesson for anyone. I really have a hard time picking what it is that I did not like about this book. I can not seem to figure out why but something felt very off about the book. I think maybe it had something to do with the size of the fairies. At times they appear to be about the size of a human and at other times they were only about the size of a bee and that really bothered me.
The target readers for this book are teens as I do not think even a young adult would really like this book all that much. It seems to lack some of the depth that older, more frequent readers would enjoy. Also, the “love triangle” between Sigrun, Khalon, Jae, and Ainia leans more toward the interest of a young girl. I rate this book to be a 2 out of 4. While this book was good it did not really stand out to me as something that I will really remember. It sits at a steady middle ground for a book. I would not go out of my way to say everyone should read it but at the same time, I would not discourage anyone from reading. If teen romance and faeries are for you, go for it.
Sigrun is a fairy that lives in a small village with her brother and father. One evening while on the beach with her friends Sigrun falls asleep and dreams her father and brother are in trouble. She rushes home to find her father dead, the family sword is stolen, and her brother (who went missing earlier) still gone. The council creates a search party for her brother but quickly gives up. Frustrated Sigrun tries to find her brother herself but ends up attacked by a lizard due to being unprepared for the dangers of the wild.
It is then that Khalon finds her and is able to rescue her. After he helps Sigrun heal she convinces him to go back to the village with her. Sadly Khalon is originally from a tribe that attacks villages and it is with reluctance that the council agrees to let Khalon stay since he warned them of a coming attack. Khalon trains Sigrun and her friends to fight but one of Sigrun’s friends, Jae, is not happy about Khalon’s presence. It is during the training that Sigrun learns that she was a child born of a prophecy and that is why she is so different from everyone else and what she must do to protect her village. Jae and Khalon are going to have to learn to get along because Sigrun is going to need all the support she can get.
What I liked best about this book was Sigrun’s transformation. She has to learn about who she is as a person and how to trust herself, a valuable lesson for anyone. I really have a hard time picking what it is that I did not like about this book. I can not seem to figure out why but something felt very off about the book. I think maybe it had something to do with the size of the fairies. At times they appear to be about the size of a human and at other times they were only about the size of a bee and that really bothered me.
The target readers for this book are teens as I do not think even a young adult would really like this book all that much. It seems to lack some of the depth that older, more frequent readers would enjoy. Also, the “love triangle” between Sigrun, Khalon, Jae, and Ainia leans more toward the interest of a young girl. I rate this book to be a 2 out of 4. While this book was good it did not really stand out to me as something that I will really remember. It sits at a steady middle ground for a book. I would not go out of my way to say everyone should read it but at the same time, I would not discourage anyone from reading. If teen romance and faeries are for you, go for it.
Emma @ The Movies (1786 KP) rated Sonic the Hedgehog (2020) in Movies
Mar 1, 2020
Growing up I wasn't a Sonic gamer but even I was majorly sceptical when they released the first trailer, that wasn't a look that worked for me.
Sonic is an excitable little fellow and he can't help but zip around his planet constantly against orders, when his speedy secret is uncovered he's sent to Earth and told to find a safe place to hide. He eventually finds a town to settle in and makes himself at home in the woods away from the people, but it's lonely watching the locals without being able to make friends with them.
When Sonic accidentally exposes his existence he enlists the help of the local sheriff so he might have a chance of evading a government scientist sent to track him down.
Simply said, this is an enjoyable film and it certainly went down well with the kids in the audience... but I'm not sure it would hold up to repeated viewings.
For all the moments I enjoyed there were moments that made my eyes roll. You remember in X-Men where Quicksilver runs fast and moves everything around in an action sequence? Well, you'll be wondering if Sonic happened to watch that one movie night. Sure it's cute, but I don't think it's cute enough to see it more than once in the same film.
Despite that, the effects themselves aren't bad, there are a few moments where real life and animation look a little off together but on the whole it works.
Sonic is an adorable hyperactive kid and he manages to experience a lot of things in the space of the film, they play out well and not at all like he's been stalking an entire town for years.
James Marsden plays Sheriff Tom. Watching him in any film after X-Men is extremely strange to me, and none of the roles seem quite right, potentially I just don't appreciate his comedic value. Tom's character is and a little average, it wasn't bad but at no point did I make a note about something that stood out.
And so to Jim Carrey... I enjoy Carrey as an actor but I'd like to seem him in more things that weren't "90s him". Every scene with Robotnik is classic Carrey, the character is that crazed scientist stereotype but it just never seemed to let up. It feels like they just brought him in to do what everyone expects him to do, and for a while I was okay with that... until that one point. As Robotnik searches for Sonic he waits for some analysis from the computer and he puts on his playlist. Then, for an inexplicably long time, he dances for absolutely no reason. It's not funny, it's just completely irrelevant and excessive. Rather than a subtle bit of nostalgia for the adults and some funny physical comedy for the kids every scene was taken just that step too far and turned into an awkward slapstick moment.
The story isn't bad, but perhaps it would have been slightly more interesting if Sonic had to rescue Tom from Robotnik or something similar. The middle of the film could have had some sort of purpose instead of a road trip... which, no matter how you look at it, was not necessary and could have been replaced with a minute of footage of Sonic running.
But... as I said at the beginning, this IS enjoyable, but once you start thinking about things it starts to unravel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/sonic-hedgehog-movie-review.html
Sonic is an excitable little fellow and he can't help but zip around his planet constantly against orders, when his speedy secret is uncovered he's sent to Earth and told to find a safe place to hide. He eventually finds a town to settle in and makes himself at home in the woods away from the people, but it's lonely watching the locals without being able to make friends with them.
When Sonic accidentally exposes his existence he enlists the help of the local sheriff so he might have a chance of evading a government scientist sent to track him down.
Simply said, this is an enjoyable film and it certainly went down well with the kids in the audience... but I'm not sure it would hold up to repeated viewings.
For all the moments I enjoyed there were moments that made my eyes roll. You remember in X-Men where Quicksilver runs fast and moves everything around in an action sequence? Well, you'll be wondering if Sonic happened to watch that one movie night. Sure it's cute, but I don't think it's cute enough to see it more than once in the same film.
Despite that, the effects themselves aren't bad, there are a few moments where real life and animation look a little off together but on the whole it works.
Sonic is an adorable hyperactive kid and he manages to experience a lot of things in the space of the film, they play out well and not at all like he's been stalking an entire town for years.
James Marsden plays Sheriff Tom. Watching him in any film after X-Men is extremely strange to me, and none of the roles seem quite right, potentially I just don't appreciate his comedic value. Tom's character is and a little average, it wasn't bad but at no point did I make a note about something that stood out.
And so to Jim Carrey... I enjoy Carrey as an actor but I'd like to seem him in more things that weren't "90s him". Every scene with Robotnik is classic Carrey, the character is that crazed scientist stereotype but it just never seemed to let up. It feels like they just brought him in to do what everyone expects him to do, and for a while I was okay with that... until that one point. As Robotnik searches for Sonic he waits for some analysis from the computer and he puts on his playlist. Then, for an inexplicably long time, he dances for absolutely no reason. It's not funny, it's just completely irrelevant and excessive. Rather than a subtle bit of nostalgia for the adults and some funny physical comedy for the kids every scene was taken just that step too far and turned into an awkward slapstick moment.
The story isn't bad, but perhaps it would have been slightly more interesting if Sonic had to rescue Tom from Robotnik or something similar. The middle of the film could have had some sort of purpose instead of a road trip... which, no matter how you look at it, was not necessary and could have been replaced with a minute of footage of Sonic running.
But... as I said at the beginning, this IS enjoyable, but once you start thinking about things it starts to unravel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/sonic-hedgehog-movie-review.html
Gareth von Kallenbach (971 KP) rated Gods Of Egypt (2016) in Movies
Aug 6, 2019
Gods of Egypt is a visually stunning fantasy film that teeters on the edge of being campy.
The trailers for this film set high expectations, promising a story of the mythical, god-like beings that come from Egyptian lore. But they also raised questions: would the story keep in tune with common mythos, or branch out into a whole new realm?
With Game of Thrones star Nikolaj Coster-Waldau taking the lead, along with 300’s Gerard Butler, the film starts off in a beautiful, ancient Egypt, ruled over by Osiris and his Queen. Horus, Osiris’s son (Coster- Waldau), is ready to assume the crown, but Set (Butler), brother to Osiris, has other plans. He feels scorned for having to live in the desert, and decides it is his time to rule all of Egypt. He murders Osiris, but leaves Horus alive, taking his eyes instead of his life.
Enter a thief, who wants to rescue his beloved from the clutches of Set’s architect (Rufus Sewell). The love of his life somehow talks him into rallying a dejected Horus to fight Set.
All the gods of Egypt are represented in some form or fashion, even if in minor capacity.
The gods have the ability to morph into larger, more powerful beings. They are nigh invincible, but still age, and die. They pray to Ra, god of the sun and grandfather to Horus.
This two-hour movie is filled to the brim with star-power, and superb acting. The special effects are a sight to behold, and they instill a sense of wonderment. The adventure is grand indeed, and will certainly leave you entertained.
That said, the script is sub-par. There are moments where emotional lines could be delivered, but aren’t. This is not from lack of trying on the part of the actors; the writers simply failed to find the proper words. In these moments, there was laughter from the audience at my viewing — during scenes clearly not meant for humor. This is the precarious knife-edge the movie walks between greatness and campy.
I’ve read several articles about how moviegoers are upset at the very Caucasian-looking cast. I shared this sentiment, to a certain degree. It seemed odd that a movie about a specific time and place in history made little effort to be ethnically accurate.
In the end, I let it go. The movie’s lore turned out to be so far from a real-world tie in that it no longer mattered. It was clear this was some sort of alternate universe; one of the major plot holes is a lack of connection to planet Earth.
If you can divorce yourself from some of these elements, you can really enjoy the film for what it is.
My screener companion said he didn’t care for the graphics, because they were obviously fake. I experienced this movie using animated films as my frame of reference, and that made it easier to watch. It is also clearly a High Fantasy film.
In summary: great acting is the glue that holds this film together. Without that talent, it wouldn’t stand up. It is, however, worth seeing if you love fantasy films. You will be entertained, for sure.
3.5 out 5 stars
The trailers for this film set high expectations, promising a story of the mythical, god-like beings that come from Egyptian lore. But they also raised questions: would the story keep in tune with common mythos, or branch out into a whole new realm?
With Game of Thrones star Nikolaj Coster-Waldau taking the lead, along with 300’s Gerard Butler, the film starts off in a beautiful, ancient Egypt, ruled over by Osiris and his Queen. Horus, Osiris’s son (Coster- Waldau), is ready to assume the crown, but Set (Butler), brother to Osiris, has other plans. He feels scorned for having to live in the desert, and decides it is his time to rule all of Egypt. He murders Osiris, but leaves Horus alive, taking his eyes instead of his life.
Enter a thief, who wants to rescue his beloved from the clutches of Set’s architect (Rufus Sewell). The love of his life somehow talks him into rallying a dejected Horus to fight Set.
All the gods of Egypt are represented in some form or fashion, even if in minor capacity.
The gods have the ability to morph into larger, more powerful beings. They are nigh invincible, but still age, and die. They pray to Ra, god of the sun and grandfather to Horus.
This two-hour movie is filled to the brim with star-power, and superb acting. The special effects are a sight to behold, and they instill a sense of wonderment. The adventure is grand indeed, and will certainly leave you entertained.
That said, the script is sub-par. There are moments where emotional lines could be delivered, but aren’t. This is not from lack of trying on the part of the actors; the writers simply failed to find the proper words. In these moments, there was laughter from the audience at my viewing — during scenes clearly not meant for humor. This is the precarious knife-edge the movie walks between greatness and campy.
I’ve read several articles about how moviegoers are upset at the very Caucasian-looking cast. I shared this sentiment, to a certain degree. It seemed odd that a movie about a specific time and place in history made little effort to be ethnically accurate.
In the end, I let it go. The movie’s lore turned out to be so far from a real-world tie in that it no longer mattered. It was clear this was some sort of alternate universe; one of the major plot holes is a lack of connection to planet Earth.
If you can divorce yourself from some of these elements, you can really enjoy the film for what it is.
My screener companion said he didn’t care for the graphics, because they were obviously fake. I experienced this movie using animated films as my frame of reference, and that made it easier to watch. It is also clearly a High Fantasy film.
In summary: great acting is the glue that holds this film together. Without that talent, it wouldn’t stand up. It is, however, worth seeing if you love fantasy films. You will be entertained, for sure.
3.5 out 5 stars
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